| Title | : | The Fury and Cries of Women |
| Author | : | |
| Rating | : | |
| ISBN | : | 0813936020 |
| ISBN-10 | : | 9780813936024 |
| Format Type | : | Hardcover |
| Number of Pages | : | 232 |
| Publication | : | First published January 1, 1989 |
Emilienne's active search for feminism on her own terms is tangled up with cultural expectations and taboos of motherhood, marriage, polygamy, divorce, and passion. She completes her university studies in Paris; marries a man from another ethnic group; becomes a leader in women's liberation; enjoys professional success, even earning more than her husband; and eventually takes a female lover. Yet still she remains unsatisfied. Those closest to her, and even she herself, constantly question her role as woman, wife, mother, and lover. The tragic death of her only child--her daughter Rekia--accentuates Emilienne's anguish, all the more so because of her subsequent barrenness and the pressure that she concede to her husband's taking a second wife.
In her forceful portrayal of one woman's life in Central Africa in the late 1980s, Rawiri prompts us not only to reconsider our notions of African feminism and the canon of francophone African women's writing but also to expand our awareness of the issues women face across the world today in the workforce, in the bedroom, and among family and peers.
The Fury and Cries of Women Reviews
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Emilienne, the in many ways privileged protagonist of Angèle Rawiri’s The Fury and Cries of Women, has gained repute involved supporting women’s causes and a successful career eclipsing that of her husband, Joseph. But suffering and feeling a failure in her social and personal life, especially when it comes to marriage and the maternal, her future and life becomes hazy, as she both compromises on and defies the roles society, family, and herself set for her.
Today with one able to peruse the works of several Gabonese writers, this older novel, translated by Sara Hanaburgh, I chose in part for its main character. Emilienne is a defiant woman who at one point finds solace in the arms of another woman. Indeed, even the word lesbian is on the page. Though this use is not in a positive scene, negative shifts further mirrored earlier in the writing around the relationship. While Rawiri‘s last novel of three, notable for more greatly broaching several subjects, including the taboo, it is nonetheless not one where breadth or sensitivity is always reflected. A more detailed evaluation requires a long tangle of quotes and spoilers.
For a novel classed and immersed in its protagonist’s beliefs around women’s issues, the varieties therein of feminism and individual meaning of such in action and conflict, the writing neglects to fully defy certain (personal?) beliefs. Is it at the same time too much for 1989 yet radical perhaps? Comparing some other contemporary works with intimate relationships between women by other African writers (though an author might disagree with the perspectives of academics, readers, ect about their works or, or hold real life prejudices not clearly reflected in their work) the answer is it’s complicated— especially when works and concepts cross the globe. Today over three decades later, the matter is still a longstanding taboo causing stigmatisation. Though in 2020 Gabon did pass legislation to decriminalise homosexuality revising its laws, made formally illegal just a year previous. Unsurprisingly this revision decried by religious leaders. As well religious or spiritual themes appear in Rawiri’s novel. One instance is around another still relevant and big, taboo topic of the 1980s, HIV/AIDS.
While an example of the multiple way Rawiri also introduces parallels in the dichotomy of African vs Western, tradition vs modern, once more the writing is not evenhanded. Again, one must ponder the same question of time, culture, and literary canon. Too while the ending of the novel, I am not going to describe, can be interpreted as good for its protagonist, it is not necessarily well-written or without a dual edge.
However, what cannot be argued is Rawiri made her mark in history during a short writing career as her country’s first woman novelist in the 1980s, an influence inspiring more authors. Also, to her credit The Fury and Cries of Women, despite weaknesses, is writing that can still hold interest and is worth sitting with.
(content notes: child death, grief, infertility, infidelity, miscarriage, alcohol abuse, bulimia, homophobia, illness, religious themes, animal cruelty, domestic abuse, maternal mortality, murder, pregnancy, sexual content, toxic relationship) -
A very interesting portrayal of a woman struggling to establish and assert herself in a way that doesn't define her entirely through her husband, despite the fact she earns more than him, and provides the house in which her husband and mother in law live. The novel is about her confusion, and in some ways confused itself. It's specific to a privileged class, though Emilienne does link her struggles to those of working class and rural women (at one point at an international conference, the one point at which her work seems to have any real meaning). However, when she ventures briefly into an impoverished part of her city (in a fictional country that is presumably a lot like Gabon), she witnesses a murder in a bar, which seems a rather melodramatic way to represent social ills. And the representation of her lesbian relationship is also rather dismissive. But it is represented, as is tribal resentment for example, and this all adds to an interestingly complex rendering of a character and of a society that values women only in so far as they bear children and tend to the needs of men, though maybe these powerful forces can be resisted.
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Around the World Reading Challenge: GABON
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I enjoyed this book, but I didn't love it. The writing style didn't totally resonate with me, which could fully be an issue of translation, but it did prevent me from fully immersing myself in the story. I also just found it a bit depressing. I'm glad to have read it, but it just wasn't fully my cup of tea. I was also a bit disappointed that, given some of the more feminist strides made in this novel, that the depiction of queerness wasn't handled quite so deftly, though that's not entirely unexpected given the time period, and the fact that the novel explicitly includes and names "lesbianism" is a stride in and of itself. -
Gabonese literature is something with very little exposure to beyond francophone countries and even so, it was one of the African countries where the national literature started of quite late. Thus, I was happy when I found a novel translated into English (as my French is really rusty and I hardly could read literature in it).
And the prose of Angele Rawiri is quite a nice read. The characters are very good and the relationship between them are sufficiently detailed and intricate to make it an interesting book. However, I had a feeling of reading a novel out of which a soap opera could be made as it focuses very much on the drama and tragedies of relationship between a complicated family, both for personal reasons and for social ones.
I also liked to learn how the complicated ethnical background of various people affect the ordinary life in Africa, which is something that is relatively minor in many European countries which are very much created on ethnical lines and even in the case of exceptions, there is a very strong tendency to accept the people which are different than you. -
Trigger warnings for death of a child, animal abuse, and discussions of miscarriage and infertility.
The Fury and Cries of Women is set in the 1980s and it’s one of those stories that seems as relevant today as when it was first published in 1989. Emilienne has a good job (that earns more than her husband) and she’s educated but all society and those closest to her seem to care about is her ability to have children – and she’s not immune to those thoughts either.
The Fury and Cries of Women can be a tough read at times because Emilienne puts up with so much from everyone around her including her parents, her sister, her husband and her mother-in-law that it’s surprising to takes her so long to snap at them when I got so mad at them when just reading about it. Her mother-in-law is especially awful as she thinks Emilienne is not good enough for her son and she conspires to end their marriage, even reaching out to her son’s mistress. Meanwhile, while the things they say are still bad, at least it’s still clear that Emilienne’s family cares about her.
I feel like The Fury and Cries of Women would be difficult read for any woman who doesn’t have children, whether by choice or because they have their own fertility issues and heartbreak. The things characters say about women who don’t have children (never considering the fact they may not be able to) are incredibly harsh and are along the lines of “a woman’s purpose is to be a mother”, “you’re not a real woman if you don’t have children”, “it won’t be your husband’s fault if he leaves you because the role of the wife is to produce an heir” etc. Emilienne wants to have more children but ever since her daughter she’s not been able to carry a pregnancy to term in years. In fact, the opening chapter has Emilienne going through a miscarriage alone in her bed and she struggles to clean herself and hide the evidence from her husband of what she deems as another failure. Emilienne feels like a failure and when everyone around her is pretty much saying the same it’s not a surprise.
Her husband Joseph is pretty much absent from their marriage. He stays for days or weeks at his mistress’s house, moving clothes out of his marital home, ad constantly lies to Emilienne about where he’s been and who with, sometimes making her doubt her own mind. Joseph seems to have a sense of obligation to Emilienne but at the same time refuses to be the one to ask for a divorce and possibly give her a chance to be happy. Likewise, Emilienne refuses to ask for one because all the failures of their marriage would be placed at her feet.
The Fury and Cries of Women is a quick and engaging read even though it can be tough, seeing all the emotional and verbal abuse Emilienne. Also, it has a very abrupt ending and not a particularly satisfying one as none of the various conflicts in Emilienne’s life are solved. The Fury and Cries of Women doesn’t tie everything up neatly – or at all – which perhaps shows how true to life this story is. -
Emilienne is well-educated, wealthy and very successful; more successful, in fact, than her husband Joseph. Theirs has been a match of love: they married against opposition from their respective families, who are from different regions and tribes. But the years have taken their toll on the marriage. Emilienne and Joseph had one daughter, Rékia, very early on; but since then, Emilienne’s many efforts to conceive have all been in van: every time she’s conceived, she’s had a miscarriage. Distressed and frustrated, Emilienne is also painfully aware that Joseph has lost interest in her and has acquired a mistress...
The Fury and Cries of Women is an interesting look at feminism in Africa. One would expect that a well-educated and progressive woman like Emilienne would not want to be so obsessed with having children, but this, instead, turns out to be an empowering aspect of womanhood: the power to bring forth life. The way Rawiri depicts Emilienne, raw and emotional, warts and all, brings her vividly alive. This is a woman who can be both introspective and cautious, as well as impulsive and brash; who, despite all her education, doesn’t baulk from turning to traditional medicine and witch doctors to solve her problem. A woman who’s an interesting (and possibly very real?) mix of West ad Africa, of modernity and tradition.
The homosexuality in the plot was something which didn’t ring true for me; this was a bolt out of the blue, and I could not see any reason for one of the people involved to have entered that relationship. Could someone with no predilection for a same sex relationship so calmly get into a relationship with another person of the same gender? I don’t know, though I suppose Rawiri was implying that extreme stress and unhappiness can send people into the arms of even those they’d never have thought of in erotic (or romantic) terms before. Whatever the case, I found this a little false, and the way the relationship was ended was somehow not just one-sided, but hard-hearted. Not what I’d have expected from a nuanced and sensitive character like Emilienne. -
The Fury and Cries of Women is a novel by Angèle Rawiri, the first novelist of any gender from the country of Gabon. It was translated from the French by Sara Hanaburgh. It focuses on Emilienne, a woman whose marriage is falling apart—she’s dealing with multiple miscarriages, her mother-in-law is determined to undermine her at any cost, and her husband is sleeping with another woman. Then, her only daughter is murdered.
It’s a powerful novel about the sexist pressures imposed on women in Central Africa, from the shaming of infertile women to the way that her husband feels insecure and threatened because she earns more than he does. The book explores queerness (albeit in a toxic way), internalized sexism, grief, and Rawiri’s tug-of-war between the fierce loneliness of independence and her desire to stay with the man she chose to marry over their parents’ objections.
Content warnings for fatphobia, infertility and prejudice against infertile women, tribalism, miscarriage depiction, child’s death, AIDS fear, disordered eating, alcoholism, homophobia. -
Fureurs et cris de femme, while detailing a seemingly mundane life of a wife struggling with sterility and a cheating husband, is anything but banal. Through the depiction of Emilienne’s daily life and struggles with gender expectations, Rawiri cleverly critiques misogynistic concepts of women’s worth such as maternity, sterility, and work (especially how they should only be valued for domestic work, and should never make more than their husband). The plot twist at the end is mind-blowing, though the book’s pace is a bit slow and some parts are repetitive.
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This novel is incredibly violent and brutal. Within the first four chapters the main character has had a miscarriage, seen her daughters corpse and witnessed a murder. The book is well written, so these scenes feel very evocative and immersive.
The main character Emilienne has a good career, money and has defied her family in her marriage. However she is barren after having one daughter and her husband is straying away from her and threatening their marriage and her love for him. In this novel she battles with the traditional role of women vs her career, a woman as a wife and a mother. -
This resonated. Despite her degree, her job that pays more than her husband her societal standing is predicated on her ability (or not) to have children. Written in the 1980’s it seems from my limited experience to be ahead of its time in discussing feminism, bereavement, infertility, child mortality, childbirth mortality, lesbianism and the role of women many of which I think are still relatively taboo in some societies. Probably 4.5 but has a rather abrupt ending.
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The latest entry for The Africa Book Challenge The Fury and Cries of Women is now available.
Click on the URL on the profile page to learn more about this fascinating exploration of a woman's struggle with infertility, marital issues, and loss by a pioneering Gabonese author. -
3,5 pour être précise. Ce livre aborde sous un angle novateur le sujet, maintes fois traité, de l’infertilité. J’ai apprécié la touche personnelle de l’auteure. Ce qui a manqué, c’est sans doute les émotions attendues face à tant de désespoirs. Le style narratif sans doute…
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I just don't think I have sympathy for upper class women who have every avenue to leave a marriage that is not benefitting them but decide to make themselves the victim
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Emelienne the central character earns more than her husband. Divorce, abortion, reiki, white witch doctors, lesbians, and barren women are all topics represented, which are rare in African literature.- pretty amazing since this was published in 1989.
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COUNTRY: GABON
This novel explores themes of womanhood, motherhood, marriage, and sexuality through the eyes of its main character Emilienne. Emilienne is married and has a daughter, but has suffered a series of miscarriages and is unable to have a second baby. Her infertility causes her to question her own worth as a woman, and that uncertainty is reinforced by the community around her, including her husband and mother-in-law. After her daughter dies, Emilienne’s situation deteriorates even further, and she ultimately has to decide whether to continue in a bad marriage or to strike out on her own.
This book was a pleasant surprise, and it felt very contemporary and relevant. I didn’t particularly like the writing style, and there’s a “twist” that seemed a bit soap operatic, but overall the story was good, and I was rooting for the main character. The author spends a generous amount of time pointing out the double standards between men and women, and exploring both sexual and racial taboos in central Africa. Overall, I really liked it!
