Title | : | Plus Shipping |
Author | : | |
Rating | : | |
ISBN | : | 1880238675 |
ISBN-10 | : | 9781880238677 |
Language | : | English |
Format Type | : | Paperback |
Number of Pages | : | 100 |
Publication | : | First published October 1, 1998 |
Plus Shipping Reviews
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Had to read for school. Had never heard of Hicok. I guess that’s why I am in school. Learned a lot. Some great stuff in this collection. Hicok’s story before he became a published poet and teacher are interesting as well because it shows normal people write poetry and that poetry is for everyone. My favorites are: Heroin, Plus Shipping, Waiting for UPS, Fieldwork, & Other Lives and Dimensions and Finally a Love Poem.
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"and pretend her life is mine, that I've ceased wanting more than I'm prepared to understand and have nurtured revenge into elegant survival."
My favorite poem of all time is the last poem in this chapbook, "Other Lives and Dimensions and Finally a Love Poem." I'm not sure where I read it the first time, but shortly after I got as many of Hicok's chapbooks from my university library as I could and have read a good deal of his work. I enjoy what he writes a whole lot and the last two stanzas of Other Lives have made a deep and everlasting impact on me. -
Here's one of my favourite poems from this collection:
Other Lives And Dimensions And Finally A Love Poem
Bob Hicok
My left hand will live longer than my right. The rivers
of my palms tell me so.
Never argue with rivers. Never expect your lives to finish
at the same time. I think
praying, I think clapping is how hands mourn. I think
staying up and waiting
for paintings to sigh is science. In another dimension this
is exactly what’s happening,
it’s what they write grants about: the chromodynamics
of mournful Whistlers,
the audible sorrow and beta decay of Old Battersea Bridge.
I like the idea of different
theres and elsewheres, an Idaho known for bluegrass,
a Bronx where people talk
like violets smell. Perhaps I am somewhere patient, somehow
kind, perhaps in the nook
of a cousin universe I’ve never defiled or betrayed
anyone. Here I have
two hands and they are vanishing, the hollow of your back
to rest my cheek against,
your voice and little else but my assiduous fear to cherish.
My hands are webbed
like the wind-torn work of a spider, like they squeezed
something in the womb
but couldn’t hang on. One of those other worlds
or a life I felt
passing through mine, or the ocean inside my mother’s belly
she had to scream out.
Here, when I say I never want to be without you,
somewhere else I am saying
I never want to be without you again. And when I touch you
in each of the places we meet,
in all of the lives we are, it’s with hands that are dying
and resurrected.
When I don’t touch you it’s a mistake in any life,
in each place and forever.
Cover art is the center panel of Diego Rivera's
Pan American Unity. Rivera is the husband of Frida Kahlo. -
One of his firsts; it's interesting going at his work backwards. He's a little more daring here, a little more presumptuous. But his sketches of people are lovingly crafted, and a few turns of phrases are phenomenal.
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Good stuff, here--Bob Hicok, my new favorite poet.
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Beautiful and challenging. One of the best books of poetry I’ve read in a long time...