| Title | : | The Bad Beginning (A Series of Unfortunate Events, #1) |
| Author | : | |
| Rating | : | |
| ISBN | : | 0439206472 |
| ISBN-10 | : | 9780439206471 |
| Language | : | English |
| Format Type | : | Paperback |
| Number of Pages | : | 176 |
| Publication | : | First published August 25, 1999 |
| Awards | : | Book Sense Book of the Year Award Children's Literature (2001), Nene Award (2003), Silberner Lufti (2000) |
I'm sorry to say that the book you are holding in your hands is extremely unpleasant. It tells an unhappy tale about three very unlucky children. Even though they are charming and clever, the Baudelaire siblings lead lives filled with misery and woe. From the very first page of this book when the children are at the beach and receive terrible news, continuing on through the entire story, disaster lurks at their heels. One might say they are magnets for misfortune.
In this short book alone, the three youngsters encounter a greedy and repulsive villain, itchy clothing, a disastrous fire, a plot to steal their fortune, and cold porridge for breakfast.
It is my sad duty to write down these unpleasant tales, but there is nothing stopping you from putting this book down at once and reading something happy, if you prefer that sort of thing.
With all due respect,
Lemony Snicket
The Bad Beginning (A Series of Unfortunate Events, #1) Reviews
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*I'm not going to rate this, because I've already read this book & stand by my first rating of it.
I adore this story so much & I'm so happy that I took the time to re-read it. It made me feel SO nostalgic reading it. I can't wait for the netflix series!! -
I'm reading through this series with my daughter Celyn (10 years old, very disabled, hence Dad does the reading).
Edit: Finished & reviewed all 13!
So, this is a clever, entertaining book set in a world like ours but populated with bizarre characters and with distinctly dark undercurrents.
Recurring themes throughout the series are:
i) Adults are mindbogglingly stupid.
ii) The narrator, Lemony Snicket, is a character we glimpse in tantalising snatches.
iii) Words that stretch a child's vocabulary are used regularly but defined in context (by the narrator) in an amusing way.
iv) The three siblings, Violet (14), Klaus (12), and Sunny (1) will use their singular talents (respectively inventor/bookworm/biter) to solve the problem.
v) That problem will be Count Olaaf
The book (like Roald Dahl's work) succeeds with a combination of wit, slapstick, and malice.
Short, very readable, will leave you wanting the next.
This one sets the scene, rapidly orphaning the children, establishing the goal (to survive long enough to take control of their huge inheritance), and their adversary (Count Olaaf and his theatre troop of sinister villains).
We have ten of the books because my elder children loved them when they were young. On book 5 I'm thinking we'll probably read them all.
EDIT: I have now posted reviews of all 13 books in the series - check them out!
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SADNESS GALORE.
Violet, Klaus and Sunny are the pride and joy of their wealthy lovely parents, the Baudelaire. They all live merrily at an enormous mansion in the coastal city of Briny Beach. Until one sad day a fire destroys their beautiful home and burns everything in it, including their parents. The Baudelaire orphans, the embodiment of misfortune, must now face an uncertain future full of painfully sad moments. This is the beginning of a series. A series of unfortunate events.
This book specifically warns from the start that this is a sad story. Innocent me, I thought this was going to be haha sad, funny sad; but no, this is just sad. This is pure sadness. This is so fucking sad! What the hell is wrong with you Lemony? And I have twelve more books of crushing sadness to go through? YOU SICK TWISTED FUCK!
I have to admire the writer’s capacity to make me hate and love something so much in so few pages. LOVED the Baudelaire siblings, and their group strength and resilience to face all the crappy things that befalls them. Took me only two chapters to HATE Count Olaf with all my mangled heart. And I need more Justice Strauss please. I’m hoping for a diamond incrusted rainbow at the end of the series or else... Then again I must admit this book also specifically warns there is no happy ending at the end of this story; but I don’t care, I’m holding on to my little ray of hope. Fuck you Lemony. You are not bringing me down. YOU HEAR ME YOU SICK BASTARD??? You are not bringing me down!!
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PERSONAL NOTE:
[1999] [176p] [Fiction] [3.5] [Recommendable] [Justice Strauss <3] [Die Olaf DIE!] [Tsunami of sadness] [I need a new heart] [Please make the pain stop] [Pardon my french!]
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TRISTEZA EN ABUNDACIA.
Violet, Klaus y Sunny son el orgullo y alegría de sus amorosos y acaudalados padres, los Baudelaire. Todos viven felizmente en una enorme mansión en la costera ciudad de Briny Beach. Hasta que un triste día un incendio destruye su hermoso hogar y quema todo en ella, incluyendo sus padres. Los huérfanos Baudelaire, la encarnación del infortunio, deben enfrentar ahora un futuro incierto lleno de dolorosamente tristes momentos. Este es el comienzo de una serie. Una serie de eventos desafortunados.
Este libro específicamente advierte desde el inicio que ésta es una historia triste. Inocente yo, pensé que iba a ser jaja triste, triste gracioso; pero no, esto es sólo triste. Esto es pura tristeza. ¡Esto es tan malditamente triste! ¿Cuál demonios es tu problema Lemony? ¿Y tengo doce libros más de aplastante tristeza que sobrepasar? ¡MALDITO ENFERMO RETORCIDO!
Tengo que admirar la capacidad del autor para hacerme amar y odiar tanto sobre algo en tan escasas páginas. AME los hermanos Baudelaire, y su fortleza grupal y resiliencia para enfrentar todas las desgraciadas cosas que les sucedían. Me tomó sólo un par de capítulos para ODIAR a Olaf con todo mi magullado corazón. Y necesito más Justice Strauss por favor. Estoy esperado por un arcoriris incrustado de diamantes al final de esta serie o sino... Aun así debo admitir que este libro también específicamente advierte que no hay un final feliz al final de esta historia; pero no me importa, voy a aferrarme a mi rayito de esperanza. Vete al demonio Lemony. No me vas a hacer caer. ¿ME OYES BASTARDO ENFERMO? ¡¡No me vas a hacer caer!!
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NOTA PERSONAL:
[1999] [176p] [Ficción] [3.5] [Recomendable] [Justice Strauss <3] [Muérete Olaf MUERETE!] [Tsunami de tristeza] [Necesito un nuevo corazón] [Por favor detengan el dolor] [Perdón por mi francés!]
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YES!!! The least fascinatingly detailed book in my favorite series! It just keeps getting better and better, folks.
So, for the three misguided people who haven’t read this series - first off, get ON THAT. What are you doing? There is nothing so important in your life that you can’t put it off in order to read this series.
https://emmareadstoomuch.wordpress.co...
Second, we follow the Baudelaires - Violet, Klaus, and Sunny - through what can only be Very Foreseeably Described as a series of unfortunate events. I can’t put it better than Lemony Snicket himself, so I’ll just shoehorn in his words: Within these pages, “the three youngsters encounter a greedy and repulsive villain, itchy clothing, a disastrous fire, a plot to steal their fortune, and cold porridge for breakfast.”
So the things about these books...the setting is amazing. Lemony Snicket creates this almost-reality wherein even the smallest, most mundane occurrence is Veritably Fixed & Deliberate.
This phenomenon becomes more and more clear as the series progresses, which is why the first book is the worst one. (Or maybe the last one is, depending on how many questions it answers.) None of these sneaky, behind the scenes things are a Visibly Forceful Development in the first book, so it’s not as fun.
But I loved this series so much in my childhood. Lemony Snicket taught me the power of books, and of words. Most stuff, when you’re a kid, makes you feel like anything you could do would be nothing more than a Viciously Futile Diversion. But I have vivid memories of being a fairly small child and intensely poring over the pages of these books, looking for clues and ways to help the Baudelaires and, as this book says, “the people who liked them.” And I felt like I was doing something, even if it was fictional.
I have Lemony Snicket to thank for a lot of things.
Anyway. I’m getting almost...dare I say…emotional, so I’m going to wrap this up. These books are funny, exciting, dark, and teeming with clues and Easter eggs for those who care to look. On top of it all, the TV series is a pitch-perfect adaptation, and if you ask me about the movie I’ll look you right in the eye (but not actually) and ask what movie you’re talking about.
Man, I love these books. I could reread them every year and never get bored. (I know this because of a very scientific process wherein I reread them pretty much every year.)
Bottom line: READ IT READ IT READ IT READ IT READ IT READ IT READ IT READ IT READ IT!!!!
The world is quiet here. -
For some reason I had the sudden urge to re-read these books... so I decided to start listening to them on audiobook!
I have the 11th book in a physical copy, but I will eventually be picking the rest of them up as well. -
The Bad Beginning, Lemony Snicket
The Bad Beginning is the first novel of the children's novel series A Series of Unfortunate Events by Lemony Snicket.
The novel tells the story of three children, Violet, Klaus, and Sunny Baudelaire, who become orphans following a fire and are sent to live with Count Olaf, who attempts to steal their inheritance.
عنوانهای چاپ شده در ایران: «آغاز بد»؛ «شروع ناگوار»؛ «شروع بد»؛ «آغاز شوم»؛ نویسنده: لمونی اسنیکت؛ تاریخ نخستین خوانش روز شانزدهم ماه آوریل سال2011میلادی
عنوان: آغاز بد؛ نویسنده: لمونی اسنیکت؛ مترجم: امیرهوشنگ مهرپرور؛ تهران، فرزانه، روز24، تیر ماه سال1381؛ در192ص؛ شابک9647239114؛ موضوع داستانهای نویسندگان ایالات متحده آمریکا - سده 20م
عنوان: شروع ناگوار؛ نویسنده: لمونی اسنیکت؛ مترجم: نسترن پاشایی؛ تهران، ماهی، سال1381، در136ص؛ شابک9649333304؛ چاپ دوم سال1382؛ چاپ سوم سال1383؛ چاپ چهارم سال1384؛ چاپ ششم سال1386؛ در125ص؛ چاپ هفتم سال1387، در128ص؛ شابک9789649333311؛ چاپ دهم سال1390؛
عنوان: آغاز شوم؛ نویسنده: لمونی اسنیکت؛ مترجم: حسین قنبری؛ مشهد، شریعه توس، سال1384؛ در104ص، مصور؛ شابک9649431608؛
عنوان: شروع بد؛ نویسنده: لمونی اسنیکت؛ مترجم فرزانه کریمی؛ تهران، قدیانی، سال1387؛ در167ص، مصور؛ شابک9789645361585؛
ویولت، و «کلاوس» و «سانی بودلر» سه بچه از یک پدر و مادر ماجراجو و ثروتمند بودند، که در ساحل «برینی بریچ» میفهمند، که پدر و مادرشان در آتش سوزی بزرگی از بین رفته اند، و آنها باید از این به بعد در خانه ی «کُنت اُلاف»، که یکی از فامیلهای دورشان است، زندگی کنند؛ «کنت الاف» با نقشه ای، با استفاده از قانون ازدواج، آنها را مجبور میکند، «ویولت» به عقد «کنت الاف» درآید، تا کنت وارث وی شود، و بتواند از ثروت آنها استفاده کند، که با ...؛
نقل از متن ترجمه «شروع ناگوار»: (فصل اول: اگر دوست دارید داستانهایی را بخوانید که پایان خوشی دارند، بهتر است کتابِ دیگری دست بگیرید؛ این کتاب، پایان خوش که ندارد، هیچ، آغازِ خوشی هم ندارد؛ وانگهی آن وسطها هم ماجراهای چندان خوشی اتفاق نمیافتد؛ دلیلش هم این است که اصلاً در زندگیِ سه «بودلرِ» نوجوان چیزهای شادِ زیادی پیش نمیآید؛ «ویولت»، «کلاوس»؛ و «سانی بودلر»، بچه های تیزهوش، جذاب و مبتکری بودند، و صورتِ دلچسبی هم داشتند، اما تا بخواهید بدبیار بودند، و بیشتر چیزهایی هم که به سرشان میآمد، همه اش از بدبیاری و درماندگی بود؛ ببخشید که اینها را برایتان گفتم، چه میشود کرد؛ داستان «بودلر»ها از این قرار است
بدبختی آنها یک روز در ساحلِ «برینی بیچ» شروع شد؛ بچه ها با پدر و مادرشان، در قصری عظیم، در قلب شهری کثیف و شلوغ زندگی میکردند؛ گاهی پدر و مادرشان اجازه میدادند، که آنها چرخ دستی زِوار در رفته ای را، با خود به لب دریا ببرند؛ اصطلاح «زِوار در رفته» که شاید به گوشتان خورده باشد، یعنی «چیزی که چیزی نمانده متلاشی بشود»؛ بچه ها تمام روز را کنار ساحل میگذراندند، و موقع شام برمیگش��ند خانه؛ آن صبحِ به خصوص، هوا ابری و تار بود، که این یک ذره هم بچه ها را پَکر نکرد، چون وقتی هوا گرم و آفتابی بود، «برینی بیچ» پُر از توریست میشد، و دیگر محال بود بشود جای خوبی برای پهن کردنِ زیرانداز پیدا کرد؛ اما روزهای ابری و تیره، ساحل مالِ «بودلر»ها بود، تا هر کاری دلشان میخواست بکنند
ویولت بودلر، که از برادر و خواهرش بزرگتر بود، دوست داشت روی آب سنگ بپراند؛ مثل بیشتر چهارده ساله ها راست دست بود، برای همین، موقعی که روی آن آبِ دلگیر، با دست راست سنگ میپراند، سنگش دورتر میرفت، تا با دست چپ؛ همیشه وقتی سنگ پرانی میکرد، یک چشمش به افق بود، و تو فکر یک اختراع بود؛ هر کس که «ویولت» را خوب میشناخت، اگر او را در آنحال میدید، میفهمید که او در فکر عمیقی فرو رفته، چون موهای بلندش را با روبان بسته بود، که روی چشمهایش نریزند؛ «ویولت» استعداد خاصی در اختراع کردن، و ساختنِ دستگاههای عجیب غریب داشت، به همین دلیل بیشتر وقتها، ذهنش مشغولِ قرقره ها، اهرمها و چرخ دنده ها بود، و دلش نمیخواست که چیزِ بی اهمیتی مثل موهایش حواسش را پرت کند؛ آن روز صبح هم تو این فکر بود که دستگاهی بسازد، تا بتواند بعد از پراندن سنگ روی آب اقیانوس، آن را پیدا کند و برگرداند
کلاوس بودلر، که تنها پسر و بچه ی وسطی بود، دوست داشت روی موجوداتی که پس از مَد، تو چالابها میماندند مطالعه کند؛ تازه رفته بود تو دوازده سال؛ عینکی بود و همین او را باهوشتر نشان میداد؛ خانم و آقای «بودلر» کتابخانه ی عظیمی در خانه ی مجللشان داشتند، که پُر بود از هزاران کتاب با موضوعات مختلف؛ «کلاوس ِ» دوازده ساله، مسلما همه ی آنها را نخوانده بود، اما خیلیهایش را خوانده بود، و کلی اطلاعات تو سرش داشت؛ میدانست که تمساح، چه فرقی با سوسمار دارد، یا «جولیوس سزار» را چه کسی کشته؛ راجع به حیوانات ریز و لیزی که در «برینی بیچ» پیدا کرده بود و الان داشت روی آنها مطالعه میکرد هم کلی چیز بلد بود
سانی بودلر، ته تغاری بود، و عاشق گازگرفتن چیزها؛ به نسبتِ سنش خیلی ریزنقش بود، و تقریبا به قد و قواره ی یک چکمه بود؛ اما کوتاهیِ قدش را با تیزی و درشتیِ چهار دندانش، جبران میکرد؛ «سانی» در سنی بود، که بچه ها معمولاً با جیغهای نامفهوم حرف میزنند، و به جز آن موقعهایی که چند کلمه ی درست مثل «شیشه»، «مامان» و «گاز» میگفت، سر درآوردن از حرفهایش برای خیلیها مشکل بود؛ مثلاً آن روز صبح، پشت هم میگفت: «گَک!» که احتمالاً معنی اش این بود «ببینین اون چیه که داره از توی مه میاد بیرون!»؛
راستی هم، آن دورها در ساحل مه آلود «برینی بیچ»، موجود دیلاقی دیده میشد، که با قدمهای بلند، به طرف بچه ها میآمد؛ مدتی بود که «سانی» بِهِش خیره شده بود و جیغ میکشید؛ بالاخره «کلاوس» که داشت یک خرچنگ تیغ دار را، بررسی میکرد سرش را بلند کرد، و آن را دید؛ او خودش را به «ویولت» رساند، بازویش را گرفت، و او را از فکر بیرون آورد؛ گفت: «اونو نگاه کن.» و به آن موجود اشاره کرد؛ آن موجود نزدیکتر شد و بچه ها توانستند چیزهایی از آن ببینند؛ قد و قواره اش به آدمها میخورد، به جز سرش که دراز و تقریبا چارگوش بود
ویولت پرسید: «فکر میکنی چیه؟»؛
کلاوس که چشمهایش را تنگ کرده بود تا بهتر ببیند، گفت: «نمیدونم، اما مثل اینکه صاف داره میاد طرفِ ما.»؛
ویولت که کمی مضطرب به نظر میرسید، گفت: «ما تو ساحل تنهاییم؛ کس دیگه ای نیست که اون بخواد بِره طرفش.»؛ سنگِ تخت و صافی را که چند لحظه قبل میخواست روی آب بپراند، توی دست چپش فشار داد؛ یک دفعه به سرش زد که سنگ را به طرفِ آن موجود پرت کند چون خیلی ترسناک به نظر میآمد
کلاوس که انگار فکر خواهرش را خوانده بود، گفت: «فقط به خاطر مِهِه که ترسناک به نظر میاد.»؛
درست بود؛ وقتی آن موجودِ ترسناک به بچه ها رسید، خیالشان راحت شد، چون ترسناک که نبود، هیچ، آشنا هم بود، آقای «پو» بود؛ او بکی از دوستان آقا و خانم «بودلر» بود، که بچه ها چندین بار او را در مهمانیها دیده بودند؛ یکی از چیزهایی که «ویولت»، «کلاوس» و «سانی» خیلی توی رفتارِ پدر و مادرشان میپسندیدند، این بود که وقتی کسی به دیدنشان میآمد، بچه ها را دَک نمیکردند بلکه میگذاشتند آنها هم سر میز شام با بزرگترها غذا بخورند و با آنها حرف بزنند، به این شرط که در جمع کردنِ میز کمک کنند؛ بچه ها آقای «پو» را خوب یادشان بود، چون او همیشه سرما خورده بود و مدام عذرخواهی میکرد و از سر میز میرفت اتاقِ بغلی که سرفه کند؛) پایان نقل
تاریخ بهنگام رسانی 05/11/1399هجری خورشیدی؛ 08/08/1400هجری خورشیدی؛ ا. شربیانی -
Up until now, the three Baudelaire children have lived a fairly lavish life, until a raging fire burns through their home with their parents inside. Their deaths are suspicious and nobody really knows how the fire started in the first place. Now they have nothing left and Mr. Poe must find a relative that’s willing to take on the responsibility of caring for them.
“Mr. Poe opened his mouth to say something, but erupted into a brief fit of coughing. “I have made arrangements,” he said finally, “for you to be raised by a distant relative of yours who lives on the other side of town. His name is Count Olaf.”
When the children are delivered to their new caretaker (Count Olaf), their hope is that their life will take a turn for the better. However, it seems that Count Olaf’s only interest is gaining their family fortune and the Baudelaire children must find a way to protect themselves from his nasty schemes.
There were comical parts in the book and surely the whole story isn’t just bad events happening to the children. I felt that there were positive aspects too. I personally admired how the children stood together and had each other’s back. They’re intelligent kids–effective problem solvers–and make the best out of the predicament they’re in. Also, there are many important messages about family, trust, embracing what you have and making the best of it. For me, the biggest takeaway was that justice and life in general don’t always work in our favor as the adults who are supposed to be the protectors make one mistake after another in this book. It’s enough to drive one mad and reminded me of how crazy things can get when deranged people have power and control over others, especially children.
I enjoyed the writing and thought it was really easy to follow. We loved the illustrations, but found ourselves wanting more because there aren’t that many and mainly just at the beginning of each chapter. There are frequent new vocabulary words introduced for children to learn and I appreciated the addition of them with thorough explanations.
“It is very useful, when one is young, to learn the difference between “literally” and “figuratively.” If something happens literally, it actually happens; if something happens figuratively, it feels like it is happening.
If you are literally jumping for joy, for instance, it means you are leaping in the air because you are very happy. If you are figuratively jumping for joy, it means you are so happy that you could jump for joy, but are saving your energy for other matters.”
The ending is left wide-open for the second book, The Reptile Room. I’m really looking forward to starting the next book and reading this whole series. My plan is to read them all with my kids before we start the Netflix series.
4****
You can see all my reviews@
www.readrantrockandroll.com -
We have in Egypt this saying;
"Who sees the Unfortunate Events of others feel solace about his own Unfortunates"
So, 2016 wasn't my year -EST, 2011- and now I'm hitting "rock bottom",having "A Series of Unfortunate Events"
"اللي يشوف ميسفورشنت ايفينتس الناس تهون عليه ميسفورشنته"
So I said, why not give this title a try
"accompanied by this mysterious black cat that sat with me the whole 2 hours read"
It's really dark-fun MisfortunekidsOrphans' story..
And a Gothic villain.
And the author himself, Mr. Lemony Snicket;
who advises you repeatedly that this book is sad and misfortune and not with a happy endings..and please close it or return it if you can't handle all this misfortune..
Even the TV show latest adaptation tells u to just
LOOK AWAY, well... that's true... you should stop reading this review now as well..look for something happier.
BUT as our beloved mother Country saying...which I said earlier, I didn't Look Away.
And that was.....sickly fun.
The Story
-------
The Baudelaire 3 children lost their parents, their huge house and everything they own in a fire... But not their huge bank account.
Mr.Poe, the banker is the one responsible to see them to the 'proper' guardian. Proper here refer to something that never happened.. oh he delivered them to a guardian, but proper is not a suitable word to describe Count Olaf.
Who's has nothing to do with them but plotting to get his hand of their fortune. Which they even can't get their hand on it till the eldest -Violet,14- come of age.
To try to get their fortune. He puts them in a Series of Unfortunate Events.
And by the second half of the Book One.. his first grand plan is to wed Violet by deceive ..
How , how can they know the deceive, how can they escape his plan without endanger their lives??? that's the book one for you.
Oh and no matter what do you think.. the author stick to his word.
No Happy Endings here..
~~~~~~~~~~~~~~~~~~~~~~~~~~
The Writing Style
-------------
It's really like children book, the style, the easy sentences and even when the author use a big or fancy word he always give the meaning of it even if it's easy in a very funny way. Also he does that in expressions and literature techniques as well.
It's sarcastic and if it's really a children's book..it's the Darkest one ever written.
If you read of Mr. Lemony Snicket's real life you'll feel he's been 'forced' somehow to write a children books. It's 1999, the phenomenon of Harry Potter was on the catching fire stage.., that's why the result comes like it's a Satire of children books.. Satire here means a dark fun sarcastic imitation of normal life children books.
The creating of the Lemony Snicket constant commentaries through the book as a detective who investigate the Baudelaire orphans' Series and tell this as a story for ether very young readers, or slow ones, that worked as a very funny 'comic relief' amidst all the Misfortune Unfortunate Events Series.
'Comic Relief' here means small funny moments that gets between more tensed or serious ones.
Well..
That's it for a small book reviews. I over talked it I guess.. but I really loved this absurd dark fun of...
Unfortunate Events.
Mohammed Arabey
16 January 2017
To 17 January 2017 -
If you are interested in stories with happy endings, you would be better off reading some other book. In this book, not only is there no happy ending, there is no happy beginning and very few happy things in the middle. This is because not very many happy things happened in the lives of the three Baudelaire youngsters. Violet, Klaus, and Sunny Baudelaire were intelligent children, and they were charming, and resourceful, and had pleasant facial features, but they were extremely unlucky, and most everything that happened to them was rife with misfortune, misery, and despair. I'm sorry to tell you this but that is how the story goes.
I am ashamed to say that I have had this 13 book hardback boxset since 2013 and I am just now getting around to it. I put it on one of my challenges for this year but now I'm thinking I might should wait for the tv show on Netflix. I wonder when that is coming out.
***SOME SPOILERS***
These poor kids! They are just having a day of play when they find out their parents die in a fire at their house and they have nothing.
And Mr. Poe who is oblivious and lives in his own little world sends them to life with a distant relative - the evil Count Olaf! All he count wants is the children's money that Violet is to get when she comes of age.
Olaf makes the children do horrible chores, cook, sleep in one bed and the house is atrocious! But the kids do find some peace with the neighbor, Justice Strauss. She lets them cover over and read books from her library. Oh the joy of that =)
But the evil Olaf has a plan to get the money all for himself and he almost succeeds but Violet is a little too smart for old Olaf and I loved it!
I saw the movie for this years ago and I think someone told me it is compiled of the first three books. I thought it was good though. I am really looking forward to the Netflix tv series and the rest of the books!
MY BLOG:
Melissa Martin's Reading List -
So the premise of this book (as the narrator keeps helpfully reminding us) is that this group of three children will continue to have difficult problems to overcome, and every time they succeed in dealing with one problem, another will crop up. In the writing business, this is what's known as 'a plot'.
But then he takes it one step further: in addition to all the difficulties along the way, he assures us that the characters will never break this pattern, and there will be no 'happy ending'. I think this is a good idea, especially in a children's book, because we, as a culture, don't have enough role models for failure.
We have lots of role models for how to behave when we win, but this isn't really very useful--it's not when we win that we most need guidance and aid. We need more examples of how to maintain, how to persevere, in the face of failure.
At this point, our only role models for what to do when we fail are villains, who tend to get angry, yell, whine, take it out on subordinates, and then develop vengeful plans to make everyone feel as bad as they do. The unfortunate result is that people often begin to act like villains when things don't go well, an effect which can be observed most easily by holding a job where you have a boss.
So I'm all for 'no easy wrap ups' at the end of the story, but unfortunately, Snicket is unable to develop a conclusion without this easy route. It takes a very skilled writer to eschew convention and still write something interesting, and his reasons for avoiding standard practices should not be merely to differentiate himself, but to achieve some alternative goal for his story.
There are authors who have achieved this, even in children's fiction--Lewis Carroll and Roald Dahl being the preeminent examples. When Snicket laid out the premise of his books, I began to look for something along the lines of those two authors, who, despite creating stories of children suffering constantly and unfairly, managed to write entertaining, enjoyable stories.
But then those stories were wild and vivid, even when they were dark. Dahl's ability to create grotesque, powerful characters made for dynamic, engrossing stories, while Carroll's quick, fertile mind kept us always guessing, and often laughing, despite Alice's constant frustrations.
Though Snicket is trying for a witty style, he rarely gets there. After the second chapter, all his jokes have already been established, the rest are only minor variations on the same themes. There are no surprising insights to back up his humor, nothing unexpected, just a continuance of the same tone: dry, but not acerbic.
The characters, likewise, show little variance. The vocabulary and speech patterns are all very similar, whether adults, children, villains, or heroes. We are often told of differences in character by the narrator, but these never actually make it into the characters' mouths.
Since the characters are fairly cliche and undifferentiated, Snicket cannot hang the plot on them, like Dahl would. They cannot provide the vibrant impetus for the plot, so Snicket's plot instead becomes a series of convenient (or conveniently inconvenient) events.
The writing itself is not bad, it's mostly just a case of Snicket not being clever or dark enough to buoy his premise. In the end, not much stands out, not the characters, nor the humor.
I applaud his attempt to address difficult and painful issues in his books, and without resorting to basic melodrama, but tragedy is measured by the subject's capacity for pain, so characters must be vivid and deep in order for events to feel truly unfortunate; otherwise, it just becomes the same array of problems common to every plot. -
3.5⭐️ gdybym była młodsza byłabym zakochana , a teraz jest to dla mnie super rozpoczęcie serii dziecięcej, którą na pewno będę kontynuowała!!
-
Must read! Must read! Dve godine sam jurila informaciju ko drži prava, šetali me od jednog do drugog da bih na kraju sjurila samog Lemoni Sniketa na jednom javnom čitanju/druženju s čitaocima u knjižari Barnes & Noble u Njujorku davne 2002. godine i doživela nesvakidašnje iskustvo... Oko dvestotinjak dece (i njihovih roditelja) sedelo je na podu/stajalo i naizmenično se smejalo ili vrištalo i plakalo na Sniketove imitacije/interpretacije... Kako su deca nekada reagovala na Branka Kockicu samo još tri puta jače i glasnije... I na kraju sam sjurila prava za Narodnu knjigu... Nažalost, NK nije učinila dovoljno za ovaj serijal i ovog autora... I nadam se da ću jednoga dana uspeti ponovo da nagovorim nekog izdavača da objavi ovaj divan serijal...
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I’m ashamed to say that before today, I had not read this sorrowful series of books.
I grew up watching the Jim Carrey movie adaptation of A Series of Unfortunate Events, but this was my first time actually reading it!
And I’m extremely unhappy to say that I unfortunately loved it! 😉
Such terrible events! -
This was fantastic! I read the series when I was a kid and then just now had to reread it for my Children's Lit class! And I'm glad I did! Because eff yeah! This! IS! GREAT!
Daniel Handler/Lemony Snicket has such a distinctive tone and writing style, and it's one that I love. He's sarcastic and realistic and cynical and hilarious. Best of all, even though this is absolutely a children's book it treats the reader (who is technically supposed to be a child) as an intelligent human who is capable of figuring things out and having a good vocabulary and understanding subtext and foreshadowing.
Also, I just added this to my favourites shelf because geez this is a favourite! -
MINI REVIEW IS POSTED
If you have ever lost some-
one very important to you,
then you already know
how it feels, and if you
haven't, you cannot
possibly imagine it.
I was pretty excited when I read this book because that was the first time I read this book and I also had no idea what the book was about and I quite enjoyed reading it. The book never bored me but the book wasn't really amazing either. it was just fine for me. Neither good nor bad. The characters in the book were pretty interesting ( except the villain, he creeped me out. ) and my favorite character was Sunny. She was so cute! and I also felt this urge to hug Violet, Klaus and Sunny while I was reading the book.
I don't think I will continue reading this series. I don't know why, but I just don't feel like I want to continue reading the series. This book was pretty good, nonetheless and I love the illustrations in this book! they're all so good! If you're interested in reading this book, I suggest you to try reading it. Maybe you'll enjoy it more than I did. :)
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REVIEW TO COME TODAY.
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This is my first time reading this book! I have been pretty curious about this series since ... I don't know when, quite long time, I guess and I am FINALLY reading it now! 😊👏🏻
Have you guys read it? If you have, what do you think of it? ( no spoiler, please! ) -
Easily one of the best children's stories I've read, The Bad Beginning is a high stakes, whimsical twist of a fairytale.
Count Olaf, the antagonist, ruins everything, but in a way that's super fun to read. As the stakes pile on, and bad luck for the main characters becomes the worst luck, and the tension reaches an all time high, the writing still maintains this playful even keel to keep everything fun and enjoyable.
It had me tearing through pages to see just how bad the beginnings got. And I loved every sentence. -
فقط از سر کنجکاوی خواستم جلد اولشو بخونم،
ولی فک کنم باید۱۲تا جلد دیگشم بخونم😅👊 -
I started reading The Series of Unfortunate Events to help me with a small reading slump. Each book is easy to read and nice and short.
I wanted to read them as a child but never did so this was a perfect opportunity to do so. -
I never really did get into Harry Potter. I imagine that this is viewed as a crime by most everyone on this service. For some it is heresy. But, I refuse to stand shamefaced - Hogwarts just didn't do it for me.
I didn't think this would either.
However, I was more than pleasantly surprised. I am of a somewhat morbid streak, and the Series of Unfortunate Events books, I must say, tickles that grotesque bone in a way most pleasing.
The story of the Baudelaire Children is one filled with tragedy and dire peril. Orphaned after a massive house fire in which their parents burned to death, they are put in the care of their parents' will's executor until a distant relative, Count Olaf, comes to claim them... and their family fortune. The children however do manage to give him a run of it. In the end, they still have their money, but they simply are foisted off someplace else where there parents are still dead and their lot becomes more miserable. This is not a story for happy endings as the author will remind you, time and time again.
The real thing about the book that I love is the writing style and tone of the narrative. The author is quite the wordsmith, and he no doubt had it in mind that kids should be learning big, expansive words. He then mixes it up with subtle and unsubtle word play (in the fourth book, the narrator goes into the sensation of deja vu, and when you turn the page beginning that chapter it's the same page over again) that left me quite amused.
I only read about four of the books. The downfall of the series is that the villain never changes and the stories are all essentially the same at their core: the children go to live someplace horrible, and Uncle Olaf comes back to try and take their money. It's a one trick pony in that regard, but I really was quite taken by the wording of it.
It's worth the investment for the first book and it's a quick read. Give it a shot. -
Lo peor que podría sucederte es tener la suerte de los Baudelaire.
En realidad 3,5
Estamos acostumbrados a que las historias tengan un final feliz, pero, ¿qué sucede cuando desde las primeras páginas e incluso desde la portada el autor nos advierte que su historia no lo tendrá? A pesar de que esta característica puede ahuyentar a muchos lectores por la revelación de algo tan importante como el final, para mí fue inevitable no sentir curiosidad por una historia tan extraña y diferente de lo tradicional. Eso ocurre porque como humanos que somos nos atrae lo excéntrico, lo prohibido y lo oculto. Claramente, este libro es un ejemplo de ello, ya que desde la sinopsis, el autor nos insinúa que no leamos su libro y obviamente esas palabras tienen un efecto contrario causándonos más intriga y deseo por sumergirnos en esta historia. Creo que con estas palabras es más que suficiente para explicar la forma como el autor juega con nosotros:«Pero a ti nada te impide cerrar inmediatamente este libro y leer algo más alegre, si eso es lo que prefieres.»
Y ya que escribo sobre el autor debo reconocer que no solo el libro es diferente de lo tradicional, sino también su prosa, eso sí, a pesar de ser extraña es sorprendente por su sencillez, fluidez y porque relata lo necesario. La trama principal de esta obra es muy simple, pero Lemony Snicket sabe jugar muy bien con ella; desde aclarar algunas frases mencionadas con un toque de originalidad, hasta usar el rol de narrador para participar, opinar y criticar sus propios personajes y los acontecimientos descritos, hacen que este autor tenga un estilo único e interesante. Claramente Lemony se divirtió creando esta obra por la forma como se burla del infortunio de Violet, Klaus y Sunny. El problema es que no todos nos reímos de lo mismo, por lo que dependiendo de tu humor, puedes llegar a consternarte al momento de leer este libro.
Justamente, por el humor, es que en este caso no podemos guiarnos por las calificaciones de los demás si deseamos determinar si leer o no esta saga. Las calificaciones serán variadas y dependerán exclusivamente del tipo de humor que tenga cada persona. En mi caso, en la primera parte del libro me reí mucho, pero más adelante Lemony nos presenta una situación de maltrato físico y psicológico hacia los niños, por lo que después de esa parte ya nada me pareció gracioso. Esa jocosidad se fue transformando en compasión y deseo por protegerlos porque les tomé cariño y naturalmente no me burlo de la mala suerte de quien aprecio. Deseaba la paz y felicidad para aquellos niños, pero como sabía que no les acontecería nada feliz, entonces ese sentimiento se convirtió en impotencia hasta el final. Por ello, si no te consideras cruel, si sufres con las desgracias ajenas o si lo que buscas es un texto del cual puedas recoger frases memorables, pues déjame decirte que este libro no es para ti. Para leer esta obra sin inmutarnos debemos tener un poco de frialdad, razón por la cual no estoy seguro de cuántos libros de esta saga hojearé. Sí, son libros cortos, pero son catorce y como la historia tendrá los mismos matices y características, no sé hasta qué punto pueda tolerar tanta desgracia. Suelo leer todos los volúmenes de una saga consecutivamente, pero en esta ocasión siento que esa no es la forma de afrontar estos textos, sino que es mejor alternarlo con otras lecturas para no contagiarnos de tanta negatividad, ya que puede ser perjudicial para nuestra salud mental y eso no es lo que buscamos al momento de leer.
Sin embargo, hay una contradicción: Este libro es altamente recomendado para los adolescentes. ¿Por qué? Porque en esa época de adolescencia estamos en el colegio y ese es el lugar donde irónicamente nos volvemos más crueles, irracionales y morbosos. Allí, estamos rodeados de tanta diversidad cultural y condiciones socioeconómicas, que así no lo deseemos nos volvemos rebeldes, nos contagiamos de las malas conductas de los demás alumnos y nuestro corazón se vuelve oscuro y despiadado porque en un colegio no solo se aprende lo bueno, sino también lo malo. Justamente, con esas características amaremos este libro. Además, el vocabulario es muy sencillo, no aburre nunca y los capítulos son muy cortos, por lo que puede convertirse este libro en una gran opción para acercar a los más jóvenes a la lectura. Estoy seguro que ellos lo disfrutarían más que los adultos, ya que entre más vamos creciendo en edad y si estamos por el buen camino, más nos duelen las desgracias ajenas porque ya entendemos y conocemos con más experiencia lo que significa el dolor. Las preocupaciones y angustias cambian mucho dependiendo de la edad.
Personalmente, de haberlo leído en octavo cuando tenía doce años, esta saga sería de mis historias favoritas. Donde yo estudie nos hacían dedicar veinte minutos diarios a la lectura y aunque el libro elegido era opcional, lo que realmente importaba eran los resúmenes que debíamos presentar para no perder la asignatura de Plan Lector. Esos resúmenes debían ser de quince a veinte renglones pero como los profesores no los leían, yo, en vez de escribir lo que debía, resultaba escribiendo historias inventadas sobre las desgracias de mi amigo Dioni al intentar conquistar a Leidy, su enamorada. Ese año creativamente fue muy especial y quedé muy sorprendido por la clase de historias que salían de mi imaginación. Recuerdo que escribí sobre mi amigo cayendo en una alcantarilla, siendo atacado por serpientes después de huir de un cocodrilo, declarándole su amor a Leidy con las más bonitas palabras pero descubriendo a la vez que ella era sorda, etc. Él también hacia historias sobre mis hipotéticas desgracias y nos divertíamos mucho a pesar de nuestra crueldad, por lo que en ese lejano 2005 este libro habría sido perfecto para tener ideas con que sorprender a mi amigo. Ah, y por si acaso, nunca me descubrieron porque era el estudiante con las mejores notas en mi salón.
En cuanto al desenlace me encantó porque Lemony nos ofrece un final alternativo. Ese detalle no lo ofrece casi ningún autor, por lo que agradezco ese detalle de pensar en quienes les gustan los finales felices, a pesar de la advertencia del inicio. Es como un premio para esos valientes que soportaron tantas desgracias... obviamente es un final falso, pero es una posibilidad.
Ya para terminar quiero aclarar que sí me gustó el libro, que la he pasado muy bien, que el trabajo del autor me pareció excelente y que esta obra es mucho mejor que la película protagonizada por Jim Carrey del año 2004. El desarrollo de los personajes también ha sido correcto, tanto de las víctimas como el villano, por lo que el único elemento de controversia es el tipo de humor usado por Lemony, pero como ya mencioné más arriba depende del lector. La enseñanza que rescato de esta corta historia es que cada uno elige como vivir las adversidades: Afrontándolas o con resignación. -
Eu não aguentava mais ouvir toda a população mundial falar desse livro e eu não ter lido ainda. Acho que o trailer da série do netflix foi o estopim pra eu pegar e começar de vez. E eu gostei bastante.
Me surpreendi como, apesar de ser um livro infanto juvenil, ele é sombrio e sarcástico. Quase como se fosse uma crítica aos livros do gênero. Amei os personagens (Sunny dona da minha vida), e o ritmo da história é muito gostoso. Mesmo curto, é bem inteligente e com uma trama divertida. Gostei como ele é moderadamente violento e obscuro, e traz um toque único para o livro.
Não tenho costume de ler muitos livros do gênero, porque nem sempre consigo aproveitar tanto. Tenho dificuldades em colocar a minha "capinha de infanto juvenil" e apreciar como as outras pessoas, mas esse me deixou em casa. Estou ansioso para ler os próximos e assistir a série quando sair. -
Wow! I feel like I’m finally capturing something that was missing from my childhood. Like there was some gap in my imagination that I didn’t know was there until I started reading this series.
I’ve seen the Netflix series, which only further reminded me that I had never read this series before and had been missing out. I’m in a very exciting part of the journey. The Baudelaires just escaped Count Olaf and his plot to steal their fortune and I find even though I know the basic premise of each story I’ve seen on the show, it hasn’t robbed the books of any of their magic.
I can see how Olaf would give children nightmares growing up and I love how the book breaks every rule of writing like avoid adverbs (especially very) and don’t use too many adjectives at once.
I’m really excited to start the Reptile Room today. -
this should be called a series of USELESS ADULTS
-
Ayyyy, me ha gustado mucho.
El primer libro de la saga Una serie de catastróficas desdichas (en inglés A Series of Unfortunate Events) me ha conquistado lo suficiente como para hacer la loca inversión de seguir leyendo la saga -y digo loca porque son 13 libros cortos con precios variables entre unos y otros.
Lemony Snicket me ha enamorado con su estilo... ¿o debería decir Daniel Handler? En cualquier caso, ha sido una novela con la que he estado entusiasmado mientras la leía. Cuando la dejaba, quería volver a meterme en sus páginas para saber más de Klaus, Violet y Sunny, unos personajes que me han encantado en todos los aspectos.
Y os preguntaréis por qué le pongo tres estrellas a una novela que me ha encantado tanto. Y es por el simple hecho de que me ha parecido una novela vaga en cierto sentido. Poca historia, una trama que avanzaba quizá demasiado rápido, unos personajes que llegas a conocer pero de los que quieres saber más, una ambientación que se queda demasiado corta... No sé, sé que es una novela infantil o middle-grade (aunque la puede disfrutar cualquier persona de cualquier edad), pero sinceramente he notado que le faltaban muchos detalles para hacer de esta una obra completa. Claro está que esa no era la intención del autor, pues se nota que la obra completa son los trece libros.
O sea, es un libro que voy a recordar con ilusión y del que hablaré mucho y bien. Sin embargo, no está la altura de otros libros del género. Destaca de estos por el estilo y la temática, pero no por la profundidad del mundo. Me entendéis, ¿no?
The Bad Beginning ha sido una novela que he disfrutado muchísimo y necesito leer la segunda parte cuanto antes. Estoy muy fascinado por todo (la edición es maravillosa, ¡y vaya ilustraciones!), pero he echado en falta más profundidad. Ya os contaré pronto qué me parece The Reptile Room. -
so depressing omg
-
What an amazing book!!
"They didn't understand it, but like so many unfortunate events in life, just because you don't understand it doesn't mean it isn't so."
Nothing happy happens in this book, but am so happy to say that you ought to read
The Bad Beginning by
Lemony Snicket. -
The Baudelaire children - Violet, Klaus and Sunny - are suddenly orphaned when their parents tragically die in a fire. Their new legal guardian? A distant relative, the devilishly conniving Count Olaf, who will stop at nothing - not even murder most foul! - to get his hands on the Baudelaire family fortune. So begins the children’s Series of Unfortunate Events…
I know this is a kid’s book but I surprisingly really enjoyed it - it not only held my attention but entertained me quite a bit too! Everything about The Bad Beginning embraces/lovingly parodies macabre/Gothic fiction, one of my favourite literary subgenres, albeit in a child-friendly, cartoonishly over-the-top style, so I found the book very appealing on an aesthetic level.
The atmosphere of the world is bizarrely, but not off-puttingly, anachronistic. It’s kinda faux-Victorian but also modern enough to have walkie-talkies, as well as being oddly skewed in general, full of absurdly one-dimensional supporting characters. The tone, along with the clever title and presentation, is determinedly, almost comically, downbeat in positioning itself as an anti-kid’s book, a playfully subversive touch I liked very much.
Even the framing device plays into the Gothic impression. Daniel Handler is the real author but his name is nowhere on this book. Instead it’s attributed to yet another fictional character, “Lemony Snicket”, portrayed as a stereotypically gloomy writer a la Edgar Allan Poe (there’s even a character here called Poe) who dedicates the book to his dead love, Beatrice, while occasionally inserting himself into the text. A story within a story - an unexpectedly sophisticated device for a kid’s book and I loved it. It adds an element of mystery too - who is “Lemony Snicket” and will we discover more of his life as the series progresses?
That said the writing is appropriately accessible for the intended younger audience and the world as a whole, and plot, is also simplistic to match. It’s an effectively engaging approach overall.
Count Olaf is a deliciously evil villain and is by far the standout character. The Baudelaire kids were ok but not especially interesting and everyone else was basically just window-dressing. The story is entertaining enough but nothing too special or original - it didn’t blow me away and it’s a little too farcical in how it plays out, though it’s fine.
The Bad Beginning is a really good start to this promising series - a charmingly strange and fun read! -
Even better the second time around!
-
Okay, I know this is a popular series and all, but frankly, I just don't see the charm. I do like that there's lots of vocabulary lessons in the book, but I don't like that the book is basically about child abuse. No, really. You want to write a kid's book? Fine. You want to write a kid's book about child abuse? Fine. Great even. But for the love, abuse is a serious thing, m'kay? And? AND? THE PART WHERE THE EVIL, GREEDY UNCLE TRIES TO MARRY THE 14 YEAR OLD ORPHAN GIRL?! EW! HELLO?! MR. SNICKET, WHAT IN THE HELL IS THE MATTER WITH YOU? ALSO, KIDS ARE NOT IDIOTS, AND WE ALL GET THAT THE BABY LIKES TO BITE THINGS. YOU CAN STOP REITERATING THAT ANY TIME NOW.
Perhaps I was expecting too much from a kid's book?
