The Baffler No. 24 by John Summers


The Baffler No. 24
Title : The Baffler No. 24
Author :
Rating :
ISBN : -
Language : English
Format Type : Kindle Edition
Number of Pages : 290
Publication : First published January 20, 2014

Let the games begin! The Baffler no. 24: The Jig Is Up! is dedicated to all the ways in which play is now work, science is now dogma, and even science fiction is a billionaire's playground. From David Graeber and Barbara Ehrenreich on why animal play can't be rationalized away, Ian Bogost's adventures with Candy Crush Saga, and our own John Summers's tour of the people's republic of Zuckerstan (formerly Cambridge, MA), it's guaranteed to be fun, fun, fun.

Contents:

Under the Table

The Rites of Play
John Summers

Against Merit
Gabriel Zaid

Nerds on the Knife Edge
Jaron Lanier

Successitudes™

God’s Game
Erik Simon


Photo Graphic

The Real Toy Story
Michael Wolf


The Jig Is Up!

The People’s Republic of Zuckerstan
John Summers

What’s the Point If We Can’t Have a Little Fun?
David Graeber

A Thing or Two about a Thing or Two, a.k.a. Science
Barbara Ehrenreich

The Billionaires’ Fantasia
Gene Seymour

Hoard d’ Oeuvres: Art of the 1 Percent
Rhonda Lieberman

Play, Dammit!
Heather Havrilesky

Rage Against the Machines
Ian Bogost


The Dollar Debauch

Neoliberalism, Revolution in Reverse
Chris Lehmann


Lackeys

Deal Me Out
A stacked deck at the New York Times
Alex Pareene

The Vertically Integrated Rape Joke
The triumph of Vice
Anne Elizabeth Moore


Story

Bcc: Dridge
Paul Maliszewski and J. Wagner


Poems

Chemical Life
Timothy Donnelly

Learned
Fanny Howe

Narcissus Tweets
Airea D. Matthews

Concerned Possibly Overly Concerned with The Eagle Warehouse & Storage Company of Brooklyn 1893
Dara Wier

A Monkey Could Do This (and)
You and Me are not friends, OK?
Simone White

It was the year we turned to dragons
Metta Sáma

What It Look Life
Terrance Hayes

A Poet’s Guide to the Assassination of JFK [the Assassination of Poetry]
Thomas Sayers Ellis


The Literary Playground

Feminism for Them?
Susan Faludi

Tom Clancy, Military Man
Andrew Bacevich

Decently Downward
An appointment with John O’Hara
William T. Vollmann


Grave Dance

How Sweet Is It?
George Scialabba


Xcerpt

Feminism for Men
Floyd Dell


Graphic Art

Brad Holland
Mark Dancey
Mark Wagner


The Baffler No. 24 Reviews


  • Stuart

    A new Baffler is always a cause for celebration. A Baffler themed on the corporatization and commodification of "play" doubly so.

    As with most issues of the Baffler, the poetry doesn't quite do it for me. Overall the theme is tight and concise and most of the long-form pieces hit their marks.

    Susan Faludi's analysis of Floyd Dell is excellent, and Frank, Graeber, Havrilevsky, Pareene and Lehmann should all be proud of their contributions.

    The two biggest pieces, one about science fiction and the other about Cambridge, offer up what The Baffler does best: an exploration of what the cultural inputs of our Ruling Elite might mean for us on a policy level side by side with an in-depth analysis of a municipality laying itself bare for an "innovation economy."

    Also William Vollman shows up and talks about John O'Hara. Thanks, Bill!

    Two pieces felt a little off to me: The first being Ian Bogost's piece on video games, which ignores the history as well as the vast majority of games in order to make a point about the cynical machinations of free-to-play gaming that forbids any notion that video games might exist for a reason other than making people money; and Anne Elizabeth Moore's piece on Vice and News Corp, which tries to do too much in too little space. The tone in Bogost's piece is doubly weird, since it ignores his history as a designer of Cow Clicker, a game in which you click cows and not really much more than that.

    Overall, this issue of the Baffler digs into interactions between economics, the law, science, parenting and play and delights in the middle-class and institutional anxiety it exposes. Worth a read.

  • Steev Hise

    Took me awhile this time, but the issue does not disappoint. Highlights are the piece by David Graeber about play, the Susan Faludi article on feminism, and the excellent take-down of Vice magazine.