Title | : | The Toll Bridge |
Author | : | |
Rating | : | |
ISBN | : | 0060235985 |
ISBN-10 | : | 9780060235987 |
Format Type | : | Hardcover |
Number of Pages | : | 268 |
Publication | : | First published January 1, 1992 |
Awards | : | Zilveren Griffel (1994) |
To escape the pressures of suffocating parents and a possessive girlfriend, seventeen-year-old Piers takes a job as a keeper of a toll bridge and its cottage. There he befriends Adam, a charismatic wayfarer who shows up one day and refuses to leave. He also befriends a girl named Tess, and soon he and Tess find themselves strangely attracted to Adam and falling under his spell. The three test their sexuality and the bonds of their friendship as they discover who they areand aren’tin a harrowing course of events that leaves all three wondering if you can ever really know anyone.
Like the other books in The Dance Sequence, The Toll Bridge can be read alone or as part of the series.
The Toll Bridge Reviews
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4 stelle e mezzo.
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I was a 13-year-old girl thumbing through the second hand shelves at a local bookstore when I came across a well-read book. I picked it up and noticed the cracked spine and the folded pages. Some people might see a book with a double-headed piece of pottery on the cover, I saw an interesting story. And it was... I have never heard of Aidan Chambers. My adolescent reading experience consisted of The Babysitters Club and Sweet Valley High, I did not know what real writing was. "Toll Bridge" is what made me fall in love with good writing and interesting story lines based on pre-teens/teenagers. Some 10+ years have passed and Mr. Chambers and I have stayed in touch. Thanks to him, I was introduced to "This is All" and the rest of his breathtaking works of art. Can you tell? ...I am a fan.
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Voto: 3 🌟
Aidan Chambers è sempre una garanzia, mi era mancato il suo stile, che è davvero molto molto particolare. Poco descrittivo, ma parla molto di sentimenti ed emozioni dei personaggi. Tuttavia questo libro è molto diverso dagli altri suoi che ho letto. In "Quando eravamo in tre" Chambers affronta amicizia, sesso, gelosia, ma anche suicidio, amore, doppia personalità. Affronta alcune tematiche in modo delicato, altre in modo più approfondito. Piers è un adolescente introverso, inquieto, seppur vada bene in molte cose che fa, non sa bene cosa fare della sua vita, non sa se ama Gill, la sua ragazza, perciò si trasferisce su un ponte, per lavoro, a prendere pedaggi, lasciando casa, scuola e amici. Qui incontrerà Adam, un ragazzo estroverso, affascinante ma molto misterioso, con un buco nero nel suo passato, e Tess, la figlia del suo datore di lavoro, per cui proverà un amore/gelosia. La trama è lenta, ma ci sono momenti divertenti alternati ad altri più seri. L'autore ci parla molto di amicizia, specialmente di ponti che collegano le relazioni, di sessualità. Il sesso è una cosa occasionale? o è dovuto all'amore? Alcune situazioni mi sono sembrate al limite del surreale, altre molto vere ed esplicite, e sta proprio qui la bravura di Chambers. Alcuni dialoghi un po' confusionari, e forse anche un po' no sense, però nel sommato forse la morale si può ben capire. Leggerò sicuramente gli altri libri dell'autore perché ci parla di adolescenza e altre tematiche in modo davvero particolare! -
3.5
Ed eccomi tornata per parlare brevemente di un altro libro di Aidan Chambers!
Quanto mi è mancato!
Di suo ho letto "Cartoline dalla terra di nessuno", "Muoio dalla voglia di conoscerti " (la mia sua prima lettura. Il primo amore non si scorda mai) e "Danza sulla mia tomba" altro libro suo che ho amato alla follia!
"Quando eravamo in tre" parla della storia di Piers, detto Jan dagli amici, e di come stia cercando, non solo di trovare un posto nel mondo, ma anche la sua indipendenza e soprattutto se stesso. Il suo vero Io.
Ed è in questa "avventura" che incontra Katherine, per gli amici Tess ( i soprannomi sono un po' strani, ma li adoro).
I due a poco a poco creano una bellissima amicizia.
Poi un giorno, all'improvviso, dal nulla arriva Adam. Adam che in poco tempo cambia, sia positivamente che non, le loro vite.
Come ogni libro di Chambers, i temi ricorrenti sono l'amicizia, la scoperta di se stessi, la famiglia e molti altri.
Solo che, "quando eravamo in tre" mi è piaciuto meno rispetto agli altri.
Riesci a sentire che i protagonisti sono veri, palpabili, almeno per Tess e Jan, ma anche se ho terminato il libro, su Adam incombe ancora un'aura di mistero.
In più la fine mi è sembrata troppo sbrigativa e incompleta. Magari un capitolino in più per fare il punto della situation non avrebbe fatto male! -
Un ottimo scrittore di Y.A finalmente ! Senza essere pretenzioso , senza descrivere 16 enni che filosofeggiano che manco Platone faceva alla loro età , senza descrivere situazioni surreali . Qui abbiamo degli adolescenti alle prese con le problematiche della vita , il rapporto coi genitori , l'amicizia , l'amore e il tutto viene descritto senza fronzoli o ipocrisie.
Ho amato i personaggi , le ambientazioni e UDITE UDITE genitori che si preoccupano dei figli .. WOW cosa che sinceramente mancava negli Y.A ; Chambers non è un ragazzino ma sa quello che scrive e non solo parla agli adolescenti ma anche a quelli un po più vecchiotti come moi.
Consigliatissimo -
I read this book about nine or ten years ago. So in reviewing it, I am also pointing out this is a distant recollection of what impressed me about it and what I learned from it.
It's a long way into the book before Piers' name is actually revealed. Up until then, he's dubbed 'Janus', suggestive of a two-faced nature. Though, since Janus is the oldest Roman deity and a guardian of bridges, perhaps it's meant to imbue the story with a mythological sense. Piers, of course, is a name itself evocative of bridges, since the initial supports of a bridge are piers. Lots of game-playing with words and names occur in this book, as I recall.
I came away from it with the suspicion that petros, the Greek word from which the name Peter derives (Piers is an alternative to Peter) does not in fact mean rock but rather a rock from which an enterprise is started. I wondered, in the context of names encoding destiny, whether the Peters of this world are very good at start-ups but not so good at follow-through.
The evening after I read this book I was at a gathering hosted by a Dutch man named Piet. Someone there mentioned that he'd just started on his 27th profession - Piet was a man with an outstanding gift for starting various enterprises but he had very little staying power in seeing a job through to its natural conclusion. I've since met quite a few Peters of a similar disposition. And I wouldn't have seen the pattern but for The Toll Bridge.
It's so deep in name/myth that I've kept it - for years - in my list of books where I suspect a connection between the names of the characters and the author's own name. Recently I came across the possibility that Aidan means hearthstone or altar hearth, making it basically cognate with Cephas, threshold stone , the well-known Hebrew cognate of the Greek name, Peter. -
This is the third book I've read in the so-called Dance Sequence (which is not really a series, or I would never be reading them out of order): first I read the final and superlative
This Is All: The Pillow Book of Cordelia Kenn, and the circled back to the second and sequence-naming
Dance on My Grave, and those two books are not hugely similar to each other.
A third data-point is useful for triangulating some reoccurring themes. An obvious one is each book is narrated primarily through the writings of one character, who seeks to express themselves and their story to another, specific, character. These accounts are supplemented with other texts: news articles, letters, etc. All three books have complicated, partially-requited homosexual relationships -- Dance is the "most gay", obviously, while The Toll Bridge is the "least gay", with Jan and Adam , and This is All is somewhere between the two, including the and . These are all interesting and nuanced relationships, although it would be nice if two queer characters ended up together and alive for once. -
Nowhere near as compelling as Postcards from No-Man's Land, so I was a tad disappointed. But nevertheless Chambers's characters drew me in, and the vague sense of foreboding throughout made me eager to see where to story was going. If I was going to recommend this author, I wouldn't start with this book - but it was good for someone who already enjoys his style.
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I had started and rejected about 10 books before I read this gem. His writing is beautiful, the characters made me remember the intensity of feelings and judgments of my late teen years. Finding out who they are, what matters to them, I went into the library on my day off to get another of his books.
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È il mio primo Chambers, e non avevo idea di cosa aspettarmi. Mi sono trovato di fronte un romanzo che è sì dedicato e pensato per un pubblico young adult, ma che è assolutamente leggibile anche da qualcuno un po' più attempato come il sottoscritto. Io ho una passione per i romanzi di formazione (specie a tinte dark, ma non solo), e qui ho trovato alcuni degli aspetti che più mi affascinano di questo tipo di narrazione. I personaggi sono credibili nelle mille sfaccettature dell'età, e anche la trama scorre con spunti interessanti. Ho storto il naso in qualche punto con la scrittura, ma nel complesso ho letto con piacere un autore che puntavo da un po' e al quale darò di certo un'altra possibilità
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Aidan Chambers riesce a dare una lettura sempre diversa alle sue opere. Non finisce mai per riutilizzare degli stessi temi per romanzi diversi, quindi è sempre elettrizzante scoprire nel prossimo di cosa parlerà. Come altri che ho letto in precedenza, nemmeno questo delude. Una storia potente di amicizia e identità. Ma anche una storia di depressione. Le fisse di Jan mi hanno particolarmente colpita, perché sono riuscite a toccare corde molto personali. Nessuno riesce a raccontare il cambiamento nella vita di un giovane adulto come Chambers fa e per questo mi sarà sempre di ispirazione. Non vedo l'ora di sapere cos'altro mi riserveranno i suoi libri
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i read this book a few years ago. i had bought it second hand from a charity shop and it looked rather old but like it had been read plenty of times before. therefore, i picked it up. not thinking much of the cover or the name it took me a while to get round to reading it. however, once i did i finished it within a few day’s and really really really loved the book! i suppose it really does prove to never literally judge a book by its cover.
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Mooi geschreven in heel eenvoudige taal. Interessant om de onderlinge verschillen tussen de personages toch tot een samenhorigheid te zien uitgroeien. Ik denk dat iedereen wel een Jany of Tess kent. De omgang met een Adam wordt in onze samenleving liever afgeschermd. Toch spreekt net dat personage me het meeste aan.
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This was very good!!
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2.75
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As usual, Aidan Chambers packs a lot of complicated and thorny topics into an accessible and authentic read.
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A review for Aidan Chambers' Now I Know and The Toll Bridge:
Both stories are brilliant, as always with Aidan. I've enjoyed reading these back to back and feeling the different depths and routes Aidan took with each book. Now I Know was all about what belief means. This was an opportune time to read this and it really made me feel immersed in the meaning and spirituality of belief, and I really liked seeing this aspect of Aidan come to life in a novel. The Toll Bridge brought out a philosophy that is so true (I won't give it away because the philosophy, is in fact, what the last line in the book is, and how it ends). But seeing this philosophy applied to the book and how the characters in it changed and dealt with strange situations was amazing. I must say, in both of these novels Aidan has written an "Afterword" and even these afterwords make the whole book for me. I love reading them because it's like there are two endings to the book- one in the fictional character's life and one that's brought out from the author. I admire Aidan for doing this, giving us insight on how he got the idea for writing the book and I think that's an excellent way of enlightening the readers and perfecting his works of art. -
3.5 stars. What is with all of the reviews emphasizing the sex in this book? There is one scene, and it doesn't even involve the main character! Two reviews made it sound too racy for our YA collection, but it's not. Annoying. Anyway, it was a good book... The setting is unique and compelling, and you care about the characters. It makes you think and nicely ties in some literary references. I would have liked a little more at the end. We find out what Adam's deal is, but not really how it pertains to Piers/Jan, who is, after all, the main character. It's sort of like a twist where suddenly the book is about someone else. I'll chalk this up to a personal preference and not hold it against the book, though. I liked it - it's a book that treats the reader like an adult - and would read more by this author.
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Ahhh...I don't know what I thought about this book. Three stars? Two stars? Reading this book was a roller coaster for me. I liked it...I didn't like it. I was intrigued...I was bored. Usually a book draws me in and I become so entranced, I read it immediately. Not this one - FIVE days; five days when I could have (and should have) been reading something else.
But, then again, I DO want to read the other books in the series. What can I say? I'm a sucker for anything English! LoVe the UK! -
If you are interested in psychology and types of amnesia, this is a pretty interesting read. I enjoyed the play between Tess and Jan when they wrote together...the playful banter. And there are a lot of literary references, which makes it a fun game to see how many I recognize and know where they came from. And it's a very interesting story once it really gets going, though it is kind of slow to start. It's a pretty easy read, probably for YA, but then I enjoy YA novels and I know a lot of my friends do, too.
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Non è per niente facile parlare di questo libro. Sono passati ormai giorni e giorni da quando l'ho finito, eppure ancora non l'ho metabolizzato del tutto. Ho senza dubbio apprezzato moltissimo lo stile di scrittura di Chambers e mi sono molto piaciuti anche i personaggi da lui creati. Il grande punto interrogativo di questo romanzo sta nel finale.
Recensione completa su Reading is believing
clicca qui per leggerla! -
I finished this while hiking, so maybe the niceness of the walk leaked into the pages. Or maybe I have too many good memories of reading Aidan Chambers as a teenager. Whatever the case, I kind of loved this book--despite the cover and the slightly sentimental nature of the writing.
Also, Aidan Chambers always does a really excellent job of capturing the heightened emotions of being seventeen. And for some reason, these emotions seem important to remember, even as you grow older.
(Really, that cover tho.) -
Ho letto questo libro circa l'anno scorso per puro caso. Non avendo mai letto opere di questo autore, volevo farmi più o meno un'idea delle storie come si sviluppano e il suo modo di scrivere. Mentre ero circa a metà della lettura, mi sono accorta di non aver capito nulla dei personaggi, che cosa stesse facendo Piers, ecc. a causa di una mancata descrizione più approfondita dei personaggi in modo tale da farsi un'idea di che tipo sono essi. Morale della storia: non ho capito nulla
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Although socio-realism is not my favourite genre this book enthralled me. I found myself at times captivated by the intriguing development of the story and the main characters. The ending was very different to what i expected, but the last paragraph was brilliant.