The Years Best Science Fiction: Twenty-Third Annual Collection by Gardner Dozois

The Years Best Science Fiction: Twenty-Third Annual Collection Reviews

• 
  Jim

  Another download from the library. Christopher Hurt is the narrator & he's pretty good. Not exciting, but not boring, either. He doesn't try for a lot of odd voices, but does vary enough to keep characters separated & the narrative flowing.
  
  I'll skip to the overall review: I now remember why I cancelled my subscription to Asimov's magazine years ago - Dozois took over as editor. I grew up reading the pulps and prefer fairly short stories, but most of these run long on words, short on insight & innovation, just like Dozois' own writing. Any impact most stories could have had was cushioned by far too much padding. There were a few gems, though. It's probably worth skimming down the listing below to find them.
  
  The book starts with an amazingly long & boring introduction, acknowledgments, & summation of the publishing industry in 2005 by the pedantic Dozois. I skipped through a lot of it since the last since it was over 2 hours long, but it was interesting in places. He seems to be writing a text book, something for which I believe he is well suited. He does know the industry & it's players. He takes himself & his work far too seriously to entertain, though.
  
  Each story is preceded by an introduction to the author, in extreme detail including a listing of their books - an almost complete listing, even for those who have dozens to their credit.
  
  --------- The Stories ------------
  
  The Little Goddess by Ian MacDonald was interesting, but several times longer than it should have been. (2 hours) Kind of a neat twist on what we regard as mental illness with a tie between the future & old worlds. Worth 4 stars if it had been shorter, but only a 3 since it was far too verbose.
  
  The Calorie Man by Paolo Bacigalupi. I got 40 minutes or so in (about halfway) & we're still setting up the world through trivial actions. I was so bored that I skipped the rest.
  
  Beyond the Aquila Rift by Alistair Reynolds: Wow! Very good & eerie. While it mixes some familiar tropes, it is unique. At 1.25 hours, it was well worth the time.
  
  Second Person, Present Tense by Daryl Gregory was very cool. Earlier this year, I read
  The Forgetting Pill, which discusses removing painful memories. Couple that with teenage angst & drug abuse. It was about 50 minutes long & made its point well.
  
  The Canadian Who Came Almost All the Way Back From the Stars by Jay Lake & Ruth Nestvold was pretty interesting. Again, pretty long (over 50min) but neat, fairly unique ideas.
  
  Triceratops Summer by Michael Swanwick wasn't anything new or special. It's biggest saving grace was that it was one of the shorter stories at 30 minutes. Not bad, but it seemed an amalgamation of stories I've read before.
  
  Camouflage by Robert Reed was fairly good. I've read other stories in this universe, the world ship, with its convoluted politics & myriad life forms. It's OK, but almost 2.5 hours - far too long, IMO.
  
  A Case of Consilience by Ken MacLeod was 30 minutes long & I can't recall a thing about it after a week, even when listening to snippets.
  
  The Blemmye's Strategem by Bruce Sterling was OK, although the alien love interest made no sense at all to me. The time & overall world were kind of interesting, though. It was 1h20m, pretty long for what it contained.
  
  Amba by William Sanders was 1.25h long & pretty good. Another global warming thing, but interesting.
  
  Search Engine by Mary Rosenblum was about 50 minutes long & quite good. The premise isn't new, but has a lot of impact today. She really handled the realities of a chipped & scanned world very well.
  
  Piccadilly Circus by Chris Beckett is a fairly horrifying, inventive future, but was long (45m) & one of the 'surprises' really wasn't. Actually, none of it was after the initial setup. After the first few minutes, I just endured until the author finally got around to the obvious conclusion.
  
  In the Quake Zone by David Gerrold was interesting in a lot of ways, but it was one of the longest stories (4h). I recently read several articles about Kurzweil's predictions & his defense of his record. While arguing about horoscopes seems pointless, his ideas on the acceleration of intellectual technology & the social changes it causes were a major theme of this story. Unfortunately, this story had too many themes. It should have been several different short stories in the same universe, each with its own theme. As it was, they watered each other down.
  
  I'd give this 4 stars just for the world he's imagined. It's the best SF time issue story I've read in a long time & I've read a lot of them over a lot of years. It would really be cool if he edited a book of short stories where other authors wrote stories in this universe. I'm not saying it would be "Wild Cards", but it could come close.
  
  La Malcontenta by Liz Williams was one of the shorter stories (20min) but seemed pretty pointless. Part was the setting. It was retro, but didn't really bring it home.
  
  The Children of Time by Stephen Baxter gives us a glimpses into a dying earth through the eyes of 11 year olds in various future epochs. It was interesting. 3 stars.
  
  Little Faces by Vonda M. McIntyre bored me to tears for 1.5 hours. It failed to work for any of the themes it tried to develop, at least so far as I could tell, but I zoned out fairly frequently. I'd think a theme was developing & then it would get undercut or dropped. Overall, I couldn't have cared less.
  
  Comber by Gene Wolfe was one of the few short stories (20m), but the idea didn't really make any sense. If they were flowing along with so little contact between them, how would they know a foreign place the same as we do? Not a huge deal, but as a vehicle for the point of the story, it felt pasted on. The point wasn't particularly new, interesting, or surprising either.
  
  Audubon in Atlantis by Harry Turtledove has a neat environmental premise & main character, but it's over 2 hours long. The first third of it added nothing to the story besides some background that should have been part of the main story. Who cares that he got seasick? It added nothing, had nothing to do with the main theme, but a lot of words & time were spent on it. Ditto with the other guys sex life, the taxes, & the few days in the city. If the story had started in the small town bar, 75m in & filled in a bit of the background, I would have liked it a lot better.
  This story is exactly what I hate about Dozoi's editing. A decent editor would have removed the unnecessary padding, but he seems to thrive on it.
  
  Deus Ex Homine by Hannu Rajaniemi (35m) didn't really make it for me, but was an interesting premise.
  
  The Great Caruso by Steven Popkes (42m) was well worth listening to. Popkes manages to question a lot of assumptions about what constitutes a disease, where science is going, end of life, quality of & purpose of life & did so briefly, but thoroughly. It should be kept around & listened to every couple of decades because it will evoke something different in each of us depending on our age & circumstances.
  
  Softly Spoke the Gabbleduck by Neal Asher (55m) was OK, but didn't really make any good point & I think it was trying, but the only one was too obvious from early on.
  
  Zima Blue by Alastair Reynolds (50m) was interesting in several ways. Depressing? Not sure. I would have liked it better if I was into modern art, but I find it & the art described in the story plain silly. While that detracted from the impact of the story for me, it was still raised some really interesting questions about man & what makes us men.
  
  Planet of the Amazon Women by David Moles (1h5m) was a waste of time. Lots of high-toned math & philosophizing to an obvious end - not even proper mental masturbation.
  
  The Clockwork Atom Bomb by Dominic Green (45m) was pretty good. It is a scary thought & not just what the author wrote about. It is the nightmare we've been living with. If you haven't been, you will after reading this.
  
  Gold Mountain by Chris Roberson (45m) was OK, but the girl was too dense - maybe just young. The end seemed redundant.
  
  The Fulcrum by Gwyneth Jones (1.25h) bleh. There were good points, but too much never made any sense.
  
  Mayfly by Peter Watts & Derryl Murphy (35m) was pretty good. It had a lot of interesting points & a good ending.
  
  Two Dreams on Trains by Elizabeth Bear (19m) was a look at a bad future, art, & priorities. I liked it. 4 stars
  
  Angel of Light by Joe Haldeman (20m) another look into a weird future & how strange people are. 3.5 stars.
  
  Burn by James Patrick Kelly (2h5m) I hadn't planned on listening to this but am glad I did. It's a futuristic take on "Walden" by Thoreau with a few interesting themes running through it, so long as you're somewhat familiar with "Walden", it's good. If you're not, I don't think it would work as well.
  
  Honorable Mentions; 2005 by Gardner Dozois (38m) - a boring listing of stories & authors. I skipped it.
• 
  Greg

  This is a review reconstructed from mainly brief diary entries made on each of the stories as I read them in 2006-7. While I still recall some of the stories, I have forgotten others in the seven-eight years since reading this book. For this reason, it’s regrettable that I did not record anything about nine of the stories in this anthology, although I did read them. Seven more (listed at the end) I merely noted as having read but the lack of commentary does not mean that I disliked them. This review, therefore, only provides commentary on 14 of the 30 stories in this anthology, but it does at least offer better coverage than my
  review of Dozois’
  The Mammoth Book of Best New SF 16, which comments on only eight stories.
  
  In the anthology’s second story, Paolo Bacigalupi wrote an enjoyable cautionary tale about the consequences of commercial bio-engineering in ‘The calorie men’.
  
  Robert Reed’s story, ‘Camouflage’, was also enjoyable, if slightly contrived, and combined elements of traditional science fiction with cyberpunk and a mystery.
  
  ‘Amba’, by William Sanders, was interesting as it was set in a near-future Siberia where, due to global warming, wildlife numbers had increased as the cold weather there declined. The story centres on a small company (four personnel) that takes wealthy customers into the wilderness to photograph wildlife but this time it takes on a Mafia transportation job that goes awry. Capturing the man responsible for getting them into this fix – he also appears to have been involved in the murder of truckloads of illegal Chinese migrants – the protagonists leave him tied to a tree for tigers to feed upon him while he is still alive. A good story, if an unsettling ending!
  
  Another good story is Mary Rosenbaum’s ‘Search engine’, which is about privacy intrusion in the future. Given the revelations, in 2013, about the US National Security Agency’s
  global internet and telephone spying activities, perhaps this story is worth revisiting! Some typographical errors in the text were noticed.
  
  I found ‘In the Quake Zone’, David Gerrold’s homoerotic short story/novella, to be socially and historically interesting but, regrettably, didn’t expand on this description.
  
  The story immediately following Gerrold’s, Liz Williams’ ‘La malcontenta’, is one of forbidden love in a genetically altered and matriarchal Martian colony. I commented at the time that this was a familiar theme in terms of a matriarchal society on Mars, but I didn’t expand on this point – I think I’d read a story with this theme in another anthology, or perhaps a magazine, sometime beforehand.
  
  Stephen Baxter’s ‘The children of time’ offers snapshots of humanity surviving a glaciation and, millions of years later, a cometary impact. This is followed by the destruction of much plant life due to global reductions in carbon dioxide levels before humans finally succumb to global desertification and high temperatures due to the enlarging sun. In the process, the ruins of a Chicago suburb and the traces of a future stone age are discovered at different points in this projected history of humanity. It’s interesting to see environmental determinism, which is commonly used by archaeologists to explain human behavioural changes in the past, being applied to some possible future changes.
  
  ‘Little faces’, by Vonda N. McIntyre, deals with a future humanity dominated by women who carry vestigial males in their bodies – almost as pets – but mate with them to produce offspring. The spaceships these women travel in are also organic life-forms in their own right and produce their own offspring, which then carry the daughters of the women living in the... um... mother ships. Humans now live for aeons, the protagonist going to ‘sleep’ for 1,000 years while her ship grows its baby ship.
  
  Gene Wolfe’s ‘Comber’ seems to be about a future time when American and French tectonic plates are crashing against each other - clearly a metaphor about the state of Franco-American relations in the mid-noughties! I thought the story was short and rather silly, and expected better from Wolfe.
  
  Harry Turteldove’s ‘Audubon in Atlantis’ is an alternate history tale about
  John Audubon, the Franco-American naturalist, travelling with a friend to Atlantis on a steamer from Louisiana to paint/draw specimens of moa-like flightless birds called honkers, which are approaching extinction in the wake of the island’s human colonisation. Although well-written, the story has no twist or shock ending.
  
  Continuing the naturalist theme, I enjoyed Neal Asher’s ‘Softly spoke the gabbleduck’, which is about an incestuous brother and sister who charter a blimp pilot to take them across part of a planet in search of an enormous and quasi-legendary creature – the gabbleduck – but end up shooting and killing vaguely primate-like sentient animals that are legally protected. The brother and sister end up chasing the blimp pilot and another employee in an attempt to silence these witnesses for good – that is, until the gabbleduck intervenes....
  
  Alastair Reynolds’ ‘Zima Blue’ is partly about the artificial enhancement of memory and whether or not it should mimic the fallibility of unaugmented human memory or record everything exactly as it happened, with no selectivity. But it’s also about how a cyborg artist discovers what inspires his obsessive use of an abstract theme in his art. The inspiration arose from his origin not as a human – despite his current anthropomorphism – but as a robot that was built to clean a swimming pool a thousand years earlier before being gradually enhanced by generations of owners and, finally, by himself, to the point where he/it now desired to return to that simpler state.
  
  The harnessing of small black holes as weapon components features in ‘The clockwork atom bomb’ by Dominic Green. These black holes were used to launch missiles over sub-orbital distances during a war in Africa. The war now over, thirty-nine of these black holes remain to be disposed of safely (the future equivalent of
  minefields, unexploded
  cluster bombs and scattered
  depleted uranium rounds?) but they are already being re-used by people to dispose of waste and to generate electricity.
  
  The last of the stories that I commented on in my diary is Elizabeth Bear’s ‘Two dreams on trains’, which is rather short, but it deals with a woman who is being scarified/tattooed on her head to mark her fifth year of education in a flooded New Orleans and her son, who etches graffiti onto the hull of a spaceship while it is docked in the same city. There are some interesting ideas, but it’s not much of a story.
  
  The stories I recorded as reading but otherwise didn’t comment upon include: Ian McDonald’s ‘The little goddess’, Alastair Reynolds’ ‘Beyond the Aquila Rift’, Jay Lake and Ruth Nestvold’s ‘The Canadian who came almost all the way back from the stars’, Michael Swanwick’s ‘Triceratops summer’, Steven Popkes’ ‘The Great Caruso’, Chris Roberson’s ‘Gold Mountain’ and Gwyneth Jones’s ‘The fulcrum’.
  
  I also browsed through Gardner Dozois’ thirty-six-page introductory essay, ‘Summation: 2005’, which provides an overview of the main science-fiction events in the English language for that year. Although not something to be read in one sitting, it is (as with other years) full of interesting facts on the science-fiction aspects of the publishing and movie industries.
  
  The cover illustration by British fantasy/horror/science-fiction artist
  Joe Roberts is a colourful depiction of a futuristic battle scene in which troops appear to be defending a building or some large craft against other, smaller, craft. Roberts has illustrated a few other covers in Dozois’ Best New SF series.
  
  Overall, I liked this anthology – I’m just sorry that I didn’t keep a complete record of my thoughts for all of the stories concerned.
  
• 
  Princessjay

  1. Beyond the Aquila Shift - Alastair Reynolds. A rendition of a lost-in-space story, told a la MEMENTO. Interesting, but ending very predictable by the half-way point. I also question the authenticity of the main character's reaction -- surely a space-travelling human should be more resilient than that? 2.5 STARS.
  
  2. Second Person, Present Time - Daryl Gregory. Exploration of what happens when one's personality destructs, to be replaced by a naturally-occurring other, and whether and how to reform old relationships. 3 STARS.
  
  3. The Canadian Who Came Almost all the Way Back from the Stars - Jay Lake & Ruth Nestvold. A very straightforward story of a woman waiting for her husband from his trip to Barnard's Star. The only item of interest is her Canadian-ness -- us Canucks so rarely appear in fiction, we must celebrate each occasion when we do. 2 STARS.
  
  4. Tricerotops Summer - Michael Swanwick. What happens when something goes wrong and a herd of tricerotops were let loose into the world? A simple, whimsical and lyrical tale. 4 STARS.
  
  5. Camouflage - Robert Reed. Read this in another anthology. A detective story set upon the Great Ship, with some interesting twist and turns. Throw-away clichéd ending, though. 3 STARS.
  
  6. A Case of Consilience - Ken MacLeod. A Christian seeks to convert an utterly alien species, who had their own means of communication. Interesting germ of an idea, but un-involving. 2 STARS.
  
  7. The Blemmye's Stratagem - Bruce Sterling. Re-imaging of the crusades and their semi-mystical players -- the Old Man of the Mountain, the Leper King -- as background characters to an alien Romeo & lethal Juliet. The tone is strongly that of T. H. White. Started off promising, but dragged on to the end. 2.5 STARS.
  
  8. Amba - William Sanders. Global warming makes havoc of the entire world except Russia, turning it into the land of desperate opportunities, filled with corrupt and lawless men. 3 STARS.
  
  9. Search Engine - Mary Rosenblum. What happens if every details of our lives can be discovered by tracking the things we buy and the paths we travel, and everything is trackable? This story reminds me of a futuristic Bladerunner. A believable projection of what already is. 4 STARS.
  
  10. Piccadilly Circus - Chris Beckett. What happens if THE MATRIX were put into effect, but you were among those who refused to become a part of it? Age and sadness in a slowly-decaying London. 4 STARS.
  
  11. In the Quake Zone - David Gerrold. An intense noir-ish time travelling story for 3/4 quarters, until it banged a 90-degree u-ie into a smug happy tone, where becoming a whore offering genuine love via pills is the ultimate good deed. I hate to harp on gender, but could not help but feel only a male author could sell the benefits of love as a collection of intense experiences that bonds people, therefore should be deliberately cultivated by brain chemicals for its ability to save others from suicide and despair. Interesting idea, but I really loathe the execution. 2 STARS.
  
  12. La Malcontenta - Liz Williams. Set in women's country, and turns patriarchy upon its head --> that the "matriarchy" can be just as constricting and suppressing of a woman's yearning and search for freedom -- all in the trappings of a baroque fairytale. 4 STARS.
  
  13. The Children of Time - Stephen Baxter. Man survives unchanged in post-disaster world for hundreds of millions of years. I see what he's doing, but it is done repetitively and pointlessly. I disagree with his ultimate point. 1 STAR.
  
  14. Little Faces - Vonda N. McIntyre. Space fairy tale, female-only universe. Males reduced to tiny mindless creatures that attach to women's stomachs. Symbiotic relationship with hyper-intelligent space ships. Endless long lives. Lots of ideas here, but is there a point? 3 STARS.
  
  15. Comber - Gene Wolfe. People live in giant plates floating upon the ocean, two plates on slow but sure collision course, and thus begins the coercive cover-up. 3 STARS.
  
  16. Audubon in Atlantis - Harry Turtledove. Alternative history story: aging artist seeking to illustrate a near-extinct specimen in a still-wild, but fast-urbanizing, land. I was, unfortunately, bored out of my mind. 2 STARS.
  
  17. Deux Ex Homine - Hannu Rajaniemi. AI plague that turns humans into gods, and how two people dealt with its aftermath. Inventive, poignant, deeply human, with a hopeful ending -- possibly the best story in this collection. 5 STARS.
  
  18. The Great Caruso - Steven Popkes. Music, nano-mites, and an old woman deeply engaged with life. 4 STARS.
  
  19. Softly Spoke the Gabbleduck - Neal Asher. Hunting trip gone wrong. A tense and suspenseful glimpse into a fascinating world. 4 STARS.
  
  20. Zima Blue - Zlastair Reynolds. The significance of memory down the centuries, blurred lines between robot and humanity, and existential art. 3 STARS.
  
  21. Planet of the Amazon Women - David Moles. A man travels into a planet carrying an casual anomaly wherein no masculine genetic material had ever existed. 3 STARS.
  
  22. The Clockwork Atom Bomb - Dominic Green. A day in the life of a man whose job it is to disable ultra-lethal weapons. 3 STARS.
  
  23. Gold Mountain - Chris Roberson. Alternate history reversing the role of Chinese coolies who built the railroad with "Vinlanders" (Americans) who build a celestial tower for the Chinese Empire, while facing rejection and discrimination. An old Vinlander recounts his story. 4 STARS.
  
  24. The Fulcrum - Gwyneth Jones. A deep space noir story, with weird characters and twists aplenty. 3 STARS.
  
  25. Mayfly - Peter Watts & Derryl Murphy. A scientist as monster gets his hand on a baby. High drama ensues. 3 STARS.
  
  26. Two Dreams on Trains - Elizabeth Bear. Another tale of parental sacrifice for an "ungrateful" child. 3 STARS.
  
  27. Angel of Light - Joe Haldeman. Post-cultural collapse and re-constructed into "Chrislam" -- fundamentalist (of course) and anti anything that is not religious. A simple and sweet story nevertheless. 3 STARS.
  
  28. Burn - James Patrick Kelly. Interesting. 3 STARS.
• 
  Cheryl

  I've had this intimidating volume collecting dust since it was close to new, over several moves. Time to move it along. To that end I read at least the first paragraph or so of every one, often a page or two, but seldom wound up finishing the stories (maybe about 1/4). New-to-me authors to consider are
  Daryl Gregory,
  Steven Popkes,
  Chris Roberson. I really liked the story 'Zima Blue' by
  Alastair Reynolds but suspect it's unique among his works in its appeal to me.
  
  Skimmed Sept 2021
• 
  Anthony

  This is an anthology, and an old faithful one at that. I have read volumes of this anthology for years and always marvel that Gardner Dozois seems to find so, many incredible stories to include in these things every year.
  We open with Ian McDonald’s The Little Goddess: what a brilliant start to this collection! In this we travel to a future India, that probably isn’t that far away, filled with incredible technology, and ancient traditions, to meet a girl who become a God as a child and finds herself a mere mortal as she enters adulthood. What does this mean is what drives this tale, as we follow this compelling character from her confusion and sadness to a destiny where she may in fact be a real Goddess.
  The Calorie Man, by Paolo Bacigalupe is a story that seems almost painfully like a prediction of a future too close for comfort. Economics, biology, and climate science find us in a world of extreme haves and have nots, and ultimately a possibility for a better way of life discovered by someone buried under cynical pragmatism.
  Alastair Reynolds’ Beyond the Aquila Rift is his signature SF space opera type story, with a large backdrop, but a human focus. What we learn is that the idea of going where no one has ever gone may mean finding things you never thought you would find.
  Second person, Present Tense, by Daryl Gregory is such a moving and uncomfortable story that it can seem painful at times. Memory and identity are subjects that are right in the wheelhouse of great SF. Meeting Therese, who is now Terry, takes us with her on a journey to become…herself.
  The Canadian Who Came Almost All the Way Back From the Stars. This is the longest title I think, and it is also an amazing tale written by Jay Lake and Ruth Nestvold. The title certainly says all you need to know about what this story is about, but that is also so much less than what is going on here. I could also say it is the story of a man falling in love with a married women, and not tell you anything about it.
  Michael Swanwick is a great writer, and his story, Triceratops Summer is a soft spoken, but gently sad tale that is ultimately a story of love and hope. This is great storytelling.
  Robert Reed is a special writer who has, if he never does anything else, created one of the great locations in SF, The Great Ship. I have read many of his Great Ship stories, and this one, Camouflage, is another addition to this universe. How do you solve a murder mystery on a spaceship bigger than Jupiter, with a crew and passengers numbering in the billions? We meet a man who will, and delve into a strange culture that spawned this horrible deed.
  A Case of Consilience, by Ken Macleod. This tells a story that has a familiar trope: first contact with an alien race. But this story lets us know that there will be as many first contacts as races to meet. Some will be very much a surprise to us.
  The Blemmye’s Stratagem, is a story by master of SF Bruce Sterling. This is something a little different from what most of us think of as a Bruce Sterling story. He takes us into an alternate version of the world of the Crusades…or is it? The interesting thing about this story is that it could be a story set on an alternate earth at the time of the Crusades, but it could also just be a story that really happened and we…just…never…heard of it. A great story taking place in an intricate fashion, featuring an outlandishly odd set of aliens, and completely over the top human characters.
  Amba, by William Sanders is set in a future that is bleak – and not the least bit impossible – in which the climate policies of the major countries of the world have come home to roost, and human viciousness is still growing. We come along with a retired – but still deadly mercenary – on a “simple and safe job” to help refugees over a border. Needless to say things are more than they seem, and there are many hungry beasts in the wild.
  Search Engine, by Mary Rosenblum is a story about whether privacy matters, and what will you do to get it in a world that is becoming more and more scanned and linked and kept track of. We meet a future private eye who uses to its utmost, the power of the computer to always find his man. But there are some people that think they can fool the system.
  Chris Beckett gives us the story, Piccadilly Circus. He takes us into a world that is becoming emptier and emptier, as more and more people choose to live in a more perfect world of illusion. But some will choose to face the world in its own form – to some degree – and one such is a talkative old lady named Clarissa Fall, someone that has a community of her “own kind” but wants to be part of the community that once was. Her encounter with the consensual world, as well as one of the simpler inhabitants of the new consensual world, becomes a desperate and poignant one.
  In the Quake Zone, by David Gerrold is an extremely inventive take on the time travel story, as well as the alternate history story. Imagine a world where sudden random time traveling becomes a thing just after World War II. What do you think that would be like? Plus we get a time spanning detective story about the race to stop an apparent serial killer.
  Liz Williams has written a story that is set in a far future Mars that is very bizarre indeed. La Malcontenta is a tale that has a feel of almost a nightmare.
  The Children of Time, by Stephen Baxter has an intro that states that the story begins where you might think a story would end: The end of the world. This is true, to say the least. It begins one hundred thousand years after the end of human civilization, with the remnants of humanity eking out their survival in the ruins of the world. But it doesn’t end there, we travel in fits and starts, into the unimaginably distant and still primitive future, where we will meet the very last, and soon to be extinct remnants of the human race. This is what sets this story apart from many others; that it shows humanity surviving apocalyptic catastrophe and not rising up once more, no matter how many eons pass. This is a sad and maudlin story, to say the least.
  In Vonda N. McIntyre’s tale, Little Faces, we travel probably almost as far into the future as Stephen Baxter in the previous story. But this is a future where humans have grown into a spacefaring race of incredible power and complex relationships. Our hero is a woman named Yalnis, and we meet her at the moment she loses one of her “companions” a word that doesn’t encompass the relationships involved. These are the descendants of our human race, but as different from us as we from the gorilla.
  The next story is by Gene Wolfe. Pause here and take a deep breath. This writer is of course one of the greatest writers we have still living among us. His story here is Comber. What is this story about? Well it sure isn’t possible to tell where or when this story is set. It almost feels like a work of magic realism, rather than SF, and it is almost too difficult to describe what the story line is, but it is tense, and odd, and strangely moving. This is another masterpiece; and that is no surprise.
  Harry Turtledove has been known as one of the masters of the SF sub-genre of alternative history for years, and for good reason. Audubon in Atlantis, is another notch on his alt-history belt. With it even if you are someone who hasn’t read one of his other works (small group that may be) you will see why he is the master. Here he has not only done all the requisite research on his historical subject, in this case, John Audubon, a man I am sure some modern people forget was a real honest to goodness person. As usual though, Turtledove is transplanting his historical figure into a situation he never lived through here – at least not in this universe. The earth this story takes place in is one in which Atlantis isn’t just a lost dream spoken of by Plato, but is in fact a real landmass that exists, and never sank beneath the waves of the Atlantic ocean. We follow Audubon into the heart of Atlantis, a new land slowly becoming a place of growth and immigration as its once unspoiled forests are encroached on by the outside world, and many indigenous species face extinction. This is a sad and ultimately frightening story about the one creature that changes his environment wherever he goes, and not always for the better.
  Deus Ex Homine, by Hannu Rajaniemi, takes us to a post Singularity future of men, AI’s, gods, and men that once were gods. Those former gods are libel to leave behind successors we find, and we are going to need to speak to them, relate to them, and help them help us.
  The Great Caruso is a funny story at times, and at others a moving story about change, clothed in the tale of a woman who hasn’t spent much time doing for herself, only to find a new purpose thrust upon her by something completely outside her experience. The story by Steven Popkes, has a central conceit that is almost a joke: there are so many ways smoking might be bad for you, could there be something you would never see coming at you from smoking a cigarette? The tobacco industry, malfunctioning Nano-tech, and a love of music by a woman who could never hold a tune…at one time at least. This is also a story about aging, and moving on to let someone else live out their dreams, even if that someone isn’t even remotely human.
  Softly Spoke the Gabbleduck, by Neal Asher; this is the funniest sounding title in the collection perhaps, but it sure isn’t a funny story, that’s for sure. This is a tense and action packed adventure about some big game hunters on a distant and dangerous planet, looking for a dangerous and near mythical creature. Asher presents the characters: a man making his living taking the idle rich out into the wilds of this world; the others are a wealthy brother and sister hunting for excitement; and a young woman acting as their personal assistant. At some point in this story, the shit hits the fan, and a stupid mistake is made and someone may have to take the fall, and the rich clients aren’t planning for it to be them.
  Alastair Reynolds returns with another story in this volume: Zima Blue. Set in mankind’s distant spacefaring future, we follow a pop culture reporter as he receives an invitation for an interview with the most famous, and mysterious human artist – and perhaps the most mysterious man – in the galaxy. The artist Zima, is known for his works that have grown in fame and influence as he goes through his, “Blue Period,” creating works too large for any one canvas, or planet, to encompass. But he is going to be unveiling his final work. He will be retiring in a way that is not a way we can relate to…or is it? This is a great story, and is filled with both massive SF ideas, and a more focused inward looking grace as well. We are asking both, what is art, and what is life? And finding that maybe they have the same answers.
  David Moles story, Planet of the Amazon Women, has an ironic title, this is certain. But it isn’t an ironic story. He takes the old story cliché of a society in which only women live and takes it on its way toward a new region. In this story we travel with a man named Sasha who is trying to probe a mystery that may kill him. Why he seeks this out is a mystery we are also probing.
  The Clockwork Atom Bomb, by Dominic Green, takes us to a not very distant future where we meet a guy that could have stepped out of The Hurt Locker. There is one difference though; these unexploded munitions are very strange, way scarier than plastic explosive, and could cause the end of the world. One part fast pace thrill ride, one part social commentary about letting the cat way out of the bag with our weapons tech, this story is fun in a frightening nightmare way.
  Chris Roberson’s tale, Gold Mountain, may take you a couple of minutes to grasp as what it is (an alternative world story) but once you do, you aren’t going to have any problem seeing how some alternate universes might be just a little different from ours. We will follow a young woman doing research on the history of the building of man’s greatest engineering achievement, and the human cost associated with that same monument to man’s genius. What we find out is that she is also trying to find the ground under her own feet, and her own heritage in a world that she still feels like a stranger in.
  Gwyneth Jones’ story, The Fulcrum, is set on a space station called the Panhandle far from earth. We move through the labyrinthine society of this place in the company of a couple hoping to jump out of this treadmill lifestyle and find somewhere else to go.
  Mayfly, by Peter Watts and Derryl Murphy, tells the sad story of a child who finds herself caught in between two worlds, and her parents, both her biological parents and another who also feels that he is better suited to choose this child’s life for her. It is also proof that you cannot change someone – anyone’s – perspective and view of their world, and expect them to fit back into a much, much smaller box.
  
  Two Dreams On Trains, is a neat and subtle tale by Elizabeth Bear. We find ourselves in a future that may happen, on a slowly drowning and depleted world of haves and have-nots. We visit the lives of two of these have-nots, a mother and son. The mother dreams (reasonably) for her son to somehow make a small place in the world and survive in its dying streets. The son, however, we will see, knows this isn’t probably going to happen, and hopes to make his mark, even a small mark, on a bigger canvas.
  Angel of Light, by Joe Haldeman, isn’t his greatest work. But let’s be honest, considering his body of work, it most assuredly wouldn’t be. What this is, is a small wry story about the difference between what one “person” thinking being important, while someone else may not. It also looks back at the innocent, naïve, and hopeful days of the golden days of SF.
  The anthology closes out with a powerful and penetrating novella by, James Patrick Kelly. Its title is Burn, and deals with luck and loss and grief and guilt. But it also is a creation of a very interesting future in which humans are allowed to do what they want on their own worlds, but that doesn’t mean there aren’t eyes on them. Our setting is Walden, a planet that has been annexed by a group of humans with a back to nature simple life theory of society based on Thoreau. But you can never call it back to nature, when you need to create the simple life you are going back to, using technology you hate.
  This is the usual great anthology in the series, and you will enjoy it.
  
• 
  Jeff

  An excellent anthology series that does publish awesome short stories. Tons of cool stuff in here.
  
  Ok I finished this, so I'm going to add a little more to it. Since there are a pile of stories here i'm just going to make comments on the ones I remember and liked, my apologies to the early stories in the book as I read them over a year ago.
  
  The Calorie Man- Paolo Bacigalupi: This story was awesome, it takes place in the future where there are no fossil fuels, but genetic engineering is well advanced. So everything is powered by food energy. Machines are powered by giant springs that are wound by huge gentically engineered animals. Or their computers are powered by pedlebikes. I liked it a lot.
  
  Tricerotops Summer- Micheal Swanwick: One of my favorite stories in the book. No lazers or aliens, Just a normal guy faced with crazy information. And dinosaurs in his back yard.
  
  Picadilly Circus- Chris Beckett: Another great story. Most of humanity has converted over to something like 'the matrix' but the most convenient way to build the artificial world was to overlay it on the real world. Most people are virtual, but some remain in meat bodies, and the two can interact. There are very few meat people left and they are old and dying. Incredibly sad.
  
  Zima Blue -Alastair Reynolds: This story involved an artist who retires. His most famous works are the size of planets.
  
  I would say that these are some of my favorite stories from the book but I know i'm missing some. For example the one about the time traveling private investigator, that starts as a noir and ends up in a completely different place. Or the one about the girl recovering from a drug that cut her off from all of her person memories and emotional attachements. Or the weird space opera thing with all lesbians in living spaceships that carry men around as parasites that live in their bodies.
  
  One of the things that I like about this compilation is that the hobbit that edits it has a wonderful eye for stories that turn expectations on their heads, or introduce cool new ideas, but also most of them have a strong emotional or philosophical component as well.
  
  As someone who doesn't read a lot, but likes exposure to cool ideas, I think the short story is my favorite form of Lit. And if they are bad, they only last about 30 pages or so.
• 
  Jim

  every single one of these collections is essential reading for true fans of science fiction short stories... each lengthy volume has a stellar array of all mini-genres and areas of powerfully influential science fiction: hard science, speculative, steampunk, alien invasions, apocalyptic/post-apocalyptic, space opera, fantasy, aliens, monsters, horror-ish, space travel, time travel, eco-science, evolutionary, pre-historic, parallel universes, extraterrestrials... in each successive volume in the series the tales have advanced and grown in imagination and detail with our ability to envision greater concepts and possibilities... Rod Serling said, "...fantasy is the impossible made probable. science fiction is the improbable made possible..." and in the pages of these books is the absolute best the vastness of science fiction writing has to offer... sit back, relax, and dream...
• 
  Nicholas Whyte

  
  http://nhw.livejournal.com/724852.html[return][return]This is always the best value for money of the various best-sf-of-the-year collections, if also the most intimidating (I don't seem to have finished last year's). Plenty of stories that I had already read and enjoyed, and several that were new to me - note especially "The Canadian Who Came Almost All the Way Back from the Stars" by Jay Lake and Ruth Nestvold, "The Blemmye's Stratagem" by Bruce Sterling, "Audubon in Atlantis" by Harry Turtledove, "Softly Spoke the Gabbleduck" by Neal Asher, "Planet of the Amazon Women" by David Moles and "Gold Mountain" by Chris Roberson.
• 
  John Devlin

  If you read one sci-fi book a year, this is the one. Always stories of high caliber with a few tossed in that will keep you thinking weeks later, not to mention the collection is a primer for what science and technology everyone will be talking about five to ten years from now.
• 
  Kirsten

  I checked this book out just for one story: "The Calorie Man" by Paolo Bacigalupi.
  
  It is a fascinating and thrilling story. His new future for the world is terrifying and fascinating.
• 
  Radu Harabula

  Cei de la Nemira le-au amestecat și le-au combinat și le-au întins din motive comerciale și de vânzare, astfel încât au scos 2 volume.
  
  Miza zeita - Ian McDonald
  
  Într-o Indie viitoare (sau ce a mai rămas din ea, prin 2034, când nu mai sunt musoni) dar la fel de surprinzătoare, misterioasa, supra aglomerata, poluata și cu inegalități uriașe, o fetita devine zeiță (de fapt este declarata, ceva asemanator cu alegerea lui Dalai Lama) și pierde acest statut nu pentru ca a pierdut sange în una din acele zile ci pentru ca se taie la un deget. Un brahman, un monstru de copil de 10 ani, modificat genetic, o ia în haremul (?) sau de unde fuge pentru a ajunge caraus de IAuri intre diverse state aparute pe scheletul vechii Indii. La ultimul transport de contrabanda, i se baga 5 IAuri în cap dar nu le preda destinatarilor pentru ca reteaua este destructurata de politie asa ca fuge în Nepal cu tot cu IAuri.
  Isi propune sa devina o mica zeița altfel, aproape de oameni și pentru ei, sa ii ajute folosind cunostintele și informatiile celor 5 IAuri
  Nu mi s-a parut cine stie ce
  
  Omul-calorie - Paolo Bacigalupi
  
  Într-o epoca postpetrol, unde energia e data de arcuri cinetice iar modificarile genetice au atins culmi nebanuite, totul se raporteaza la calorii și la Jouli, iar ce nu e modificat genetic supravietuiste in izolare. Pana vine cineva și aduce molima (sau molimele) și se declanseaza o misiune de cautare și aducere a unui tip, fost genetician , pare-se un geniu, care sa rezolve situatia.
  E o postindustriala, dar nu cu robotica sau IA, doar cu genetica, iar sfarsitul ne lasa speranta ca putem merge mai departe, ca putem si fara genetica dusa la extrem
  Buna, mult mai buna decat
  Fata modificata
  
  
  Dincolo de falia Aquila - Alastair Reynolds
  
  Un echipaj și nava sa se plimba intre diverse puncte din spatiu utilizand dispozitive numite ferestre (cu tehnologie necunoscuta - ceva asemanator ca și idee cu cea din
  Poarta de Pohl)
  Si la un moment dat o eroare de sistem ii scoate în alta parte decat ar trebui, dincolo de sfera în care se puteau folosi aceste ferestre de navigare, de unde intoarcerea poate dura ani , iar în timpul de acasa dura zeci de ani, ceea ce ii facea niste stafii - ca și cum te-ai fi intors din cautarea tineretii fara batranete.
  Sa ajungi dincolo de orice, si toti cei pe care ii stii sau iubit sau urat sa fi murit de cel putin o suta de ani. De fapt totul e virtual, și esti departe, mai departe decat orice departe iti poti inchipui
  Buna
  
  
  Persoana - Daryl Gregory
  
  Eradicarea consumului de droguri prin eradicarea cererii. Bagi pe piata (autoritati în intelegere cu micii dealeri) un transport modificat și consumatorii se cam duc pe plaiurile psihedelice ale vanatorii cu spume la gura
  Ce e mintea? Ce e constiinta de sine? Ce e “eu”?
  Recuperare dupa o supradoza de drog numit Zen care te face un fel de zombi psihic.
  Slab
  
  
  Canadianul aproape reîntors din stele - Jay Lake & Ruth Nestvold
  
  Un miliardar excentric gaseste o metoda de zbor supra luminic și o taie de pe Pamant într-o jerba de explozii și artificii (Musk a trimis o Tesla, n-a plecat chiar el :)).
  Dupa 6 ani o anunta pe nevasta-sa sa se intalneasca undeva la frontiera USA-Canada, pe maul unui lac în mijlocul caruia a aparut o groapa radioactiva distorsionata termic etc etc
  CPSF anii 70 .... asa pare. Dar ....
  
  
  Vara triceratopşilor - Michael Swanwick
  
  Un incident cu o bucla temporala și din cauza asta apar niste dinozauri în peisaj
  Slabutz
  
  
  Camuflaj - Robert Reed
  
  Un detectiv investigheaza crime pe o nava imensa unde locuitorii sunt cvasi-nemuritori , ceva incalcit cu o sotie și mai multi soti, care se omoara intre ei, relatii interspecii ... un pic cam confuz totusi. Am retinut ca cel mai scurt drum e linia dintre punctele care se ating - aia da, nu linia dreapta, nici drumul pe care il cunosti, ci punctele care se ating
  Slab
  
  
  O speţă de concordie - Ken MacLeod
  
  Undeva în viitor, pe când UE anexeaza Irakul și China Iranul, o staţie spaţială de contact cu extratereştrii, intalneste și incearca sa comunice cu o civilizatie formata din bacterii.
  Nu e rea, dar cine o fi tradus titlul?
  
  
  Planul lui Blemmye - Bruce Sterling
  
  Un fel de fantasy/history SF în Tara Sfanta, cu razboiele intre crestini și pagani în floare, cruciade și cruciati și manastiri, Razboiul Sfant, extraterestrii care nu sunt extrateresti ci doar oameni (?) care traiesc mult pentru ca folosesc alchimia antiriduri :)
  
  
  Amba - William Sanders
  
  Incalzire globala, o parte din Europa de Vest sub ape, exodul europenilor spre Siberia, niste tipi cu bani merg sa pozeze ultimul (ultimii) tigru/i alb/i.
  Nu e rea
  
  
  Motorul de cautare - Mary Rosenblum
  
  Intimitatea și expunerea vietii personale pe motoarele de cautare și pe retelele de socializare. Urmarirea unui disparut cautat de Federali pe motoarele de cautare, tranzactii bancare, cumparaturi, un pic de IoT, normal - un subiect foarte actual.
  
  
  Chris Beckett - Piccadilly Circus
  
  In Londra cam toată lumea a trecut pe persoana virtuala, pe persoana fizica au rămas foarte putini, nostalgicii si cei care nu isi pot permite. Londra virtuala arata beton suprapusa peste ceea ce a mai rămas din Londra ffizica, părăginită și abandonata.
  Civilizație digitala, un nou concept foarte frumos, făcut posibil prin implanturile de rigoare în sistemul nervos.
  Poveste trista despre alienare intre cele doua lumi, cea fizica și cea digitala.
  Buna
  
  
  În zona de seism - David Gerrold
  
  Bucle și seisme temporale, timp fracturat, neliniar, azi aici, mâine-n 1971, poimâine în 1957. Un fel de detectivi în timp, saltatori nu călători, investigheaza și/sau previn anumite evenimente, fiind un fel de mentenanță preventiva a timpului (ca tot suntem ingineri :0 ).
  Mai poti sa faci și niste ciubucuri cu ceva mărunțișuri - reviste (ca tocmai am citit cu cat s-a vândut prima revista în care apare Superman), păpuși, chestii din astea de colecție care se scumpesc peste ani.
  Aerul anilor 60-70, Los Angeles și Hollywood, cu decadenta de rigoare, cu referiri la marile dezbateri ale vremii legate de obscenitate și pornografie, și reminescențele mai ales psihice ale războiului din Vietnam și traumele lui. O întreagă dezbatere despre comunitatea gay, plus o descriere a viitorului din 2032.
  Personajul principal își încalcă fisa postului (neintervenție/neingerinta) și este expediat în viitor, nepermițându-i-se intoarcerea în timpul propriu, local. Iar disparițiile unor și altora nu sunt crime ci recoltări și avansări în timp a celor care au potențial și sunt selecționați pentru asta.
  Am mai văzut motivul asta la Asimov, în
  Replay și Sotia călătorului în timp
  
  
  A Malcontenta - Liz Williams
  
  O ciudata societate de tip matriarhat pe Marte
  Buna
  
  
  Copiii timpului - Stephen Baxter
  
  Într-un viitor îndepărtat, peste 30 milioane de ani, omenirea încă rezista dar a revenit la epoca de piatra/bronz, chiar dacă o cometa a lovit iarăși Pământul oamenii au supraviețuit spre deosebire de dinozauri. Modificări tectonice, modificări de fauna și flora etc
  Sentimentul agonizant al sfârșitului de lume, sfârșit de lume care se întinde pe milioane și milioane de ani, pe
  linia lui Brian Aldiss.
  Nu e rea
  
  
  Companionii - Vonda McIntyre
  
  O chestie ciudata cu femei (?) care călătoresc prin spatiu împreună cu companionii lor, niste chestii care trăiau în corpul lor. O fi adepta a feminismului?
  Total aiurea și ciudat, am abandonat-o.
  
  
  Gene Wolfe - Valul
  
  Iarăși ceva ciudat cu placi tectonice care s-ar ciocni și care .... n-am înțeles ce și cum
  
  
  Audubon în Atlantida - Harry Turtledove
  
  Istorie alternativa cu un naturalist francezo-englez care merge către Atlantida aflata undeva în zona Golfului Mexic.Specii pe cale de dispariție, Atlantida ca un fel de Galapagos numai ca pământenii au colonizat insula/insulele
  M-am plictisit, daca aveam chef de Jules Verne citeam Verne.
  
  
  Deus ex homine - Hannu Rajaniemi
  
  Îngeri cu armura de metal, molima, ciborgi ucigași. O chestie amestecata, în stilul finlandezului, care ma enervează, cat o fi el de copil minune al noului ciberpunk.
  I-auziti: Molima-zeilor este un program de conexiune volițională, recursiv autoperfecționabil și autoreproducător - kkt cu apa rece, ma scuzați
  
  
  Marele Caruso - Steven Popkes
  
  Cancer la plămâni din cauza fumatului,dar plămânii sunt desenați cu linii și poligoane. WTF?
  
  
  Blând grăia măcărețul - Neal Asher
  
  O partida de vânătoare a unor ființe ciudate de pe o planeta oarecare (ființe care dau totusi dovada de oarece rațiune/inteligenta) se transforma în vânătoare de tovarăși de vânătoare :), ca sa nu se dea reciproc în gat la autoritati ca au vânat ființele astea (semi)inteligente
  Nu e rea
  
  
  Albastru de Zima - Alastair Reynolds
  
  Un artist care crează chestii extraordinare, a trecut de la tablouri la opere de arta la nivel planetar sau interplanetar si a suferit tot felul de transformări pentru a ajunge la forma de acum, în care corpul rezista la orice și poate sa își caute inspirația oriunde, de la gazoase roșii la vidul spațial. Mai e și un fel de inteligenta artificiala care însoțește omul peste tot (în cazul de fata sub forma de pasare colibri cyborg) și care il ajuta sa ducă povara sutelor de ani de amintiri, întâmplări, percepții, probabil un fel de cloud ;)
  Căutarea absolutului în arta?
  Pana unde se poate duce arta?
  
  
  Planeta amazoanelor - David Moles
  
  O planeta pe care ceva a ucis toti reprezentanții sexului masculin, nu numai la oameni. Febra asta a amazoanelor nu e febra ca și boala ci e ceva legat de cauzalitate, anomalii cauzale.
  Iar un cercetător vine pe planeta amazoanelor aflata în carantina spatiala, sa probeze aceasta teorie.
  N-am înțeles nimic, o tâmpenie
  
  
  Bomba cu mecanism atomic - Dominic Green
  
  Undeva în Africa, într-un Congo ;) post nuclear, niste masinarii care absorb materie sunt folosite de africani pe post de gropi de gunoi, inclusiv pentru a ascunde crime, executii în masa, gunoi radioactiv, opozanti politici.
  Masinarii convertite din armele folosite în razboi, care se dovedesc a fi de fapt componente ale unui accelerator - acceleratoare de munitie, un fel de gauri negre.
  Adica facem arme în nestire ajung pe mana unor maimutoi de o culoare sau alta care le folosesc iresponsabil în interes mai mult sau mai putin civil și apoi condamnam crimele și genocidul în masa.
  Buna
  
  
  Muntele de aur - Chris Roberson
  
  Lift orbital (motiv de la A.C. Clarke) construit undeva în China unde se emigreaza masiv, ca e noua putere globala. Plus discriminare rasiala asemanatoare celei de dinainte de holocaust cu albii bagati în ghetouri de chinezi.
  Slabutz
  
  
  Punct de sprijin - Gwyneth Jones
  
  Într-o statie spatiala de frontiera - unde singura regula este nici o regula - o faptura este mulsa (?!?) pentru o substanta care nu prea am înțeles ce face. Plus niste extraterestri și niste frontieristi care incearca sa puna mana pe substanta aia.
  Slab
  
  
  Efemerida- Peter Watts & Derryl Murphy
  
  Legaturi direct în creier, mediu virtual,realitate virtuala și evadare din aceasta.
  Mda
  
  
  Înger de lumina - Joe Haldeman
  
  In viitorul de peste 200 de ani când crestinismul și islamismul sunt una, un tip descopera o lada cu vechituri, iar în ea o revista de fictiuni speculative... și incearca sa o vanda.
  Face troc cu un extraterestru adica revista veche (din 1944, în care apareau și extraterestrii) pe un glob de lumina, un fel de bec gravitational.
  Nu e rea
  
  
  Foc - James Patrick Kelly
  
  Pe planeta Walden (vezi
  Henry David Thoreau) exista Statul Transcendent unde oamenii încearca sa traiasca simplu, în comuniune cu natura, fara tehnologie. Statul asta transcendent seamana un pic cu un stat politienesc, ca e cam mult control acolo chiar dacă pare asumat constient (carantina culturala consensuala - tare termenul), au cenzura care taie tot ce nu e în linia filozofiei de partid și de stat, se bazeaza cam mult pe izolare și ignoranta. As spune chiar ca seamana un pic cu comunismul ce ideologie/filozofie au astia aici pe Walden, desi e mai mult autoimpusa și auto acceptata.
  Mai sunt exteriorii, cei care traiesc în afara planetei Walden (pe care o considera inapoiata) și interactioneaza prin roboti cu acestia, nu exista contact fizic, folosesc tehnologia și s-au dezvoltat normal.
  Pukpuk erau cei care se opuneau “Simplitatii” adica renunțarea la tehnologie iar simplistii din Statul transcendent doreau alungarea pukpuksilor de pe planeta; simplistii încep plantarea de paduri cu copaci modificati genetici iar pukpuksii încep sa le incendieze.
  Aduce pe undeva cu ideea din
  Ritual de trecere (cei de pe nave cu tehnologia vs cei din colonii cu resursele naturale)
  Pledoarie pentru viata simpla, comuniune cu natura ecologie, vs tehnologie etc. Cat și pana unde e buna “simplitatea”?
  
  
  
  Așadar
  Si mai bune și mai putin bune. Totusi cele mai putin bune sunt parca un pic mai multe aici
  
• 
  Becky Rutledge

  As with When We Were Yours Lisa Wingate takes an important but obscure piece of history and brings it to life. The connections between Augustine Louisiana 1875 and 1987 are explored through a memorable cast of characters Hannie, Juneau Jane, Bennie, Nathan, La Juna and a host of others. Alternating chapters 1875 then 1987 made the beginning a little awkward for me I would get interested in Hannie's story then suddenly switch into Bennie's, but once you get used to the flow and all of the pieces begin to fit together, you can't put it down. Ultimately the message is one of finding and accepting the facts of the past, even if it cannot be understood, moving forward and finding similarities between ourselves rather than the differences.
• 
  Jordan Dodson

  While I have read quite a bit of SF in the last five years, I have read almost no short SF...until now. Ultimately, I found this to be a very enjoyable collection. I take notes as I read (or listen, in this case), and looking back, it's hard to believe how many unique stories were crammed into this one anthology. Generally speaking, I started with the shorter stories and worked my way up to the novellas. Contrary to my expectations, I tended to enjoy the longer stories more. In hindsight, I'm not surprised, for I love world-building, and that takes a certain number of pages to accomplish.
• 
  Mitch

  This high quality anthology makes for good solid reading if you are a hardcore science fiction fan and you yearn for 650 oversize pages of it. You will really like some of the stories, not remember others and dislike a few, as is the way of all anthologies.
  
  You'd think a review of so much book would be longer, but I've said all I am going to; and probably all you really need to know.
• 
  Elinor

  Really enjoyed reading these diverse stories.
• 
  Ed

  This was a solid, if unspectacular collection. Good stories from Paolo Bacigalupi, Ian McDonald (who normally I can't get on with), Alastair Reynolds (ditto), Michael Swanwick, James Patrick Kelly, Elizabeth Bear, and David Gerrold (the guy who wrote 'The Trouble with Tribbles'! Yes!). Elsewhere though things are pretty run-of-the-mill and forgettable - in particular was not a fan of Robert Reed's 'Camouflage', which tries to go for that noir-style non-sequitur plot, but was just impossible to follow; the execrable 'Little Faces' by Vonda Mcintyre, which I found wholly baffling (weird space orgies ahoy!); and William Sanders' 'Amba', which had a very unpleasant conclusion that made me wonder what exactly he was trying to say. Some of the stories from the bigger "names" I also found to be a little bit of a letdown, particularly Stephen Baxter, Bruce Sterling, Gene Wolfe and Joe Haldeman - I couldn't really see why they were included except for the obvious commercial considerations, unless 2005 was a particular weak year (I don't follow the short story scene enough to remember if it was or not).
  
  Favourite 5:
  
  Dominic Green 'The Clockwork Atom Bomb'
  James Patrick Kelly 'Burn' <-- this was actually chapbook length.
  Elizabeth Bear 'Two Dreams on Trains'
  Michael Swanwick 'Triceratops Summer'
  Steve Popkes 'The Great Caruso'
  
• 
  Julio

  Las antologías anuales de historias cortas de Ciencia Ficción preparadas por Gardner Dozois son la mejor adquisición individual de un libro de Ciencia Ficción que se pueda hacer. Y eso vale para un reiterado e insistente lector de CF (como es mi caso) o para un lector eventual o primerizo que quiere una deliciosa selección de historias espectaculares. Centenas de páginas sabrosas a un precio de lo más razonable! Además de un montón de información útil sobre el género y sus autores.
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  James Kinsley

  A good solid healthy chunk of shortform sci-fi. Maybe nothing utterly mindblowing, but even the worst aren't dreadful, although a small number are easily missable. The collection ends well, with James Patrick Kelly's engaging Burn. Nice moments too from Stephen Baxter, Alastair Reynolds, Harry Turtledove and David Gerrold. I don't read a lot of short fiction, so it's nice to try a new form, and with any anthology, if you don't enjoy one story, there'll be another along shortly.
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  R.

  The first half of this book was great, then there tons of stories that were essentially painful space filler. I would have finished this a week ago if it would have kept the pace that they started with. The last story in the book was almost on par with the first half. It's worth reading but there were several hundred pages of blah so when you get bored don't feel bad about skipping some of them if you have to.
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  Anne

  I've generally quite liked the earlier editions of these (also edited by Dozois), but I found the selection here to be a little lacklustre.
  
  Readable as always, but with no real gems. Nevertheless, I'm awarding honourable mentions to Triceratops Summer, Beyond the Aquila Rift, Zima Blue, Second Person/ Present Tense, In The Quake Zone and Little Faces.
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  Laurel

  I read Triceratops Summer by Michael Swanwick.
  
  If you want to imagine Triceratops in modern America, then this is your story. The main character comes across a herd of Triceratops wandering across the road he's on, and life gets fun from there. A largely amusing read, it considers what people will do when they know there's a wobble in the time continuum.
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  Andrée

  I love these books both for the summation and the stories.
  However, not surprisingly, they are heavy. 2005's edition is 523g which is too much to take on the daily commute, though possibly acceptable for a long train journey.
  I now find that I can only read them at the table, otherwise my hands ache.
  But 2005 was a good vintage.
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  Samantha Holloway

  I've read several of Gardner Dozois's anthologies, and this one just feels... pessimistic and sometimes flat? The stories are all strong, and overall, I like the book, but I don't always think they have anywhere to go. Maybe the year wasn't all that great for SciFi.
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  Michael

  So far so good.
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  Daniel

  Well the book is good, but like a lot of anthologies it's hit and miss.