Granta Bulgaria 8: най-добрите млади американски романисти 3 by Sigrid Rausing

Granta Bulgaria 8: най-добрите млади американски романисти 3 Reviews

• 
  Neil

  It's taken me a long time to read through the 21 pieces included in this collection, but that is partly because I went on holiday for 2 weeks and forgot to take it with me. It's a mixed bag that I found overall OK with a few great stories and a couple of very poor ones. But, I imagine, this is probably the case for everyone who reads it and it is simply that the list of good/bad ones changes for each person.
  
  I thought the first and last stories were the two strongest (by Jesse Ball and Claire Vaye Watkins respectively), although you have to like your reading to have surreal element if you are going to like Jesse Ball's contribution.
  
  There's a good mixture of experimental and more conventional writing. My other favourites were by Joshua Cohen, Rachel B. Glaser and Yaa Gyasi. For my personal tastes, the whole collection was tainted by an unpleasant and pointless story from Ottessa Moshfegh, but then I fell into the camp that disliked her Man Booker nominated novel last year and this is of a similar, but more unpleasant, ilk.
  
  Overall, I think it provides an interesting cross-section of American writing, although I am sure it misses out a lot of what is happening. Some names to keep an eye out for, definitely, which makes it worthwhile spending the time reading it. My rating derives from an average of the ratings I gave to each individual contribution: that gave me 3.2 which I felt was actually a bit higher than I wanted to rate the complete collection, so I rounded it down.
  
• 
  Leo Robertson

  Mixed bag as these things always are. Lauren Groff still great.
  
  Keep T-Prez out your fiction though! Hasn't he infected enough? What are you gonna tell me about him anyway? You didn't think he was gonna win and now you're playing the zeitgeist card? No.
• 
  Vania Stoyanova

  Попадайки на осмия брой на българското издание на списанието, нямаше как да не бъда изкушена, защото селекцията в него беше повече от интригуваща. Повечето автори, да не кажа всички с изключение на Динау Менгесту, ми бяха напълно непознати и доколкото знам не са издавани у нас. В Гранта са събрани гласовете на най-добрите американски романисти в момента и не устоях на шанса да се запозная с открояващите се писатели от моето поколение.
  Не се стърпях и започнах да чета още в книжарницата, набързо изгълтах първите три разказа, които ме убедиха, че съм направила правилен избор. За съжаление след доброто начало поставено от Дежи Бол, Хали Бътлър и Ема Клайн, които веднага заеха челните места в личната ми класация, последваха автори като Джошуа Коен, Марк Дотън и Джен Джордж, които отидоха в дъното на листата и едва ги издържах. Мисля, че спрях да чета към средата на „Тръмп Скай Алфа“, направих пауза точно от един месец до преди три дни когато отново се върнах към сборника, за да го завърша за по-малко от 24 часа. Открих още много добри текстове, може би най-ярко се откроиха вече споменатите Джеси Бол и Хали Бътлар, също така много ми допадна стилът на Катрин Лейси и Каран Махаджан, които искрено ме забавляваха, разказа на Отеса Мошфег беше супер сбъркан и запомнящ се, а писането на Клеър Вей Уоткинс ми напомни за Хана от „Момичета“.
  Не мисля, че има случайно попаднал автор в изданието, в предговора подробно е описано как точно са се спрели на конкретните писатели, подборът е бил изключително труден. Разбира се че всичко е много субективно, впоследствие изчетох доста мнения за сборника, в които се възхваляваха точно авторите, които не ми допаднаха или тези, които не ме впечатлиха особено, всичко е въпрос на лично възприятие и усещане.
  Като цяло мнението ми е положително, един любопитен сборник с късчета от творчеството на едни от най-талантливите съвременни американски писатели под 40 години.
  
  https://knijensviat.wordpress.com/201...
• 
  Amellie

  Страхотна възможност да се насладим на списанието, за което адмирации на екипа и на преводачите. Всички автори са сравнително непознати за мен. Някои от откъсите определено провокираха желанието да прочета целия текст, а други по-скоро ми досадиха. Темите и цялостното звучене на списанието-сборник обаче са доста сходни, макар и интерпретирани по различен начин. Основен е мотивът за отчуждението на съвременния човек и самотота, която той изпитва, провокирана от неразбиранего на околните. Мултикултурализмът присъства отчетливо и въвежда въпроса за расизма, миграцията и интегритета. Тероризмът и загубата на близки хора насочват към теорията на травмата, а абсурдността на политическата ситуация е в основата на всички проблеми. Определено има много храна за мисълта и си струва да се прочете Granta. Едни от откъсите, които аз лично много харесах са на Ема Клайн, Джен Джордан, Гарт Риск Холбърт, Сана Карсиков (Тя най-силно ме впечатли) и Клеър Вей Уоткинс ( въпреки странното й писане).
• 
  Jatan

  The authors of my favorite stories in this anthology, in no particular order, are:
  
  1. Emma Cline
  2. Rachel Glaser
  3. Karan Mahajan
  4. Garth Risk Hallberg
  5. Ottessa Moshfegh
  6. Lauren Groff
  7. Catherine Lacey
  8. Greg Jackson
  9. Joshua Cohen
  10. Dinaw Mengestu
• 
  Keith

  Sadly- as I've been a Granta subscriber for over 30 years, this was the most disappointing issue of Granta I've yet read. If this is the state of the new hopes for American literature ...
• 
  Jason Robinson

  3.5- A solidly good, but not great collection. Most of the stories were quite readable, some compelling, but with a couple of duds. The stories that I flag as duds tend to engage some type of experimental writing. I like to be challenged on occasion, but I prefer straightforward writing. As I have stated before, I am intelligent, but not an academic, and my reading is primarily for leisure.
• 
  Gwendolyn

  This is not my favorite Granta issue. It is quite a bit longer than usual. Some of the stories (2-3) are great, but many of them are excerpts from longer works and feel incomplete in this format. Also, I miss the variety of having some essays and poetry mixed in with short stories. I do think that the list of the best young writers is wonderfully diverse and fresh, though. I congratulate Granta on that aspect.
• 
  Yanislava

  Enjoyed 22% of the writing, which felt fairly disappointing, though the story I picked it up for did deliver. In my humble opinion I'd say there's definitely some talented writers featured, but I felt like some set out to break barries nobody asked for and was ultimately boring to read. "I love you, but I've chosen darkness" is probably one that left the strongest mark on me.
• 
  Simon

  Patchy. Especially when most are excerpts rather than bespoke stories. V. Good - Ben Lerner, Emma Cline, Lauren Groff, Rachel B Glaser, Clare Vaye Watkins (natch), I.e., all the ones I'd already read 🙄
• 
  Pearse Anderson

  Ending on "I Love You But I've Chosen Darkness" was a great move. That story is probably the best thing I have read this season. Others really got me going, like Butler's "The New Me," Cline's "Los Angeles," or Mengestu's "This is Our Descent." Then, the collection featured a round of stories that didn't act of me too much. I couldn't finish "Trump Sky Alpha," or "The Meat Suit," or "Uri" or "Country & Eastern." Anthony Marra had a cute piece that was enjoyable, as were "The Answers," "Bright Circle," and "All the Caged Things." But those didn't cement my trust in the authors like some others. The penultimate story, "What Terrible Thing It Was," really was dull.
  
  BUT these are new voices. Clearly youngin' that are up and comin'. And I loved that. I loved being able to see trends and tones and settings that I think the old guard is forgetting (or never new) and this next crop is rallying around. It worked! So although the stories fell short for a good third or more of them. But it gets four stars. Thanks Strand! Glad I didn't wait until I had access to Oberlin's Granta subscription to pick up this issue.
• 
  RAFAEL GÓMEZ SALES

  Los narradores norteamericanos de hoy en día están preocupados por el terrorismo en la vida diaria, pero también por el actual gobierno de EEUU, las nuevas tecnologías, la inmigración, el feminismo y el modo de vida... me han gustado bastante varios relatos del libro, sobre todo el de Emma Cline, Los Ángeles, donde una chica que se muda a L.A. para ser actriz acaba haciendo algo muy distinto, sobre todo por la forma de contarlo y las imágenes y porque tiene ese aire actual que te sumerge de golpe en el relato. También el de Yaa Gassi, un cuento sobre inmigración y los sueños frustrados de la comunidad senegalesa de NY. El traje de carne de Garth Risk Hallberg tiene también ese sabor actual, que mezcla yoga y adolescencia, Día 4 de Rachel B. Glasser cuenta cómo se afronta una muerte querida, el de Dinah Mengestu sobre las enfermedades y la muerte o los dos últimos, el de Esmé, que tratan acerca de una chica a la que le van a aplicar los TEC y el de Claire Vale Watkins, que narra lo que ocurre cuando un ex se muere.
• 
  Jeffrey Milloy

  I guess the novelist issue just isn't for me. I like Granta for its longer nonfiction, and with none of those (nor poetry, photo series, etc) and extra length, I had to give up on this issue. A lot of the same myopic themes, some excerpts which I rarely enjoy, unfinished work... for the first time Granta felt like a chore. It would be better to cut it in half to around 10 selections at most, and even then to split them across two issues along with other content.
  
  "I love you but I've chosen darkness" was very good.
• 
  Eric

  This is a pretty solid collection and I'm looking forward to checking out the novels of many of the authors therein.
  
  In particular, I thought Mark Doten's dystopian tale was a tour-de-force, and Ottessa Moshfegh's tale was surreal and creepy.
  
  Others I liked:
  
  Jesse Ball
  Halle Butler
  Emma Cline
  Jen George
  Lauren Goff
  Yas Gyasi
  Garth Risk Hallberg
  Greg Jackson
  Sana Krasikov
  Anthony Marra
• 
  Harry Hood

  Very interesting collection showcasing young American writers. I discovered authors I didn’t know, and bought books by them. The quality is pretty high on average with a few stellar contributions ( I loved Anthony Marra and Lauren Groff stories) and very few clunkers. Often in these stories plot plays second fiddle to style, a bit to be expected with literary fiction maybe. A good albeit sometimes challenging read.
• 
  Anne

  This is the first Granta under the new editor (Sigrid Rausing) that I have not loved. Maybe it's just the very modern style of some of the stories. I would read more of Emma Cline, and 'Trump Sky Alpha' by Mark Doten was a little too real, but most of the rest I could take or leave. Worth reading if you like semi-experimental writing, less appealing as a collection if you are looking for plot.
• 
  Kathryn

  All in all, I think this collection is absolutely a worthwhile purchase. I didn't know a single author in here until I started reading, and I'm thrilled to say that I definitely found some new interests. As many other reviews mention, some of the experimental stories were not quite my thing, but all in all I spent some very happy days introducing myself to these authors.
• 
  Vica

  Excellent selection of new (and known) literary voices, diverse and truly impressive.
• 
  Rebecca

  Largely disappointing, parochial in concept, navel-gazing in style. Modern life just isn't that interesting. One or two were stronger, but too many covering the same kind of ground.
• 
  Zach

  The best stories are by the women, especially Cline and Watkins and Moshfegh. Really excellent collection.
• 
  Libby

  As with all anthologies - some of it's great! And some of it really isn't to my taste. It was exciting to see some authors I liked in here, it was annoying to see Ben Lerner in here, etc, etc.
• 
  Kate

  What a depressing collection. Well written, but pessimistic. I don't need that right now, Granta!
• 
  Maureen

  Good primer on US fiction’s current bright young things. Emma Cline’s “Los Angeles” was one of the standouts.
• 
  Jean Grant

  I feel I should have liked this collection more than I did. Too sophisticated for me. I go for story first, but I rarely found myself being won over. Clearly, it's good writing but . ..
• 
  Sophia

  My particular favourites were Los Angeles, Trump Sky Alpha, What a Terrible Thing it Was, and Brom.