Title | : | Spook Street (Slough House, #4) |
Author | : | |
Rating | : | |
ISBN | : | - |
Language | : | English |
Format Type | : | Kindle Edition |
Number of Pages | : | 307 |
Publication | : | First published February 9, 2017 |
Awards | : | Barry Award Best Thriller (2018), British Book Award Best Crime/Thriller (shortlisted) (2018), CWA Ian Fleming Steel Dagger (2017), Theakston Old Peculier Crime Novel of the Year Shortlist (2018) |
But River has other things to worry about. A bomb goes off in the middle of a busy shopping center and kills forty innocent civilians. The agents of Slough House have to figure out who is behind this act of terror before the situation escalates.
Spook Street (Slough House, #4) Reviews
-
This cult series set in the world of spooks in London has fast become a must read for me. This is a superb addition with two storylines. I view our slow horses with both warmth and affection, Rodney and his fantasies about women, River, Catherine, Louise et al. They may well be seen as the dregs, screw ups and failures of British Intelligence but they are the stars, none more so than the ghastly, offensive, repugnant genius that is Jackson Lamb, the Head. Lamb is a wily, brilliant man who can run rings round others with political agendas in MI5. As per usual, the book delivers on comic touches, wit and black humour.
River's grandfather, David Cartwright, is losing his marbles and doing it publicly. He is leaking secrets galore...what can be done to shut him up? River has heard rumours of MI5's retirement plans and is determined to protect his grandfather come what may. There is a terrorist attack in London in which many die. As MI5 investigate, the identity of the perpetrator becomes clear, at which point all hell breaks loose. There is the intelligence services internecine departmental warfare and malignant political shenanigans. Lamb continues to protect his people although he will never let them see this. The two plotlines intersect and connect, where the roots of what is happening in the present has its roots deep in the past.
Not everyone makes it out alive although this opens the door to new incomers. This is a wonderful and compelling read. The characterisation is brilliant, and there is plenty of suspense and tension. A well plotted tale that is hard to resist. Highly recommended. Many thanks to John Murray Press for an ARC. -
4.5★
“‘So you were letting him do your dirty work? That doesn’t sound like you.’
‘A good boss provides opportunities for personal growth and development. I think we were all winners, on the day.’ ”
Boss Jackson Lamb always has plenty of dirty work and plenty of so-called opportunities for the Slow Horses of Slough House, loosely referred to as an arm of the Secret Service at Regent Park.
“Slough House was a branch of the Service, certainly, but ‘arm’ was pitching it strong. As was ‘finger’, come to that; fingers could be on the button or on the pulse. Fingernails, now: those, you clipped, discarded, and never wanted to see again. So Slough House was a fingernail of the Service: a fair step from Regent’s Park geographically, and on another planet in most other ways.”
The personnel are all failed spies (“joes” when they’re on an op and active in the field), but have been sidelined rather than terminated following some unforgivable mistake.
River Cartwright was the main character in the last instalment, “Real Tigers��, and we met his grandfather, David Cartwright, fondly referred to by all as the OB, the Old Bastard, who was a seriously high spook in the service in his day. River’s mother left him in his grandparents’ care when he was a little boy, and he loved listening to the old stories, always carefully edited for his ears. When River joined the service, the OB shared more stories, but certainly not all.
But he’s in his 80s now, lives alone in the country, and River is more and more worried about his grandfather’s increasing forgetfulness and wondering what the likelihood is of the OB “reminiscing” and revealing state secrets to neighbours or shopkeepers. He also wonders what steps the Service might do to deal with this risk.
The OB, on the other hand, knows he’s forgetful, but he has retained his lifelong suspicion of everyone. He keeps an eye out for “stoats”, as he refers to “the watchers” who may be sent to spy on him. He knows he’s superfluous to requirements and a bit of a loose cannon, and he’s determined not to be eliminated by either side.
I never thought about how dangerous life would be for old spies getting dementia. What do you do with them? These were the people who have kept us feeling safe. Whether we were or not or whether their methods were “acceptable” or not is beside the point. The OB is a decided risk, and while he may forget his trousers, he doesn’t forget to look for evidence he’s being watched.
And he still has a gun. Oops. This could get serious.
Meanwhile, things have changed at Slough House, with nerdy-beyond-belief Roddy Ho sporting “cool” clothes and bragging about a girlfriend. He’s always thought he follows all the rules he’s read in magazines and that he is irresistible. Unbelievable is more like it.
“‘Jesus. And this is an actual relationship? Not an abduction? Well well well.’
Lamb dropped the appalled expression, and beamed round at the company. ‘See what you can achieve with a little application?’
He patted Ho on the shoulder. ‘It does me good to see you rise above your disability.’
‘I don’t have a disability,’ Ho said.
‘That’s the spirit. . .
Jackson Lamb, a glorious slob, a brilliant but disreputable head of this strange bunch of has-beens, is a master of the back-handed “compliment”.
The book starts off with a bang, literally, kept me anxious to see what was next, and then it crossed into a whole different area and I didn’t know where it was going. It lost some of the sarcastic tone and the story got bleaker by the rain-soaked minute. Less banter, less sarcasm, more plot, which for a mystery is hardly a bad thing. I wondered what Herron was up to.
But it wasn’t until he began tying up some of the threads so I could see why he digressed that I got fascinated again. More action, more surprises (and yes, more banter and character development), and all-in-all, another great read in the series.
Thanks to NetGalley and Hachette Australia for the preview copy from which I’ve quoted (not nearly as much as I’m tempted to, I have to say). Love the series! -
5 ☆
When you lived on Spook Street, you wrapped up tight: watched every word, guarded every secret.
Herron's Slough House series is a witty, clever and bold satire of contemporary Britain, as depicted through the not-"007" eyes of a motley group of agents dubbed the slow horses. Slough House stables the MI5 employees who are impolitic to sack, be it for incompetence or for just running afoul of somebody or some forces more powerful than them. Be forewarned, Slough House consists of an ensemble cast that isn't fixed in stone. Spook Street is the one that tripped the switch into the I-have-got-to-read-the-next-installment-NOW mode.
In Spook Street, Herron once again focuses on River Cartwright and in particular on his endearing relationship with his grandfather. David Cartwright had been a legend at MI5 and his profession had opposite results on his family. His daughter Isobel had anointed David with the epithet "Old Bastard" or the "O.B.," while Isobel's son River infuses the "O.B." sobriquet with devoted affection. River's grandparents had not only raised him after Isobel had abandoned him at age seven, but the O.B.'s reminiscences shaped River's professional aspirations.
Laps of honor and whatnot. That was what [River] thought, of course; that it was all about guts and glory--truth was, it was all about flesh and blood. Medals weren't won in the sunshine. Backs were stabbed in the dark. It was a messy business, and maybe the boy was better off out of it, though there was no telling him that, of course. Wouldn't be a Cartwright otherwise.
River regularly visits the 84-year old O.B. at his country home in Kent. He’s worrying more about what to do and whether additional parties would get involved.
... old spies grew forgetful, and among the things they forgot was remembering what not to say...
So elderly spies had an eye kept on them, in case they become unbuttoned, and maybe there were times-- how could he not have thought about this?--when the Service reached out a gloved hand and eased an old spook's passage from this life.
They'd send stoats first, to check the lie of the land.
And the O.B. kept a gun in his house which he no longer stored in a gun safe.
Herron is a fearless storyteller who's unafraid of casting anti-heroes as major players in the Slough House series. River though is one of the most likeable. And as anybody with elder care duties knows, it's a responsibility that requires many hands - such that even the dysfunctional string of slow horses gets involved.
Spook's Street is what I expect from Herron -- intricately connected points shaped by curveball inversions of plot (though I had early on anticipated one of them) and liberally sprinkled with gallows humor. There have been many moments of grief so far in the Slough House series. River and his grandfather, effectively his sole relation, however, have the strongest connection so this novel tugged my heartstrings as well. Yes, this can be read as a standalone but why deprive yourself the joy of this series?
*~~~*~~~*~~~*~~~*~~~*~~~*~~~*~~~*~~~*~~~*~~~*
4.5 ☆ rounded up -- 2nd Reading
"I'm not sure which is worse -- that someone planned this or that it's all a colossal f*ck-up."
"Welcome to Regent's Park."
With this re-read
Spook Street remains one of my favorite Slough House installments. Herron just nailed this perfect medley, akin to authentic Thai cuisine, in which the sweet, the sour and the heat are perfectly balanced in a complementary manner. This novel is all about relationships. It's taken a while for friendships to firm and camaraderie amongst the slow horses to bloom. And then Herron pulls the rug out from right underneath you.
I noted that this novel was not as snarkily funny as some of the other installments. I've thus given it a tiny downgrade to 4.5 stars from the previous unqualified rating of 5 stars. But its emotional depth merits rounding up so it's still a 5 star read.
*~~~*~~~*~~~*~~~*~~~*~~~*~~~*~~~*~~~*~~~*~~~*
Listed in GR sequence, but not necessarily in chronological order:
#1
Slow Horses 4 ☆
#2
Dead Lions 4 ☆
#2.5
The List 4 ☆
#3
Real Tigers 4.5 ☆
#5
London Rules 4.5 ☆
#5.5
Marylebone Drop 4 ☆
#6
Joe Country 5 ☆
#6.5
The Catch 4 ☆
#7
Slough House 4.5 ☆
#8
Bad Actors 4 ☆ -
This is the fourth in the Slough House series – which is, to my mind, the best spy series since Le Carre. I really feel this series should be read in order; the first novel is, “Slow Horses,” but however you discover them, if you enjoy witty, dark, intelligent and realistic spy novels, then you need to give these a try.
The novel begins with a bomb in a shopping centre, which, of course, the Secret Services are involved in investigating. Well, all except the residents of Slough House, which is where the rejects are housed. Those members of the intelligence service who should have been sacked because of various problems – whether it is gambling addiction, alcoholism, drug addiction, making a monumental mistake or just being of no use to those at the Park. Instead, they are left, chomping at the bit, doing repetitive administrative tasks and dreaming of being back in the action.
Since the last book, much has changed. There is a new First Desk in Claude Whelen, and a new Head Dog in Emma Flyte. However, these two will soon learn that part of being involved in the Secret Service is that there are secrets and many are kept even from those who should be in the know – and which may come back to bite those who have inherited them. Also, talking of secrets, River Cartwright is concerned about his grandfather, the former spook, and near legend, who is growing old and forgetful. He is also becoming talkative and that, when you have access to the kind of information he once held, can be dangerous.
If River was concerned about his grandfather, he was right to be so. For it seems that his unguarded comments have brought unwanted attention and that means that it is up to Jackson Lamb to get involved. As with all of these novels, there is a real sense of danger and possible death, tucked between the pages of dark humour and action packed storyline. There is a new slow horse in the disturbed, edgy, J.K. Coe, Moria Tregorian has been brought in to replace Catherine Standish and, bizarrely, Roderick Ho seems to have somehow found a girlfriend…
Without doubt, this is a fantastic read. Yes, there are gunfights and secret meetings and undercover agents, but Mick Herron wraps up the spy stories with a good dose of reality. These agents are real people, with real problems and are not superhuman. More is the pity, for Herron makes it clear that those charged with protecting us often pay with their lives. Still, I hope that there are more books in this series to come, because each book just seems to get better and it is a series I am so glad that I discovered. -
Another brilliantly entertaining book in this great series - although the author dealt me a very severe shock early 0n. Luckily I recovered and then everything went really well:)
Jackson Lamb reached new heights in his lack of political correctness and was as appalling as ever in his general hygiene. On the other hand he was very, very funny and despite every appearance to the contrary, very caring of his staff. His best asset though is that he always seems to know everything before anyone else does which comes in very useful when a trained assassin arrives to take down every one at Slough House.
I hope the author realises that he has written such a masterful character in Lamb that when he is not on the page things seem a little less interesting. Herron is always so ready to kill off even his main characters - let's hope he never does it to this particular one!
And as luck would have it there's another book out already and it's waiting on my kindle. Bliss.
-
5/5 on the Hoot-meter
I tried, I really tried. The plan was to make it last. Read a few chapters, put it down, then repeat. Right…..I read it in a day because I was just having too much fun. When a new Mick Herron book comes out I will beg, borrow & steal to get my hands on it & this just might be the best of the bunch.
The prologue yanks you into a typical mall somewhere in London. It’s full of busy shoppers & bored teens lounging around the fountain. Then the unspeakable happens. A man steps into the crowd & detonates his vest. In the horrific aftermath, MI5 is called in to investigate & calm the public but things really hit the fan when the bomber is identified.
Meanwhile over at Slough House, River Cartwright worries about his grandfather. David Cartwright is a former spook who’s a legend in the spy world. But lately he seems a bit confused & doesn’t always recognize his grandson. He’s also dropping details about the old days that would best remain unsaid. What happens when a man full of state secrets begins to lose the plot? River has heard rumours about MI5 having an ”enhanced retirement package” for employees who become a problem & he’s determined to protect the man who raised him. That becomes a challenge when his next visit ends with a dead man in David’s bathroom.
Eventually these 2 threads intersect in ways that have the bigwigs at Regent Park scrambling to save their own skin. They’ve elevated backstabbing to an art form in an environment where “The Art of War” is probably required reading.
Book #4 of the “Slow Horses” series picks up in the aftermath of the last one & there have been some changes. Herron doesn’t hesitate to bump off establish characters so there are a few new faces at Slough House where MI5 agents labelled as screw-ups are sent to shift endless stacks of paper until they quit (or die, whichever comes first). But most of the original cast is back & they’re in fine form.
IT genius Rodney Ho continues to live in an alternate universe where everyone likes him & chicks think he’s hot. Shirley Dander has surrendered to HR requests to deal with her volatile personality & is faithfully attending AFM (anger fucking management) classes. Marcus Longridge still has that pesky little gambling problem & is so bored he’s water boarding Shirley.
Presiding over the crew is cold war relic Jackson Lamb . He’s never met someone he couldn’t offend & many would pay to see him gone but when you’ve been around a long time, you tend to know where the bodies are buried, literally.
These stories are always a great mix of smart intricate mystery & dry black humour. It’s full of moments that make you gasp, frequently followed by inappropriate laughter. Herron is a keen observer of the human condition & his depiction of David Cartwright’s battle with dementia somehow manages to be both poignant & hilarious. Even in his screwed up fictional world, you’ll recognize more than a kernel of reality as he satirizes politicians, government bureaucracy & public perceptions.
This one earns a spot on my “Top Ten” for 2016 (so far…) & I begin the long wait for book #5. If you’re a fan of Stuart MacBride or Jay Stringer, do yourself a favour & pick up “Slow Horses”. -
What a top series this is turning out to be. Mick Herron once again takes us into the world of modern day spooks, albeit those who didn't quite make it at MI5 and have been relegated to paper pushing in the backwaters of Slough House under the bleary eye of Jackson Lamb.
It's the start of a new year and most of our old friends, the Slow Horses are back, having survived the underground shoot-out in their last outing. Marcus is busy digging himself a huge financial hole with his gambling addiction, Shirley is attending anger management counseling and Roddy Ho is positively gloating as has finally found himself a girlfriend. There is a mysterious new boy, J.K Coe remaining slient and aloof in his hoody and earphones. Catherine Standish has put in her discharge papers and been replaced by 'The Moira' who has plans to make Slough House more efficient (she has no idea what she's up against). River is worried about his grandfather who seems to be slipping into dementia and concerned about what MI5 might do with old cold war spies to stop them leaking secrets in their dotage.
Meanwhile a British suicide bomber blows up a group of teenagers in a mall for no apparent reason and then a few days later someone tries to kill River's grandfather. Both these events have deep roots in the past and while the new guard at Regent's Park is busy trying to cover their backs the Slow Horses are once again operational trying to unravel a 20 year old plot and stop further carnage.
Another excellent, well plotted thriller full of suspense and action from Mick Herron with sprinklings of wry humour, great characters, not all of whom survive this outing, and some unexpected revelations regarding River's history. Can't wait to get my hands on the next episode, due out soon.
With thanks to Netgalley and the publishers Hachette for a digital copy of the book to read. -
Cuarta novela de la serie 'La casa de la ciénaga', lugar al que van a parar los espías del MI5 apartados del servicio activo por incompetentes.
Historia de espías con mucho suspense, grandes diálogos llenos de mordacidad y sarcasmo y con un plantel de grandes personajes capitaneados por Jackson Lamb, tan asquerosito y cínico como sagaz. -
4.5 stars, rounded down
I love this series with its dark, snarky humor. But this one I loved even more. River Cartwright is my favorite of the characters and this story revolves around him. His grandfather, the “OB”, raised him and was the reason he’s in the service. Now, the OB has dementia - forgetting to wear pants and that he’s no longer active in the service. Will the service look to take the old man out before he spills his secrets?
Meanwhile, a bomb has gone off in a crowded shopping mall, killing 40. Of course, these two plot points will intersect at some point. Herron’s skill is writing well thought out, detailed stories that bring together the subplots without straining credulity.
As with all the best series, the characters here are all well developed and surprisingly, I’ve come to care for them. They are the dregs of the service, but they have their own weird charms.
I listen to this series and it’s a fabulous audiobook experience. Although, I do have to be careful not to look like a nut job, as I laugh out loud frequently when listening to this. Gerard Doyle is the perfect narrator for this series. I think I’ll hear his voice even if I actually read one of these books. -
I just love these Slough House books! Who would guess that disgraced and demoted MI5 agents would be so interesting?
In the beginning, I'm excited, eager, a bit reserved, though. I hope this will be another great book in the series.
The story opens slowly until bang! Then Part One begins. We enter Slough House where people are up to no good. The mice will play! Reacquaint with previous slow horses; acquaint with new (Moira Tregorian, JK Coe). Fifty-six pages in and my heart stops. So, yeah, now I know this will be another great book in the series.
At the end, I'm happy, satisfied. But also sad because there are currently no more Slough House books to be had.
I implore anyone reading this review to read this series in order, starting with
Slow Horses. There is so much history and backstory to be gained. Your enjoyment will increase with each book. -
Re-reading this, I can see the reason why it's my least favourite in a stellar series: it's because we don't spend enough time with the slow horses. A huge number of pages are spent with River's grandfather, the OB, drifting into dementia, and with River himself who's off on a lone adventure that leads back into his own enigmatic past.
When we are with the Slough House team, there are some interesting developments in the shape of new boy, JK Coe, and new girl, Moira Tremoine who thinks she can take Catherine's place... There are also some violent action scenes including a lethal attack on Slough House itself.
And there are changes afoot at Regents Park as well, including the introduction of Claude Whelan following the activities of Ingrid Tierney in the last books, and new head Dog, Emma Flyte.
But with an incredible back-story plot and lots (too much) of the Cartwrights, the emphasis of this book slightly lost me.
-----------------------------------------------
This fourth in Herron's unique Slough House series once again gives us a twisty (if not completely credible) plot as the failures and has-beens, the 'slow horses', uncover a conspiracy that goes back to just after the fall of the Berlin Wall. Along the way, things get very personal for River Cartwright, and - again - not everyone survives...
What really makes this series for me is the brilliant Jackson Lamb, the kind of spy-master that Dickens might have created: grubby in his personal habits, pin-sharp intellect, brilliantly sardonic in his wit ('Always be polite when referring to a woman of a certain age,' Lamb said, 'in case the mad old cow turns vicious'), cynical and yet has the backs of all his 'joes' (though won't let them know it). The new arrival, J.K. Coe, is both scary and intriguing and I look forward very much to seeing more of him - and, for fans, Roddy Ho has a girlfriend!
It's certainly possible to read this as a standalone but I would strongly recommend starting with
Slow Horses: Slough House and following the series to understand the emotional trajectories. Sharp, cynical, violent in places, but with the snappiest of sharp dialogue and laugh-out-loud funny in places, I love what Herron is doing with this series.
Thanks to the publisher for an ARC via NetGalley -
Mick Herron just writes THE best spy and espionage series in the world. When I read Slow Horses I was slowly enveloped into this world, I've been a huge fan ever since. Quirky, funny, emotional, with characters that just leap off the page, it is entirely beautiful to read and so intensely absorbing that it takes an age to come back to reality.
This instalment finds River worried about family - and in a family of spies it ain't the usual worry. Changes have been afoot at Slough House due to previous events and gosh how I love the descriptive scenes of what goes on within, its like coming home after a long trip away. Here, with a hard hitting opening that the author then brings back to his meandering, gorgeously plotted, slow burn to the finale, Spook Street takes the quality of this series up a notch. Well several notches.
I mean really its just great great writing. Witty, ironic, intelligent you name something you want from a book its probably in here. HUGELY entertaining conversational pieces are embedded within the wider story which is utterly gripping, totally captivating and ultimately satisfying. This author knows how to put a finish on things.
I genuinely cannot recommend this series highly enough. -
This really is a must read series.
-
This is the 4th book in the 'Slough House' series by author Mick Herron. Slough House is a dumping ground for British intelligence agents who have messed up a case. The "slow horses," are given menial tasks rather than be trusted on bigger cases.
After a shaky start to this series I am now rapidly working my way through these books and having lots of enjoyment doing it. The more I read of this series the more I like it. Another adventure for the rejected spies who are continuing to grow on me the more I read. This series is full of humour and decent plots. On to the next book in the series.
I would like to thank Net Galley and John Murray Press for supplying a copy of this novel in exchange for an honest review. -
June 1, 2022 Update Apple TV+ series 'Slow Horses' renewed for Seasons 3 and 4, to be based on Books 3 'Real Tigers' and 4 'Spook Street'. Story at
Variety.
Slow Horses Under Attack
Review of the Recorded Books audiobook edition (February 21, 2017) narrated by
Gerard Doyle released two weeks after the Soho Crime hardcover (February 7, 2017)"That's the measure of our success, Claude. That the country still leads a normal life, even while we bury the dead."
"I'm not sure Marketing'll approve that as a slogan." - conversation between Second Desk Diana Taverner and First Desk Claude Whelan."Do you all act dumb all the time? Or is it not an act?"
"We take it in turns," said Louisa. - conversation between new 'Head Dog' Emma Flyte and Slough House's Louisa Guy.
Actor Gary Oldman as Jackson Lamb, the head of Slough House. in a characteristic pose. Image sourced from
The Times UK.
Events move fast in the Slough House / Slow Horses universe and I'm glad to be reading and/or listening to the books in fairly quick order right now due to being incentivized after seeing Season 1 of the Apple TV+ series based on Book One. There are many ongoing subplots and character arcs which must have been difficult to keep track of if you were reading them a year or more apart as they were originally released.
As a refresher, the agents of Slough House, aka the "Slow Horses," are a group from the MI5 British Security Service who for various reasons (e.g. bungled field assignments, alcoholism, poor social skills, etc.) have been shunted aside from head office or field operations and sent to work at their off-site building, a pre-retirement resting stop of paper pushing & electronic surveillance to keep them out of the way of their supposed betters. At Slough House, they are presided over by their chief, the slovenly, flatulent Jackson Lamb. Lamb was once a field operative and still has an instinctive sense for the wiles of bureaucracy and espionage, especially in the areas of incompetence and betrayal.
In Spook Street, the 4th novel in the series, we find that some previous characters have moved on, First Desk Ingrid Tearney has been shunted aside and been replaced by Claude Whelan, previous 'Head Dog' Nick Duffy has been replaced by Emma Flyte, Jackson Lamb's Slough House assistant Catherine Standish has retired and her replacement is Moira Tregorian. Several new Slow Horses have joined the crew and we will continue to discover that the life expectancy at Slough House is almost as perilous as that of being a 'Joe' in the field.
The novel starts off with two quick shocks, a terrorist bombing attack on the general public and an apparent assassination attempt on Slough House agent River Cartwright's grandfather, the long retired First Desk David Cartwright, aka the O.B., who is showing signs of dementia. In the aftermath, a dead body in the elder Cartwright's home is identified by Jackson Lamb as being that of River Cartwright. We soon discover that Lamb is playing a deception game and that River has instead brought the O.B. to Catherine Standish for safekeeping while he follows a lead to France to discover the source behind the attacks.
Too much further information would be a spoiler, but the revelations and further shocks are quick to follow as River Cartwright discovers family secrets that have been kept from him, while Jackson Lamb knows more than he has previously revealed about the past of the Cartwright family. Before the end, Slough House itself comes under direct attack and not all of the Slow Horses will survive.
The narration by now series regular Gerard Doyle (several of the earlier books have 1st edition audiobooks voiced by other narrators) was excellent as always, especially in his 'Jackson Lamb' voice.
Trivia and Links
There is a Slough House glossary at
SpyWrite.com (with some spoilers obviously, but the most major spoilers are hidden behind white script which you have to mouse over in order to read) which is extremely useful if you are trying to follow all of the characters and story arcs of the series and looking for definitions to the words and expressions of author Mick Herron's invented spy terminology.
Spook Street could be the basis for a future Season 4 of the Apple TV+ series Slow Horses (2022 - ?), if the show is renewed after Season 2. You can watch the Season 2 trailer (based on Book 2 "Dead Lions") on YouTube
here. You can watch the Season 1 trailer (based on Book 1 "Slow Horses") on YouTube
here. -
Sigue siendo una gozada.
El personaje de Jackson Lamb es maravilloso aunque la galería de todos ellos es una pasada.
Esta serie es ahora mismo mi debilidad lectora.
Mejor no hacerme mucho caso...😥 -
I adore the Slough House series. I first read
Spook Street (Slough House #4) in January 2018. I am currently (October 2022) rereading the entire series and am getting even more out of it second time round. I'm conscious I raced through this when I first read it and then pressed straight on with
London Rules (Slough House #5). Second time round I am savouring the experience more.
Mick Herron can take his place alongside the greats of spy fiction. These Slough House books have got the lot: clever prose, memorable characters, action, humour, and deftly handled, twist-laden plots. Although each book is a standalone novel, part of the pleasure (and pain) of these books is the ongoing narrative and character development. People can, and do, suffer and die during the course of these tales.
In the unlikely event you haven't tried the Slough House series I urge you to read one as soon as you can. Herron's irreverent Slough House series breathes new life into the spying and espionage genre.
In
Spook Street, London's intelligence teams are on red alert after a suicide bomber kills scores of young people at a shopping centre. Meanwhile, one of the Slough House team is concerned about his increasingly senile grandfather - a service legend called David Cartwright (aka the Old Bastard). This is the jumping off point for another tense, surprising, gripping tale, that follows straight on from the developments described in
Real Tigers (Slough House #3).
4/5
What happens when an old spook loses his mind? Does the Service have a retirement home for those who know too many secrets but don’t remember they’re secret? Or does someone take care of the senile spy for good? These are the questions River Cartwright must ask when his grandfather, a Cold War–era operative, starts to forget to wear pants and begins to suspect everyone in his life has been sent by the Service to watch him.
But River has other things to worry about. A bomb goes off in the middle of a busy shopping center and kills forty innocent civilians. The agents of Slough House have to figure out who is behind this act of terror before the situation escalates. -
My favourite instalment of this first-rate series, so far.
A few months have passed since the goings-on of
Real Tigers, and the fallout from those events, in terms of personnel, is massive. In the intervening months the slow horses haven't seen much of their boss, Jackson Lamb, and nothing at all of their colleague, Catherine Standish. But Moira Tregorian has taken over Standish's office with a view to straightening out Slough House's administration, and a basically mute JK Coe from
The List: A Novella is sharing River's office. Elsewhere in the Service, new characters Whelan and Flyte have been brought in to take over key roles.
The action begins with a BANG! - a suicide bomber in a crowded London shopping centre. But from then on, the intrigue becomes very internally focussed, hinging on the exploits of David Cartwright 20 years earlier when he was First Desk in all but name. This is most unfortunate, because as River confides in Louisa, there is a fear that the senior Cartwright's mind and memory are failing him.
As the deceptions pile up and the body count rises, readers might wonder if anyone is going to make it through to the end!
So this time the slow horses aren't just roped into the action; it's actually about them, and I think this is why I enjoyed the book even more than the previous instalments. I am totally invested in their story, so I was on the edge of my seat, trying not to chew my nails, turning the pages as quickly as I could (are you getting the picture?) to see how this was going to be resolved.
A thoroughly satisfying addition to the Slough House series.
With thanks to NetGalley and the publisher for a copy to read and review. -
Mick Herron has really hit his stride with the fourth book in the Slough House series! River Cartwright is an inspired creation, grandson of an admired British “spook” (that’s a spy to you & me) who has been sabotaged during a training exercise by a frenemy and ended up in Slough House, the place where failed spies go to be punished for their sins.
There’s been a bombing of a shopping centre, plus River is starting to worry about his grandfather’s mental state. He has the same concerns that everyone has about relatives with dementia, plus the added concern that his grandfather may indeed shoot someone who comes to the door, believing that they are out to get him. That spy-paranoia doesn’t just go away just because he is losing his grip on every-day life.
As per usual, Herron provides a complex plot, with plenty of twists & turns to keep the reader on their toes. There are interesting revelations from the past, political machinations of the most vicious & devious kinds, and Herron isn’t afraid to sacrifice a person or two along the way. The ending is also skillfull—I was given enough resolution to satisfy, while still left with enough loose threads that I am happily anticipating the next installment. Well played! -
Zdecydowanie najlepsza część tej serii. Klimatyczna, z poczuciem czarnego humoru i z ironią, którą uwielbiam!
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This is the fourth in the Slough House series – which is, to my mind, the best spy series since Le Carre. I really feel this series should be read in order; the first novel is, “Slow Horses,” but however you discover them, if you enjoy witty, dark, intelligent and realistic spy novels, then you need to give these a try.
The novel begins with a bomb in a shopping centre, which, of course, the Secret Services are involved in investigating. Well, all except the residents of Slough House, which is where the rejects are housed. Those members of the intelligence service who should have been sacked because of various problems – whether it is gambling addiction, alcoholism, drug addiction, making a monumental mistake or just being of no use to those at the Park. Instead, they are left, chomping at the bit, doing repetitive administrative tasks and dreaming of being back in the action.
Since the last book, much has changed. There is a new First Desk in Claude Whelen, and a new Head Dog in Emma Flyte. However, these two will soon learn that part of being involved in the Secret Service is that there are secrets and many are kept even from those who should be in the know – and which may come back to bite those who have inherited them. Also, talking of secrets, River Cartwright is concerned about his grandfather, the former spook, and near legend, who is growing old and forgetful. He is also becoming talkative and that, when you have access to the kind of information he once held, can be dangerous.
If River was concerned about his grandfather, he was right to be so. For it seems that his unguarded comments have brought unwanted attention and that means that it is up to Jackson Lamb to get involved. As with all of these novels, there is a real sense of danger and possible death, tucked between the pages of dark humour and action packed storyline. There is a new slow horse in the disturbed, edgy, J.K. Coe, Moria Tregorian has been brought in to replace Catherine Standish and, bizarrely, Roderick Ho seems to have somehow found a girlfriend…
Without doubt, this is a fantastic read. Yes, there are gunfights and secret meetings and undercover agents, but Mick Herron wraps up the spy stories with a good dose of reality. These agents are real people, with real problems and are not superhuman. More is the pity, for Herron makes it clear that those charged with protecting us often pay with their lives. Still, I hope that there are more books in this series to come, because each book just seems to get better and it is a series I am so glad that I discovered. -
Although I am an unrepentant addict to Mick Herron books, this one only deserves 4*. When I say "only" I do not mean to imply that is not a wonderful, very Herronesque book. It is certainly both of those.
A characteristic that Herron's Slough House books seem to share is a good deal of scene-setting. The scene is generally Slough House or a location of a Slough House occupant's screwup sometimes including the screw-up itself. In Spook Street, the scene-setting went on for so long such that I, with my aforementioned addiction, actually put the book down for a night and began another. I have never before done such a thing with a Slough House book.
Slough House is the place where screw-ups, incompetents and those too strange to fit anywhere go once MI5 or 6 or 73, whatever the British secret service is called, are sent because they cannot fit elsewhere in the service and the service does not wish to be sued for unlawful discharge. After arriving, they are given tedious, boring, meaningless tasks to do with the hope that they will become intolerably bored and quit. Most don't.
In each Slough House story, a situation arises where some or all of the Slow Horses, as they are called, find themselves involved in an actual spy issue. In Spook Street, River Cartwright, a long-time occupant of Slough House, apparently goes to his grandfather's home one evening but said grandfather, once the number 2 guy in the service, not fully believing that the visitor is River, apparently shoots him in the face...twice. Yes, I know that I have used the word "apparently" twice in the sentence...mea culpa, mea culpa, mea maxima culpa. Happy now?
The grandfather then wanders off into the night as he is beginning the descent into dementia and is prone to do such things occasionally. The service then engages in both its best and its worst behavior to ascertain exactly what happened and far more importantly, to avoid even a fragment of responsibility for the mess (literal and figurative).
Herron, as usual, weaves an incredible tale which, to those familiar with the service (which does not include me but I have made a supposition) reeks of reality including deceit, manipulating, falsely taking or avoiding credit, etc.
Herron has such a unique style that many may not enjoy it although he is one of my very favorite authors. To enjoy a Slough House book, you must be able to truly enjoy irony, subtle and farcical humor, crude and elegant language and passages, and very complex plots.
If you choose to read Spook Street and have not read other Slough House books, please start at the beginning of the series because you will lose much if you do not.
Over and Out -
This series almost defies categorization - it's very funny at times, and then someone gets killed and it's suddenly serious for a while. It's supposed to be about the screwups, but then they seem to be the only ones who know what's going on, in spite of the best efforts of those in charge to keep them down. Jackson Lamb, the leader, acts like they're all a bunch of losers, but then he comes through for them when they need him, except when he's firing them suddenly for little reason. Lamb is a boss from hell if you take him seriously. I don't know if I could, but I suppose you need to when he's the boss. But he always seems to go well above and beyond any thoughts of good manners or political correctness, so far beyond that he has to be doing it on purpose - but is he?
I'd hate to work for Jackson Lamb, but he sure does make things interesting to read about.
This one seems to have a more exciting story than many of the others, but there is still the trademark craziness that makes the series so much fun. -
Slough House is the home of the “Slow Horses,” those MI5 agents who have screwed up one too many times. For some, one screwup may be enough, like when an agent leaves sensitive intelligence documents on the Tube. For others, like those with alcohol, gambling, anger-management and general dickishness issues, the transfer across the river from MI5 headquarters was more of a last straw kind of thing.
Why transfer the losers to Slough House instead of just canning them? The idea is that while firing could lead to messy and annoying employee claims and litigation, banishment to Slough House will incentivize the Slow Horses to terminate employment on their own initiative. And who wouldn’t? Slough House is decrepit, with dodgy heating, no security, and obsolete equipment. The Slow Horses have to share offices with other Slow Horses, and of course each thinks s/he’s the one case where banishment was just a big misunderstanding, while all the other Slow Horses are wankers. But the best incentive to quit is the boss, Jackson Lamb. Lamb wears all his recent meals on his clothing, uses flatulence as a weapon/torture device, and has a tongue that could julienne granite. I’d say he doesn’t suffer fools gladly, but he doesn’t suffer anyone gladly; he’s as likely to casually insult the head of MI5 as the newest Slow Horse.
The Slough House series began with Slow Horses, then Dead Lions and next Real Tigers, making Spook Street #4 in the series. It’s not necessary to read the books in order, but I think it’s preferable to at least begin with Slow Horses to get the full, um, flavor of Jackson Lamb and his not-so-merry band.
In Spook Street, two problems bedevil the Slow Horses––and MI5. River Cartwright, one of the Slow Horses, was raised by his grandfather (known semi-affectionately as OB, for the Old Bastard), who is an MI5 legend, now long retired. Unfortunately, the OB is going down dementia road, which is a concern for any family member, but also for the intelligence services who want to keep their secrets buried. Is the OB in danger from old enemies––and maybe even old friends?
Meanwhile, the city is rocked by a terrorist explosion killing dozens of mostly young people. You’d think that catching the perpetrators would be priority #1 at MI5, but Diana (“Lady Di”) Taverner’s prime lookout is, as usual, herself, and finding a way to get rid of the the latest obstacle to her promotion to First Desk.
The OB and terrorist plots zip along, with Herron’s usual blend of tension, thrills and facepalm moments. Herron’s depiction of the members of the intelligence services is as entertaining as usual, even knowing that we’re all in big trouble if he’s anywhere close to being accurate about their conniving, self-serving, dishonest and bumbling ways.
I knocked off one star because the plot seemed more to stop than to resolve. Most likely that just means that there will be more to come in future books in the series, but I was still left with a little bit of the “but what about . . . “ feeling when I turned the last page of the book. -
“Slough House was a branch of the Service, certainly, but ‘arm’ was pitching it strong. As was ‘finger’, come to that; fingers could be on the button or on the pulse. Fingernails, now: those you clipped, discarded, and never wanted to see again. So Slough House was a fingernail of the Service: a fair step from Regent’s Park geographically, and on another planet in most other ways. Slough House was where you ended up when all the bright avenues were closed to you. It was where they sent you when they wanted you to go away, but didn’t want to sack you in case you got litigious about it”
Spook Street is the fourth book in the Slough House series by British author, Mick Herron. Jackson Lamb is hungover, par for the course, but not the best state for dealing with a problem of this magnitude. David Cartwright, Service legend and grandfather of one of his Slough House crew, has apparently shot and killed his grandson. River Cartwright had been worried that the O.B., subsiding into dementia, would do something silly and dangerous, and that does seem to be what has now happened.
Elsewhere in London, Security Services are investigating a flash-mob gathering that was targeted by a suicide bomber, leaving forty-two dead. The two events would appear to be unrelated, but the identities of those involved begin to suggest otherwise. Bad Sam Chapman, David Cartwright’s back-up, back in the day, is now working as a PI, but a man with his Service training knows when he’s being followed. They may be “…exiled to Slough House with the other catastrophes of the intelligence world; sentenced to plough away at a series of unpromising projects with no end in sight…” but when the Slough House crew realise someone is trying to kill Sam, Jackson decides they are “operational”. And when this bunch of misfits takes to the streets and the computers, who knows what might happen.
Herron gives his characters smart, snappy dialogue; his plot is imaginative but also wholly believable, with several twists and turns to keep it interesting; there’s a bit of double entendre and plenty of humour (much of it black) that will have readers snickering, giggling and laughing out loud. As the fourth instalment of a series, it doubtless contains some spoilers for earlier books, but can easily be read as a stand-alone. Almost certainly, many readers will be seeking out the rest of the series and more of Herron’s creations. Clever and original, this is brilliant British spy fiction.
With thanks to Bookstr and Hachette Australia for this copy to read and review. -
Another terrific installment in this series. I'm plugging this to everyone as Christopher Brookmyre meets John le Carre, which seems fair: the spy stuff is nasty and multi layered and morally bleak, the enemy is very much within all the time, the body count is brutal, including regular series characters, to keep you on your toes. It's also laugh-out-loud funny, if extremely dark, with gloriously nasty dialogue and some brilliant narrative jokes. (Roddy Ho, consigned to oblivion in Slough House not because he's a screw up but simply because he's an utterly intolerable person, starts his day by going to Amazon and leaving a one-star review on a randomly selected book. I knew it.)
Jackson Lamb is a gargoyle who always says the worst and most offensive possible thing, but there is also a deep (very deep, needs mining equipment) vein of humanity running through these that sucks you in to the ongoing story of the slow horses as much as the twisty plots. Hugely readable. -
Jackson Lamb und seine „Slow Horses” sind zurück! Im vierten Teil seiner Serie kapriziert sich Autor Mick Herron auf einen einzigen Tag, an dem sich die Ereignisse im und um den MI5, den britischen Inlandsgeheimdienst, einmal mehr überschlagen. Nach einem fürchterlichen Anschlag auf einen Flashmob, bei dem Dutzende junge Menschen starben, sind sämtliche Dienste im Ausnahmezustand. Selbstredend werden den Versagern im Slough House, die hier mit niederen Arbeiten gequält werden, nachdem sie alle an irgendeinem Punkt ihrer Karrieren kaum entschuldbare Fehler gemacht haben, auch diesmal nur Aufgaben zugeteilt, deren Ergebnisse im Grunde niemanden interessieren. Und wie wir es mittlerweile gewohnt sind, werden sie – eher durch Zufall, denn durch ambitionierte Arbeit – einmal mehr in die Geschehnisse hineingezogen und müssen schließlich über sich hinauswachsen, um den Aufgaben, die sich stellen, gerecht zu werden. Derweil versucht River Cartwright, ein „Slow Horse“ der ersten Stunde, den Geheimnissen seines Großvaters auf die Spur zu kommen, was ihn nach Frankreich führt, wo er schließlich nicht nur mit einem fürchterlichen Programm des MI5 konfrontiert wird, sondern auch mit seiner eigenen Geschichte.
Herron bietet wieder urkomische Dialoge, erneut werden wir Zeugen der dunklen Machenschaften nahezu aller Beteiligten im Dienst, einmal mehr wird dem Leser vor Augen geführt, daß nichts so gefährlich für die „nationale Sicherheit“ ist, wie der eigene Geheimdienst. Doch diesmal nimmt der Autor die internen Intrigen etwas zurück. Der Innenminister, der im dritten Teil – kaum verhüllt als eine Karikatur von Boris Johnson zu identifizieren – noch eine Art Staatstreich plante, und die Leiterin des Dienstes, Dame Ingrid Tearney, haben ihren Hut genommen und sich ins Privatleben zurückgezogen, die stellvertretende Direktorin Diana Taverner, übergangen bei der Neu-Besetzung des Chef-Postens, spinnt weiterhin ihre gewohnten Netze, stellt Fallen und intrigiert gegen nahezu alles und jeden. Nichts Neues also. Im Slough House selbst sind neue Mitarbeiter eingetroffen und auch diesmal wird es einen von den alten Recken erwischen, wenn die gammelige Bude, in der Lamb und seine Lämmchen untergebracht sind, von einem Profikiller angegriffen wird. Und zum Glück gelingt es Lamb auf seine unnachahmliche Art, auch seine Sekretärin Catherine Standish, die zum Ende des Vorgängerbandes gekündigt hatte, zurückzuholen. Wie immer wird auch hier wieder viel gefurzt und gerülpst, Lamb beleidigt jeden um sich herum und verdeutlicht wie immer, wer hier Koch, wer Kellner ist.
Und doch ist einiges anders in diesem Band. Denn Herron greift mit dem Selbstmordattentat zu Beginn des Buchs auf ein Szenario zurück, welches Europa, auch Großbritannien, in den vergangenen Jahren als wahre Bedrohung kennen gelernt hat. Er trägt der Tragik Rechnung, auch wenn er einmal mehr zeigt, wie nahezu jedes Ereignis, egal wie viel Elend und Leid es mit sich bringt, von Zynikern und Machtmenschen zum eigenen Vorteil genutzt wird. Doch gibt es Szenen – und die sind auch auf anderer Ebene sehr interessant – in denen bspw. Lamb einem Gegenüber deutlich zu verstehen gibt, daß der Spaß auch für ihn an diesem Punkt vorbei ist. Keine abfälligen Sprüche über die Opfer, kein Zynismus seinerseits. Dadurch gewinnt diese Figur noch deutlicher an Kontur, wird differenzierter, vielschichtiger. Dieser Typ, ein waschechter Veteran des Kalten Krieges, der offenbar mehr Geheimnisse mit sich herumträgt, als die ganze Chefetage des Dienstes zusammen, ist in all seiner barocken Widerwärtigkeit eben auch ein tragischer Charakter. Er ist ein Fossil, ein Dinosaurier. Er entstammt einer Zeit, in der das Spiel der Dienste ein wirklich geheimes, verborgenes war, als Agenten noch „im Feld“ standen und dort durchaus ihr Leben ließen, irgendwo verscharrt und vergessen wurden. Nun ist die moderne Zeit der Analysten angebrochen, der Schreibtischhocker, welche Material und Informationen an Rechnern verarbeiten und kaum mehr wissen, was es bedeutet, Material und Informationen vor Ort zu beschaffen. Analog.
Auch den Themenkomplex um Cartwrights Großvater, einst graue Eminenz des Dienstes, nie selbst Chef, aber immer derjenige, bei dem die Fäden zusammenliefen, jetzt ein zusehends durch eine Altersdemenz verwirrter alter Mann, nimmt Herron ernst und gibt die Figur nicht der Lächerlichkeit preis. Daß düstere Geheimnisse ans Tageslicht kommen, weil der Geheimnisträger langsam wirr wird, dürfte sich Herron von Martin Suter abgeschaut haben, der dieses Szenario nahezu genial in seinem Roman SMALL WORLD (1997) durchspielte. Hier hat es natürlich eine andere Dimension, denn der „Old Bastard“, wie River seinen Großvater liebevoll nennt, trägt wirkliche Staatsgeheimnisse in sich – was River und auch Lamb auf die nicht abwegige Theorie bringt, daß es der MI5 selbst sein könnte, der dem ehemaligen Mitglied der Führungsebene nach dem Leben trachtet. Dies nämlich ist der Ausgangspunkt der Geschehnisse dieses Bandes: Im Haus von David Cartwright wird die Leiche eines Mannes gefunden, der River Cartwright zum Verblüffen ähnelt und von Lamb auch als River Cartwright identifiziert wird. Natürlich ahnt der alte Fuchs zu diesem Zeitpunkt bereits, daß hier etwas im Argen liegt.
Herron beweist im vierten Teil seiner Agentensaga einmal mehr – und deutlicher als in den Vorgängerbänden – , daß es ihm gelingt, das Komische mit dem Tragischen zusammenzuspannen und sprachlich das schwierige Manöver zu bewerkstelligen, das eine nie gegen das andere auszuspielen, sondern eins im andern aufscheinen zu lassen. Daß das auch auf Deutsch funktioniert, ist einmal mehr den Übersetzungskünsten Stefanie Schäfers geschuldet, die auch diesen Band kongenial ins Deutsche übertragen hat. So bleibt es immer unterhaltsam, Tempo und Spannung stimmen und, wie immer, gibt es hier nicht ein Wort zu viel, ist die Konstruktion des Ganzen auf den Punkt getimt. Großartige Unterhaltungsliteratur! -
Ian Rankin says this is "a terrific spy novel". That's good enough for me and I've read the first 3 in the Jackson Lamb series. This is number 4 and if Ian Rankin says it's terrific - which it is - that should be good enough for you too. Highly recommended.
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The more I read of this series the more I love it! For me this is the best so far. Good overall story line, good new characters and Jackson Lamb!! Thoroughly enjoyed it.
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Mick Herron has created a fantastic series of spy thrillers in the Slough House series and this, the fourth, is well up to the brilliant standard of its predecessors.
Not a great deal more need be said, really, but this is another rather twisty tale of the washed-up spooks of Slough House, dragged into the aftermath of a terrorist outrage and lots of consequent internal Intelligence politics and nefarious dealings, some going back decades. The plot is good, although perhaps slightly less plausible than previous books – but who cares? It's still a gripping, superbly told tale with the magnificent Jackson Lamb at its heart and Herron manages to make this both hilarious and chilling – sometimes simultaneously. Lamb and his ragbag of rejects are again superbly drawn, damaged characters, about whom we somehow care, Lamb himself remains his cynically obnoxious self and I laughed out loud regularly, as I always do when reading Mick Herron's books. Lamb is one of the great creations of modern fiction.
If you haven't yet read the Slough House series I would recommend reading the others in order first (Slow Horses, Dead Lions, Real Tigers), but this can be read on its own. If you have read the others you'll need no encouragement from me; this is an excellent addition to what is becoming a classic series and is very warmly recommended.
(I received an ARC via Netgalley.)