Seinfeld and Philosophy: A Book about Everything and Nothing by William Irwin


Seinfeld and Philosophy: A Book about Everything and Nothing
Title : Seinfeld and Philosophy: A Book about Everything and Nothing
Author :
Rating :
ISBN : 0812694090
ISBN-10 : 9780812694093
Language : English
Format Type : Paperback
Number of Pages : 224
Publication : First published August 1, 1999

Designed for philosophers as well as readers with no particular philosophical background, the essays in this lively book are grouped into four amusing acts. Act One looks at the four Seinfeld characters through a philosophical lens and includes Jerry and Socrates: The Examined Life? Act Two examines historical philosophers from a Seinfeldian standpoint and offers Plato or Nietzsche? Time, Essence, and Eternal Recurrence in Seinfeld. Act Three, Untimely Meditations by the Water Cooler, explores philosophical issues raised by the show, such as, Is it rational for George to do the opposite? And Act Four, Is There Anything Wrong with That?, discusses ethical problems of everyday life using Seinfeld as a basis. Seinfeld and Philosophy also provides a guide to Seinfeld episodes and a chronological list of the philosophers cited in this book.


Seinfeld and Philosophy: A Book about Everything and Nothing Reviews


  • justin

    i had the privilege of taking a "seinfeld and philosophy' course in college. this was required reading. it was real, and it was spectacular!

  • Matthew

    At first I thought my expectations of this book were too high. I had hoped for either a comically entertaining read or a serious if tongue-in-cheek philosophic examination of Seinfeld; unfortunately, I got neither. What I found was a series of mostly poorly written essays that vacillated between taking a serious stance ("Jerry Seinfeld is a philosophical exemplar that could be used to illustrate such and such example") and a humorous one ("Jerry Seinfeld is only a character on a television show and because the character Jerry cannot exist we cannot possibly examine him"). The problem with this is that you must choose one side and stick with it in order to succeed; either the characters are just characters or they are something more. If they are something more then you can't suddenly in the middle of the essay take issue with how they were written; they must be treated as living people whose actions and thought-processes can be extrapolated on.

    Anyway, only the essay on Kramer and Kierkegaard was worth reading--the others ranged from abhorrently terrible to I wish I hadn't just wasted the time I spent reading this.

  • Marija S.

    I cannot believe they managed to make something Seinfeld related so boring. Unforgiveable

  • Emma

    I thought it would be more Seinfeld and less philosophy, but it turned out to be the opposite. While it was interesting, however, I just felt like I was reading a textbook for class.

  • Brian Wilkerson

    "Seinfeld and Philosophy" is a book I bought some time ago. I read a few of its essays but then it got lost in the shuffle. I finally finished it the other day. The show about nothing has profound things in it. Since this is a philosophy anthology I can't use my normal grading method so I'll just sample three of the essays.

    "The Costanza Maneuver: is it rational for George to 'Do the Opposite'"?

    This is one of my favorites. Not only is it interesting but it cleaves to Seinfeld as much as to the philosophy. I'd say this is one of the better essays in that regard.


    The title of this episode refers to the season five episode "The Opposite" where George realizes that his every instinct has been wrong so Jerry (jokingly) advises him to do the opposite of what his instincts tell him. In pursuit of determining if this is a truly rational thing to do, the author of the essay uses concepts such as the Three Kinds of Rationality (minimum, median and maximum) and employs a test; it is rational if it is both feasible and reliable.


    The author of the essay also speaks of the comical mechanics in this central joke of the episode. Neither George nor the audience expects the Costanza Maneuver to work and the contrast with its great success is both startling and baffling. It's also about George's neurosis; that's always funny.

    "Seinfeld, Subjectivity and Sartre"

    This one is about the constructions of the Self (identity, personality etc.) and how it exists in relation to others. It is not only that the persona of the characters is revealed through their interactions with others but that it is influenced and built by them. Examples include Jerry encouraging some odd plan or another by George and Kramer's eccentrics coming from all the strange people he interacts with.


    This particular essay had another point to prove; that Jean-Paul Sartre advocated the relationally constructed Self instead of being an essentialist. The author of this essay goes to great lengths to disprove what I assume is a widespread and long standing interpretation. Of course, Sartre's play, "No Exit" and that famous line "Hell is other people" is brought up. In both the play and the TV show there are three (or four) unpleasant people locked in a room for a prolonged period of time as their punishment. Yet the author of this essay notes that the Seinfeld four don't see it as torture because it is their natural environment.

    "Seinfeld and the Moral Life"

    The author of this essay attempts to prove that the four main cast members are kind and compassionate people who regularly try to do the morally correct thing; yes all four of them. While I disagree I'm more put off by the faulty logic and reasoning in this essay.

    Before starting the argument to prove this, the author of the essay first separates "integrity" from the idea of "being moral" because someone can be a horrible immoral person with great integrity. While this is sound enough it also means there is less land to defend. When the author of the essay begins their defense of their argument they point to the few actions that could be interpreted as good and kind and ignores the context. It's cherry picking.


    Then the author of the essay responds to possible counter-arguments by stating that being a "comedy of manners" is more or less the same as being concerned with morality because manners are about avoiding hurting someone's feelings. This ignores the possibility of being petty, superficial or self-interested. There is also the phrase "obviously false on its face". This sounds like the start of the Costanza Maneuvers' first section. It referred to the tendency of some people to believe they've won an argument by saying "you're being irrational". Saying that something is false does not prove it to be so.

    _______________________________
    There are others in this essay that I greatly enjoyed such as "J. Peterman the Ideological Mind: Paradoxes of Subjectivity" and the "Elaine Benes: Feminist Icon or Just One of The Boys". There are only one or two that I disliked and that's more about disagreement or whatever.

    Trickster Eric Novels gives "Seinfeld and Philosophy" an A

  • Edwin

    Meh! One should not try to explain Seinfeld.

  • Max Kaya

    A number of episodes/scenes in Seinfeld made me curious about a philosophical perspective on the sitcom, the Parking Garage episode and the conversation between Jerry and George about how the show is about “nothing” being the two. Well, clearly the show is not about “nothing” It is mostly about the social faux pas. However, the discussions around social faux pas in this book didn’t appeal to me.

    Some of the philosophical discussions are too distant from the entertainment value of the show. For example, the article about the Opposite mentions how it is possible only for “unchanging” to have an opposite. This is indeed a powerful idea, but relating this to Socrates’ and changing forms did not quite make sense to me.

    Sure, there are a few articles that are quite enjoyable. The philosophical / psychological evaluation of characters are notable. For instance, one article has a good perspective on Kramer. How he is on aesthetic stage in life, which is followed by an ethical stage. However, he is an arrested adolescent who just doesn’t learn. And him not learning is inline with the show’s motto, “no hugging, no learning.”

    One idea from this book that strongly clicked with my perspective of Seinfeld is “comedy is finding the significance in the insignificant”, and this is probably the best overarching view of Seinology.

  • Collin

    On the back cover of the book it says it is for both fans of seinfelf and fans of philosophy. Ehhh...The book is broken up into 5 acts. The first was hilarious and then it got a bit hard to get through. Not being a philosophy major, I hadn't heard of many of the philosophers they were talking about and the links to the show in the essays were pretty weak. It picks up a little at the end, but I didn't get much out of it and couldn't wait to be finished with it. Which is different then saying I couldn't wait to get to the end. I'll stick to watching it on dvd thanks.

  • Mahrous

    مقالات فلاسفة أكاديميين عن شخصيات ومواقف مسلسل ساينفيلد، مسلسلي المفضل، بناء على فلسفات الفلاسفة العظام من سقراط حتى برتراند رسل
    المقالات تتراوح من الممتازة الى السيئة، أجملها هي التي تربط بين فلسفة الأخلاق والكود الأخلاقي لكل شخصية

    نحتاج الى كتب مثلها تربط بين الفلسفة والبوب كالتشر المصرية
    ولو بيدي لبدأت بـ (ليالي الحلمية والفلسفة)

  • Anna Denomey

    3.5 stars.

  • Jim Beatty

    In this way, the hardness of the illuded 'must' is softened, what is overlooked may then be seen.

  • Andrew Allison

    Excellent other than the horrific George slander.

  • Jeff

    An interesting look at some philosophical approaches to Seinfeld. This is a sometimes dry, sometimes interesting effort to understand the basis of what the seinfeldian comedy is all about. I felt I gained some insight to how the writers here have attempted to garner some deeper meaning from this show about nothing. There is quite a bit of something behind all of the nothing, and the commonality of these events and story threads are what allow us to recognise ourselves in these characters and cause us to laugh. I enjoyed the book, but I can see how some reviewers may have expected much more out of this.

  • Dan

    This book is a book about philosophy written for a popular audience with no philosophical background. It is a collection of essays relating plots and characters in the show Seinfeld to different philosophies.

    Each essay is well written. This book is informative and entertaining.

    I read this book because I liked
    The Simpsons and Philosophy: The D'oh! of Homer and I also really liked the tv show Seinfeld.

  • Tom

    At least 10 of the 14 essays which comprise Seinfeld and Philosophy were both entertaining and thought provoking. To cite one example, Jerry's moral dilemma in Season Six over not wanting to become an "orgy guy," can be seen, it turns out, through an Aristotilean lens as proving Jerry's high moral development. In another similar example, George's striving to become "the opposite" of everything he was also testifies that he embodies the ideal laid out in the Nichomecean Ethics to point actions towards becoming whatever conception of "good" we might hold.

    Its an excellent read.

  • Jana

    The only reason why I have this book on my list is because my older sister bought it. And because she occasionally asks me about the books that she buys. We don’t share similar tastes. I read them, but I mostly don’t enjoy them. She adores Seinfeld, I am not a fan. There are numerous reasons why I don’t like Seinfeld. But now the top of the list is: this book has references why Seinfeld is as good as Buddha, Aristotle, Descartes, Spinoza, Kant, Hegel, Schopenhauer, Kierkegaard, Heidegger... The list is endless. So is my irony.

  • Kyler

    Overall, the book was a hit or miss in regards to the various essay. There were a few ones which were really interesting and thought provoking. A few really dry ones which really didn't hold my interest at all. And a few ones which had cool ideas, but they were left under explained and vague. At times a repetitive summary of Seinfeld and a few important philosophers, the book really shines when it successfully explores the television program's philosophical implications, which it does more often than not.

  • Judy

    Philosophy isn't my strong point. Just never could understand it. But, as a big fan of the Seinfeld comedy show, I thought I'd give this a try. I must admit that I did skim parts of the book, but found parts of it very interesting as various writers compare different philosophers with different characters on the show. There isn't any doubt that the Seinfeld show has added many terms to current usage. At this point in my life, it's difficult to remember things, but I found it enjoyable to re-live the episodes of Seinfeld.

  • Aaron

    the essays using seinfeld to explain philosophy captivated me more than the essays using philosophy to explain seinfeld ... most people who will buy this book i assume are like me in already knowing every seinfeld episode, so getting it explained doesn't do so much for me ... but learning about kierkegard's stages on the way of life via kramer or zizek via the peterman catalogue .... transcendent

  • Garrett Cash

    A fascinating read. It can get repetitive since the essays cover a lot of the same ground, but it should be facilitate some good conversation. Does doing the opposite thing work? Why exactly does Jerry refuse to be an "orgy guy?" Are the "New York Four" evil or misguided? Were do we draw the line between fictional Jerry and real Jerry? Interesting material.

  • Adam

    Cool bathroom reader. If you love Seinfeld and have seen every episode like sixteen times, and you want to brush up philosophy- well, this is like Philosophy 101 with the Seinfeld gang as your professors.

  • Joe

    One of the books I got for my birthday from my daughter. I often quote from Seinfeld during daily life. Interesting to "Seinophiles" with a philosophical interest. A very interesting analysis of Mr. Peterman. Last third of the book dragged.

  • Kristin

    So much fun! A great introduction to philosophy that brought me back to my college days, plus it's filled with obscure and well-known "Seinfeld" references. What could be better? Definitely will give me a fresh take on the show as I watch episodes I've seen a million times before.

  • Tom Kammerer

    Knew I liked Seinfeld, thought I liked study of philosophy, the combining of the two in this book comes out as forced and contrived; wonder if there's any truth to rumor that this effort was one of Kramer's harebrained ideas?

  • Sarah

    Literally not what I expected. A friend of mine told me about this book with so much enthusiasm, I got excited. Once he lent it to me, that excitement deflated. It's just a bunch of philosophical essays on Socrates and Seinfeld that I for the most part skimmed.

  • Bradley

    More professors should come down from their Ivory Towers and use the Pop Culture and Philosophy Series in the class room. Hilarious and profound.

  • Joy

    Just saw this at the bookstore - should be right up my alley...:)

  • Richard

    Okay read. Parts were trite, others made me think. I learned a little about some of the world's philosophers.