The Adventures Of Nico And Gianni: London 1712 by J.J. Sagmiller

The Adventures Of Nico And Gianni: London 1712 Reviews

• 
  Elisa Rolle

  The Adventures of Nico and Gianni, London 1712, is, like the title lets presume, a farce set in the world of theatre, opera and more of the XVIII century. I'm not using the word "farce" in a derogative way, but in the way it was used many years ago, to describe a play, comedy or drama, where the necessity to be real was not the main purpose of the story. The story had to be entertaining, and various, and possible full of surprise, that always left the reader wondering. And then, if there was also a love story or two, maybe complicated, maybe interconnected, even better.
  
  The Adventures of Nico and Gianni is all of this, and if it manages to be also an in deep view on the world of Opera and the life of castrati who sang it, even better. Nico is a 19 years old castrato from Neaples (Napoli); he has quite a good life in Neaples, but nothing special, since he is one among the many castrati who are raised in the local music college. So he decides to find his success in London, where Lord John, a wealthy aristocratic Englishman is founding a new theatrical company. Right the day he is living Neaples, his childhood friend, 17 years old Gianni, another castrato, decides to join him: Gianni, like Nico, is an orphan, and he was raised inside the church. At nine years old they were operated, and while Nico found his path outside the church, Gianni is almost taken captive by a powerful cardinal who uses him like a plaything. Gianni has a good and innocent nature, but he is suffering from this situation and Nico has no heart to leave him alone.
  
  And here there is another thing that make the story more a farce than a real historical drama: all the characters, especially the Italian ones, bore a name that is the description of their attitude; Nico is "Premuroso" than in English sounds like "attentive", Gianni is "Frivolo" than means "frivolous", but there are also a Claudio "Indegno" (unworthy), villain of the story, a Giulio Cantabile (singable), composer; among the English characters, there are Mrs Busybody, matchmaker, Herbert Heartsease, lover, Peter Penetrable, he-whore, Dr Knitbone, a doctor... Just from the name you can identify the character, exactly like in those Italian farces where the same role was played always by the same mask, so that the spectator could easily identify the role.
  
  When Nico and Gianni arrive in London, they discover that there is only one role left for a male soprano and two roles for female soprano... the decision is soon taken, Gianni with his very feminine feature will audition for the female role as Giannina. Things go so well that Nico is taken as second male soprano, and Gianni, now Giannina, is the first female soprano. On the same opera there is also another Italian castrato, Claudio Indegno, who is not so happy to see his position of best male soprano put in danger by these new arrivals.
  
  The opera is a success and Giannina draws the attention of their benefactor, Lord John; at the same time Nico falls in love for Lord John's best friend, Robert. While Nico has to not deny his true nature since Robert is like him, a man drawn by his same sex, Gianni doesn't unveil his true identity to "her" suitor, Lord John. Meanwhile other characters enter the scene, like Mrs Busybody, a female columnist for The Spectator, a local newspaper, who is a bit too masculine to be a real woman, and Herbert, her "nephew", a Danish man who was raised by pirates, and rescued by Mrs Busybody when he was 10.
  
  Among performance, odd parties, raid from the police, processes for sodomy or attempt to sodomy (with a fine but important distinction), lost and found sons, improbable masking, and even some cameo appearance form Queen Anne, the Adventures of Nico and Gianni go on, always with a light mood rather than drama. All in all, Nico and Gianni are two young men caught in a world bigger than them, all they want is to find a true and sincere love; in a way Gianni is luckier than Nico, he immediately finds his true love in John, but their is an impossible love, due to the little "surprise" Gianni is bringing under his gown. Nico instead is torn between Robert, his perfect dream man, noble but maybe a bit detached (and truth be told, I don't like him so much), and poor but sincere Herbert, with his big body, his strange accent and his gentle behaviour; where Robert is cultured and clever, Herbert is maybe more simple, but I like him better.
  
  So if you are searching romance, other than adventures, in this story there is plenty, and I will give an important hint to the romantic hearts: don't worry, thanks to the fact that the story is maybe not too "serious", I believe that you will not be disappointed by how it wraps up. I don't know if it makes sense, but the story is not serious, but the history is very detailed; what I mean is that unrealistic characters (or at least characters with an unrealistic development) are immersed in a very realistic setting. The details on the time, places, even custom and dresses, are very much true; I have the feeling that also the history lover will not be disappointed by this book. It’s like I read not an historical novel, but a novel written by a man of that age who wanted to be over the lines.
  
  
  http://www.amazon.com/dp/1440427496/?...