Title | : | Uncanny Magazine Issue 30 September/October 2019: Disabled People Destroy Fantasy! Special Issue |
Author | : | |
Rating | : | |
ISBN | : | - |
Language | : | English |
Format Type | : | Kindle Edition |
Number of Pages | : | 148 |
Publication | : | First published September 3, 2019 |
Awards | : | Hugo Award Best Novelette for “Away with the Wolves” (2020) |
Featuring new fiction by Sarah Gailey, Lane Waldman, Jei D. Marcade, Tochi Onyebuchi, Karlo Yeager Rodríguez, and Aysha U. Farah. Essays by Kari Maaren, Gwendolyn Paradice, Day Al-Mohamed, A.T. Greenblatt, Cara Liebowitz and Dominik Parisien, poetry by Roxanna Bennett, Toby MacNutt, Shweta Narayan, R.B. Lemberg, Tamara Jerée, and Julian K. Jarboe, interviews with Lane Waldman and Karlo Yeager Rodríguez by Sandra Odell, a cover by Julie Dillon, and editorials by Lynne M. Thomas and Michael Damian Thomas, and guest editors Katharine Duckett, Nicolette Barischoff, and Lisa M. Bradley.
Uncanny Magazine Issue 30 September/October 2019: Disabled People Destroy Fantasy! Special Issue Reviews
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This review is for Hugo-nominated novelette
Away With the Wolves by Sarah Gailey:“I try to stay still for as long as I can. I try to swallow down the feeling of numbness. I know better than to hope, but I hope anyway—maybe today will be the day I get to keep that feeling. Maybe today will be the day nothing hurts.“
In a nutshell, it’s about a shapeshifter Suss, a young woman suffering from disabling chronic pain from which she can escape by changing into the wolf form. But when she’s a wolf, she’s a bit of a nuisance for her village and must pay back for the havoc wreaked during the wolf adventures.“I know the joy of jumping at something big. I know what it’s like, feeling that I want it feeling that I swallow when I’m a girl. When I’m a wolf, I want it is almost always immediately followed by I do it.”
But everyone is quite understanding, and there’s a best friend with a heart of gold, and the only logical conclusion on how to escape the pain forever, and everyone is happy and content and heartwarming and no real issues or stakes or conflicts or any other engaging plot points need to interfere with the sweetness. It’s really like it’s an intro to a subsequent story where there are actually consequences or difficult choices or anything else that constitutes a story?“My mother was wrong, I think, because it turns out I’m not ruining anything by remaining a wolf. I haven’t lost anything of myself. Alger doesn’t seem to think it’s selfish of me to bring home rabbits for the stewpot, and Nan Gideon has gone from shaking her fist at me to giving me baskets of eggs from her chickens to bring home. I only go into the village when I want to, now, and so I never feel trapped and distracted and uncomfortable, and there hasn’t been an incident at the apothecary or the church or the blacksmith or the butcher.”
Yeah, cool. A happy ending to a bland beginning, skipping any possibly exciting middle bits.“Everything is mine to have, if I want it. Finally, for the first time in my entire life, I feel like I can admit: I want it all.
And I will take it all.”
Okay, dear, go take it all; and I’ll take a quick nap over here.
2 stars because of sheer boredom. Why the Hugo nomination?
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My Hugo and Nebula Awards Reading Project 2020:
https://www.goodreads.com/review/show... -
This Hugo award-nominated novelette is free online
here at Uncanny magazine. Review first posted on
Fantasy Literature:
A village girl, Suss, has the unusual power of shapeshifting into a wolf. Suss loves her time as a wolf, in large part because her severe chronic pain completely disappears in that form and she’s free to run and explore and feel truly alive. But she feels guilty because of her dead mother’s scolding, and she doesn’t want to lose her connections to her best friend and neighbors. More, there’s the problem of valuable livestock in her village being killed by a canine predator, and Suss worries that she’s losing touch because she has no memory of doing this in her wolf form.
As with much current speculative fiction, diversity is a prominent feature in this story, but it’s an unusual one — Suss’s unexplained chronic pain — and it’s well-integrated and even integral to the plot. Sarah Gailey’s writing is engaging: the reader understands Suss’s physical pain and stress, and it feels like these villagers are real people.Nan is the oldest person either of us have ever known. She tells people that she’s three hundred years old, and I believe her, if only because I don’t know for sure that spite can’t pickle a person into immortality. She’s tall and hale with broad shoulders and all of her original teeth, a fact she’ll tell anyone who will listen.
The central conflict in Away with the Wolves felt like it was resolved a bit too quickly and neatly, but I still enjoyed this warmhearted story and the way it stresses the importance of friendship and interpersonal connections — whether you’re a human or a wolf. Or both. -
Rating and review only for Sarah Gailey's "Away with the Wolves" novelette, currently being nominated for the Hugos.
I listened to this via Uncanny spotify account, which is an alternative way to enjoy their stories. The narrator was really good, she brought the story to life. It's rather fascinating, the way the author related lycanthrophy with disability. The main character turned into a wolf regularly, while although her village tolerated her (as long as she paid the damage she caused) and she had a loving, supportive best friend, she still experienced struggle and chronic pain. One day, a goat was slaughtered and she was blamed. The story moved and we delved deeper into the MC's psyche. I savored it till the very end and thus I can understand why this was nominated.
It can be read here:
https://uncannymagazine.com/article/a...
PS: This is the second wolf-themed story I really liked this year. -
“The Tailor and the Beast” by Aysha U. Farah - 4 stars
Really sweet. A retelling of the classical where the father change his place for her daughter.
depressive man meet lonely beast.
Time means very little when you’re alone.
At the beginning it has an ironic tone and it would have worked well to the end with that kind of humor, but the ending is quite fluffy. -
I was stunned by this story about taking a thing that others and shames or hampers you and finding a way to spin gold from it. There's a lot going on and I want to reread it; there are two problems here to be solved: . There are beautiful statements here, too, about the costs of conforming, as well as about boundaries and healthy friendships: not needing another person to be broken and to need your help to feel secure in the friendship, not assisting without asking first. It has a satisfying ending that I might have found to be a little too easy a year + one month ago, but I have been more fond of hope and happy endings since early in 2020. Post-2016 too, for that matter.
I know what it’s like, feeling that I want it feeling that I swallow when I’m a girl. When I’m a wolf, I want it is almost always immediately followed by I do it. -
2.5 for the whole fiction side of the issue.
Stories in this issue:
Away With the Wolves by Sarah Gailey - 3
Tower by Lane Waldman - 2
Seed and Cinder by Jei D. Marcade - 1
The Fifth Day by Tochi Onyebuchi - 1
This is Not My Adventure by Karlo Yeager Rodriguez - 2.5
The Tailor and the Beast by Aysha U. Farah - 4
I really liked The Tailor and the Beast by Aysha U. Farah. It is a story about the father of a woman who is taken by the Beast in a castle. The father ends up trading his life at the castle for the freedom of his daughter. What follows is two lonely people finding companionship.
Away With the Wolves and This is Not my Adventure were alright. I enjoyed both of them but I wouldn't specifically recommend them.
Seed and Cinder and The Fifth Day just weren't my thing. There wasn't much a narrative to them and it was more style than substance.
The NonFiction was good, as always. I don't read the poetry or the interviews. I can't connect to speculative poetry. -
Supongo que es inevitable que nos toque un poco más la fibra a los que tenemos enfermedades o dolores crónicos.
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Favorites:
Away with the Wolves (Sarah Gailey)
Tower (Lane Waldman)
This Is Not My Adventure (Karlo Yeager Rodríguez)
Favorite essays:
Sudden and Marvelous Invention: Hearing Impairment & Fabulist (non)Fiction (Gwendolyn Paradice)
The Blind Prince Reimagined: Disability in Fairy Tales (Kari Maaren)
Part of That World: Finding Disabled Mermaids in the Works of Seanan McGuire (Cara Liebowitz) -
I love Uncanny's Destroy! series, they are just some of the best and most interesting collections that I've read.
For me I enjoyed the short fiction and poetry a lot more than the interviews and essays, but that's because I read mostly for enjoyment and a lot less for information. I wouldn't want them to be excluded, so everything's fine. -
This special issue's got 6 original stories, 6 poems, 6 essays, and 2 interviews (and a Hugo acceptance speech!).
This issue was a followup to last year's Disabled People Destroy Science Fiction! special issue, though without the "double-issue" bonus, so it's a normal length issue aside from some extra poems and essays.
"This Is Not My Adventure" by Karlo Yeager Rodríguez (a revisited portal fantasy) and "Away With the Wolves" by Sarah Gailey (a person disabled in human form, but not their wolf form) were standout stories for me this issue, though I was very intrigued but left a little wanting with Marcade's "Seed and Cinder"--I'd love to read a longer story in that setting.
I really liked Day Al-Mohamed's essay on being a disabled writer, and it's a topic I've thought about a lot due to the stuff I'm looking to read and the stuff I can't find to read. Liebowitz's essay on McGuire's mermaids was great, and I thought Greenblatt's tips for writing a disabled protagonist was also useful. -
One of the novelette nominees for the 2020 Hugo Awards.
I loved this one. It is a beautifully hopeful story, especially for someone with chronic illness and/or pain like me. So I admit to bias. At bottom, this story says that we get to choose how we handle our pain. I am so behind that. -
Actually pretty good story concept of a woman using lycanthropy to deal with severe chronic pain (which goes away while she's a wolf) but it is really hard to credit a story in which a hemlock tree is described as being deciduous, with large leaves. Oy vey.
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Maybe this is because I read this for school, but I really hated this. I like the idea behind in and it explored some really interesting themes, but man did I hate the writing.
Note: Read in January 2022 -
Suss is a young woman, and also a wolf. Her mother, now dead, always taught her it was selfish and self-indulgent to spend too much time as a wolf, out living her wolf life. Suss tries to live by her mother's rules and severely limit her time as a wolf.
Unfortunately, in human form, Suss spends much of her time in pain. Her hips, her shoulders, her legs, her hands; it's the rare day that she's not in some significant pain.
Fortunately, her friend, Yana, understands. Yana's father, Alger, maybe doesn't understand as fully, but he's patient and supportive. Their neighbors are tolerant, as long as she pays for what she kills or damages in wolf form.
But it's a lonely life. And Yana understands better than Suss does that she's not spending too much time as a wolf; she's spending too little.
Yet she has no wolf friends, either. And she doesn't want to lose the human friends she does have.
Then one day, she returns from being "away with the wolves," as she and Yana call it, to find that she has apparently killed one of the goats belonging to a neighbor. That's expensive, but more disturbing, she doesn't have any memory of doing it.
What's going on? Is she losing herself into the wolf form?
I felt very connected to Suss, trying very hard to do what she's expected to do, even though it hurts, even though it's never quite good enough, and even though she only fuctions well as a wolf. Can she find herself, or will she lose herself?
Very enjoyable, very satisfying, Recommended.
I received this story as part of the Hugo Voters packet, and am reviewing it voluntarily. -
I've only read 'Away with the Wolves' by
Sarah Gailey, as I'm voting in the Hugos this year and it's nominated for best novelette.
Gailey has crafted an interesting take on the werewolf tale, in the context of someone suffering chronic pain and the release they experience with the change. Contrasting the psychologically exhausting, cumulative and unrelenting impact of chronic pain with the differing ways acute pain is experienced and can be tolerated, potentially even enjoyed (if you go so far), Gailey had added a deeper layer to the story and a subtle portrait of disability and the potential impact on self. Worth reading. -
Hugo 2020 Nominations (Best Novelette);
"Away with the Wolves"
I am pleased to have learned on looking up the issue of this Uncanny, that it was entirely devoted to Sci-Fi/Fantasy Stories about (and by) differently-abled people. This story was an interesting one, but not as compelling as I wished it was.
This was the story of a disabled girl, whose body often caused her too much pain to function in the space of each single day after rising, but who has the ability to shift into the from of a wolf (a time she simply refers to as 'Away'). In her other form, she feels no pain, no guilt, and is able to live freely, in the moment. The work is about coming to terms with what actually works best for you, and being supported by those who love you best, who want your best life for you. -
*gorjeo satisfactorio*
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Favorites from this collection:
"Away with the Wolves" by Sarah Gailey, about a woman who has chronic pain, except when she transforms as a wolf. But as a wolf, she tends to wreak havoc on the village. Can she manage to find a way to continue to live in the village? Should she try to repress her wolfish self?
"The Tailor and the Beast" by Aysha U. Farah: A queer retelling of "Beauty and the Beast." I loved that the father stays to save his daughter.
"Sudden and Marvelous Invention: Hearing Impairment & Fabulist (non)Fiction" by Gwendolyn Paradice: A nonfiction essay where the author discusses how her hearing impairment gives her lots of interesting ideas. I do this too! I have tinnitus, and my brain's first instinct is to make up something impossible when I hear a strange sound: Oh, the spies from another dimension are peaking through the portal again.
"Fears and Dragons and the Thoughts of a Disabled Writer" by Day Al-Mohamed: A nonfiction essay about the struggle with internalized ableism as a disabled writer.
""Eating Disorder" does not begin to describe it" by R.B. Lemberg: Give me all the R.B. Lemberg's poetry. Beautiful writing.
"The Thing In Us We Fear Just Wants Our Love" by Julian K. Jarboe: It's strange that this poem was written pre-pandemic, bc it so resonates with pandemic life. -
So far only read/listened to:
Away with the Wolves by Sarah Gailey - 2*
hmmm I read it as a "coming out" story. Yeah she has pain in her human form but I thought that was metaphorically more about what she had to endure when she wasn't being who she wanted to be. When she was one way she had pain/function problems, when she was the other way she caused problems. She has to make a change because of this. Can't continue like this... It ends with a HEA when she accepts that she gets to decide how ("human/wolf") she wants to be and is surrounded by supported friends and a supportive community.
My low rating is because "coming of age" stories usually aren't my interest and not a lot happens. I hope it finds it's right audience.
Read by Erika Ensign on the Uncanny Magazine Podcast Episode 30A. -
Away With the Wolves by Sarah Gailey - The first, and probably my favorite stores in this issue.
Tower by Lane Waldman - An interesting narrative.
Seed and Cinder by Jei D. Marcade - I both liked and disliked this, however, it did haunt me long enough for me to feel it worthwhile.
The Tailor and the Beast by Aysha U. Farah - Not my favorite.
This Is Not My Adventure by Karlo Yeager Rodríguez - I found it difficult to connect with this story.
The Fifth Day by Tochi Onyebuchi - Again, I just had a hard time connecting with this. -
3-4 stars overall with several items of 5 star quality. "Away With the Wolves" by Sarah Gailey is deservedly nominated for Hugo for Best Novelette. Also of very high quality are the stories "Seed and Cinder" by Jei M. Markade and "The Tailor and the Beast" by Aysha U. Farah and the essay "Part of that World: Finding Disabled Mermaids in the Works of Seanan McGuire" by Cara Liebowitz. I read this for my 2020 Reading Challenge (Read Harder "literary magazine") and the 2020 Hugo nominations (Best Novelette).
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Superb. Everything in this collection is good and carries emotional depth. Standouts for me among great stories, poems and essays: This Is Not My Adventure, Tower, Away with the Wolves (I love interesting shapeshifter tales; The Visions that Take their Toll (an essay every fantasy writer must read); “The Thing In Us We Fear Just Wants Our Love”
Anything that makes me pause my reading to think, and then stays with me, was well worth the time and money. Five stars! -
I enjoyed a bunch of the stories and essays in this collection! I particularly liked "Tower" by Lane Waldman and the interview with her, as well as the poems "‘Eating Disorder’ does not begin to describe it" by R. B. Lemberg and "goddess in forced repose" by Tamara Jerée, both of which were filled with a lot of power and anger. I wish this collection had been a bit longer like the Science Fiction (issue #24) one so that it could have explored more voices, though.
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These covers are always so beautiful. <3
I started with 'Monsters & Women—Beneath Contempt' by Roxanna Bennett.Dismiss reversal of promises & missing curatives,
who notices holes in the old narrative
Read it
here. -
If one doesn’t want to live disabled/with chronic pain, one can change their life altogether, eventually paying the price. This story tells me in a sweet, naive manner that the price is worth paying and that one can have the best out of all worlds. Obviously fantastical.
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This is a review of Sarah Gailey’s “Away with the Wolves.” I’m a big fan of the “traditional werewolves had reasons they thought transforming was a good thing” trope, and having a protagonist with a chronic illness, which is something I usually don’t see in high fantasy, makes it even better.
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Even more than the stories (the tailor and the beast is marvellous) did I love the articles.
That's what I want to read, more of it, much more.