| Title | : | Fire Season: Selected Essays 19842021 |
| Author | : | |
| Rating | : | |
| ISBN | : | - |
| ISBN-10 | : | 9798874683528 |
| Language | : | English |
| Format Type | : | Audio CD |
| Number of Pages | : | - |
| Publication | : | First published April 12, 2022 |
Whether he’s describing Tracy Emin or Warhol, the films of Barbet Schroeder (“Schroeder is well aware that life is not a narrative; that we impose form on the movements of chance, contingency, and impulse....”) or the installations of Barbara Kruger (“Kruger compresses the telling exchanges of lived experience that betray how skewed our lives are…”), Indiana is never just describing. His writing is refreshing, erudite, joyful.
Indiana champions shining examples of literary and artistic merit regardless of whether the individual artist or writer is famous; asserts a standard of care and tradition that has nothing to do with the ivory tower establishment; is unafraid to deliver the coup de grâce when someone needs to say the emperor has no clothes; speaks in the same breath—in the same discerning, insolent, eloquent way—about high art and pop culture. Few writers could get away with saying the things Gary Indiana does. And when the writing is this good, it’s also political, plus it’s a riot of fun on the page.
Here is Gary Indiana on Euro Disney resort park in Marne-la-Valée outside of Paris:
John Berger compares the art of Disney to that of Francis Bacon. He says that the same essential horror lurks in both, and that it springs from the viewer’s imagining: There is nothing else. Even as a child, I understood how unbearable it would be to be trapped inside a cartoon frame.
Fire Season: Selected Essays 19842021 Reviews
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The art criticism I can take or leave, as most of it is beyond my ken. The travel pieces are hilarious, nasty. Gary Indiana is cruel in a way that only a brilliant kid from the sticks who found success in the big city can be. Could be . The world that Gary Indiana infiltrated and shaped is over now, thanks in part to people like him, the avant-garde of gentrification. All that's left are rich kids playing pretend.
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def will be reading more gary indiana. there are some heaters in here.
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Essential!
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Gary Indiana's knowledge feels vast and his way ot seeing, slightly askew. For me, this makes for a winning combination, whether it is about film, art or politics.
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Very well done, RIP Gary.
My favorite essay was the one from the early 1990s on Branson, Missouri.
