| Title | : | Star Wars: Splinter of the Mind's Eye |
| Author | : | |
| Rating | : | |
| ISBN | : | - |
| Language | : | English |
| Format Type | : | Mass Market Paperback |
| Number of Pages | : | 297 |
| Publication | : | First published February 1, 1978 |
Star Wars: Splinter of the Mind's Eye Reviews
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This book is very basic, by-the-numbers sf--but with the added thrill of being written right after A New Hope came out. Thus, the entire story is about Luke and Leia's sexual tension. Sure you always intended them to be siblings, Lucas. Sure.
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In 1976, a little paperback book called Star Wars: From the Adventures of Luke Skywalker appeared on the mass market. A little blurb notified the readers that it was soon to be a motion picture from its author, George Lucas. You probably know the cinematic story from there, but the literary world of Star Wars is often overlooked. To begin, Lucas did not pen that first novel; it was ghostwritten by noted science-fiction author Alan Dean Foster. No one knew whether the film would make any money, but Mark Hamill and Carrie Fisher were already signed for a sequel. Lucas decided to work on an expensive script (that became The Empire Strikes Back), but Foster was brought in to write a sequel story that would be far cheaper to produce if need be. That was that genesis of Splinter of the Mind's Eye.
En route to a secret conference, Princess Leia Organa and Luke Skywalker crash land on the mysterious planet Mimban. Not much is known about the place, other than that it exists. In truth, the Empire has established a secret mining operation there, abusing the indigenous primitives. The two protagonists encounter the elderly (and potentially crazy) Halla, who agrees to help them escape the planet in exchange for their help in locating the rest of the mythological Kaiburr Crystal. Leia is not convinced it even exists, or that on such a foggy, swampy planet that they would ever find it among the ruins of a long-gone civilization. Once Luke lays his hand on the singular shard of it possessed by Halla, he knows it is not only real, but that it greatly enhances one's sensitivity to the Force. Were it to fall into the hands of Force-sensitive Darth Vader, it would be catastrophic. And so begins their quest.
As a novel, Splinter is fast-paced and full of tension and atmosphere. This was the first non-canonical Star Wars story, so what makes it refreshing is that it is not full of self-aware references to things mentioned in the movies or other non-canonical works. (Foster even describes one creature's sound as being "like a hog in heat." Subsequent writers would scarcely use such a non-Star Wars frame of reference.)
Unfortunately, he who lives by the sword also dies by the sword and what makes Splinter disappointing is its detachment from Star Wars. Taken exclusively in relationship to the 1976 novel and 1977 film, most of the inconsistencies are easy to accept. There is, for instance, no reason to be found in that tale (later re-titled Star Wars: A New Hope) that would prevent the presence of sexual tension between Luke and Leia. What taints the story, though, is the climax. Darth Vader simply bears no resemblance to his previously established self. Even if we overlook the description of his lightsaber as blue instead of red as irrelevant, try not to notice the absence of any reference to his scuba-inspired breathing sounds and try not to hear James Earl Jones's voice speaking his lines, this is simply not the same character. Neither in prose nor on screen is the Dark Lord so wordy, sounding here more like a guy with a large mustache whose plan involves tying up the princess and leaving her on the train tracks.
Splinter of the Mind's Eye includes several scenes that today call to mind not only the subsequent film sequels in the series, but the Indiana Jones series as well. In fact, an alternate title of this novel could well be Luke Skywalker and the Kaiburr Crystal. The relationship between he and Leia bears a striking resemblance to that of Indiana Jones and Willie Scott in Indiana Jones and the Temple of Doom, and their trek across Mimban feels more like an Indy adventure than a Star Wars tale. Still, it's fun, it's fast-paced and not self-conscious meaning this is one of the few Star Wars books I would actually endorse. -
4.5 Stars for Splinter of the Mind’s Eye by Alan Dean Foster. It’s fun to go back and read one of the original Star Wars books again. I read one of the new Disney Star Wars books recently and it just didn’t work for me. Foster wrote the first two novels and I will always appreciate his writing. He set the standard for how the Star Wars story should be told.
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OK, I admit it: I read this.
I was young and foolish and more than a little drunk on blue milk and whatever that squeaky little guy ordered in the cantina. Plus, I had a lightsaber (a white plastic tube from a golf bag that I MacGyver'd into an ersatz Star Wars toy) and not enough plot to fill out my own pubescent Expanded Universe, so I was a-Jonesin' for plot hooks and adventure ideas. Episode V was years away! YEARS, people! Heck, in my house, we were so desperate for more Star Wars we had... THIS:
Yeah, man. Let that wash over you for a minute. That album happened, and we all let it happen. It was the 70s. All manner of crimes against humanity were committed. The Empire slaughtering jawas is nothin' compared to the depravities that were unleashed. You think partying ewoks at the end of episode VI is cheesy? We didn't just own that album; we DANCED to it. As a family.
In case you didn't know, it wasn't Imperial Stormtroopers that killed Uncle Owen and Aunt Beru. It was that album.
My point is that you can't put that kind of pressure on a thirteen-year-old. He's gonna turn to the Dark Side. Just the cover of the book... with that black silhouette standing there. It's too much for a young jedi to bear.
(An Even More Candid Moment: I always wanted to be Darth Vader, not Luke or Han. My family has photographic evidence to prove it. I wanted to be Vader until ep1 came out.... But we'll leave it at that.)
In this case, the Dark Side was controlled by Emperor A'landean, and he was a cruel master. He subjected his young apprentice to many pages of illogical plot coincidences and inhuman dialogue. Plus, the whole thing was just meandering. That's not entirely Lord A'landean's fault, though. Nobody really knew where anything was going. I'm personally convinced that the "master plan" that everyone talked about that Lucas supposedly had for the series was a bunch of flim-flam. Oh, I'm sure he had some vague notions and general ideas, but the impression everyone was given was that the films existed, fully formed in his head like Aphrodite waiting to jump out of Zeus' noggin? Nonsense. So, when Foster picked up this particular nugget and ran with it, he was pretty much on his own. If anyone thinks I'm off on that, go ahead and explain the Star Wars Holiday Special, which came out ten months after this book in 1978. They just didn't have a handle on what they were doing back then.
You could pretty well just read the blurb for this book and get the book in its entirety, so I'll not relate a lot of detail here. I did like that the book introduced what would probably later be called a "Force Sensitive" character who was not part of either the Jedi or Sith "establishments" but still able to manipulate Force powers. There are other tidbits of things that could have showed up in the canon or EU and not been out of place.
Overall, though, I can't recommend it to anyone other than someone really trying to round out their Star Wars history. But I can't bring myself to give it a single star either. It's not the most horrible concept ever, and though it was clearly written to cash in on the hype, the same could be said of episodes 1-3, so if that's the kind of thing one has a problem with then one really isn't a Star Wars fan. It's a goofy, endless elaboration of the universe, and that is part of its appeal. The Star Wars universe is, ultimately, an inclusive one. Some of that content is... not as good as other parts. But that's what it is to be an aficionado. You have to embrace the "What the...?" with the wonder. -
In some ways I feel a little bit like poor Alan Dean Foster got shafted here. The idea behind this book was to write a sequel to Star Wars that could be turned into a movie on a low budget and presuming that Harrison Ford wouldn't return as Han Solo. When in hindsight we look at how the Star Wars saga turned out, with Empire Strikes Back being not just the high point of the series, but of sci-fi/fantasy movies in general, this "what-if" looks tragically unambitious and rather stupid. It's clear that Lucas kept potential plot developments to himself since, beyond the inclusion of a swamp planet and a climactic face off between Luke and Darth Vader (inevitable, anyway) there's no thematic resemblance between the two. Foster had a tough remit, to follow up a brilliant, ambitious movie with something necessarily simple and scaled back. The very opposite of what Empire Strikes Back turned out to be.
Yet, much of the failure of this book is Alan Dean Foster's fault too. It *could* still have been unambitious in setting and scale but intriguing from a character point of view. Sadly, the final product couldn't have been less intriguing or done a worse job of sucking me into the Star Wars universe if it had tried (that is, one compatible with "A New Hope"). The main problem is the fact that it's nothing more or less than an Edgar Rice Burroughs pastiche. ERB is not the most talented writer ever to bless bookshelves but he writes fun pulp novels full of action, action, action. ADF tries the same thing, thinking that the success of Star Wars was the action, action, action and the result is certainly a book full of action, action, action. Luke and Leia crash land on a planet, Luke and Leia get in a fight, get captured, escape, hunt for a legendary crystal fight monsters, fight more monsters, fight more monsters, fight Darth Vader. Anything other than running and fighting has been excised as "not what audiences would want" and unfortunately that's a big mistake. People love the action in Star Wars, but even more than that they love the characters, the atmosphere and the visual imagination.
Characterisation here is reduced largely to moments of banter between Luke and Leia whilst pausing for breath. There's also a fair amount of Luke lusting after Leia sexually (out of SW continuity that's perfectly logical, though strangely one-sided in the novel. Leia never seems to reciprocate)and at certain points Leia recalls her experiences being tortured aboard the Death Star and turns to quivering jelly. Beyond that, like in all good pulp novels, the author allows the reader to project his own wishes and desires onto the character's which are just little more than heroic ciphers, there's no experiencing and growing up here, no tough choices or depth of feeling. There's simply fighting monsters.
To be fair, it's mostly competent enough. The book is short and sharp and doesn't threaten to outstay its welcome and there's fun to be had in a slicin', dicin' kind of way. It's also fun being in the company of Luke and Leia and Darth Vader because you can play the Star Wars theme in your head while you're reading, and ponder the fact that Carrie Fisher was pretty sexy in the first movie before she became a bit rubbish later on. Read this knowing exactly what you're going to get and it's a reasonably diverting afternoon's entertainment; though in all honesty you'd be better off going back to a pulp master rather than bothering with this since ADF's writing is rarely evocative or imagination-inducing. It does the job.
Sadly though the thing I liked most about this book is the title. I find "Splinter of the Mind's Eye" to be a nicely poetic phrase. Trust me, there's no more poetry inside the covers. -
9-year old me thought this was awesome.
9-year old me was pretty naive. -
In it's day, this book would have gotten a higher rating from me--I was a big Alan Dean Foster fan. However, since it was published prior to the release of The Empire Strikes Back, it does suffer plot- and characer-wise now. But if you're a fan, it's worth a read for old time's sake.
Although I must say that even back then, it made NO sense that Luke (from a desert planet) would know how to swim while Leia would not. That still baffles me. -
The first EU book. It was definitely an interesting read. A look at what the sequel for Star Wars would've been if it hadn't been such a huge success. Does this story even get mentioned in the later EU? I don't think so. I feel like Leia dueling Vader alone and doing pretty well would be mentioned often.
It was just Luke and Leia on Mimban trying to get into contact with an underground resistance against the Empire. And it was neat to see the start of the terms that would be used regularly in Star Wars going forward. But a lot of it was so vastly different that it was jarring to read.
Darth Vader also talked much different then what we're used to seeing. Pretty similar to the audio drama for the original films, actually. It wasn't bad, just different. -
I don't know what the story is behind this book. I read it well before the second Star Wars movie was released, thinking it would be it. But it wasn't. In fact, it's not part of the Star Wars story that I know of. That alone makes it kind of interesting.
Foster had to write this book as part of his contract for the novelization of Star Wars. Originally, this was supposed to be the basis for a low budget sequel, but then Star Wars hit it big & it was decided there would be a big budget sequel & this book got scrapped - or so I read somewhere.
I don't think it followed some of the story line that emerged later, either. I don't think Darth Vader was related to Luke in here, at least he didn't recognize Luke. Also, Vader says it was Luke who shot his ship on the last run at the Death Star when everyone knows it was Solo in the Millennium Falcon who came up behind while Vader was trying to get a shot at Luke. Major goof.
Other than that, it was an OK book. It's about Luke & Leia at a mine site. I don't want to say more & ruin the story, but it was suspenseful & interesting. If you're a Star Wars buff, you should probably read it, if you can find a copy. -
Having known of the existence of this novel since my early childhood, I finally got around to purchasing a copy and reading it. Let me start out by saying that this is a fairly entertaining story and a really quick read. The plot moves fast and has a fairly interesting sequence of events. Where this book really shines though is in the different direction that it takes our heroes from that of the film series.
This novel was written after Star Wars: A New Hope was in production, but before anyone knew if there was going to be a sequel or not. Alan Dean Foster had been conscripted to write the novelization of the first film and Lucas signed him on to write a sequel novel at the same time. Obviously, we all know that The Empire Strikes back went in an entirely different direction that what we see in this sequel novel and it is interesting to me to see how the original direction of the series was imagined and a few things that actually were taken from this novel that make appearances in Empire.
A great read for any fan of the Star Wars franchise. -
Fourth grade? Can it really have been that long ago? I remember it was quite the sensation when it showed up in the paperback rack at the grocery store: MORE STAR WARS, and the cover looked so official, as if it might very well be the sequel itself, the second Star Wars movie we were all so eagerly awaiting. And that's how I read it, too, with all the vivid visualization my mind could provide -- easy, as I recall, thanks to the words of Alan Dean Foster.
I came here to give it five stars because I just read today (Nov. 18, 2020) that Disney hasn't paid Foster the royalties he's due on all his Star Wars novelizations and spinoffs, which are still in print. That's bad business on the part of the Empire. The news about his legal struggle to get them to pay up reminded me of "Splinter" and how much joy it brought me as a kid. Pay up, Mickey! -
To the best memory serves, this is the first true novel I ever read, at least by choice. I remember loving it, of course I read it shortly after seeing The Empire Strikes Back, a movie that helped shape me into the nerd I am today.
Recently, I found it at my local library and decided “why not”.
I’m not sure why I loved it so much way back when, but I’m still grateful I read it such a long time ago, in a galaxy far, far away. It turned me onto reading, a hobby I never left.
I could get into why this novel no longer makes much sense in the world of The Wars, but others have done so much better than I. If you have never read it, you should. It’s from a golden time where Canon didn’t matter. We didn’t know so much, but we imagined much. -
I read this when it came out. it was riding the "wave" of the early Star wars mania. I remember it being a mildly interesting science fantasy read. the funny part is that for me the memory that stands out is a scene in the book where Luke is fighting and throwing things around with the force...which it was established later would put him firmly on the dark side of "THE FORCE". Got to be careful when you write those early novels. It was like a James Blish Star trek novel written back in the early days where he had the Enterprise traveling at "near light speed" instead of using the "warp" idea and the crew was dealing with time distortion and taking years to travel....oops.
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Received a copy of this from a book fair sale at a town festival.
It was an easy read, appropriate for all ages of Star Wars fans. Although I do not count myself in with the 'all-knowing-all-things-SW" crowd, the story did seem to be loyal to the genre and characters of Star Wars lore. THis was an engaging and well written story. -
This is fast and slick space-opera adventure that happened to star characters who had been introduced in a popular film that premiered the previous year. It's now become important to consider the novel in historical context. There were no DVD's, no VHS copies of the film available, and it was the first book other than Foster's novelization of the first teleplay. No one knew that the franchise would continue for very long, that there would be literally hundreds of future volumes and films and television series and a never-ending cascade of toys and games and comics and costumes and conventions and that Lucas's little fable would become a literal way of life for thousands of future fans for decades to come. It was just a fun story at the time, and it was cool to see the gang back in action one more time. No one suspected that the film would be re-edited and enhanced and there would be all kinds of ret-con action... It's just a fun, well-written sf story... we didn't ask for anything more.
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Years ago, I read this novel, "Splinter of the Mind's Eye" (the title alone is pretty kick-ass) by Alan Dean Foster, which I think was one of the first Star Wars novels published that wasn't a novelization of one of the Lucas films. I recall very little of the plot, but I remember enjoying it. I'm pretty sure, though, that Foster's novel doesn't quite follow the continuity of the other Expanded Universe novels, which is why it kind of exists in a literary limbo of "alternate universe "Star Wars" novels. It may actually be the ONLY one in that category. Regardless, it's a must-have for any Star Wars fan.
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3.5 Stars
Set after the events of a New Hope, Splinter of the Mind's Eye takes place on the planet of Mimban where Leia, Luke, C3PO, and R2D2 have embarked on a mission to recruit the local government and peoples to the Rebel Alliance.
*spoiler alert* Trouble ensues when they crash land on the planet. They quickly have to make their way to the nearest civilized establishment, which happens to be an imperial run mining operation. Disguised as local miners, they meet an older woman, Halla, who picks up on Lukes sensitivity to the Force. She convinces Luke and Leia to help her find a large red crystal that is linked to the force of which she has a small sample. Upon their departure, they run into trouble and are incarcerated by the local imperial Captain-Supervisor Grammel. He is ruthless and seizes the opportunity to seize the red stone. He alerts the corresponding imperial Governor who immediately takes an interest in his captive, Leia Organa.
Luke and Leia are able to make allies with their two fearsome Mimbanian prisoner cellmates and with Halla's help, they make a dramatic break out of prison. From here, the group start on an adventure towards the temple of the crystal and of course, further trouble ensues.
The story is an easy read but written at a time before Empire Strikes Back which poses some character development inconsistencies. Once you get past that, its a breezy read and has its interesting moments of excitement and adventure. It did lack humor and the backstory of the crystal, local planet and its inhabitantants could have used a bit more interesting details. For example, why was the crystal strong with the force? How did it end up in a temple? How did the locals use it? Still, there was enough going on to keep the story interesting. -
Luke & Leia, R2 & C3PO find themselves in the swamp lands of Mimban racing from stormtroopers to find a gem with enigmatic Force powers, the Kaiburr crystal. It can't fall into evil hands; the fate of the galaxy is in theirs!
OH MY GAWD! This was my favorite novel way back when I was but a geeky 12 year old book nerd. I must have read while it in my room while eating buttered toast snacks like, at least 20 times! I read a lot of A.D. Foster back then. I loved movies too, and he always did great novelizations of my favorites at that time. -
And so I finally got round to reading this book - so many years after first buying a copy and then giving it away (what was I thinking).
But not this time - I found it, I kept it and I finally read it - and what an interesting book I must say. Okay the book itself is pretty predictable and not really as "epic" as other stories (more on that in a second) but it was a great little adventure.
But why the epic comment - well GR community correct me if I am wrong but this story was originally published as way of continuing the original (a new hope) film storyline, in fact there is reference to the ending of the original film in the opening chapter.
However ironically it was not needed - with the success of the film a sequel was commissioned and the story though not going away suddenly was over shadowed and the rest as they say is history.
Ironically now the book is pretty much dropped from the acknowledged history but lives on in the memories of those who can remember the early days (in other words old like myself).
So there you have it - a little piece of star wars history and finally I can say I have read it. How long was that coming! -
"Today it is an amazing, if unexpected, legacy of Star Wars that so many gifted writers are contributing new stories to the Saga. This legacy began with Splinter of the Mind's Eye, published less than a year after the release of Star Wars."―George Lucas
Set in 2 ABY, this first-ever official Star Wars Expanded Universe novel with its own original storyline follows Luke Skywalker and Leia Organa marooned to the planet Mimban, where they encounter the locals, seek out the powerful Kaiburr crystal, and struggle against the forces of the evil Galactic Empire, including Darth Vader. It is based on story discussions with George Lucas, and it was written while
Star Wars: A New Hope was still in production. According to Starlog magazine, Foster's Star Wars contract allowed for Splinter of the Mind's Eye to be filmed.
In 1976, Alan Dean Foster was contracted to ghostwrite a novelization of Star Wars. Drafts of the script, rough footage and production paintings had been provided for use as source material in fleshing out the novel. A second novel was also required by the contract, to be used as a basis for a low-budget sequel to Star Wars in case the film was unsuccessful. Though Foster was granted a great deal of leeway in developing the story, a key requirement was that many of the props from the previous production could be reused when shooting the new film. Foster's decision to place his story on a misty jungle planet was also intended to reduce set and background costs for a film adaptation. Lucas's only request upon inspecting the manuscript was the removal of a space dogfight Luke and Leia undertake before crash-landing on the planet, which might have been effects-heavy and expensive to film.
An additional sequel novel was planned, but by the time of publication, Star Wars had broken box office records. The film adaptation of Splinter of the Mind's Eye was abandoned in favor of Lucas's vision of a big-budget sequel (
The Empire Strikes Back). Nevertheless, riding on the success of the film in its first year of release, the book became a bestseller. It was published in paperback form a month after its hardcover publication. From April until July 1978, it was listed frequently as a New York Times bestseller. It was reprinted in the 1990s as Classic Star Wars: Splinter of the Mind's Eye, and retroactively placed two years after the original film, or one year before its sequel.
As a young but already seasoned fighter pilot, Luke Skywalker expected trouble when he volunteered to accompany Princess Leia on a diplomatic mission to Circarpous to enlist their Rebel Underground in the battle against the Empire. But the former farm boy from Tatooine hadn't counted on an unscheduled crash-landing in the swamplands of Mimban…a landing that destroyed their ships. Nor had he counted on any of the things they would find on that strange planet.
First, unknown to anyone, a secret base of Imperial Stormtroopers was thriving on Mimban. As if that weren't trouble enough, there was the Kaiburr crystal, a mysterious gem that would give the one who possessed it such powers over the Force that he would be all but invincible. In the wrong hands, the crystal could be deadly.
So Luke had to find the Kaiburr crystal, and find it fast.
Accompanied by Artoo Detoo and See Threepio—his two faithful 'droids—Luke and the Princess set out for the Temple of Pomojema and for a desperate confrontation deep beneath the surface of an alien world with the most fearsome villain in the galaxy!
The characters Han Solo and Chewbacca are notably absent from the novel; unlike actors Mark Hamill (Luke) and Carrie Fisher (Leia), actor Harrison Ford had not yet been contracted for film sequels at the time of the novel contract; Han Solo is, however, alluded to by Luke as "a pirate and a smuggler" he knows.
I was impressed by the crystal artifact they had recovered. The Kaiburr crystal that appears in Splinter of the Mind's Eye was based on the "Kyber crystal," a Force-focusing artifact mentioned in early drafts. In the current Star Wars canon, kyber crystals are the power source for lightsabers.
The setting of Mimban chilled me to the bone. The planet Mimban, which was created for Splinter of the Mind's Eye, appeared in 2018's Solo: A Star Wars Story. In the final issue of
Star Wars: The Rise of Kylo Ren, an artifact called the "Mindsplinter" was mentioned as being from the Minemoon of Mimban.
And that, my friends, is everything I have to say about the first Expanded Universe novel. I usually enjoyed it for the most part, and am willing to look forward to reading everything this universe has to offer. -
Literally the worst book I've read all year. Like, by a long shot. And definitely the worst Star Wars book I've ever read. Though, to be fair I haven't read a Star Wars book in quite some time... so perhaps the quality was always a bit... off? But somehow I doubt it. This was just... just awful. So, so, SO fucking awful.
I suppose, to be fair this was written as a sort of ~fan-fiction~ less than a year between A New Hope and Empire Strikes Back--so the author didn't have much to go on character/grander plot wise. But dear Sith Lord, did he ever fuck it up. Like, how did this even get authorized?
Luke's "characterization" was just... just... no. Inconsistent. Awful. Counter-intuitive. And, of course, way the fuck out of character. My favourite Luke fuck up was his conflicting ~knowledge~ of alien beings--which given he's a farm-boy from Tatooine, would be as this passage states...almost nil.
"Once he saw something that looked like a four-meter-long pale snake slither off into the underbrush at his approach. As he strode cautiously over the path it had taken, he saw that had left a grooved track lined with luminous mucus in the soft earth. But Luke wasn't impressed. He had spent little time in zoological study. Even on Tatooine, which harbored its own protoplasmic freaks, such things hadn't interested him much. If a critter didn't try to eat you, claw you or otherwise ingest you, there were other things to absorb one's interest." p. 21
Followed later by Professor Luke making friends with the Yuzzem (a Wookie-like creature who talks in growls and grunts).....
"'Why it didn't tear your head off. You...' she gazed at Luke admiringly, 'you talked to it!'
'Yes,' Luke admitted modestly. "I used to study a lot about certain worlds back on my uncle's farm on Tatooine. It was my only escape, and educational as well. This,' and he indicated the creature resting a massive long arm on his head in a friendly fashion, 'is a Yuzzem.'" p.118
And then there was Leia. Oh...poor Leia. YOU DID NOT DESERVE THIS.
The beginning was promising for Leia. She could land a crashing Y-Wing and get herself out. Then the oh-so-70s casual violence against women reared it's ugly head--either she was being hysterical and needed a push/smack or Luke hit her "for show". Though she did kick Luke into the mud after the first incident so that was awesome.
And when Leia wasn't having torture chamber flashbacks and/or fainting, she would occasionally become super badass. Like when she shot and hit Vader, and later had a lightsaber duel with him. Never mind that's totally illogical considering he's a Sith Lord (who has likes to conveniently forget how to Force choke or Force fling, or Force DO ANYTHING 90% of the time), I was still pleased to see it after all of Leia's poor characterization. But yet, (in reference to asking Luke to kill her and then himself before letting Vader get to either of them)there were gems like these--and I fucking quote: "'Swear it!' she demanded, her voice that of a steel kitten." p. go-fuck-yourself-Alan-Dean-Foster
All in all probably my favourite thing in the entire book was laughing at the poorly wrought (and fated) sexual tension between her and Luke. Ahhhhhhh so funny and gross. And funny.
Oh, and P.S. Vader's fucking lightsaber is red. Not blue. It's fucking red. -
There are ten Star Wars novels written before 1991 (in which year began the Expanded Universe publications). These ten novels are known as Classic Star Wars. Three of these were novelizations of the movies. Two are trilogies. And then there is this stand-alone book. Here are the ten in publication order, if you are interested:
1. Star Wars: From the Adventures of Luke Skywalker/Star Wars: Episode IV – A New Hope (1976), by Alan Dean Foster as George Lucas (0 BBY)
2. Splinter of the Mind's Eye (1978), by Alan Dean Foster (2 ABY)
3. Han Solo at Stars' End (1979), by Brian Daley (2 BBY)
4. Han Solo's Revenge (1979), by Brian Daley (2 BBY)
5. Han Solo and the Lost Legacy (1980), by Brian Daley (2 BBY)
6. Star Wars: Episode V – The Empire Strikes Back (1980), by Donald F. Glut (3 ABY)
7. Star Wars: Episode VI – Return of the Jedi (1983), by James Kahn (4 ABY)
8. Lando Calrissian and the Mindharp of Sharu (1983), by L. Neil Smith (4 BBY)
9. Lando Calrissian and the Flamewind of Oseon (1983), by L. Neil Smith (4 BBY)
10. Lando Calrissian and the Starcave of ThonBoka (1983), by L. Neil Smith (3 BBY)
Alan Dean Foster won a commission from George Lucas to write the first two novels. The first was easy, a novelization of an early draft of the movie script. The second novel, which this review is about, is Foster's extrapolation of a story based solely on the events depicted in the earliest shown Star Wars movie. Foster apparently was not privy to any of Lucas's actual intentions for the series. Instead, Foster just wrote where he would take things.
Given this limitation, the novel is not bad as a sort of What If story that has nothing to do with the actual continuity of the rest of the series. It's also not that exceptional. The first half contained which was more entertaining than the second half. Had Foster been able to maintain the momentum he would easily have earned at least a fourth star.
The story continues shortly after the events of Star Wars: Episode IV – A New Hope, but with only two characters and the 'droids, which here were just props. Luke and Leia are heading to an Alliance meeting but crash land on a planet which turns out to be an Imperial stronghold. Their mission becomes to get themselves off the planet before they can be captured by Empire persons in the know about who they are.
The story of how they attempt to accomplish this was a fun meander, but the outcome was never truly in doubt. It's a fun romp with two favorite characters, a story of survival, and partnership that is entertaining enough to pass an afternoon or two. -
Holy crap this was bad! This was a script made into a story. Made for a cheap sequel to Star Wars. That was written before the first Star Wars (IV) was finished. It was commissioned by George Lucas in case Star Wars was not a hit and he couldn't get a more expensive sequel made. It is at best a novelty. The writing is bad and the characters act nothing like they are supposed to.
The only fun thing is seeing glimpses of what was to become Empire Strikes back. The Swamp, The old Jedi Master, etc..
This is only for completest Star Wars fans. This is Star Wars Christmas Special bad and just as painful to read as the former was to watch. -
A good story in the Star Wars saga.
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What can I say? I grew up reading this about a gazillion times, as I was a huge Star Wars fan. I can honestly say this isn't all that deep of a story, but considering the constraints Foster is under, it really turned out pretty well.
It may be difficult to read this today if you did not grow up knowing Han shot first and that Luke and Leia may not have started out as siblings. This is not a spoiler folks, or you have been living under a rock. This story is from those days, and is written just as ambiguously so that the readers are left wondering if these two could ever be an item or not. They sure can fight like siblings though.
I'll say no more on the plot, other than the Empire felt about like it should, and Vader was Vader. It will look like Star Wars in every way.
It was a pleasant trip back to my youth, and well worth the read. I'd like to grade it higher, but that would probably be the fan-boy in me speaking. Still, a solid 3 Stars or even higher maybe. I liked it enough to go buy a hard back copy for my big boy library. -
A weak story more interested in implied romance between Luke and Leia than a compelling mystery.
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As the first book written about the Star Wars universe, this is the "what might have been" follow up to Star Wars (A New Hope). The story about how this could have been the sequel as opposed to Empire Strikes Back is out there and easy to find so I won't go through that. Consequently, you have to read this story knowing two things, one, Foster was basing his characterizations on just one movie, and two, he didn't know which direction Lucas would take the story and the relationships of the characters. So, Luke & Leia seem a bit interested in one another, in, you know, *that* way. If you don't give Foster any grace on this point, it's kinda creepy. Nevertheless, Foster provides a quick moving adventure tale that is enjoyable.
On the other side of the coin, Foster's work here makes a couple of noticeable gaffes and odd plotting. I've seen it mentioned elsewhere that it is odd that the Yuzzem return Luke's lightsaber to him at one point when nothing in the preceding story suggest that they would have known it was his weapon. Also, Luke knows the Yuzzem's language, but the explanation for this is really convenient, and frankly internally inconsistent. The rationale Luke gives is that as a farm boy, he had a lot of time to learn things, the Yuzzem language being one of them. Yet, he learns the language and recognizes the species on sight, but none of this comes up when he lands on the planet. You would think that if he knows a random language of an unimportant race (why did he pick the Yuzzem language to learn, anyway?), he would know which planet they lived on - by golly, the very one they landed on - and something, anything about the planet, its other races, etc. Yet, Luke is clueless about all of that until he runs into the Yuzzem. It just seems too convenient to know that language and nothing else.
Last thought, it's a fun little story, but the scope is small. It could rightly be subtitled, an interesting adventure of Luke and Leia - or something like that. It pales in comparison to the sequel that actually was made into a movie. The Empire Strikes Back really moved the story forward and helped everyone realize that this was not just a series of movies, but an epic tale in (ultimately) six parts. -
Splinter of the Mind's Eye was the first ever Star Wars Expanded Universe novel, published the year after the blockbuster release of Star Wars (A New Hope) in 1978. It follows the story of the marooned Luke Skywalker and Princess Leia on an alien world as they become ensnared in the search for a priceless artifact that resonates with the power of the Force.
All in all, the novel is horrible. Stilted dialogue, improbable action and plot points, not to mention several literal rabbit trails and unnecessary sub plots. There are a few unintentionally hilarious moments between Luke and Leia, as Foster had no idea that they were related. The end battle between Darth Vader and Luke/Leia is actually better choreographed and exciting than I expected, but the reasons behind it are slightly ludicrous. None of the characters really resemble their on-screen counterparts, and in some places seem to be their total opposites.
This book is fascinating as an historical exploration into the nascent Star Wars Expanded Universe, but not as a story, sad to say (especially given such a great, overly-dramatic yet awesome title which is never actually brought into the story). -
This book is the reason I tend to avoid books by Mr. Foster, and I know it’s a bit unfair. I read this book not long after watching Star Wars and I was excited. Here was a book, a continuation of the story. I was enthralled; ecstatic… and then I actually read it.
Blea!
Total GARBAGE!
It’s not really Mr. Fosters fault, it was an authorized Star Wars Story, and subsequent movies have rendered it irrelevant (stuff in the book turned out to be wrong according to the next movies). But this book is the reason I avoid serializations of popular TV and Movies, books based upon a movie (I have seen books based upon a movie made from a book! My God, what have we become?), and much of Mr. Fosters work (he is a big one for media novelizations).
