Insomnia Diary by Bob Hicok


Insomnia Diary
Title : Insomnia Diary
Author :
Rating :
ISBN : 0822958422
ISBN-10 : 9780822958420
Language : English
Format Type : Paperback
Number of Pages : 86
Publication : First published January 1, 2004

Hicok's fluid ability to shift moods, the richness of his visual palette, and his idiosyncratic use of language fill the pages of Insomnia Diary. The fourth collection of poetry from this former automotive die designer delivers more of the cunning brilliance that has become Hicok's hallmark.


Insomnia Diary Reviews


  • Lobstergirl

    I didn't like all these poems equally, but there's no question this man has a gift, and a way of inverting the ordinary.

    On the calendar the striptease of months,
    dust quietly gathering on the shoulders
    of other dust...


    and

    I drove my father for lettuce on the day his wife
    didn't die but that was reasonably his fear.
    His wife is my mother which has to be stated

    if facts are what we're here to collect. I often
    forget whole parts of my parents' lives
    have nothing to do with me...

  • M.F. Soriano

    One of the best books of poetry I've read. Hicok can hit hard, but he doesn't lose himself in savagery--there's room in his attitude for sensitivity and bemusement. Often, when he does work with a bitter pen, he aims it at his own self, but even there he flavors his vinegar with compassion. Most importantly, Hicok maintains an openness to wonder and a respect for the profound that suffuses every line with a reverent hue. He is able to simultaneously mock and coddle, which is no small achievement. Plus, he does it with a wholly original voice, which leads to lines like (and this is an approximation, since I don't have a copy of the book on hand to refer to) "to huddle around the zirconium's small fire." Have you ever thought to describe a group admiring a wedding ring in that way?

  • C. Varn

    Hicok's style remains deceptive: seemingly random and surreal, but often steering into the poignant or sad. The rambling is contained by a naturalistic style that can veer surreal in imaginary but is never pretentious. Some of the strongest lines here will knock your socks off, but the poems do seem to wander even after the lyrical punch is achieved.

  • Ryan

    Worth the price of admission for the first poem alone. I read it a dozen or more times, so enchanted by everything in it. This is one collection for anyone even vaguely interested in contemporary poetry. It is shit hot.

  • elise amaryllis

    5/5
    i’ve been reading a ton of poetry lately and whili I still feel a little out of place when trying to review/understand it man oh man i love hicok's work. it’s kinda cool to read it at a time where i’m just now figuring out what I want from a poem. and what do i want? still not sure, but whatever hicok is doing in his stuff is great. i love the way he writes about the ordinary. i love the way he writes emotion. some of his stuff is really humorous and some is really touching and sometimes both. it’s just great. obviously some poems were a miss for me but i loved most of the poems in here, and even poems i didn’t like had some beautiful lines. this book also feels almost conversational, reads like a story at some points (idk what I’m saying but it makes sense in my head) and i’m just a big fan.

    not quoted, but I also loved “the bald truth” “spirit ditty of no fax-line dial tone” & “insomnia diary”

    some of my favorite poems & lines:

    “That was the day I learned you can sit
    with someone who’s on the bottom
    of the ocean and not get wet.
    By the time he said things were good
    he’d poured twelve sugars into a coffee
    he never touched.”

    — Bottom of the ocean

    “I drove my father for lettuce on the day his wife
    didn’t die but that was reasonably his fear.
    His wife is my mother which has to be stated

    if facts are what we’re here to collect. I often
    forget whole parts of my parents’ lives
    have nothing to do with me.”

    — Small purchase

    “Happiness is the technical term
    for what ensued, a week of touching
    and talking and sweeping the floors

    together and how wonderful it can be
    to take out the trash, the only weight
    he felt were his socks, without them

    he’d have floated off, he almost believed
    this was the feeling he’d carry
    to his grave, that lips and fingerprints

    are wealth.”

    — Capital crime

    “I want to remember
    the first time I heard music and knew
    I was hearing music, and the first time
    I heard music and had no idea what it was.”

    — Now and then I am direct

    “I remember things about eight
    That might be relevant here
    like not remembering anything about eight.

    I’ve seen pictures. I had
    exploding hair and must have loved
    the earth because I wore dirt
    to every occasion.

    Hiding should be the career of a child
    Breaking things
    is good or licking rocks.”

    — Growing at the speed of fashion

    “But what sadness
    pushes stars to suicide? In truth
    they’re rocks, we call them stars
    to speak kinda of the dead.”

    — Meteor shower

    “He got the last pizza
    at lunch and was touched on the wrist by a girl
    at the fountain. This made him believe he was real
    in a way breathing never had. Over the next
    few months he stopped feeling he lived
    on the wrong side of the mirror.”

    — The edge

    “I was happier sweating
    because it proves the body’s made of rain.
    I was happier hallucinating a beach

    because I’m a better man
    in the presence of a water slide.”

    — Cure for the common cold

  • Richard

    Hicock’s poems are a jigger of James Tate with a sprinkling of Donald Barthelme. Some poems engage their conceit in the title, perhaps even before the title, leaving you sometimes with a wondrous sense of imbalance, clutching at the world of the poem to make sense of where you are. But these poems don’t really go to the length of absurdity, unless the world around us is absurd (a fair point). In a poem about public work, for example, a public figure expects a bribe to move a rock back from the side of the road that someone intends to move it from, making for a classic catch-22 of expecting a bribe for work that is not only not yet done, but A bribe for work not to be done in the first place. There are also poems of love in here, of anguish, so there are a few I will be coming back to, but sometimes that aforementioned wall just remains there through the poem.

  • G.J. Fricano

    Not my favorite of his collections, but still a worthwhile venture into Hicok's bizarre reflections of life and sex.

  • Sheri Fresonke Harper

    Bob Hicok's style tends toward a burst of words that is close to a rant but I would say it was more full of emotional vigor. The pieces focus on unusual times, places, and connections in his life. Some of the pieces are quite funny. Two poems tell of having to layoff and rehire a man in all the emotional turmoil that generates between the boss and employee, for example. The fun part of these poems is the slice of American life that comes out clearly in the reading. I could only read a few at a time because they spun off too many thoughts, definitely a good find for poets and readers for their keep shelf.

  • Mark

    I had read many Hicok poems before picking up Insomnia Diary and have always really liked his work. For anyone unfamiliar with Hicok, he has a witty, conversational style that belies the surprising depth of his lyrical insights. Unfortunately, Insomnia Diary shows what a thin line such a style treads between accessible inspriration and amateurish rhythmic talking. Although there were several good poems in the volume, there were also several not so good ones that wore on your nerves after a while (very similar to reading bad Bukowski). I highly recommend Bob Hicok, but I also recommend starting with a different volume.

  • Gina

    A "few" favorite lines:

    "[I]f I give a job to one stomach other/forks are naked."--"Calling him back from layoff"

    "All the while feeling air's/a quilt of tongues, that spaces/between words are more articulate/than words."--"Bars poetica"

    "But what sadness/pushes stars to suicide? In truth/they're rocks, we call them stars/to speak kindly of the dead."--"Meteor shower"

    And what I need printed on something or at least on hand to quote in the future:

    "My contribution/to the common good is playing/with the alphabet in a little room/while the world goes foraging/for food."--"Truth about love"

  • P.

    Bob Hicok's poetry caught me in the Believer magazine and the New Yorker. It was really arresting. So I was looking forward to reading a book of it. And this was more staid than I was expecting. But I'm thinking maybe this is earlier work, because there are hints of Things To Come.

    Not that this is a terrible collection. Just that these poems sit on the page and wait to be read and my favorites of his rush along and carry you with them.

  • Joanna

    Hicok's poem "Bottom of the Ocean" is knock-the-wind-out-of-me good. I think of the lines: "He said that she said /we're all out of evers without explaining /who she was or how many evers we had /to begin with or where they were kept. /I slept with an extra blanket that night." pretty much every single day.

  • Autumn

    My new favorite poet.

    I enjoy poetry that is technically masterful and shows a clear gift with language without the "look at me showing off my 12 English degrees!" kind of convoluted snobbery. Hicok is it--approachable, relatable, and just plain fun to read. It deals with heavy themes with the perfect amount of bemusement and self-depreciation. I would recommend this word porn to everyone.

  • Valerie

    I like Hicok's conversational tone along with his humor. His poems seem in love with life. It is contagious.

    My favorite poems from this book:

    The edge
    Meteor shower
    Spirit ditty of no fax-line dial tone
    An old story

  • James

    "It's hard being in love
    with fireflies. I have to do
    all the pots and pans."

    Funny poems, lots of good energy from the line breaks, most are big single-stanza things, the voice starts to sound a little samey-samey.

  • Msryanpaula

    Come on people, read some poetry. You're not well-read without it!

  • Sara Kearns

    There is so much humanity in Bob Hicok's books. Sooo much. I bow before him and worship at his alter daily. He's brilliant -- intellectually, linguistically, and emotionally.

  • Timothy

    Good poetry collection. Speaks of his past life as a drug user/dealer among other ideas (the workplace, being old). Reminds me a bit of Dean Young. Good read.

  • Simona

    whimsical, clever and downright reverent in places, without being too heavy-handed.

  • Eddie Watkins

    Good enough but maybe he should prose it instead

  • Deja

    Good, readable poems.

  • Sara

    The language in this book, the use of words, is sometimes magical, in that it seems effortless, as if it is a given yet, totally new to the brain.

  • Timothy Green

    One of my favorite books.

  • Travis

    My favorite book of poetry, though I haven't read enough.