| Title | : | Fast Women and Neon Lights: 1980's inspired mystery, crime, and noir short stories |
| Author | : | |
| Rating | : | |
| ISBN | : | 0996855262 |
| ISBN-10 | : | 9780996855266 |
| Language | : | English |
| Format Type | : | Kindle Edition |
| Number of Pages | : | 293 |
| Publication | : | First published November 1, 2016 |
Fast Women and Neon Lights: 1980's inspired mystery, crime, and noir short stories Reviews
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This collection was the tale of two halves. The first I would give five stars without a second though and the second I would give three. I would've even given two if it wasn't for editor Michael Pool's fun, Coen-y closer NIGHT THIEF. My favorite story of the collection was Eryk Pruitt's hilarious and visceral murder mystery IT'S MORNING AGAIN IN LAKE CASTOR,which not only riffs off the eighties but really functions according to a logic of the pre-internet era. Made me perversely nostalgic. Other highlights of the collection include Will Viharo, Sam Wiebe and Kat Richardson's fiercracker of an opener VALLEY GIRL. Not every story worked for me. I thought the anthology swerved from the substantial to the gimmicky and back, but the stories who nailed the era really knocked it out of the park. Eryk Pruitt's story is worth the asking price alone. The man has tremendous narrative command and he's only getting better.
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"Neon noir"? I have to admit that I had never heard that term before... Anthology editor Michael Pool describes the essence of neon noir as "Bright lights, glass-block windows, dark cityscapes filled with unsavory elements all looking for an easy come up, only to discover that nothing in life comes easy. Femme fatales... wacky characters..." he believes it is most appropriately applied to neo-noir films of the 1980's. It is in that spirit that this compilation of stories is presented.
The eighteen short stories presented are all first rate, some better than others, but not a bad one in the bunch. An added bonus is the '80's backdrop. I was 13-years-old when the '80's began, twenty-three when they ended, so I guess it could be said that they were my formative years. While I was not particularly nostalgic for that time it was such fun to revisit it through these stories.
And make no mistake, these stories are chock full of authentic '80's pop-culture references:
"No doy." "No way, Jose." "...and the horse you rode in on!" Wrestle Mania, Duran Duran, Oingo Boingo, Love Connection with Chuck Woolery, cassette tapes, Sony Walkman, and MTV actually played music videos (shocking, I know).
As an added bonus there is even a story featuring Crockett and Tubbs - the characters from the Miami Vice television show.
Okay, so enough of the '80's nerd geek-out. Some of the stories in this collection are universal, they would be the same no matter when they were set, a few changes here and there and they could easily be set in any era. Others are so completely part of the decade that they could not take place anywhen else - they simply would not make sense at any other time before or after. And, frankly, there are even two or three that get a little carried away with the "totally awesome '80's" vibe to the point that it gets mildly annoying.
I highly recommend this to any fan of noir with even a passing interest in the '80's. It's also pretty good even if you aren't much of an '80's fan but enjoy a good noir yarn. It's a fun read!
***Thanks to the publisher and NetGalley for allowing me the opportunity to read and review this title. -
What a great collection. The idea that the eighties are a decade which
could be used as a theme for pulp fiction just like the fifties evoked a
certain time, place, and mood, is fantastic. At its best, this set of
stories takes us on a journey back to a decade that is evoked by
musical references as if KROQ were playing loudly in the background.
You have Tiffany playing at a level to blast your ears off as a bloody
trail is left during a burglary. You have references to the Oingo Bongo
concert at the Greek (which I actually went to in the mid-80s) as a
cocaine-fueled adventure takes place. You have the Bangles "Walk Like
An Egyptian" playing at one point. You have mounds of hairspray, fast
muscle cars, roller rinks, and wrestle mania.
But amidst the lightheartedness of some of the references you can find
dark, pulpy fiction with hearts being broken, loyalties being tested, and
full-on shock value. There is gunfire and high-heeled hookers slipping
on cocaine spread across the floor like flea powder. Then, of course, is
the dark foreboding knowledge that you got to pay for your sins, but
there are a lot of people who haven't paid for a thing yet and "Maybe
there's no such thing as sin. Maybe it's just a lie wounded people tell
themselves to sleep at night." Wow. That's pulp fiction in nutshell.
Great collection of authors here. Some you are probably familiar with if
you read recent crime fiction anthologies. Some you may never have
heard of. DeWildt, Barth, Lang, Pool, Vilharo and the others are worth
looking up to see what else they have produced.
What really is great about this collection is how many of the authors
stuck like glue to the theme of the eighties and how the offhand
references to the music, the hairstyles, the clothing, and the cars of
the eighties gives way to something far darker and more sinister than
just another Fast Times at Ridgemont High. In sum, this is a really
enjoyable collection. Read it. -
This collection has a lot of fun with its theme and comes at it from a variety of angles. I was familiar with a fair number of the authors presented here, but not all of them, for which I was glad. The tone varies from black humor (Sarah M. Chen, whose entry was probably my favorite here) to somber. I like short story collections as "palate cleansers" between novels, and this one did the trick nicely.
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As with any anthology, the stories are a mixed bag. Some are great, others are not. The weird part is that two of them are fanfic. I have nothing against fanfic in principle, but it's weird encountering it when you aren't expecting to.
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Eighteen complex short stories make up the anthology Fast Women and Neon Lights. As made clear by the subtitle, Eighties-Inspired Neon Noir the tales in this book are noir in style and heavily steeped in the glitz and glamour of the 80s. The music, the hair, the clothes all play their atmospheric role in these short stories where things often take a very dark turn under the neon lights.
After a short introduction by publisher and Editor Michael Pool and a forward by Will Viharo, the read starts with “Valley Girl” by Kat Richardson. Detective Willet has a serious problem and she sits across from him in interrogation. Kimberly Peterson knows what she did and yet, at the same time, does not really seem to grasp what she did. The social worker isn’t really helping either. Detective Willet would like to give them both an attitude adjustment. As made clear in the first sentence, the fact that “the Interrogation room smells of Pine-Sol, Love’s Baby Soft, and vomit” does not help either.
Hot and humid in Orlando, but at least the car ac in the Chevy Celebrity is working in “Alone Now” by Patrick Cooper. The alarm is supposed to be off according to cousin Harv, so Trip and Nash should have no problem stealing what they came for.
If Gary could stay sober for a bit, their big payday might just happen in “Big Shots” by S. W. Lauden. Murphy, the moneyman, is in New York and counting on Gary to do a good job with the band down from Seattle for the big show in Los Angeles. Some major labels are going to be at the show and, as group managers, Gary and Murphy stand to make some serious bank.
Connie Jackson is working hard in the yard as “The Deep End” by Dietrich Kalteis begins. Emmett Granger, a senior investigator with NorthWest Lifeco, just caught her lying about her claim though she doesn’t know it yet. What he is going to do about that is just one small piece of the tale.
Wrestling is the game in “Parts Unknown” by Sam Wiebe. A chance to wrestle in the holy mecca known as “The Garden” in NYC is too good to pass up. Sure, he has to get thrown by the wrestler known to all as the Giant as he loses the match, but it will be worth it. Hett also gets the chance to reconnect with some folks and make friends with others.
The show sold out in Los Angeles and because Tiffany didn’t think to buy them when she had the chance, now Pia and Tiffany can’t go. Unless Pia can work a deal and trade some coke for the tickets. First Pia has to score the coke in “Besties and Blow” by Sarah M. Chen. That and not kill her ex and his new girlfriend. Sure, they ought to die, but they have the tickets so she needs them for when she gets the coke.
Lake Castor Police recovered the body of Jessi Spangler on a dark and grey morning in September 1985. What happened to her and why she is dead is a big part of “It’s Morning Again In Lake Castor” by Eryk Pruitt.
Tokyo is the location for “Widowman” by Matthew J. Hockey. Aki is ready to take out Junko, but she wants some answers first. Secret and lies have to be uncovered before she can go home to her 24rth floor apartment.
Ryan thinks they should go to Calgary in “The Envelope” by Linda L. Richards. Bonnie is not at all thrilled with the idea. Ten long years after high school the envelope has the potential to change their lives in so many ways unthinkable before.
Crockett and Tubbs are hard at work in “Meantime” by Will Viharo. It is a typical Miami night as they conduct surveillance on the art deco style mansion down the street. The subject of the surveillance, Enrique Salazer, picked up where the recently and very violently deceased, Tony Montana, left off.
Suzanne wants to be the next female superstar on the pro wrestling circuit. In “Big Hair, Banana Clips, And The Figure-Four Leg lock” by Nina Mansfield, Suzanne has a plan. Part of that plan is to attend a job interview over at the local roller rink. Good thing Laura is around to talk about reality.
People only pay when you make them. Like sin, payment comes in many forms. Timmy has a very specific payment in mind “Dutch” by C.S. DeWildt. He knows going in that the payment is going to be expensive. Whether the plan will solve the issue is the real question.
Andie tries her best to keep up in “In The Swimming Pool” by Jen Conley. Being in the pool at Jimmy’s and trying to throw the ball just as hard as the guys isn’t working out for her. At least Alan didn’t go after her and try to humiliate her.
Pardo and Bobby are watching television when the press conference with Britney Jackson and Sheriff Brad Daniels begins. She somehow survived being shot in the head during an armed robbery. For Pardo and Bobby the story by Greg Barth is all about “Getting Seconds.” This also is the winner hands down for the most seriously disturbing tale in the book. The last few paragraphs blow away the competition.
Roberto Razetta’s appliance-shop in Korea town is less than five miles away from Hollywood but is a world away in reality. It is hanging on thanks to a secret side income Roberto makes in the course of his video repair work. In “Caught on Video” by Brian Leopold, Roberto’s latest client this spring morning seems to be typical in his urgency to get his Sony product fixed.
The plan was to get in and out of the Gryphon Sportsbook as quickly and quietly as possible. She needs to place the $8500 bet on Buffalo to win and leave. That is all. It won’t be that simple in “Fleckman’s Fix” by Preston Lang.
“Last Dance at the Glimmer Lounge” by S. A. Cosby involves the DJ Chaz, drugs, and his special girl, Lydia. Of course, a plan for getting out is involved. That is not going to be easy since there is a connection to the Philly Mob.
Bringing up the end of the anthology is the tale from the editor, “Night Thief.” A stolen 81 Camaro, a dead hooker in the trunk, and the overriding need to stay alive and get the job done are just some of the elements at work in this one.
The eighteen stories that make up Fast Women and Neon Lights: Eighties-Inspired Neon Noir are all solidly good ones. Often twistedly funny, the tales here pay homage to the bright colors and big hair decade in a variety of ways. Drugs are often present, plans are sure to go wrong as one would expect with noir style tales, and your lover may not have your best intentions at heart as greed always rules.
Fast Women and Neon Lights: Eighties-Inspired Neon Noir
Editor Michael Pool
https://michaelpool.net
Short Stack Books
http://www.shortstackbooks.net
November 2016
ASIN# B01M2541HM
eBook (also available in paperback format)
222 Pages
$3.99
Digital ARC supplied by the editor Michael Pool to read and review if I so desired with no expectation that I would do either.
Kevin R. Tipple ©2016 -
This was a book I almost thought I wouldn't get round to as it had sat in my Kindle Unlimited library for so long, but I'm glad I did as it's a cracking anthology full of writers I'm excited to read more of including S.W. Lauden, Dietrich Kalteis, Eryk Pruitt and Sam Wiebe among others.
The 80s premise worried me a little in the first story - Valley Girl by Kat Richardson - with its OTT dialogue for the title character, but it was still a fine story. A lot of these are just great crime stories that happen to be set in the 80s. I usually throw out my highlights for these collections, but I found nearly every story strong.
Will Viharo's Miami Vice/Scarface/Thief mash up fell short for me and was a little on the nose, but you can't go through 18 stories without disliking at least one.
This is a book chocked with great stories, characters and questionable haircuts. Well worth your time. -
Very uneven. The premise was great but most of the stories fell short.
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Stellar read. Has such an incredible variety of writing styles, each interesting and compelling, it would be hard to pick a favorite. Highly recommend!
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FAST WOMEN AND NEON LIGHTS: EIGHTIES INSPIRED NEON NOIR moves fast and furiously down the dark highway of nostalgia. At times it has an ‘80’s syth soundtrack. Other times, it reads to a band playing on Sunset Blvd. And most often, with a hell of a lot of cocaine.
