Title | : | The Cambridge Companion to Margaret Atwood (Cambridge Companions to Literature) |
Author | : | |
Rating | : | |
ISBN | : | 0521548519 |
ISBN-10 | : | 9780521548519 |
Language | : | English |
Format Type | : | Paperback |
Number of Pages | : | 224 |
Publication | : | First published March 30, 2006 |
The Cambridge Companion to Margaret Atwood (Cambridge Companions to Literature) Reviews
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This is a very comprehensive companion on both the biography and the works of Margaret Atwood.
In case you are interested in her masterpieces do not hesitate to take that. -
New insight into Atwood's books. I enjoyed much of it, but found the chapter about humor to be rather dry, filled with jargon, and (ironically) humorless. Good reading if you love Atwood's books.
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A nice compilation of essays on Atwood's work. I paid the most attention to the sections on her novels (because that is most relevant to my paper), but the other sections were also interesting. I liked the last section of the book the best, but that may be due to personal preference and relative level of familiarity with the works under discussion. A good resource.
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The Cambridge Companion to Margaret Atwood by Coral Ann Howells was recommended to me by a friend and colleague who teaches Atwood poems to advanced students. I plan to teach The Handmaid's Tale this year and wanted more insight into it. I also want to use more of Atwood's poetry that is not easily accessible with a quick online search. Often students will look up the meaning of a poem or novel and this squashes their initial critical thinking. Generally, I like to read a novel first with only my third eye.
I enjoyed the essay, Blindness and survival in Margaret Atwood's major novels, by Sharon R. Wilson. Wilson illustrated an insightful approach to novels like Oryx and Crake and Cat's Eye. I will have to read Oryx and Crake now, but I still did not connect with Cat's Eye. I really didn't like the narrator, Elaine, despite the interesting survival journey Atwood presented. I just don't like an emotionless character, even when the writer picked a palette of greys that lead to a marble in a red pocketbook, an insufficient ending. Offred in Handmaid's Tale also seemed void of emotion, but the situation made her character work for me rather than Elaine's. Offred had a reason to become indifferent. Her choices were eliminated. Elaine seemed to have too much choice.
Novels aside, I also enjoyed Branko Gorjup's Margaret Atwood's poetry and poetics. I adore Atwood's poem, Quattrocento. The line, "The kingdom of god is within you/because you ate it." Gorjup says, "Eve is metamorphosed into a true protean self as the whole of a diverse creation disappears into her and she is a free agent now, alive with possibility."
Eve as a free agent is fantastical.
I ended up with a four star rating for this, because some of it I did not understand as well as I would have liked on a first read, but I've only read three Atwood novels and a few poems. I will have to change that.