| Title | : | The White Company (Dover Books on Literature \u0026 Drama) |
| Author | : | |
| Rating | : | |
| ISBN | : | 0486437639 |
| ISBN-10 | : | 9780486437637 |
| Language | : | English |
| Format Type | : | Paperback |
| Number of Pages | : | 416 |
| Publication | : | First published January 1, 1891 |
Fueled by their appetite for glory, this motley crew of freebooters stands united in their unswerving devotion to the company commander, Sir Nigel Loring. Short, bald, and extremely nearsighted, Sir Nigel's unprepossessing appearance belies his warrior's heart and his chivalrous nature. The rollicking adventures of his company during the Hundred Years War center around Sir Nigel's loyal squire, Alleyne Edricson. Raised in the sheltered confines of a monastery, young Alleyne comes of age amid the rough-and-tumble of armed conflict and the bewildering ways of courtly love.
Best known as the creator of Sherlock Holmes, Sir Arthur Conan Doyle was also a passionate historian. The White Company was his favorite among his own works; here, he offers flavorful, realistic depictions of life during the 14th century — from its weapons and apparel to its religious practice, and the close connection between the cycles of human existence, and the rhythm of the seasons. Readers of all ages will thrill to this spirited tale and its evocative portrait of the Middle Ages.
The White Company (Dover Books on Literature \u0026 Drama) Reviews
-
Sir Arthur Conan Doyle's household-word fame today, of course, is as the creator of iconic fictional detective Sherlock Holmes. His science fiction novels and stories were also popular in his day, and remain influential in that genre. But he was personally proudest of his achievements as a historical novelist, and this is his best known work of that type. I actually first ran across it in my school library in junior high school, and read into Chapter 12 at that time. But then I graduated; and while my intention at the time was to obtain another copy elsewhere and continue the read, that plan got sidetracked and eventually relegated to the back burner, though never abandoned. Recently, I came back to the book after a lapse of over 50 years, and read it cover-to-cover. Having now done so, I can say that I have to agree with Doyle's own assessment, at least to the degree that this is my favorite among his novels that I've read so far (and those include all four of the Holmes novels!).
The setting here is the Middle Ages (one of my favorite periods for historical fiction!), specifically 1366-67, during the Hundred Year's War. At that particular moment, however, the English vs. French conflict was in a truce state, although feudal wars between barons and the depredations of outlaws and unemployed mercenary bands kept France in a parlous condition. For the characters here, the immediate call to arms and occasion for military adventure is the campaign of the Black Prince to restore the ousted Pedro the Cruel to the throne of Castile, in the western part of what is today Spain, which in the 1300s was not yet a unified country. (Pedro had been deposed in favor of his out-of-wedlock half-brother, Henry; the Black Prince viewed this as an intolerable breach of the rights of the lawful heir.) Our protagonist is Alleyne Edricson, second son of a Socman, or substantial free landowner, of an old Saxon line in Hampshire (an English county on the southern coast, opposite the Isle of Wight). His father died when he was very young, and he's been raised in a Cistercian abbey as a novice; but he's now turned 20, and Edric's will calls for him to spend a year outside the monastery, to determine whether or not he's called to holy orders. On the road, he soon connects with his monastery acquaintance Hordle John, a powerfully-built young peasant who ill-advisedly joined the order after being jilted by his girlfriend, but was expelled (to put it mildly, he didn't, in Catholic parlance, "have a vocation" :-) ) the same day that Alleyne left; and the two in turn quickly meet up with another fellow traveler, soldier Samkin Aylward, who's in route to the castle home of renowned warrior Sir Nigel Loring, bearing a letter inviting the latter to come to France and assume leadership of the White Company, a war-band of English archers. The reader won't be surprised to learn that Sir Nigel and our trio of friends will soon be headed for France.
Like almost all historical fiction writers of his time, Doyle's stylistic affinities were Romantic. But he also was very scrupulous about historical accuracy, to a degree that no Realist critic could fairly fault; he put in four years of serious research for this novel, and it shows in an extremely detailed and realistic picture of 14th-century society, thought and daily life. Where the fiction intertwines with real-life history, there's no departure from known fact; real-life historical figures portrayed here (and there are many, including the Black Prince, Pedro, Bertrand du Guesclin, Sir John Chandos, and others) are depicted the way their contemporaries saw them, so far as records exist. He does not, however, deliver any of this material in info-dumps, but works it seamlessly into the texture of the tale (though it's true that some episodes do seem to be included solely to illustrate some peculiarity of the time). That's no mean feat in itself. His characterizations are also vivid, round and lifelike (I don't often identify with romantic action-hero types, but I did with Alleyne!); he provides an exciting, suspenseful plot (with plenty of action, though it's mostly in the latter half of the book) and a strand of clean romance between a couple worth rooting for and wishing well.
Great fiction, though, goes deeper than the above characteristics of good fiction; it makes you think about deeper issues than "will our heroes survive?" or "will the loving pair wind up together?" That quality, too, I found here; Doyle doesn't sermonize, but messages and thoughts arise naturally out of the story. As with much action-oriented fiction of this school, there's a strong encouragement of virtues like courage, loyalty, fair and honest dealing, personal integrity, kindness and willingness to defend the weak. But while we sometimes think of medieval "chivalry" solely in those terms, to a much greater extent than either Scott (at least in Ivanhoe) or Stevenson, Doyle brings out the fact that this code, as embodied in Sir Nigel, had its dubious aspects as well: a confusion of personal "honor" with vainglory over successful lethal fighting for its own sake; the idea that physically fighting over competing claims for your special lady's superiority to all other women actually redounds to any credit to her (or you); and an over-concern with "noble" status measured by birth or an official knightly accolade. And we might add, too, an assumption that supporting your king in any quarrel he undertakes automatically qualifies as your legitimate duty. (That does not accord with classical Christian "just war" theory, even if the medieval Church did tacitly endorse the idea!) We can respect Sir Nigel, and even like him; but that's not the same thing as endorsing all of his attitudes, and we can see that the chivalric code was in serious need of some revision.
The 14th century was also a time, as Doyle points out explicitly, when the feudal, ultra class-conscious and often exploitative social order of the High Middle Ages was beginning to be questioned from below. The legitimate grievances of the lower classes are portrayed forcefully here, along with the often savagely violent social unrest in both France and England; we can see both the need for a more just society and the reality that violence against the innocent won't further that goal. (By 1891, when Doyle wrote, much social change had taken place; but the antagonism between the wealthy and powerful who think they're entitled to anything they want, vs. an underclass that's willing to throw over every ethical restraint in order to annihilate anyone they see as the enemy Other, was still alive and well --and still is in 2020.) It was also a time of increasing religious ferment, which is also deliberately brought out here. Though not a Christian himself, Doyle was respectful towards Christianity; and through Alleyne's eyes he makes a case for the legitimacy of a Christian life lived by serving others and forming a healthy family in the normal world, rather than fleeing from the world and trying to live in navel-gazing personal purity. He also implicitly critiques aspects of medieval religiosity that need critiquing --the hawking of bogus relics, the quest of the irreligious for a salvation that can be had for money without spiritual conversion, and the willingness of religious charlatans to profit off of them; and the perverted piety of the Flagellants, beating each other to ribbons in the warped belief that God took pleasure in their pain. (Nonetheless, this isn't an anti-Catholic novel, but an appeal for practical and rational piety that both Catholics and Protestants can get behind. When Alleyne says, at one point, that an offer to, in effect, sell a ticket to heaven is not part of the teachings of Mother Church, he's speaking for many Roman Catholics, then and now.)
Some readers won't get into this novel; not all will appreciate the detailed introduction to the world of the 14th century, and to the principle characters, that occupies much of the first half of the novel. Many will perceive this as too slow moving, though for my part I understood it as necessary to the author's purpose and to our bonding with the characters, and wasn't bored by any of it. Doyle's diction here is Victorian, more formal than in his less "serious" mystery and science fiction writing, often with involved sentence structure; he's quite willing to use big words if they serve best to convey his meaning, and he deliberately employs a lot of older, medieval terminology that fits into this setting. While he doesn't write dialogue in Chaucer-style Middle English (and he usually translates the speech of the Norman-descended royalty and aristocracy, many of whom still spoke French at this time), he does consciously write it with an archaic flavor, preserving a lot of medieval idiom and vocabulary. This also won't be to every taste; but I personally was able to understand it (sometimes from context), and I think most serious readers could as well. (So, if ye will hearken to my rede, and ye be a historical fiction fan, give this book a try, forsooth! :-) ) -
A delightful and strange adventure story in the vein of The Three Musketeers or The Scarlet Pimpernel, but also an early foreshadow of the Mannerpunk genre which grew out of Peake's Gormenghast books.
The well-researched text creates a believable world which is undoubtedly (and delightfully) removed from the modern. Not only does Doyle (of Sherlock Holmes fame) create a fairly accurate portrait of ever-warring Feudal Europe, but at least proposes a psychological type for the soldiers of the time.
Of course, to take such a type from (even contemporary) works is a bit of a silly falsehood, and with characteristic British whimsy, Doyle births a cast which seems realistic not despite but because of its deep-seated eccentricity. Of course, it is precisely this method which will grip Peake (in the wake of Chekhov) in his surrealistic works.
Though once quite popular, this tale has become somewhat less well-known, perhaps because it is easy to take from it a stance of bravado, militarism, and anglocentrism. Perhaps there will come to us a dissolving of such strong self-identifications with such things that people will no longer feel a need to oppose fictional portrayals, and Doyle and Kipling may return with a grain of salt. -
Sir Arthur Conan Doyle is without doubt one of the masters of the crime fiction & detective novels genre. Doyle’s great detective ‘Sherlock Holmes’ and his stories redefined the entire genre of crime writing. But Doyle was also a prolific writer in other areas like science fiction, romantic adventures, historical fictions and poetry.
‘The White Company’ is one of the best historical novels from Doyle set in the backdrop of medieval England, France and Spain during the fourteenth century with plenty of archers, sword fights, inspiring action scenes and exhilarating adventure. This exciting knight-in-armor story was the result of a meticulous and arduous research by Doyle on the time period of Edward III; about Hundred Years' War; the campaigns of Edward, the Black Prince and the Middle Ages in general. When published in 1891, ‘The White Company’, was an instant success and was regarded by Doyle in his own words as
"the most complete, satisfying and ambitious thing I have ever done".
In this romantic adventure tale Doyle gives a charming historical and geographic description of the Europe during the Hundred Years’ War by exposing the reader to characters full of nobility, chivalry and warrior attitude. The protagonist of the story is the young and innocent Alleyne Edricson who is freshly out exploring the world after a being raised in a monastery. Alleyne’s straightforward nature brings him two friends in the form of the vigorous archer Samkin Aylward and the hilarious and extremely strong John of Hordle. Together they join ‘The White Company’ - a free company of archers led by the brave and admired Knight Sir Nigel Loring – and Alleyne becomes the armour-bearer to Sir Nigel Loring. Soon ‘The White Company’ heads out to France and Spain in a quest brimming with hilarious situations, sword fights, danger and carnage.
While reading this book the reader may find some of the vocabulary from the era a bit of a challenge but it wont be something that will entirely stop him from enjoying a thoroughly well narrated story. I will strongly recommend ‘The White Company’ for those who love invigorating tales of good-old-style adventure and chivalry. -
A long time ago, I read The Lost World by Arthur Conan Doyle. And last year I read a collection of his poetry called Songs Of The Road. But The White Company, published in 1891, was the first of his historical novels for me, and now I can't decide whether to continue here sounding somewhat scholarly or to simply let my feelings take over.
So first the Somewhat Scholar. This book is based loosely on certain events in the life of a real true knight in shining armor by the name of Sir Neil Loring, called Sir Nigel in the book. He fought with Edward The Black Prince Of Wales during The One Hundred Years War. I had a fascinating time checking to see which of the many knights and nobles mentioned in the story were real people, and nearly all of them were.
In this story Sir Nigel was in his 40's, and although he is still very much a hero, the younger hero's role was filled by Allyene Edricson, a 20 year old orphan who had been raised in a monastery but according to his late father's will was to spend a year learning about life before he decided for himself whether to continue his monkish studies or to join the world.
Okay, enough scholarly blather. This book was AWESOME! There is jousting, there is court intrigue, there is one of the coolest ever sword fights between squires, there is humor, drama, danger, true love, visions of the future, real friendships, a siege at a castle, a march through the Pyrenees, a mysterious knight in black armor, and....and....never a dull moment!!
AND some fun words like these that John Hordle's mother yells at him when she discovers him marching off to war with Sir Nigel's soldiers. The other archers enjoyed this little scene immensely, by the way. Imagine a huge hulk of a young man being whacked about the shoulders by his tiny little mother, who happened to have a stick with her.
“You rammucky lurden,” she was howling, with a blow between each catch of her breath, “you shammocking, yaping, over-long good-for-nought. I will teach thee! I will baste thee! Aye, by my faith!”
“Whist, mother,” said John, looking back at her from the tail of his eye, “I go to France as an archer to give blows and to take them.”
“To France, quotha?” cried the old dame. “Bide here with me, and I shall warrant you more blows than you are like to get in France. If blows be what you seek, you need not go further than Hordle.”
John's mother may have thought he was a good-for-nought, but he was one of my favorite characters in the story and proved himself good-for-much. Another favorite character was Samkin Aylward the archer, who first appears in the story on a mission to deliver a letter from France to Sir Nigel. Rough and tough and thoroughly adorable was Samkin; he helped steady the youngsters that were new to the world of warfare. And he hated the new cannons that were coming into use at the time (1366). He said they took away the honor of the fight. I wonder what he would think of the way wars are waged these days. Harrow and alas, he would not be impressed, I'm sure.
I laughed, I cheered, I held my breath, I cried. And I've made a list of the other Doyle historical fiction titles available at Gutenberg and will work my way through all of them. (There's only eight ~~ he himself said that Sherlock Holmes used up too much of his time, keeping him from writing more of the historical novels that he supposedly felt were his best work, at least according to Wiki). And first up, as soon as I finish my two June challenge titles, will be the 1906 book Sir Nigel, where we get to hang out with this joyful man when he was a much younger knight. I won't need an armed varlet standing by to keep me reading, that's for sure! -
_The White Company_ by Sir Arthur Conan Doyle is equal parts boy’s own adventure and historical fiction of the Hundred Years’ War. It reminded me very much of the spirit of Sir Walter Scott’s
Ivanhoe, though it’s been so long since I read the latter story I wouldn’t want to draw too many specific comparisons. The story is that of a young aristocrat, Alleyne Edricson, who leaves the safe confines of the abbey where he was raised in order to see the world for a year before deciding on the path his life is to follow. From the first Doyle fills his tale with action that is tempered with descriptive passages detailing the varied aspects of medieval life of England and France in the fourteenth century. One gets a detailed sense of a world in which the habitations of man were widely interspersed amongst the ever present wilderness with areas of cultivation spread between.
The story Doyle tells straddles a strange line, for while there are parts that read like an idyllic paen to the simpler and purer days of yore, he does not shy away from presenting hard truths regarding the savagery, poverty, and tyranny that were also pervasive at the time. One is often left wondering whether Doyle wanted to praise or berate the era, to simplify it or acknowledge its complexities, but perhaps he simply felt that, like any other age, there was equal measure of both praise and blame to be given to it. Alleyne’s relative innocence and inexperience with the world outside of abbey walls allows him to be an excellent stand-in for the reader, as he experiences for the first time the realities of the wider medieval world. As though immersed in a kind of Canterbury Tales Alleyne meets pardoners, friars, palmers, hucksters, knights, peasants, franklins and soldiers allowing the reader to experience a veritable cross-section of medieval society in all of its varied glory. Sometimes this can come across as a bit too pat, as Doyle manages to have Alleyne cross paths with nearly every segment of medieval society on his journeys along the highways and byways of England and France.
The characters of Alleyne, with his wide-eyed innocence, and Sir Nigel Loring, with his almost simplistically quixotic belief in the tenets of chivalry, give Doyle the chance to indulge in elements of chivalric romance, while the more hard-bitten archer Samkin Aylward and his less idealistic comrades in the White Company allow for a more pragmatic look at medieval warfare to be examined. Still, for all of the historical detail that Conan Doyle may have laden his story with, it definitely seems to come down on the side of idealistic chivalry; for despite its acknowledgment of the unending warfare with the goal of plunder that turned half of France into a wasted no-man’s land, sly allusions to the inherent naiveté of many of the ideals of chivalry through the literally and figuratively myopic Sir Nigel, and various references to the downtrodden peasantry (including a scene in which a tyrannical seigneur’s castle is attacked and destroyed by a starving peasant mob) the novel still often reads like the Middle Ages as produced by Metro-Goldwyn-Mayer.
It was still an enjoyable read and further goes to show me Conan Doyle’s range as a writer. -
On my geek blog, called the Mustache and the Beard, my best friend of 37 years and I, made lists of the top 50 novels a bibliophile should read before dying. We only had 8 books in common. One of the books that I had never heard of was The White Company by Sir Arthur Conan Doyle. Little-by-little, I have sought out the books on his list to be a better-rounded bibliophile. I won't lie, this book was a chore. There are certain places where the narration is sleek, svelte, and perfectly succinct; but then there are other places where Doyle becomes ostentatiously verbose, excessively flowery, and overtly superfluous. It not only became boring, but those places would become a slog. Then, invariably something interesting would occur to drag me back in, and I would be carried along until Doyle would again decide on a circuitous route rather than the most direct one. It was annoying, but I never considered the idea of DNF. I don't do that. My OCD would not even allow for that consideration. Here, a knight goes off to fight a war to gain acclaim and he takes a contingent of supporting characters with their own satellite quests to complete. Not bad, just about 100 pages too long.
-
Loved, loved, loved! Galant knights, chivalry, a dash of healthy romance makes for a great story! It’s a shame more don’t know about this classic. Sir Nigel is one of my favorites of this tale. He is such a perfect example of a good husband and all-around good manly, godly man.
-
The kind of book you can imagine Tom Sawyer reading before running off into the woods to pretend to be a knight.
There isn't much of a central plot here; it's more about the different scrapes that the characters get into, but everyone is interesting enough to hold the reader's attention. -
ENGLISH: Historical novel set in the 100 years war, when the English, led by the Black Prince (son of Edward III and father of Richard II) supported Pedro I of Castile, while the French, led by Bertrand Du Guesclin, supported Enrique II of Trastámara.
Conan Doyle often confuses Castile with Spain. When describing Pedro I, he tends to pay attention to his nickname, "The Cruel One," given to him by his enemies, without taking into account the nickname given by his supporters: the Just. But it must be recognized that he was quite harsh with his enemies, or those whom he considered as such, although it remains to be seen what any other king of the period would have done in a similar situation.
In the first chapters, the abbot of the monastery asserts that the earth is flat, and implies that all monks think the same. Precisely in a monastery they had to know that the Earth is round, as it had been known for two millennia. Farmers and serfs may have believed it, but not more enlightened people. The trouble is that the children of the Enlightenment (Doyle is one) are quite ignorant about medieval history, apart from wars and battles.
Nor does it seem appropriate what Doyle makes the monks say and do about women, those daughters of Eve who just cause temptations. Or the nuns, who have ever always been taught that the way of nature [i.e. marriage] is the way of sin. This error has always been fought by the Catholic Church. Doyle shows he believes (wrongly) that this is or has been Catholic doctrine.
All this is part of the English Black Legend as regards the Middle Ages and the Catholic Church. I published a post about this in my blog:
The myth of the Dark Ages. Conan Doyle is credulous about all these lies, just as he was credulous a few years later about spiritualisme.
In fact, in chapter 29 Doyle anticipates some of his later ideas regarding spiritualisme, when two of his characters have visions predicting a tragic future. As this is one of his oldest works, published shortly after "The sign of four," perhaps those ideas were not yet clear, as they were 35 years later, when he wrote "The Land of Mists".
ESPAÑOL: Relato ambientado en la guerra de los 100 años, cuando los ingleses, mandados por el Príncipe Negro (hijo de Eduardo III y padre de Ricardo II) apoyaban a Pedro I de Castilla, mientras los franceses, dirigidos por Bertrand Du Guesclin, apoyaban a Enrique II de Trastámara.
Conan Doyle confunde a menudo Castilla con España. Al describir a Pedro I tiende a hacer caso de su apelativo de El Cruel, que le daban sus enemigos, sin tener en cuenta el que le daban sus partidarios: el Justiciero. Pero hay que reconocer que fue muy duro con sus enemigos, o con quienes consideraba como tales, aunque habría que ver qué habría hecho cualquier otro rey de la época en una situación análoga.
En los primeros capítulos, el abad del monasterio da por supuesto que la Tierra es plana, dando a entender que todos los monjes piensan lo mismo. Precisamente en un monasterio tenían que saber que la Tierra es redonda, puesto que se sabía desde dos milenios antes. Eso lo podía creer la gente de la gleba, pero no las personas más o menos ilustradas. Lo malo es que los hijos de la Ilustración (entre los que se cuenta Doyle) son muy ignorantes sobre historia medieval, aparte de guerras y batallas.
Tampoco me parece oportuno lo que Doyle hace decir y hacer a los monjes respecto a las mujeres, esas hijas de Eva que sólo causan tentaciones. O las monjas, a las que han enseñado siempre que el camino de la naturaleza [o sea, el matrimonio] es el camino del pecado. Este error ha sido combatido siempre por la Iglesia Católica. Doyle cree (erróneamente) que esto es o ha sido doctrina católica.
Todo esto es parte de la Leyenda Negra inglesa respecto a la Edad Media y la Iglesia Católica. Publiqué en mi blog un artículo sobre esto:
El mito de la Edad Oscura. Conan Doyle se muestra crédulo respecto a todas estas mentiras, como también fue crédulo algunos años después respecto al espiritismo.
De hecho, en el capítulo 29 Doyle se adelanta a sus ideas posteriores respecto al espiritismo, cuando dos de sus personajes tienen visiones que predicen un futuro trágico. Siendo esta una de sus obras más antiguas, poco posterior a "El signo de los cuatro", quizá esas ideas no estaban aún bien formadas, como ya lo estaban 35 años después en "The Land of Mists". -
This is my favorite most favorite book of all time ever. I love it for its adventure, its sweetness, its badass women (unusual for the time and even moreso for Conan Doyle,) its fun characters, and the fact that since it was originally a magazine serial, while it's exciting and fun it is episodic enough to put down when you want to do trivial things like sleep or go to work.
What I didn't realize until I reread it as an adult is how funny it is. VERY dry humor, but there's a laugh in every line if that's how you get the giggles. The characters are very snarky, and you've got a narrator with his tongue firmly planted in cheek.
If you're expecting deep secrets of the universe, you'll be disappointed. This is a pretty impressively historically accurate Technicolor romp full of awesome.
And everybody who says it's for boys? Heck no! It's for swashbucklers at heart, male or female. -
I actually finished this well over a week ago, so this will probably not be much of a review. The White Company contains some of the best ACD writing I've encountered. It's obvious, from the first few pages, with its English Cistercian abbey, that Conan Doyle did a tremendous amount of research for The White Company. The world of the abbey, with its tiered ordering of members, its work day, its prayer life, etc., is brought vividly to life as the giant-like novice, John of Hordle, is brought in for discipline before the elders of the abbey. He rejects that punishment in an entertaining chair-tossing scene that could have easily come from an Errol Flynn movie. As entertaining as the scene is, you can't help but notice Conan Doyle's attention to Medieval world detail. But it is an attention to detail delivered with a light touch that informs the reader, but allows the characters to breathe.
What follows are a number of adventures and mis-adventures between three intrepid friends (John Hordle, Alleyn Edricson (a clerk-in-training, also from the abbey), and Sam Aylward, a swashbuckling bowman recently back from the wars in France) as they travel through a wonderfully evoked English (and beyond) landscape. I found these travels very reminiscent of Chaucer's Canterbury Tales, as you meet various "types" of inhabitants of the Medieval world. Knights, ladies, peasants, pirates, flagellants, mystics, sellers of fake relics, etc.
Anyway, these friends soon find themselves a part of Sir Nigel Loring's White Company on their way back to some rousing adventures in France, and later Spain. Sir Nigel is an interesting character, who struck me, with his flowery speeches on chivalry, bald pate, and slight frame, as a kind of Quixiote. He's also a deadly fighter. (Conan Doyle would later write a prequel novel on Sir Nigel's early days.) I thought the ending for The White Company mildly annoying, but one I knew was coming from page 1. That (modern) quibble aside, it's a fine tale told by a master story-teller. -
Having read not only the Sherlock Holmes body of work, but the Professor Challenger stories by Sir Arthur Conan Doyle, I was somewhat surprised to discover that the good doctor also wrote historical fiction. Indeed, The White Company takes place in a rather intriguing part of European history known (somewhat erroneously) as the Hundred Years War. The White Company is the story of a cloister-raised young nobleman who discovers that his father was wise in establishing his legacy in giving him a year in the world before he could take his vows. Alleyne Edricson begins with the novel with an enchanting innocence and manages to hang onto a great deal of it while experiencing the gritty side of life and death.
To be sure, the author writes about the futility of war with vivid images, but he also captures the rather odd idealism of romantic chivalry in the person of most of the knights which Alleyne meets, serves, fights alongside, or contends with. From a modern perspective, there are times when the reader wishes Doyle would quit having the characters lecture on chivalry and get to the action, but the action is worthwhile and interesting when it occurs. It is not as bloody as many video games or comic books of the present world, but there is carnage aplenty and the descriptions are occasionally more graphic than one would expect of an era where one spoke of lower limbs rather than legs.
One even gets a glimpse of some of Doyle’s own feelings. “In the cloisters he had heard vague talk of the law—the mighty law which was higher than prelate or baron, yet no sign could he see of it. What was the benefit of a law written fair upon parchment, he wondered, if there were no officers to enforce it.” (p. 83 in my eBook version) “It was a terrible world, thought he, and it was hard to know which were the most to be dreaded, the knaves or the men of the law.” (p. 103) And his description of pillaging rang true, “By St. Paul! It is not they who carry the breach who are wont to sack the town, but the laggard knaves who come crowding in when a way has been cleared for them.” (pp. 466-467) At another point, Doyle described the land as so hostile that “…their only passports were those which hung from their belts.” (p. 881)
When Alleyne is awestruck by appearances, a kind landlady of an inn offers this marvelous counsel, “You have had no great truck with the world or you would have learned that it is the small men and not the great who hold their noses in the air.” (p. 124) At another point, an archer contends, “Bless the lad, if he doth not blush like any girl, and yet preach like the whole College of Cardinals.” (p. 196) A few pages later, Alleyne preaches a brief sermon responding to a colleague who wants to defeat seven foes in a tournament. He says, “Here we are in the lists of life, and there come the seven black champions against us Sir Pride, Sir Covetousness, Sir Lust, Sir Anger, Sir Gluttony, Sir Envy, and Sir Sloth. Let a man lay those seven low, and he shall have the prize of the day, …” (pp. 208-209).
I learned a new word. Doyle used the word “bobance,” a word for boasting that is derived from a type of fancy cloth, on more than one occasion (p. 168). In fact, if you look up the word on the web, you’re likely to run into the direct quotation on this from the novel. And, as an instructor in the history of games, I was delighted to see a reference to the game of Hazard (a medieval predecessor to Craps): “’Mort de ma vie!’ Aylward [a companion to Alleyne] shouted, looking down at the dice. ‘Never had I such cursed luck. A murrain on the bones! I have not thrown a good main since I left Navarre. A one and a three! En avant, comarade!’” (pp. 319-20)
Doyle also brought in interesting references from history, noting “It was the age of martial women. The deeds of black Agnes of Dunbar, of Lady Salisbury and of the Countess of Montfort, were still fresh in the public minds.” (p. 331) This reminds readers of those staunch ladies who commanded the garrisons of their castles while holding off sieges while their lords were away at the wars. And I loved the reference to Geoffrey Chaucer, “…at the siege of Retters, there was a little, sleek, fat clerk of the name of Chaucer, who was so apt at rondel, sirvente, or sonson, that no man dare give back a foot from the walls, lest he find it all set down in his rhymes and sung by every underling and varlet in the camp.” (p. 349)
The story is predictable and the resolution wouldn’t force any film director to recut the ending. Indeed, Doyle even closes with a moral summary: “Let us thank God if we have outgrown their vices. Let us pray to God that we may ever hold their virtues.” (p. 1221) -
I loved this one. I'm very happy I discovered this pearl by Sir Arthur Conan Doyle, an author I've come to appreciate after reading all the Sherlock Holmes short stories and novellas available.
I was surprised to read Doyle engaged with a historical novel, and at the depth of his research. Also the writing style is quite different from the elegant, yet very fresh style employed in the Sherlock Holmes stories, it aims to capture the spirit of the time portrayed, which is the earlier part of the Hundred Years War.
This novel centers around four characters, mainly Alleyne Edricson and Sir Nigel Loring, and then the veteran archer Samkin Aylward and freshly recruited John of Hordle. The book is riddled with comic relief scenes, and it's intriguing to see how the author conveyed the medieval feel with impeccable British humor.
The descriptions of the landscape are lavish, rich, masterfully rendered, and those of the scenes, people and objects carefully depicted. I lack the historical background to judge the minutiae, but with a modern word, the world-building is truly compelling and I was amazed at Doyle's writing style versatility. The registry is intentionally archaic, probably to further immerse the reader in the epic of the time, but wholly understandable (just a little galore of thou, art, shalt, fain, rede and the likes, it's never bad to learn new words after all), even for me who read English as a secondary language. It's atmospheric!
The characters are wonderfully stereotyped, in a very clever manner because each integrates with the others to sweep the reader in the English countryside, on-board overloaded vessels, in the lists at Bordeaux, in the war-stricken French countryside until the lands of Spain. Doyle subtly, and none-too-subtly at times, intertwines his own views about classes, the roles of men and women in the society and the widespread inequality between peasants and gentles, highlighting the much more "advanced" philosophy of England (let's state facts, there's still a royal family in the UK) compared with the other rules of the period, and its archery might.
The book mainly follows pious Alleyne, when, being twenty of age, he is released to the world from the abbey of Beaulieu as per his deceased sire's will, so he can see it with his own eyes before committing his life one way of another. Doyle critics the church's tenets, petty rules and conservative attitude which ensnares men in a "narrow, stagnant circle of existence" with a sharp-edged sarcasm, but also through young Alleyne, grown-up but ignorant of the world, presents a colorful society rife with "injustice and violence and the hardness of man to man", where the lights and shadows of life are never clearly divided.
As he travels on, he meets with a motley of characters exacerbating the various aspects of humanity, the good and the bad, and he's soon accompanied by Sir Loring, the steadfast embodiment of the ballads' ideal of chivalry (at least in manner), roguish bear-sized John, still berated by his elder mother and witty, picaresque Aylward, whose vision of the world and manner of speech are a joy from start to end.
The reader learns with the naive protagonist that "what men are and what men profess to be are very wide asunder" and at times, "ignorance may be more precious than wisdom", so not to lose faith in your neighbor by too much cynicism.
The namesake White Company is met way into the second half of the book, but the tale centers around it and eventually the Spanish campaign of prince Edward of England.
The story is interesting, featuring knights, romance, family feuds, feat-of-arms, tilts, romance, battle, bloodshed, military strategies, a little coming-of-age () and it's quite fast-paced, even rushed at the end (I felt the last part could have been elaborated further); it's totally, utterly, absolutely hilarious, partial to the "grandeur anglaise" -but it's not impeding, apart probably from the scene of chapter XXIX- and describing human condition with a levity of great quality. Vividly recommended.
"Your Company has been, then, to bow knee before our holy father, the Pope Urban, the prop and centre of Christendom?" asked Alleyne, much interested. "Perchance you have yourself set eyes upon his august face?"
"Twice I saw him," said the archer [Aylward]. "He was a lean little rat of a man, with a scab on his chin. The first time we had five thousand crowns out of him, though he made much ado about it. The second time we asked ten thousand, but it was three days before we could come to terms, and I am of opinion myself that we might have done better by plundering the palace. His chamberlain and cardinals came forth, as I remember, to ask whether we would take seven thousand crowns with his blessing and a plenary absolution, or the ten thousand with his solemn ban by bell, book and candle. We were all of one mind that it was best to have the ten thousand with the curse...." -
This very much follows the same storyline and tropes as the prequel, "Sir Nigel," to the point that it feels more like a rehash of the plot. What I'm noticing is that you like one or the other depending on which you read first, for both novels are too similar to offer something different. Perhaps that this one has a group of characters as the protagonists, and not just Loring as in the other novel, and that its more adventure-focused, which makes sense as this is an archer's company at war.
Enjoyable is the right word for this novel, but I'm still left with a feeling that it wasn't substantial enough. It's more for young readers who delight in classic swashbuckling than for me. -
A few, sorrily disjointed, thoughts.
Wow--felt like reading Sir Walter Scott.
Fun book. Truly a "boys" book--moreso than I found I could take--almost. Filled with battles, blood and descriptions of armor and weapons, ad nauseum.
Set during the 100 years war.
Super characters, unique and whimsical.
Was the age of chivalry really like that? Seriously, there was a passage that talked about how the knights would take a vow to do some great feat of arms for their ladies, and that an eye-patch would be the symbol of that vow, and that the knights wouldn't take them off until they'd felt they'd done something truly terrific--it cracked me up. Think on it, hundreds of knights in a battle with eye-patches on. Gee whiz.
The idea of battle for honor's sake, not for need, but purely to do a feat of arms to win honor in the name of the fair loved maiden. Gag. Surely that wasn't really what the 100 years war was about--men with nothing better to do?? :) Not likely, but it made the story funny.
I appreciated that the author mentioned several times that the clean life/pure living of the hero was what saved him in many of his perils.
Ancient Catholicism baffles me.
The modern reader seriously needs a good dictionary to go with this book. On a single page one might find 20 instances where it would come in handy. Want to know what an arbalast is? Or none-meat? Now I know.
There was a certain passage that had me a bit puzzled, as I sat pondering it--did it mean what I thought it meant? If so, men never do change, but seems a more modern thing to say...
The hero (who has been reared in an Abbey among monks and is on his first journey out into the world) is walking along with two chance companions; they meet a man who professes to be training his sons up to revenge him upon the hateful Scots. After they leave him, the old soldier remarks:
"I have a liking for that north countryman," he remarked presently. "He hath good power of hatred. Couldst see by his cheek and eye that he is as bitter as verjuice. I warm to a man who hath some gall in his liver."
"Ah me!" sighed Alleyne (monkish hero). "Would it not be better if he had some love in his heart?"
"I would not say nay to that. By my hilt! I shall never be said to be traitor to the little king. Let a man love the sex. Pasques Dieu! they are made to be loved, les petites, from whimple down to shoe-string! I am right glad, mon garcon, to see that the good monks have trained thee so wisely and so well."
"Nay, I meant not worldly love, but rather that his heart should soften towards those who have wronged him."
The little king?? Ha ha.
Very fun and very different from what we all think of when we think of Conan Doyle.
Not the very BEST in the blood & morality tales, but a good runner-up.
BTW: ILLUSTRATIONS BY N.C. WYETH--AWESOME!! -
It's kind of interesting to read totally mediocre genre stuff of previous generations, just sort of as an artifact. But this book is basically pretty stupid. Doyle has done his homework and there are some interesting bits about monks, but it's mostly pure melodrama, and the characterization is shoddy as a tree house made by drunken children. It's basically just a bit pile of shit, but I didn't mind it while I was reading it.
-
Readers of The White Company may be comforted to know that they are reading precisely the kind of book by Arthur Conan Doyle that he wanted you to read. Conan Doyle did not wish to be remembered for Sherlock Holmes, and thought his historical works were his best.
Alas, posterity has decreed otherwise. If you named the five most famous Conan Doyle characters, all or most of them come from the Sherlock Holmes stories – Holmes, Watson, Moriarty, Mycroft and perhaps Irene Adler. Professor Challenger might take the fifth place instead, thanks to The Lost World. On the whole, few people are talking about Brigadier Gerard and Sir Nigel.
Sir Nigel is the essential hero of The White Company, though he takes a long time to appear in the book. We instead follow the fortunes of Alleyne Edricson, the character who has the misfortune to be the inevitable dull protagonist of the book.
Alleyne begins life in one white company – a holy order of monks at Beaulieu – and moves onto another White Company, led by Sir Nigel. Despite the title of the book, I am a little uncertain about what the White Company does. Conan Doyle is surprisingly vague, but we gather they are mercenaries of a sort.
After leaving the monks for a year’s sabbatical Alleyne falls in with two members of the White Company, John of Hordle, a novice in the same holy order who is thrown out for bad behaviour, and Samkin Aylward, a proficient archer. They travel together until they arrive at the home of Alleyne’s brother.
Hopes that this sibling will look after Alleyne prove premature. Simon, the Socman of Minstead, hates his brother, as much of the money of the estate went into Alleyne’s monastic education. In any case, Simon is a corrupt and brutal crook. After rescuing a young lady from Simon’s clutches, Alleyne is forced to leave, and rejoin his former companions.
When he meets The White Company, Alleyne finds that the lady he rescued is the daughter of their leader, Sir Nigel Loring. Inevitably they fall in love, but Sir Nigel sets off for France and Spain to seek glory and honour, and takes The White Company, including Alleyne, with him. Here they meet with a number of adventures and fight bravely in Spain at the Battle of Nájera.
What is the spark that is missing which prevents The White Company from being as memorable as the Sherlock Holmes stories? Part of the problem is that it is an historical adventure story, and such tales, though entertaining, are never scintillating because of their nature.
The historical adventure story can falter on two points. Firstly, the author can slow the action down with too much historical minutiae, mistaking well-researched for well-written. Secondly, the tales are essentially samey when the action comes – damsels in distress, brave knights, villainous lords, tournaments and jousting, and battles.
Conan Doyle slips into both of these errors, regrettably. The narrative is constantly stopping while characters discuss aspects of medieval life such as fighting or religion, and the reader is asked to wait until it starts up again. This continues even late in the book when Sir Nigel’s push towards the final battle is interrupted by an archery contest, allowing Conan Doyle to show off his knowledge of different bows.
There are limits to what Conan Doyle will share with us, however. We cannot expect to see soldiers with dysentery or gangrene, for example. This is strictly the romantic part of history.
This is not terrible or tedious matter, but it does get in the way of the storytelling, and may explain why the book is longer than many Conan Doyle works. There is an amusing passage where our heroes are duped into buying fake holy relics, a common fraud at the time, and Conan Doyle has a dig at a pardoner, just as Chaucer did. How can you take money for pardoning people’s sins, and still be moral?
As this is Conan Doyle, he is more credulous about spiritualism however, and he includes a character who is a medium. She predicts a number of dangers, which all prove correct. With another writer, we would put this down to artistic foreshadowing, but I fear Conan Doyle really believes in this guff.
Regarding the book’s action, it is standard heroics, with rescues, fights and battles, and characters who are entirely conventional. Jousting and contests are as dull as a game of Quidditch, since it is very clearly signposted who will win.
Sir Nigel is of interest in that he is short and has poor eyesight, reflecting his age, In every other respect he is merely a brave and gallant knight with nothing to distinguish him from any other historical fiction hero. He does wear a patch over his eye until he performs a brave deed, but that seems more silly than helpful.
It must have been an interesting time, if knights really behaved that way, jumping in to defend the honour of any woman who asks. What a good way to get rid of a boring husband, or to spite your neighbour? Just tell a knight that he affronted your honour, and he will attack the man without any enquiring into the matter beforehand.
The gallant Sir Nigel is determined to fight any wrongs he comes across as a point of honour. I can think of one good example he might have considered. What about an invading army that devastates the landscape of a country so that a king can lay spurious claim to the throne of the country he is invading? Come to think of it, Sir Nigel is on the side of that king.
Conan Doyle is not really capable of questioning whether it is right to attack another country and despoil the countryside for no reason but gain. He was a supporter of the British Empire after all. Would he feel the same if Britain had been invaded by France on and off for over a hundred years, with much damage being done, based on a false claim to the British throne?
In all fairness, Conan Doyle is an imaginative enough writer to put across the other view. Since this is a time when England was successful against France, he can show some generosity towards the defeated side. This leads to one or two awkward moments.
At a tournament, a disguised Frenchman asks to fight English knights. He does so with distinction and honour. When the English offer to praise his gallantry, it all goes horribly wrong. The French knight instead delivers a speech attacking the English for the devastation they have done to his country before riding off.
Suddenly the sense that war is all just sport and invading another country is just a jolly adventure is briefly exposed as something more sinister. Later when Sir Nigel passes through France, Conan Doyle describes some of the damage done by invading armies. It is a surprising touch, and one for which we can honour Conan Doyle.
One of the more curious prophecies by the noblewoman who is a medium is when she warns Sir Nigel that his castle is under attack. (The attacker proves to be Sir Alleyne’s brother.) Since The White Company cannot go home, there is nobody to protect Sir Nigel’s wife and daughter, and they must save themselves by their own efforts.
The impolitic foolishness of fighting wars abroad while neglecting the safety of your own family pass seemingly unnoticed by Conan Doyle. Curiously the defenders seem able to manage quite well without The White Company’s help, thereby depriving us of a heroic return to destroy the enemy at home reminiscent of the end of Lord of the Rings.
The White Company is not widely-read today, and Conan Doyle’s bid to be remembered as a writer of historical romances must be considered a failure. That is as it should be. The White Company is an entertaining enough read, but it lacks the memorable touches that appear in Conan Doyle’s best writing. Medieval knights are just not as much fun as consulting detectives or bad-tempered scientist explorers. -
Arthur Conan Doyle alle prese col romanzo storico: un racconto medievale, con tanto di cavalieri, duelli, complotti ed una spolverata di horror.
Ho colto il suggerimento della parola del mese per scoprire questo libro, abbastanza piacevole da leggere e storicamente accurato (almeno per le mie conoscenze).
I personaggi non sono sempre credibili nei comportamenti, ma ciò non toglie che ACD riesca comunque a creare un’atmosfera medievale realistica, con momenti intriganti e colpi di scena.
Il finale è, ahimè, troppo prevedibile.
2,5* -
I really liked reading this. This takes place during the 100 years war, which was fun to read because we are studying it now in school. It was fun to switch my brain to something not Sherlock Holmes from Sir Arthur Conan Doyle. It was adventurous and I learned a great deal of the time and what was going on and the curious leader of the White Company; Sir Nigel. The downfall, which was mine, was reading this at the same time I was reading Ivahoe. I'll look forward to reading it again in a few years.
-
4,6/5
-
This is officially the first time I've ever read a full length non- Sherlock Holmes novel from Arthur Conan Doyle. Luckily I enjoyed this adventure even though it's so different. It's a good experience following this company of characters. If you're interested in The Three Musketeers, this is definitely for you.
-
There is nothing better than a motley crew of adventurers setting out on a journey. They laugh, they tell stories, they meet travelers on the road, get into fights, get ripped off by con men...you name it, there's something new around every corner. Conan Doyle did an amazing job with this novel - a mix of Canterbury Tales, the adventures of R.L. Stevenson, with the attitude of The Three Musketeers. Lots of chivalric fun! Is there any such thing as a Landlubber Swashbuckler? Loved it.
Almost forgot to mention - that signature phrase "The game is afoot!" is not neglected by ACD here - I found it twice, and it made me smile. -
Aspects of The White Company that I enjoyed and that brought the reader into the age of the Hundred Years' War was Doyle's use of the antiquated language rather than using the factual, to-the-point succinct, modern style of writing that we see in the Sherlock Holmes books. This adventure story is beautifully written in a picaresque, episodic style that captures the journey of naive, monastery-educated Edricson into the rough outside world where he encounters for the first time ruffians, con artists, a damsel in distress and befriends two men, Sam Aylward and Hordle John, the first a high-spirited woman-crazy archer, the second a renegade herculean novice from his own monastery. Doyle's descriptions of the settings, action, and characters during Edricson's travels in both England and France have been termed as " word-painting," where through Erdricson's eyes, the reader sees his world as in a painting and enters the narrative landscape. Doyle also presents characters from every class and trade, which allows him to depict the age’s pageantry, chivalry, roguishness, brutality, greed, poverty and class inequality. A familiar scene we have experienced in our own times is that of the uprising of peasants who turn with murderous rage on their polished, well-fed oppressors and attempt to burn the Chateau of Villefranche. The action increases in the second half of the book and through Doyle's writing, the reader becomes immersed in the action as well. The threads of the story are neatly brought together at the end.
-
Θα ήτανε κρίμα να τελειώσει η χρονιά χωρίς μια αυτό το βιβλίο: Ο "Λευκός Λόχος" είναι η ιστορία τριών φίλων, του νεαρού ιπποκόμου Αλλεϋν Εντρικσον, του βετεράνου τοξότη Αιλουράντ Σαμκιν και του Τζόν Χόρντλ που ακολουθούν τον Ιππότη Σέρ Νάιτζελ (τον οποίο γνωρίσαμε στο προηγούμενο ομότιτλο βιβλίο) στην Γαλλία, σε μια ακόμα εκστρατεία για την δόξα και την ιπποτική τιμή. Όπως και στον "Σερ Νάιτζελ", ο Ντόϋλ δίνει μια απλοϊκή απεικόνιση της Ιπποσύνης, πετώντας διακριτικά σαρκαστικές σπόντες και την κοινωνικο-πολιτική κατάσταση χωρίς όμως να γίνεται αφοριστικός. Αφενός μεν η εποχή του γράφτηκε το βιβλίο (1891) δεν σήκωνε ειρωνείες, αφετέρου δε, δεν υπάρχει λόγος: Ο "Λευκός Λόχος" υπάρχει για να διηγηθεί χιουμοριστικές ιστορίες ανδρείας, θάρρους, τιμής και όχι να δικάσει μια περασμένη εποχή από την πολυτέλεια του σύγχρονου (ακόμα και τότε) κόσμου. Αντίθετα, αδιαφορεί για την μιζέρια και την μίρλα που διακατέχει την σύγχρονη λογοτεχνία και φέρνει μια νότα αισιοδοξίας. Καλή χρονιά σε όλους!
-
If reading online (I prefer illustrated books)
http://www.hotfreebooks.com uses dictionaryone.com to define words (and find words), but other sources at:
http://aneyespy.blogspot.com/2011/12/...
Definitions
Some words are not in the dictionary, such as "none-meat", although "none" is 3pm. "Bouvary", like piscatorium, Doyle defines himself, saying "or" ox-farm, fish-pond.
http://aneyespy.blogspot.ca/2012/01/d... Definitions were added to my blog list as I noticed them, not alphabetical, so you'll have to Ctrl-F "search", because they appeared sooner than noted.
Apparently Doyle's mother fed him heraldry, and he knew archery. At times, his jargon went beyond my basic French. I spent so much time distracted by translations, I read again for the story, and found undefined terms earlier.
Plot - meet hero Alleyne
In Beaulieu (French for "fine place") Abbey, the head Abbot Berghersh banishes huge ginger John Hordle, a novice of great appetite and teasing nature - our first humorous interlude, and fight scene. Next, he unwillingly bids farewell to our hero and viewpoint, lithe blonde grey-eyed youth Alleyne. The naive monastery-raised orphan must follow his dead father Edrick's wish, to roam the world for his twentieth year.
Enroute, Alleyne helps Peter, fuller of Lymington, a small man, tricked out of his clothes by the larger John, twice. He meets odd eccentrics, tumblers, rescues an old lady, and sees Herward, fearsome Southampton bailiff, enact deadly justice to two robbers.
In the Pied Merlin tavern, the ex-monks John and Alleyne meet Samkin Aylward, veteran archer and womanizer. Sam wagers his feather bed, wrestling John for a year's service in France with his White Company, and wins. Like Sidney Paget, Strand magazine illustrator for Doyle's Sherlock Holmes, artist N.C. Wyeth, in vivid color, here adds dimension and flavor - crimson firelight burnishes ginger John. Sam has a letter requesting Sir Nigel Loring take command of the White Company, so he and John head to Loring in Christchurch.
My only disappointment was Doyle's interest in spirits, which led to prophetic visions of doom overpowering existing clues to an upcoming ambush and massacre even before the big conflict.
-
Oh, what language did Sir Arthur Conan Doyle use! What vocabulary! Verily, it was a delight to read such writing, even though I had previously never read anything by this author. It was recommended to me here, probably based on the
Bernard Cornwell's books I read. The edition I read was the original, unabridged text, as stated inside by the publisher.
Since the story takes place in the context of the Hundred Years War, differently described and yet similar to said Cornwell's works. Arthur Conan Doyle made use of old English and French vocabulary and wording, which not only made it a joy to read and make the story more vivid, but it also made it a refreshing read when used to modern English. Other readers mention, as similarly styled,
Walter Scott's
Ivanhoe, which is also on my TBR-list (To Be Read).
In short, even though other reviewers were better at describing the story: it's about an aristocratic boy who grew up in the abbey of Beaulieu, sent there by his father. It was arranged that at the age of 20, Alleyne Edricson was to leave the safe premises of the abbey and go out into the world. He is set to go visit (and live?) with his brother, the Socman of Minstead, but he sees his brother mistreating a young princess. Alleyne tries to intervene, but it leads to him being attacked by his brother, for he had to give up land to the abbey for the upbringing of Alleyne. So Alleyne has to flee and so his adventures begin.
Alleyne obviously knows nothing of the world, more so of the word of God, and with this baggage he sets out to discover humanity. And is perplexed of how one human can maltreat another, be it with words or actions. He prefers to reconciliate people, have them set aside their quarrels and issues.
He meets a few knights, archers (part of the White Company), and so arrives at the castle of Sir Nigel Loring, who is bound to march to war with Spain. Alleyne becomes the lord's squire, since he can read, write and paint, while the lord is of course skilled in other domains.
The description of the adventures preceding the war itself (which breaks loose in the last +/- 100 pages), of the various factions (English, French, Spanish), the various kings, warlords, et cetera shows that Sir Doyle really has made his homework and put a lot of effort in writing a worthwhile story.
The book is a very nice read about life in the 14th century, about hardship, about love, about friendship, and more. Arthur Conan Doyle applied a very descriptive style to demonstrate this; the environment, the clothing, the dialogues, everything. All to make you imagine better what happened, bow it happened, but also to eaily put yourself in the shoes of e.g. Alleyne, Nigel Loring or other characters, but of course foremost Alleyne, since he's a central and vital character (his upbringing contrasting with his real life experiences).
If you like to read something refreshing, compared to modern writings, then I can really recommend this book. -
Young Alleyne has had a sheltered up-bringing in a monastery, learning how to read and paint, but knowing very little about normal life in Medieval England. When he ventures out into the world as a young man, he finds a place as squire to the famous knight, Sir Nigel, the leader of the White Company, a band of English archers. They march to war with Spain, and Alleyne is determined to win glory, love, riches, and honor without losing the saintly virtues that the monks taught him as a child.
I loved the adventure, the action, the rousing dialogue, and knightly courage! The plot ran through all these unexpected turns that took me by surprise. Castles besieged, and pirates on the Channel, jousting tournaments that go haywire, and even that inevitable mysterious knight in black armor who refuses to tell his name until someone defeats him. And there were so many episodes of little everyday doings scattered in with the big chivalrous deeds that gave spice to the whole story!
The characters are all so noble and generous, and just like you would imagine medieval knights to be. Every character has their own funny quirks, and their own strengths and foolish weaknesses. There is such a wide stretch of people in this book, and yet it never felt like too much.
Alleyne befriends two of the archers in the White Company, and those three stick together through all the adventures of war. They joke around and share everything, and they are so hearty and laughing and brave.
Naturally, Alleyne falls in love and must prove himself to be worthy of the lady. I thought their romance was sweet and lovely, but also sort of tart and peppery since it's all wrapped up in the adventure, and the lady is sassy and independent. I loved it!
The only bad points in this book are that the ending came a little too quickly, and needed some more denouement in the last scenes; and that there are many descriptive passages, well-written and beautifully vivid, but which could have been more concise.
I had to read the book with a dictionary and a French translator, since many of the words are archaic, and sometimes even the dictionary didn't know the word because it was so archaic!! I loved learning the new words, though I will probably never use them.
Here are some you will need to know...
Solleret: a flexible steel shoe forming part of a medieval suit of armor
Banderole: a long narrow forked flag or streamer
Devoir: duty, responsibility
Camisado: an attack by night
Franklin: a medieval English landowner of free but not noble birth
Arbalest: a crossbow especially of medieval times
Venery: the art, act, or practice of hunting
Caitiff: cowardly, despicable
Tallage: an impost or due levied by a lord upon his tenants
Sicker: secure, safe; dependable (chiefly Scotland)
Rede : to give counsel to : advise
Wapentake: a subdivision of some English shires corresponding to a hundred
Kermis: an outdoor festival of the Low Countries
Sokeman (or socman): a man who is under the soke of another : a tenant by socage -
Not until I´ve picked this I´ve realized how much I´ve craved a classic tale of knights just doing chivalric deeds. Recently I´ve noticed that most of modern historical fictions set in the Middle Ages, or inspired by them, are so very much so cynical and pessimistic, where the most chivalrous knights spends his pastime violating maidens and killing orphans and everything is horrible (I blame G. R. R. Martin for this trend). So this 130 years old book feels like a breath of fresh air.
The story takes place in the Edwardian part of the Hundred Years' War and follows a young man Alleyne Edricson, who has been raised by monks, at the age of twenty he leaves the monastery and goes to explore the world, in accordance with his late father´s wishes. Conveniently he is taken as squire to Sir Nigel Loring who was just requested to take command of a free company of mercenary longbowmen - The White Company. The book follows their adventures both funny and breathtakingly thrilling in war ravaged France, Spain and culminates in an epic battle.
I´ll be sure to read the prequel (sequel) Sir Nigel when I´m again feeling oversaturated with the modern historical fiction genre.
-
"Mantieniti coraggioso e puro, audace con i forti e umile coi deboli. Così, che tu sia ricambiato o meno, ti sarai reso degno dell'amore di una donna; ed è questo a cui deve aspirare un vero cavaliere".
In questo libro di sir Arthur Conan Doyle, il celebre creatore del personaggio di Sherlock Holmes, si parla di cavalieri (siamo nel Medioevo), di guerre e di amore… Però ha una trama che non mi ha lasciato niente di niente: zero pathos, insomma!
Per giunta, la compagnia che dà il nome al titolo compare solo verso la fine… e soltanto per essere sterminata!
[
https://www.antoniorosato.net/indice-...] -
I read this book many years ago.
I remember that Doyle was disappointed this book wasn't as well received as his Holmes mysteries. Even though I young reader, I found this book seems too English, to serious and too self-aware. Oh, it's a good story and Doyle told it well. It just seemed that the reader was too aware of him trying. Of course, we shouldn't be. We should be impressed in the world and the story and pay no attention to the insignificant man behind the curtain. We shouldn't even be aware of the curtain, just the story.
