Mariners, Renegades and Castaways: The Story of Herman Melville and the World We Live In (Reencounters with Colonialism: New Perspectives on the Americas) by C.L.R. James


Mariners, Renegades and Castaways: The Story of Herman Melville and the World We Live In (Reencounters with Colonialism: New Perspectives on the Americas)
Title : Mariners, Renegades and Castaways: The Story of Herman Melville and the World We Live In (Reencounters with Colonialism: New Perspectives on the Americas)
Author :
Rating :
ISBN : 158465094X
ISBN-10 : 9781584650942
Language : English
Format Type : Paperback
Number of Pages : 216
Publication : First published January 1, 1953

Political theorist and cultural critic, novelist and cricket enthusiast, C. L. R. James (1901 - 1989) was a brilliant polymath who has been described by Edward Said as a centrally important 20th-century figure. Through such landmark works as The Black Jacobins, Beyond a Boundary, and American Civilization, James's thought continues to influence and inspire scholars in a wide variety of fields. There is little doubt, wrote novelist Caryl Phillips in The New Republic, that James will come to be regarded as the outstanding Caribbean mind of the twentieth century.

In his seminal work of literary and cultural criticism, Mariners, Renegades and Castaways, James anticipated many of the concerns and ideas that have shaped the contemporary fields of American and Postcolonial Studies, yet this widely influential book has been unavailable in its complete form since its original publication in 1953. A provocative study of Moby Dick in which James challenged the prevailing Americanist interpretation that opposed a totalitarian Ahab and a democratic, American Ishmael, he offered instead a vision of a factory-like Pequod whose captain of industry leads the mariners, renegades and castaways of its crew to their doom.

In addition to demonstrating how such an interpretation supported the emerging US national security state, James also related the narrative of Moby Dick, and its resonance in American literary and political culture, to his own persecuted position at the height (or the depth) of the Truman/McCarthy era. It is precisely this personal, deeply original material that was excised from the only subsequent edition. With a new introduction by Donald E. Pease that places the work in its critical and cultural context, Mariners, Renegades and Castaways is once again available in its complete form.


Mariners, Renegades and Castaways: The Story of Herman Melville and the World We Live In (Reencounters with Colonialism: New Perspectives on the Americas) Reviews


  • Laurence Thompson

    Although I'm not unfamiliar with James, I've never read a book quite like this one. The essential arguments:

    1.) Melville, in Ahab, created a mode of human that had never existed before, as Shakespeare had done with Hamlet (bear in mind this is before Harold Bloom overstated his case with "The Invention of the Human" - James is infinitely more deft while being infinitely more forceful)
    2.) In doing so, Melville was a augur of 20th century totalitarianism
    3.) In being so, Melville was a writer of such originality and vision that no other American author comes close, and nobody since Shakespeare worldwide

    These are delivered with such declarative confidence that their force is undeniable. Sentence by sentence, paragraph by paragraph, James builds a perfect critical work. To quote from it would be like removing a foundation stone from an architectural masterwork.

    James is the best West Indian author of all, better even than Naipaul. He's also the best Marxist critic. Where a lesser, more dogmatic writer would cast Moby Dick as a tale of American commerce gone mad, or the relationship between Ahab and crew as exploiter/exploited, James shows how Melville's insights stab right into the psychological and symbolic heart of what it means to *work*, and how it stands universes apart from the "work" Bartleby would rather not do. He even upbraids the latter Melville for referring to "the masses" and telling simple tales of oppressor vs oppressed, the very thing more superficial comrades would doubtless be elated to discover in the oeuvre of a 19th century darling of bourgeois culture.

    A wonderful book.

  • Pete

    hop-on 1 of n to re-reading MOBY-DICK

    this feels like, and probably works better as, a lecture on Melville than a work of like dispositive criticism. It's a bit dated, although the reading of Ahab as totalitarian stands up well enough. James does a fast tour of the other Melville ocean books that I found really useful -- not least because he says "these books are kind of bad, you don't need to read them, let me give you the highlights." I wish there was more about THE CONFIDENCE MAN, which I have been trying to read for 20 years (one of these days). His breakdown of PIERRE is extra worthwhile, in direct and violent contrast to the actual reading of PIERRE. Tempting to push some of the ideas about Ahab --> tyrant toward Ahab --> bureaucrat/pocket tyrant.

    you don't necessarily need to read or have read MOBY-DICK to get brain proteins from this

    >we can see in his full stature Ahab, embodiment of the totalitarian type. With his purpose clear before him, he is now concerned with two things only: (1) science, the management of things; and (2) politics, the management of men."

    fire emoji x 3

    anyway this book is un poco absurd and a little dusty but CLR James wrote it while he was more or less a captive of bureaucracy / hoteled at Ellis Island semi-voluntarily / having a super bad ulcer (there's a very detailed, very unnecessary fifth act of him complaining about hospital food)

  • Sarah

    What an important book of American history - a critique of capitalism in the eras of Melville and post-WWII when the book was written. Fascinating to read CLR James' interpretation of Moby Dick and its characters, esp. given that he wrote this book while interred with communist cell-mates awaiting deportation. Now must read his masterpiece, The Black Jacobins, which labor-historian sister has long urged me to pick up. He writes well, conveying deep ideas with ease and eloquence.
    Not even necessary to read Moby Dick to enjoy and learn from this volume!

  • Ben

    Immensely entertaining but fairly ridiculous.

  • Nathanael Myers

    An interesting read. Mid-20th century scholarship is always so sure of itself. That's fascinating enough as it is. Thoughtful interpretation of Ahab. The last chapter about the author's time amongst the Communists all held for deportation on Ellis Island is narcissistic garbage. Skip it.

  • Luke

    A solid early start, tying Ahab's totalitarianism to American capitalism and the neurotic disassociation it produces in the intellectual class and middle management. As it spins out to broader Melville background and comparative lit, I cared less.

  • Daniel

    A fine look at the rise of mono-maniacal fascism through the lens of Ahab and the Pequod. Also takes in Melville's other writing as lead up and release from Moby Dick. Very smart. Written in the 1950's when James was being held before deportation as some kind of subversive.

  • W.B. Garvey

    The story of Melville and the world we live in.

  • Eric Marcy

    A superb reading of Melville, surprisingly accessible, that provides a profound psychological and economic critique of materialist societies (capitalist and communist) and probes the origins of totalitarianism.