| Title | : | The Thing Around Your Neck |
| Author | : | |
| Rating | : | |
| ISBN | : | 0307271072 |
| ISBN-10 | : | 9780307271075 |
| Language | : | English |
| Format Type | : | Hardcover |
| Number of Pages | : | 218 |
| Publication | : | First published June 23, 2008 |
| Awards | : | John Llewellyn Rhys Prize (2009), O. Henry Award 'The American Embassy' (2003), Dayton Literary Peace Prize Fiction (2010) |
Chimamanda Ngozi Adichie burst onto the literary scene with her remarkable debut novel, Purple Hibiscus, which critics hailed as "one of the best novels to come out of Africa in years" (Baltimore Sun), with "prose as lush as the Nigerian landscape that it powerfully evokes" (The Boston Globe); The Washington Post called her "the twenty-first-century daughter of Chinua Achebe." Her award-winning Half of a Yellow Sun became an instant classic upon its publication three years later, once again putting her tremendous gifts - graceful storytelling, knowing compassion, and fierce insight into her characters' hearts - on display. Now, in her most intimate and seamlessly crafted work to date, Adichie turns her penetrating eye on not only Nigeria but America, in twelve dazzling stories that explore the ties that bind men and women, parents and children, Africa and the United States.
In "A Private Experience," a medical student hides from a violent riot with a poor Muslim woman whose dignity and faith force her to confront the realities and fears she's been pushing away. In "Tomorrow is Too Far," a woman unlocks the devastating secret that surrounds her brother's death. The young mother at the center of "Imitation" finds her comfortable life in Philadelphia threatened when she learns that her husband has moved his mistress into their Lagos home. And the title story depicts the choking loneliness of a Nigerian girl who moves to an America that turns out to be nothing like the country she expected; though falling in love brings her desires nearly within reach, a death in her homeland forces her to reexamine them.
The Thing Around Your Neck Reviews
-
Chimamanda Ngozi Adichie is one of the leading voices of African literature today. Her books Half of a Yellow Sun and Purple Hibiscus have won multiple awards and made her a respected writer of African issues. The Thing Around Your Neck is her first story collection, which weaves together tales of Nigerians in Africa and in the United States sharing the same hardships and love for their homeland.
The collection commences with the story of Nnamabia who is falsely accused of running with his university's gangs and thrown in jail. The father who is a university professor uses his position in the town to bribe policemen to get his son freed. The other stories that occur in Nigeria also involve either police violence, warfare during the revolution, or infighting between Christian and Muslim sects. Despite the almost constant warfare, the Nigeria that Adichie writes of is one of open air markets, joyful cultural celebrations, and a harmattan dry season during the winter that makes Nigerians abroad long to return. This is especially evident in story of the retired professor who returned from the United States and the woman at the embassy who chose to return to her family's ancestral village than seek a visa to asylum.
The title story sums up Adichie's feelings for Nigerians living in the United States. American life is easy-- rich people turning down food and still leaving a tip, a sterile lifestyle devoid of culture, people obsessing with minute details that aren't even heard of in Africa. The characters in these stories all long to go back whether for an extended holiday or to live. Most were children of the wealthy class and came either for school or because they thought they could provide an even better life for their children. Yet, these children end up speaking English, wanting pizza rather than native food, and desiring to change their names. Rather than a better opportunity, the children become typical American immigrants, and the African parents feel choked, pining to return to the Nigeria that they love.
Adichie's rich prose had me enthralled from the first pages. This is the first time that I have read her work, and I can see how her full length novels have won awards. Even in stories as short as ten pages, she has used vivid language to create multi-layered characters. I especially noticed this in the protagonists in Jumping Monkey Hill and The Shivering. These characters were so real and developed that I could not help feel their current life situation even after briefly reading about them.
Adichie ends her collection with The Headstrong Historian, a story of three generations of Africans coping with finding a balance between Christian proselytization and preserving their culture. The women in this story love their Nigerian culture and desire that it be passed down to successive generations. This is the Nigeria that Adichie has created for me in this collection- a country rich with culture that even if she has undergone her share of hardships, is a country looking toward the future, and one that all Nigerians living abroad long to return to. Chimamanda Ngozi Adichie has created deep characters with her rich prose here, and I look forward to reading her full length novels. The Thing Around Your Neck easily rates 4.5 shining stars. -
DOMANI È TROPPO LONTANO
Che piacere leggere di questa Nigeria finalmente così contemporanea, lontana dai cliché e dagli stereotipi, con un campus universitario che sembra uscito da Bling Ring, le colazioni degli adolescenti a base di cereali, genitori insegnanti e docenti e direttori scolastici, la classe media urbana. Africa che è Africa, sempre, grazieadio: ma è entrata nel terzo millennio, e su queste pagine si capiscono gli effetti della globalizzazione.
Le donne, grandi protagoniste – potrebbe essere altrimenti con la Adichie? No, per fortuna no – impegnate con le loro chiome – dio quanto si apprende sulle messe in piega e acconciature e lisciature, se si dice così, e arricciature e codini ed extension e wease e trecce e treccine e rasta quant’altro – d’altra parte la cosa che l’ultimo mondiale di calcio mi ha davvero fatto capire è quanto anche i calciatori sono impegnati con le oro capigliature, e mica solo quelli della serie A. Impegnate a essere se stesse, non sottomesse, non prone di fronte al maschio, ma senza perdere in sensibilità e gentilezza. Dovremmo essere tutti femministi, non solo i fan dei TED.
Gli uomini sono il passato. Infatti, nell’unico racconto con protagonisti maschili piombiamo indietro di sessant’anni, al tempo della guerra del Biafra, e uno dei due probabilmente è un fantasma. Uno spettro. Il mondo è delle donne.
Donne che studiano, che lavorano, che vivono in Nigeria oppure negli US, preferibilmente a Philadelphia. Donne che devono lottare per affermare se stesse anche solo come individui sia a sud del mondo che a occidente. Donne che vanno via.
Donne che s’innamorano, quasi sempre di uomini, mai davvero alla loro altezza. Ma una volta quei brividi frizzanti scattano all’incontro tra due donne.
Siamo dalle parti di Americanah e io mi sento a casa, a mio agio.
Dodici racconti composti di più storie che ne creano una sola.
I miei preferiti: Il lunedì della settimana prima, Jumping Monkey Hill, L’ambasciata americana.
Sembra esserci un filo diretto tra il paese d’origine e partenza, e qualche volta ritorno, e quello d’arrivo e destinazione: tra Nigeria e Stati Uniti. Forse perché la vita è dura in entrambi, forse perché in entrambi è così facile che la dignità umana si trasformi in un bene raro da proteggere, che troppo spesso viene negato e calpestato.
Sulla copertina illustrazione di Marcos Chin, come le altre che precedono. -
The Thing Around Your Neck is a 2009 collection of short stories by Chimamanda Ngozi Adichie, a Nigerian author who has won much acclaim for her first two novels, “Purple Hibiscus” and “Half of a Yellow Sun”. These twelve stories have all been published elsewhere at different times, but are linked in that they tell the tale of an individual life, and all feel very anecdotal. Despite the variety of lives depicted, they all also feel very personal. Adichie puts a lot of herself into her stories, resulting in a heightened sense of realism.
All these characters are between two cultures, and many of them have emigrated from Nigeria to the United States. Adichie herself left the university of Nigeria in order to go to university in the United States, where she completed her bachelor and masters degrees. Some of her characters have similar educational aspirations, others may be following their husbands, and some characters have moved to the United States in search of a better life. These stories, although set in Nigeria and America, remind me a little of Monica Ali’s novel “Brick Lane” (2003), in that they focus on the hope and imagined promise of being introduced to a new culture, but its ultimate disappointment.
Most of these characters are women, who have one foot back at home and one foot in the new world. They are eager for new experiences, and some feel a duty to fit in and become “American” but they also want to retain their cultural identity, the essence of where they came from and what made them how they are. They resist severing ties with the old ways, and becoming subsumed into what they see as Americans. Adichie fills her stories with details of Nigerian life, names and descriptions of foods and dishes. There are many scenes depicting cooking and eating, as one lonely woman after another tries to hang on to their identity in one of life’s most basic ways, by filling the empty place inside herself with familiar food from home.
Although the stories are a joy to read, and one critic has said,
“She makes storytelling seem as easy as birdsong”,
they are not optimistic stories, but stark portrayals, filled with loneliness and despair. Each is a perfect isolated little gem. Adichie has taken a slice of life, and moulded and crafted it into a piece where the senses are heightened, and we are aware of the detail. She includes both history and the present, and switches between tenses seamlessly, emphasising the feeling of reality.
The first story in The Thing Around Your Neck is called “Cell One”. It begins,
“The first time our house was robbed, it was our neighbor Osita who stole our TV, our VCR, and the Purple Rain and Thriller videotapes our father had brought back from America.”
In the book’s very first sentence, then, we have a sense of disturbance, of a Nigeria which might have been. Immediately we have a sense of American influence on the young Nigerians. This is a dark tale indeed, setting the tone for the entire collection.
It tells how the narrator’s brother, Nnamabia, begins to get into trouble as a teenager. He seems to go from bad to worse, stealing jewellery from his mother and being suspected of even worse things. Eventually Nnamabia is arrested, along with a group of “cult boys” who carry out gun crimes in the neighbourhood targeting one college and its professors. The narrator’s father, who is a professor and her mother, are convinced that their son is innocent, and the story describes their experiences at the hands of the police and the prison guards. We also follow also the experience of Nnamabia, who starts out bragging that he enjoys life in his prison cell, but soon changes his mind. . Adichie suggests with this story that that individuals must stand up for their principles and help those who lack a voice or who are victims of a political system. In some ways, this is also a coming of age story. By the end of the story Nnamabia has certainly changed in his attitude and his behaviour, but the tale leaves a bad taste in the mouth, and if this is a reader’s first introduction to Nigeria, the level of crime and corruption depicted make for a sobering read.
The second story is called “Imitation”. The location has switched to the United States, and the viewpoint here is that of a Nigerian woman, Nkem, a young mother who lives in New Jersey, Philadelphia. Oddly, her husband, who is an Art dealer, has settled her in this American home, which he then himself visits for only 2 months a year. While he himself has remained working in Nigeria, Nkem is finding that she sees very little of him, and instead confides in her maid who is also Nigerian. Although Nkem feels herself to be a cut above her cleaning woman the story focuses on the relationship between the two women.
The third story is called “A Private Experience”. This story focuses on two women who are from totally different Nigerian backgrounds, as well as from different cultures and religions. Chika, the viewpoint character is a Christian, an Igbo woman, who along with her sister, Nnendi, is visiting her aunt. One day they decide to take at taxi to the market, to see a little of the ancient city of Kano outside their aunt’s neighbourhood. But they found themselves caught on the edge of a riot fuelled by religious violence, and the two have become separated. Chika is aware that she will “comb the hospital mortuaries looking for Nnedi”. They were just in the wrong place at the wrong time. As a consequence of the corruption, brutality and the ethnic violence, Adichie is saying, life and death are often reduced to a matter of luck.
Chika reflects on her participation in a pro-democracy rally at the university. They chanted “the military must go! Abacha must go! Democracy now!” Now she is seeing another sort of riot. Another woman, a Hausa Muslim, urges her to hide in an abandoned shop until it is quiet. The reports of the riot maintain, “Hausa Muslims are hacking down Igbo Christians with machetes, clubbing them with stones” yet in the story two women, one from each side, are brought together in friendship, sharing conversation and advice about motherhood.
“Ghosts” is the fourth story, about a retired maths professor who looks back on his life. It is the only one in this collection which is told from a male perspective, although several of the others features males as main characters. The retired professor unexpectedly runs into someone he thought was dead many years ago, and he engages the man in conversation, to find out what happened. We learn much of the history of the area, and also that
“On Monday of Last Week” is the fifth story, about Kamara, a Nigerian woman who has joined her husband in America. She is a professional young woman, and is bored and dissatisfied at home. Temporarily, she takes a job as a nanny to a privileged upper-class family in Philadelphia. She is surprised and excited to find herself This is mainly a story about obsessions, jealousies, and frustrated desires of many types.
The sixth story is called “Jumping Monkey Hill”. The action has switched again, this time, unusually, to South Africa. It is a tale about a Nigerian woman writer, Ujunwa, who attends a writers retreat, or workshop, in Cape Town, and it is told from her viewpoint. The white man who runs the multi-racial workshop of writers, is portrayed as a very arrogant and misogynistic individual. Nevertheless, he regards himself as the true purveyor of the “African voice”. He is prejudiced and has favourites within the group, but mostly the story is concerned with Ujunwa’s conflicts and experiences, particularly at his hands. It is the most autobiographical story, and even though it has a satisfying neat twist at the end, this is still not particularly empowering. In this story Adichie criticises the political and patriarchal system in Nigeria, through the character of Ujanwa, who asks “Why do we always say nothing?” She feels exploited as a sexual chattel, conditioned to behave in a submissive way and consequently devalued.
The Thing Around Your Neck, the story which gives its name to the entire collection, is the seventh story. It was first published in 1999. It is a strangled, oppressive and stultifying story, hence the title, and could be said to represent the entire collection in a sense.
In it, a young woman, Akunna, wins the lottery for a much sought after American visa. Her extended family are all excited at her prospects. Her relatives tell her that soon that she will live in the land of plenty,
“In a month, you will have a big car. Soon, a big house.”
Of course, her actual experience is very different. She begins her life in the United States staying with her aunt and uncle,
Unusually, this is not told in the first person, but told in the second person, “you”. This story is perhaps the most heartbreaking. The loneliness of Akunna is palpable. We see that in common with many of the immigrants in this collection, the young woman in this story is completely isolated, aching with desperation, but unable to tell her family back to home what is really happening to her. There is a recurring image,
“At night, something would wrap itself around your neck, something that very nearly choked you before you fell asleep.”
.
The eighth story is called, “The American Embassy”. This is perhaps the most heavily political story in the collection. It is said that every Nigerian has a story to tell about what happens in American Embassies. In Adichie’s story, a Nigerian woman queues for hours, applying for asylum in the United States. Her reason is simple,
“two days ago, she had buried her child in a vegetable path in their ancestral town of Umunnachi”
This story is set during the time when General Adache had seized power and formed a government. . With Ugonna’s death, Adichie has given a stark and tragic example of the brutal consequences of General Abacha’s harsh, corrupt political system. She demonstrates that many of those in charge had no regard to human rights and escaped punishment, and that the regime was one of oppression, denying its citizens individual freedom.
Story number nine, “The Shivering”, reverts back again to the United States. It is set on the campus of Princeton University, and is about a Catholic Nigerian woman, whose thoughts still dwell on a former boyfriend. A tragedy in Nigeria prompts another Nigerian, a stranger, to knock at her door and suggest that they pray together. The woman is embarrassed and a little alienated by his Evangelism, and different style of praying, but the two become close. The story follows their relationship, and the surprising history which is revealed.
The tenth story, “The Arrangers of Marriage”, was originally published as “New Husband”. It features a newly married Nigerian woman, Chinaza, who has an arranged marriage and has moved to New York City, where her husband, a Nigerian medical student, has been living for some time. Chinaza finds that her arranged marriage in America is not the stuff of her dreams. Her husband has embraced the American way of life completely, rejecting his Nigerian identity, and has even changed his name from Ofodile Emeka Udenwa to “Dave Bell” in an eager desire to fit in. He is pretentious, and so critical of her that Chinaza finds it difficult to recognise her husband’s earlier self. Increasingly, she is unable to accept his demands that she cast off her own Nigerian identity.
“Tomorrow Is Too Far”, the eleventh story, is a sort of mystery story, set in Nigeria. As we follow the story, an unnamed young woman, referred to only as “you”, reveals the devastating secret of her brother Nonso’s death at an early age.
“The Headstrong Historian” the twelfth story, is a perfect ending to the collection, and perhaps my favourite, bringing the entire history of intercultural identity bang up to date. It covers several generations, involving the life-story of a woman who believes her husband had been killed by his cousins. She determines to regain the land entitlement and inheritance for her son, through his education by missionaries.. Adichie is very critical of the missionaries in this story, both Catholic and other Christians. She also criticises Nigerians who devalue their African culture, seeking Western lifestyles, views and attitudes in preference.
The clear message in this story is that such behaviour leads to a lack of pride among Nigerians. It is crucial, the author tells us, that Nigerians embrace their own roots and religious practices, and celebrate their culture, rejecting any imposed values of the Christian missionaries.
“The Times” newspaper said of this collection,
“Stunning. Like all fine storytellers, she leaves us wanting more.”
“The Independent” newspaper refers to Chimamanda Ngozi Adichie as,
“a major new African voice”.
From this brief description of each story in The Thing Around Your Neck, it is possible to see the breadth and range of her view, and the insight and compassion she has for her characters. She includes studies both of those in a troubled Nigeria, but also includes characters who have left Nigeria for a new life in the United States. All the characters in the collection’s twelve stories are struggling to determine where they belong. Where their home is, and who their people are, moulds each character’s world view, and feeds into their sense of identity.
There is little optimism about these stories by Chimamanda Ngozi Adichie. Varied though they are, they are all imbued with a sense of bitter loneliness and regret. Six of the stories are set in Nigeria, and for the most part they represent a Nigeria that is heavily influenced by the United States. Many of these stories explore a generation of Nigerians whose lives have been disrupted by wars and colonialism. We learn of the legacy of the Nigerian civil war otherwise known as the “Biafran War”, of 1967 to 1970. Biafra represented the nationalist aspirations of the Igbo people, whose leadership felt they could no longer coexist with the Northern-dominated federal government. The war was fought to counter the secession of Biafra from Nigeria, and had resulted from political economic, ethnic, cultural and religious tensions, all of which preceded Nigeria’s decolonisation from Britain during 1960-1963. We also see the consequences to individuals of the brutal regime of the despot Sani Abacha, the Nigerian army general and politician, who seized power during a military coup, and who ruled Nigeria as President from 1993 to 1998, despite allegations of corruption and human rights abuses.
Throughout these tales, which mostly focus on social and cultural issues faced by Nigerian individuals, we get a sense of loss, and a sense of what Nigeria might have been. Many of Adichie’s characters have to cope either directly or indirectly with the consequences of the loss of African traditions, and the exposure to Western lifestyles and values. The author criticises Nigerians who readily adopt Western lifestyles denying their own cultural traditions. She suggests that those who migrate to America often compromise their Nigerian heritage and lose part of their African identity as they try to become assimilated into a materialistic, largely white, society.
Adichie’s main characters are often unable to define and articulate their anxieties about immigration, and their sense of being between two cultures. The author represents these challenges metaphorically, and brilliantly, as the “thing” around their necks.
It is a powerful metaphor. -
Several years ago, Jhumpa Lahiri entranced me with her stories of the sorrows, hopes and realities of being an immigrant in the United States. Through her characters, she showed how it felt to be pushed away from your own country by oppression and poverty into another that so often treated you like a shadow.
Chimamanda Ngozi Adichie's 2009 collection That Thing Around Your Neck offers stories with these same themes, written with the same grace and power. Unlike Lahiri, however—whom I discovered through Interpreter of Maladies—I was already familiar with Adichie's writing, so each story serves as an invitation to delve more deeply into Nigeria's near history and the experiences of Nigerians in contemporary America.
The specter of political chaos and brutal military action hangs heavily over several stories, including the opener, Cell One, in which a young woman's brother is held in jail under the threat of permanent incarceration; A Private Experience, that looks in on two women—one Christian Igbo, the other Muslim Hausa—hiding together in a shop while riots break out in the city streets around them; The American Embassy, where the reader stands in line with a woman who has just suffered an unspeakable loss and is seeking asylum in the States; and hauntingly, in Ghosts when a man meets a former colleague who he thought had been killed in the Biafran War many years ago.
But all politics is personal, and Adichie's stories are most intimate when her characters appear stranded in a strange place: the United States. She presents women in various stages of acculturation, but nearly all are lonely and betrayed, betrayed by their own expectations, by men who promised them a future, as in Imitation, Arrangers of Marriage. On Monday of Last Week, one of my favorites, calls to mind a later scenario in Adichie's 2012 novel Americanah, in which an educated Nigerian woman serves as an au pair for a wealthy family, and also presents Americanah's theme of what it means to be a black African in race-sensitive America.
Adichie also works through the delicate balance of literary achievement and authenticity, so brilliantly and sharply rendered in Jumping Monkey Hill, where a pan-African collective of writers gathers at a retreat in east Africa, only to be pandered to and condescended by their benefactor, a lecherous snob.
The collection's final story, The Headstrong Historian, almost feels like it belongs to some other collection, for some other reader. It is set in a much younger state of Nigeria, in the early half of the 20th century, when Nigeria was still a colony. It is a tapestry of history and culture and begs to be unraveled and recreated into a much longer narrative.
Adichie's themes are so relevant and contemporary (see: all politics is personal), one could almost assign her the bothersome label of "agenda writer". And she's all too aware of that pitfall—grabbing onto the label and thrusting it into her own story Jumping Monkey Hill. What separates her, makes her voice irresistible, is her gorgeous storytelling. First and foremost with Adichie, it is the story. It is those characters who breathe, hearts beating, skin warm. It is the setting, the harmattan winds that suck moisture from the very air, or the chill of autumn in America. It is what people feel, what makes them laugh and cry, what stirs their passions. Chimamanda Adichie is a sublime storyteller. Only later do you realize how much you've learned under the guidance of her strong and generous voice. -
مجموعة قصصية ممتعة للكاتبة النيجيرية تشيماماندا آديتشي
بأسلوب متفرد تمزج آديتشي مشاهد الواقع في نسيج القصص
تنتقل بين الحياة في نيجيريا, وحياة الاغتراب في أمريكا
ترسم صورة لبلدها من خلال أفكار وموضوعات مختلفة
نيجيريا التي تتشابه بشكل أو بآخر مع سائر البلاد الأفريقية والعربية في مشكلاتها
الفساد السياسي والإداري, التدهور الصحي والتعليمي, والنزاعات الدينية والعرقية
سرد بارع لتحولات الشخصيات داخل أحداث كل قصة
بجانب تناولها الجميل للحال الخاص والعام بالنسبة للمرأة -
I fell in love with Adichie's work after reading her second novel,
Half of a Yellow Sun, around a year ago. She has a way of creating extremely well-developed characters that are vivid and flawed. She doesn't shy away from the darker sides of humanity, but all along she reminds you that there is hope and joy to be found even in little things.
Each of these stories was incredibly immersive. I felt like the characters could've been contained in full-length novels, rather than in just 20 or so pages. And while I didn't love every single one, there was something of merit in them all. And there were quite a few that I deeply, deeply loved and want to read over and over again.
Favorites include: "A Private Experience," "Jumping Monkey Hill" (LOVED IT!!!), "Tomorrow Is Too Far," and the final story "The Headstrong Historian" (this last one is very reminiscent of Achebe, and a great concluding piece to the collection).
If you are looking to get into reading short stories, or interested in Adichie's writing at all, I feel like this is an excellent place to start. While I think her novels are brilliant, I almost enjoyed diving into these small worlds for a brief moment even more enjoyable.
She has a very strong sense of style that I can't quite put my finger on, but many of these stories were reminiscent of her other works. What draws me to her stories is the new perspective I almost always walk away with after reading from her. I'm introduced to a new culture and new attitudes, while still feeling familiar with the characters because she writes from an often youthful perspective. She addresses patriarchy, immigration (to American and other nations), gender, and sexuality so excellently. So if you enjoy these topics or these stories at all, I'm sure you will like her longer pieces of literature. -
She's the Queen, our literary Beyonce who delivers the goods with an earlier collection of short stories. You can see here the briefest of outlines that will become Americanah later. Confidently African stories told with a measured awareness of Western sensibilities. That storyteller voice that gently leads you across the page with a sharp eye and wry line. Adichie is so adept at alluding to deeper themes with a light touch that doesn't slow down your reading.
If I'm going to quibble the stories can be somewhat jarring in their abrupt end, building steam only to be just as quickly discarded. Like songs that end sharply just as you're expecting a third verse. -
4★
“The first time our house was robbed, it was our neighbor Osita who climbed in through the dining room window and stole our TV, our VCR, and the Purple Rain and Thriller videotapes my father had brought back from America.”
That’s not all that was brought back to Nigeria from America. In the first story, ‘Cell One’, a girl tells us about her brother and his friends who began breaking into local houses and stealing anything they could sell. Her parents pretended they didn’t know it was their son, but the situation became more serious at university where the boys formed gangs, which were called Cults.
“It was the season of cults on our serene Nsukka campus. It was the time when signboards all over the university read, in bold letters, SAY NO TO CULTS. The Black Axe, the Buccaneers, and the Pirates were the best known. They may once have been benign fraternities, but they had evolved and were now called “cults”; eighteen-year-olds who had mastered the swagger of American rap videos were undergoing secret and strange initiations that sometimes left one or two of them dead on Odim Hill. Guns and tortured loyalties and axes had become common.
. . .
It was senseless. It was so abnormal that it quickly became normal.”
How her parents explain to themselves (and others) what their son’s arrest means is true of many parents everywhere. Mother tries to bribe the guards with home-cooked meals to get favourable treatment for her son; sister is annoyed with the changes in her brother and his bragging about how easy it all is; while father regrets the earlier pretence.
“Later, as we drove back to Nsukka, my father said, ‘This is what I should have done when he broke into the house. I should have had him locked up in a cell.’ ”
Cell One is reminiscent of Room 101 in
George Orwell’s well-known
1984, which houses whatever it is that frightens you the most. Cell One seems to be the place where prisoners are tortured and sometimes killed.
A guard explains:
“ ‘You cannot raise your children well, all of you people who feel important because you work in the university. When your children misbehave, you think they should not be punished.’
It’s a pretty grim story and an eye-opener for many “westerners” who aren’t aware of metropolitan and urban life in Nigeria.
Some stories are set in the US and remind me of Adichie’s 2013 book,
Americanah, which was published five years after this one and which I had already read. In that, she speaks of the peculiar attitude that Americans have to Nigerian migrants and students, not understanding that these black Africans are not descendants of slaves but may be university-educated academics from well-to-do, influential Nigerian (and Brtish) families.
Some stories include those interactions as well, stories set in the US, where Nigerians are working or studying. Other stories are set in urban and rural Nigeria.
There are broken relationships and family dramas in a range of families, from the university academics mentioned above to the traditional villages of people who wear little or no clothing and follow the old ways and customs of arranged marriages and polygamy.
I found the selection a bit uneven, but the stories I enjoyed, I really enjoyed. She captures so well the awkwardness between some American whites and Nigerians, and her depiction of the deep connection between an old, ‘traditional’ grandmother and a modern granddaughter in ‘The Headstrong Historian’ was especially moving. It was originally published in ‘The New Yorker Magazine’ and feels like it could be the bones of a novel. I loved it.
It’s a good collection that I would have found more surprising if I hadn’t already read
Americanah and
Half of a Yellow Sun and gained some understanding of the breadth of her storytelling. I might have rated it higher if I hadn't been familiar with some of the ground it covered.
If you're interested in seeing what I wrote a bit about those two books, have a look here:
My thoughts about Americanah
My review of Half of a Yellow Sun with some interesting maps -
The power of a voice that cares!
Is there a red thread between these intense short stories, moving between continents, generations, social circumstances, religions and customs seemingly easily but leaving deep track marks in the reader's mind?
Home is not a place or a culture or even specific people.
Home is where your heart is hurting most because it's caring most.
And that hurt is beyond gender and skin colour and religion and ritual and politics.
It just is.
Home. -
3.5 stars.
A short story collection that is loosely linked by its emotional connections to Nigeria, I found most of the stories to be insightful and very well written. A breakdown of each story:
Cell One - A story about a family who live in a closed off university town and everyone knows everyone. It centres around Nnamabia, a roguish young man who finds himself at the mercy of a brutal and violent police force following accusations of cult involvement. I liked the family dynamics in this one but thought it rushed the story and I didn’t get a good enough feel of the characters and setting, which lessened the overall message - ⭐️⭐️⭐️
Imitation - A Nigerian wife of a ‘Big Man’ lives in Philadelphia while her husband visits her and the children for 2 months of the year. She discovers he’s moved a girlfriend into their house in Lagos and ponders what she should do about the situation. This was an interesting look into culture, women and the dynamics of power in marriage. Again, it was very short and I felt it finished before concluding satisfactorily - ⭐️⭐️⭐️
A Private Encounter- Two women, one Christian Igbo, the other Muslim Hausa shelter together during a riot. Both have been caught out at the wrong place at the wrong time, and both have been separated from loved ones. I loved this one, and thought it was crafted masterfully to show the similarities between the two women caught in such a horrific and brutal situation and the kindness of a stranger - ⭐️⭐️⭐️⭐️⭐️
Ghosts - A professor sees a former colleague he thought was long dead and ends up reminiscing about war atrocities and life after. I found this a bit disjointed in tone - ⭐️⭐️
On Monday of Last Week - A woman nannying for a little boy becomes infatuated with his artist mother after she compliments her. I enjoyed this one. It Compared childcare and privilege in America and Nigeria in a thought provoking way - ⭐️⭐️⭐️⭐️
Jumping Monkey Hill - A literary retreat discusses feminism, and the treatment of women in Nigeria. Interesting but I couldn’t really connect with the characters - ⭐️⭐️⭐️
The Thing Around Your Neck - Told in second perspective, this details one woman’s move to America after ‘winning’ the green card lottery. It goes into detail about the skewed views on the American dream, the stifling responsibility placed on immigrants and ‘white saviours’. I liked this one a lot, and found it to be told in an incredibly interesting point of view - ⭐️⭐️⭐️⭐️
The American Embassy - A woman recounts the recent events that have led her to apply for a visa while waiting in line for an immigration interview at the American embassy in Nigeria. I found this one particularly hard hitting, and it packed an emotional punch for such a short read - ⭐️⭐️⭐️⭐️⭐️
The Shivering - Two Nigerian strangers in America bond over recent tragedies. The story takes a philosophical turn, recounting what it means to have faith in God amongst other things. I found this a little too theological for my taste although I loved the friendship between the two - ⭐️⭐️⭐️
The Arrangers of Marriage -A newly wed comes to America to live with her arranged marriage husband. She’s instantly thrown into a new culture, without friends or family, and expected to ‘blend in’ and assimilate in order to thrive. Another thought provoking conversation on culture and Westernisation - ⭐️⭐️⭐️⭐️
Tomorrow is Too Far - Another story told in second person, this time recounting a family history and it’s secrets. Again, I really enjoyed this and found it full of tension with a strong emotional pull to the characters - ⭐️⭐️⭐️⭐️
The Headstrong Historian - A generational tale of history, erased and reformed via faith, spirituality and a connection to ancestors. A bit slow in places, and the characters feel a little one dimensional at times - ⭐️⭐️⭐️ -
Zbirka priča magičnog pripovedača!
-
Shameless, brazen and lazy, I'm going to pinch the comment on the front of my edition: "Adichie makes storytelling seem as easy as birdsong."
Will that do?
I can add on some of those typical enthusiasms: stunning, exquisite, you know, you'll have used them yourself at some point.
If you weren't entirely convinced by Adichie as a novelist (I was, fairly, but maybe not quite enough), try these short stories. They have certainly convinced me that I need to catch up with the rest of her oeuvre.
Oh dear. And just when I was doing so well with the books already in the house.
-
What an excellent set of short stories exploring the human condition with all its flaws and neurosis. Adichie addresses the institution of marriage - arranged marriage, infidelity; same sex desire, sibling rivalry and the consequences of subordinating female children; she then intersects these with immigration and migration and interracial relationships. Each story is complete yet you feel it could also form the basis for a longer novel. Unlike many young Nigerian writers Adichie's language is uncomplicated and every word has its place and purpose. The writing appears effortless and there are gems of insight - On America "the abundance of unreasonable hope". On white people "white people who like Africa too much and those who liked Africa to little were the same - condescending".
-
It’s been a few years since I’ve read Adichie’s novels, and this was a really welcome reminder of how much I enjoy her fiction. I love her prickly characters, the way she writes about resentment, the way she examines class interactions through many different angles. My vague plan was to read about 4 stories a day, but I ended up reading 9 of the 12 in the first day, which I think says it all. Like so many others, would LOVE to have another short story collection or novel from her soon.
-
The Thing Around Your Neck is the second work of Adichie's that I've read, the first being the magnificent
Americanah. This collection touches on a lot of same themes as that wonderful novel: the struggle of women in present day Nigeria, the plight of African immigrants in America. It also showcases her acute understanding of human relationships. Her stories feel important - you get the sense that you have learned something new about the world from each of them.
These vibrant, lyrical tales are all memorable in their own way but a few stood out for me. In A Private Experience, two women of very different backgrounds hide in a deserted store while a murderous riot rages outside. In the haunting Tomorrow Is Too Far, a woman remembers her childhood and the shocking moment that changed her life. And in the delicious Jumping Monkey Hill, the narrator attends a retreat for up-and-coming African writers, curated by a lecherous old white man (I'd love to know how much of this one is autobiographical).
The short story format requires a particular set of skills: the ability to immediately involve the reader and spin a convincing, immersive tale over a reduced number of pages. Adichie proves herself a master storyteller in this collection, moving deftly from humour to tragedy, from joy to regret, with a cast of unforgettable characters. She is a unique and outrageously gifted writer, and I can't wait to read more of her. -
I'm so thrilled that before he left this earth, Chinua Achebe blessed West Africa with a younger version of his literary self. Of her first three pieces:(
Purple Hibiscus and
Half of a Yellow Sun included) this Adichie collection seems to really highlight Achebe's influence and this is a thrilling thing to see.
Compelling and witty characters, revelatory stories, and just the right amount of sensory elements to help me visualize--just how I like my short stories. Then again, Chimamanda Adichie is one of my favorite writers and I always end her stories quickly. Fulfilled, yet unhappy--you know, the feeling you get when you've just exited the movie theater and the outside noise and light makes you want to go back and buy another ticket?
The stories here are about the Nigerian-American experience, about the Nigerian prison system, about arranged marriages and parenting and newlyweds, about infidelity and empowerment, about individuals and their battles with life's choices.
So many thematic undertones and yet because of the subtle storytelling, you don't sense an agenda.
My favorites were:
The Thing Around Your Neck for its poignancy when relating the immigrant experience even while using the second-person narrative: "At night, something would wrap itself around your neck, something that very nearly choked you before you fell asleep."
The American Embassy because oh is this the truth.
Ghosts, for everything it says and yet doesn't say about war.
On Monday of Last Week because the ending was my favorite part to this story.
Jumping Money Hill because it captures the writing workshop so well, even adding the type of incomprehensible light humor you grow to expect and love from Nigerian dramas:She could not tell his age from his face; it was pleasant but unformed, as though God, having created him, had slapped him flat against a wall and smeared his features all over his face.
-
‘The Thing Around Your Neck’ is a collection of 12 stories by Chimamanda Ngozi Adichie, all of which are uniformly great, although some stronger than others. (Some of which have been previously published separately elsewhere).
As with all short stories and particularly with these, almost by definition – they lack the depth, breadth and sophistication of longer novels – in this case Adichies wonderful ‘Half of a Yellow Sun’, ‘Purple Hibiscus’ and ‘Americanah’.
With the best of novels, the reader is left generally either inspired by, but still wanting more; or entirely satiated. With short stories, more often than not there is a frustration and exasperation with their (almost by definition and out of necessity) lack of depth, characterisation and narrative development – often leaving the reader ultimately unsatisfied and disappointed.
Clearly the literary skills required for writing an engaging, captivating and fulfilling short story are much different to those for writing a novel. The scope for depth and breadth, the bigger picture, in a short story must be either alluded to, hinted at, or fulfilled in an entirely different way.
What Adichie does here very successfully, is to manage to create a series of wonderfully satisfying short stories – each within a fully realised world of their own. The stories not only feel effortless and have a real feeling of believability and authenticity, but Adichie has successfully managed to create stories that although short, manage to be compelling, engaging and thought-provoking – as well as being satisfying; leaving the reader wanting more in every case…what happened next? But somehow manages to do this in a way that is fulfilling to the reader.
The only other short stories that I have read that manage to be so complete and so satisfying (although in an entirely different way) are many of those by Oscar Wilde. Whilst Adichie may not be quite in the same league as Wilde – it is amazing how effortlessly she creates in each case, a fully realised world, populated by such convincing characters and placed in such effective narratives – and all in so few words.
Recommended. -
Well, I finished my last Adichie (except for Dear Ijeweale but that's so small 😭) and now I'm upset. As usual, it was golden and now I need any hint of news around an upcoming novel - or I'd take another short story collection!
.
The Thing Around Your Neck is made up of 12 short stories, musing on life in Nigeria and life in America as an immigrant, or both in the same story. I think out of the 12 there was only one that didn't make much of an impression (Ghosts), all of the others completely swept me up. These aren't short short stories. Sometimes I read shorts that are like 4 pages long, but most of these are around the 20 page mark. Within those 20 pages, Adichie unspools lives that feel so full and real that it could have been a 200 page novel. In fact, I would read novel versions of every one of these stories without hesitation.
.
Some favourites: Jumping Monkey Hill, a woman navigates a writers' retreat with a troublesome host; On Monday of Last Week, a woman working as a nanny becomes fixated on the boy's mysterious artist mother who rarely emerges from the basement; The Arrangers of Marriage, a new wife struggles to adjust to life in America with her less-than-ideal new husband; and The Shivering, a woman in America grapples with news of a plane crash in Nigeria with the help of a Nigerian man in her apartment building who is harbouring a few secrets.
.
At the end of each story, I felt a combination of sad that it was over but also satisfied. Short stories can often leave you wanting, but a good one will make you want more of the characters while simultaneously appreciating the perfectly formed, slice-of-life story you just read. It's just greed that makes me want more, ha!
.
Each one reads like a tiny Adichie novel, addressing themes such as colonialism, marriage, identity, immigration, and politics. I didn't save it for last for any particular reason, and I actually think it might be a good introduction to Adichie if you haven't yet read her as it gives a great feel for her style! -
Adichie'yi çok merak ediyordum, özellikle Feminist Manifesto'sunu...
Elimde olan bu kitabıyla başlayayım gerisi gelir dedim. Genellikle Nijerya'dan Amerika'ya göç edenlerin hikayeleri, ait olamayan, hayat kurmaya çalışan insanlar. Hayaller, istekler bir yerde hep aynı herhalde.
Favori öyküm Geçen Hafta Pazartesi Günü oldu.
"İnançlı ol demek, uzun boylu ve biçimli ol demek gibi değildir." -
Declaro-me conquistada. Chimamanda conta histórias de diferentes mulheres. Todas, independentemente do local, têm de lidar com atitudes de um machismo primitivo, com estereótipos de géneros, com uma desigualdade chocante. São mulheres que não escolhem o marido, mulheres que têm de aceitar a traição como natural, mulheres que são mães contra tudo e todos, mulheres que gostam de outras mulheres.
Este livro é também um olhar atento sobre a realidade dos imigrantes africanos nos Estados Unidos, a tentação da aculturação e os preconceitos existentes. -
Buddy read with Snezana
This book is a collection of short pages, my ebook copy has just 193 pages and it has 12 stories. The stories are extremely short but they are captivating.
Chimamanda is such a great author, she captured the readers with her unique writing style. The stories are all written in different perspectives, two was written in second person, I'm not a second person POV fan but I loved this. The rest of the books were written in third person. The story is easy to understand and it isn't confusing but comprehensible.
The stories all have something in common, all the characters are Nigerian. The focus of most of the stories is immigration, most of the characters believe that if they go to America things will turn around for good, but that isn't true, you still have to work hard, imagine their surprise when they not only have to struggle with finding work they have to struggle with racism they haven't experienced before. The time zone for most of the stories is after the Nigerian civil war so things were hard and most people wanted to escape.
Only one of the stories was different and that's the last story The Headstrong Historian. The story is about three generations. The time period was the earliest years of colonization to the time of independence. This story is also my favourite of all. -
In most short story collection there are are always some stories that are better than others. Sometimes gap isn't that big (Liu's Paper menagerie and other stories, anything by Bradbury) but there are obvious favorites and weak links and there are those that involve full spectrum from bad to brilliant (any short story collection from Neil Gaiman). This is first time I read collection that I would rate every short story same. Everything is 4 stars range with no clear favorite and no clear weakest story.
This is great book to get book for those who want to give Adichie's fiction a try since it showcases here writing well in small bites. -
4.5/5
The first thing that came to Ujunwa's mind was to ask if Isabel ever needed royal blood to explain the good looks of friends back in London.
Look, I'm fully committed to rooting for Chimamanda Ngozi Adichie until the Nobel Prize for Lit committee gets their collective head out of their collective ass and gives it to her (spare me the political yibble yabble. My knowing what's up hasn't killed my excitement yet, so leave me this and go ruin Santa Clause or US democracy or something of that level of fantasy for someone else), so if you're looking for an introduction to an introduction to this writer, look elsewhere. The half star up there is in context with Half of a Yellow Sun and Americanah, not the entirety of what I've read thus far, simply because the latter would be extremely unfair to the rest of said works. Only my absolute faves and a few superb fives à la
Almanac of the Dead and
The Guest would survive. Maybe.We are the educated ones, taught to keep tightly rigid our boundaries of what is considered real.
This is the work whose inclusion in the reading itinerary of a particular Postcolonial Short Story class convinced me to take said class. Was it worth it? Looking back, I'd say it did a good job of kicking my ass into high gear in both the Postcolonial, a previously dabbling breed of lack of commitment, and the short story, whose unnerving brevity now has a counterbalancing of a multifarious and sometimes delightful history. In terms of the by rote stuff, I learned the PoCo is more often than not PoMo, the PoMo in a short story cycle SSC is a marvel to behold, and genre stories written in unfamiliar environments are actually quite nice when the author isn't a fetishist with a dictionary looking for that next cash cow. Sure, the nonfetishist author may also be looking for that next cash cow, but the thing about capitalism is you can't expect a cookie everytime you mock the aspects that you personally don't adhere to body and soul. Postcolonial works written by those equipped with an inheritance of the economic type seems a bit of an oxymoron, yes? Bit self-defeating? I work only with the margin that's centered enough to reach my gaze, but if every transitory beckoning every so often reaches the quality of Adichie, I can work with that.Grace would ponder this story for a long time, with great sadness, and it would cause her to make a clear link between education and dignity, between the hard, obvious things that are printed in books and the soft, subtle things that lodge themselves into the soul.
I feel the need to include the standard short story run down for the first time for whatever reason, so here goes, complete with quotes around the ones the class chose to peruse:
"Cell One" - 3/5
Imitation - 3.5/5
A Private Experience - 4.5/5
Ghosts - 4/5
"On Monday of Last Week" - 4/5
"Jumping Monkey Hill" - 4.5/5
"The Thing Around Your Neck" - 4/5
"The American Embassy" - 4.5/5
The Shivering - 3.5/5
The Arrangers of Marriage - 4/5
Tomorrow is Too Far - 4.5/5
"The Headstrong Historian" - 5/5
My average of the class assigned is a smidge higher than the ones I read on my own, but the class also has the greatest range of scores and has both the best and the worst according to my personal feeling. Anyway, "The Headstrong Historian" is phenomenal, so I will look more kindly on the good intentions of the academic slicing and dicing this one time. For those new to Adichie, if you liked her Nigerian stories, pick up
Half of a Yellow Sun, especially if "A Private Experience" resonated. If you liked the America, go the somewhat obvious but still great
Americanah way. If you want me to butt out, tackle
Purple Hibiscus, which I haven't read and as a result you must get back to me about. -
4.5 stars rounded up
An excellent set of short stories which concentrate mostly on the lives and experiences of Nigerian women; ranging over issues such as tragedy, political and religious violence, new relationships (especially marriage), loneliness, sadness, displacement and the many problems of post colonialism. There is plenty of social and political comment, but it is wrapped up in human stories. The stories move between Nigeria and the US; the homeland and what is seen to be the Promised Land, but seldom is. Two of the stories are in the second person, which is quite unusual. The plain style of the writing better illustrates the subtlety of motivation. There are insights which are sharp and to the point. In the title story, the narrator meets a young white man:
“He told you he had been to Ghana and Uganda and Tanzania, loved the poetry of Okot p’Bitek and the novels of Amos Tutuola and had read a lot about sub-Saharan African countries, their histories, and their complexities. You wanted to feel disdain, to show it as you brought his order, because white people who liked Africa too much and those who liked Africa too little were the same—condescending.”
Adichie focuses primarily on the Igbo/Biafran experience; unsurprising as this is her background. In each of the endings is a suggestion of a new beginning. The characters create empathy in the reader because they speak of our own hopes and fears as well. Adichie seems to have a passion for human progress and freedom and it is infectious. I’m not going to analyze the stories; just recommend you read them. I think the last one is the best, but would have benefitted from full length treatment. There are echoes of Achebe’s Things Fall Apart, but with Adichie’s feminist twist. -
Doze contos fantásticos. Achei uns melhores que outros, tenho alguns preferidos, mas considerei todos de grande qualidade. Retratam uma realidade com a qual não tenho muito contacto, passando por variadíssimos temas, por isso permitiu-me conhecer um bocadinho de uma nova cultura e de um novo panorama. A escrita da autora é muito agradável e puxa-nos para a leitura. Alguns dos contos deixaram-me perplexa com o final, e sem dúvida que todos eles mexeram comigo, cada um à sua maneira. Vou querer ler mais coisas da autora.
-
Wow, what a beautiful collection of short stories! This was my first book by the praised Chimamanda Ngozi Adichie and now I can understand why so many people have fallen in love with her writing. Her style is so mesmerizing and touching that you’ll have no problem getting attached to her characters, no matter how flawed these people might be or how different their lives are from yours.
“I was happy when I saw your picture,” he said, smacking his lips. “You were light-skinned. I had to think about my children’s looks. Light-skinned blacks fare better in America.”
In The Thing Around Your Neck you’ll find 12 short stories written by Adichie over the past few years that are often centered around the same topics. Immigration, racism, oppression, the consequences of colonialism in Nigeria (and other African countries), the patriarchy, and sexuality are the most common. Adichie’s characters struggle with these topics in their lives, and while not all of them get a happy ending, there is always a sort of silver lining present.
“He said you were wrong to call him self-righteous. You said he was wrong to call only the poor Indians in Bombay the real Indians. Did it mean he wasn’t a real American, since he was not like the poor fat people you and he had seen in Hartford?”
Among my favorites are “Imitation”, “A Private Experience”, “On Monday of Last Week”, “Jumping Monkey Hill”, and “The American Embassy.” Especially “The Thing Around Your Neck” and “The Headstrong Historian” felt very personal, like they were based on Adichie’s own life experience. They tell the story of how white supremacy affected the lives of Africans – whether they are an native African or living in America – and how hard it is to find pride in yourself and your culture while people constantly try to tear it down.
So if you, like me, want to get introduced to Adichie’s writing, or if you want to read a captivating short-stories collection that tackles sensitive topics in a beautiful way, than you should definitely pick this book up. I now can’t wait to read more from Adichie in the future.
“Are you writing about your father?" the Kenyan asked and Ujunwa answered with an empathic NO because she had never believed in fiction as therapy. The Tanzanian told her that all fiction was therapy, some sort of therapy, no matter what anybody said.” -
The Thing Around Your Neck is a collection of 12 short stories, focusing mainly on the lives and experiences of middle class Nigerian women (save for one story, Ghosts that has a male narrator) who are caught up in political or religious violence or coping with unhappy marriages, or faced with unexpected disappointments etc
My favourite story is A Private Experience, in which a Christian medical student seeks shelter with a poor Muslim woman during a religious riot. Their kinsmen (Igbo and Hausa respectively) are fighting against each other outside. During the time they share shelter, they exchange stories and offer their expertise to help the other. A stream of humanism in a background of riots is an excellent take on the situation.
Theme - All the stories are about being suffocated by something, be it tradition or violence or marital discord etc. In some, the protagonist confronts the situation. In some they are left standing at the crossroads.
Read a full review as well as my take on the different stories in the collection here-
http://www.thebooksatchel.com/shorts-... -
No soy muy de relatos, por lo general o me quedo con ganas de más o no me dicen nada.
En este libro, compuesto de doce relatos, algunos del principio me han recordado/comentado la lectura de Medio sol amarillo, un libro de esta autora que me leí a principios del año pasado. Por tanto empecé con buen pie, jeje, con la sensación de que eran "menos relatos".
Son relatos de denuncia donde abarca situaciones un tanto estereotipadas cuya protagonista es una mujer: matrimonios concertados, pérdida de un ser querido, estilo de vida/adaptación nigerianos/descendientes que han emigrado a otro país, la importancia de tener descendencia y el papel que se le da al hijo que conserva el apellido familiar, .... Doce breves historias, la mayoría de final abierto dando pie a reflexionar sobre las distintas alternativas que la protagonista podría tomar.
Son entretenidos, pero no puedo compararlo a la impresión que me dejó leer Medio sol amarillo, un libro impactante, muy duro de esos que no se olvidan. Este libro me dejó con las ganas leer más de esta autora, mientras que estos relatos, me han dejado con la sensación de que tal vez no me importaría leer algo más de esta autora.
Valoración: 6/10
Lectura: Febrero 2021 -
Eccellente collezione di racconti brevi. Trovo che le storie narrate da Adichie siano sempre estremamente interessanti, per quanto alcune partano da espedienti comuni; e lo intendo nel migliore dei modi, perché saper narrare un episodio quotidiano in una maniera così coinvolgente è un'arte. A volte però (e questo lo avevo già riscontrato nel romanzo 'Americanah'), ho l'impressione che i racconti siano troppo pieni di dettagli. Di seguito i voti per i singoli racconti.
Cella Uno: ☆☆☆☆ ½
L'imitazione: ☆☆☆☆
Un'esperienza privata: ☆☆☆☆
Spettri: ☆☆☆☆
Il lunedì della settimana prima: ☆☆☆☆
Jumping Monkey Hill: ☆☆☆☆
Quella cosa intorno al collo: ☆☆☆☆☆
L'ambasciata americana: ☆☆☆☆½
Il tremito: ☆☆☆☆½
I combinamatrimoni: ☆☆☆☆
Domani è troppo lontano: ☆☆☆☆
La storica testarda: ☆☆☆☆
