| Title | : | Captain America: The Death of Captain America, Volume 1: The Death of the Dream |
| Author | : | |
| Rating | : | |
| ISBN | : | 0785128492 |
| ISBN-10 | : | 9780785128496 |
| Language | : | English |
| Format Type | : | Hardcover |
| Number of Pages | : | 160 |
| Publication | : | First published November 21, 2007 |
Collecting: Captain America 25-30
Captain America: The Death of Captain America, Volume 1: The Death of the Dream Reviews
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Hey Jeff! Wasn’t Sidekick week three weeks ago?
Bite me!
Captain America Status:
Remember when you were a little kid and one of the tests to measure your cognitive ability was putting pictures from a story in the proper order? Well, I was never very good at that, which was why I ended up with the paste eaters. Flash forward today and I’m reading Brubaker’s epic Captain America saga out of order and trying to make a lick of sense where they fall in context of the storyline as a whole.
Pass the jar of paste.
Bucky/Winter Soldier is having some difficulty going from brainwashed assassin to Mr. Hero and Dr. Faustus (as played by Burl Ives) just won’t get out of his head. It’s all a part of the Red Skull’s master plan to reduce Murica’s economy to the size of the Canary Islands.
After a tussle between Bucky and Iron Man, Iron Man reveals that Captain America wanted Bucky to replace him. It’s in the will. (Is getting bitch-slapped silly by the Winter Soldier also in Cap’s will, Mr. Stark? If it’s not, it ought to be.)
Bucky had already stolen the shield, so it’s just a matter of suiting up and kicking some A.I.M. goons around.
Or is it?
Bucky learns that it’s more than just putting on the uniform and throwing the shield around to be able to stand in Captain America’s shoes and live up to his legacy.
Don’t be a paste eater, kids, read these puppies in order! -
So my neighbor asks if he can borrow a couple of my comic books.
Still don't have them back, by the way...
In return, he offers me this and says, 'It's a collector's item.'
Inwardly, I laughed.
There are three kinds of comic book collectors.
1) Real collectors with stuff like the original Superman in mint condition.
2) Fans who collect the books because they love to read them.
3) Douches who assume they will be worth money later.
Guess which one my guy is...
Anyhoo, I'd already read this collector's item from my local library.
But I figured I could hold it hostage in case he 'forgot' to return my stuff.
Smart move, as it turns out.
And I've also been re-reading Brubaker's run on Captain America, so it worked out in my favor anyway.
I was hoping this would pick up directly after
Captain America Omnibus, Vol. 1 left off, but no such luck.
I really wanted to read the funeral scene again, because that speech from Stark always makes me choke up.
Good stuff...
This one starts off directly after the funeral, and deals with the aftermath of his death to those closest to him.
Bucky gets Winter Soldiered out, and goes after Stark. Stark tries to hold it together while dealing with his conscience and everything at S.H.I.E.L.D going sideways (in every conceivable way).
Sharon is trying to sort out what the hell just happened, now that she knows Dr. Faustus was in her head.
Still not sure if she can't tell anyone what happened, or just won't. Looks like I need to continue with my plan to reread them all.
Falcon is the only one who hasn't gone totally off the deep end, but by teaming up with Sharon, he's thrown himself into a hell of a mess.
Black Widow also becomes a player in this one, and her past relationship with Winter Soldier comes to light.
All in all, this is a great addition to the title, and I'm glad I had the chance to revisit it.
Even though I could have just grabbed it from the library.
Douche. -
In the aftermath of the Civil War, Captain America is gunned down on the courthouse steps minutes before he was going to be arraigned. Now Bucky, the Winter Soldier, is gunning for Tony Stark and his first objective is claiming Captain America's shield...
First off, I went on a hiatus from buying Marvel Comics around the time Civil War hit because it wreaked of hype and things that would be undone at the first opportunity, like Spider-Man revealing his identity and Captain America being killed. Looks like death was a better career move for Captain America than revealing his identity was for the friendly neighborhood webslinger.
Captain America's death sets off a dramatic chain of events, thrusting Bucky, Falcon, Agent 13, and the Black Widow into the limelight. Cap's comrade's reactions to his death were very well done, especially Tony Stark's. If I wasn't a lifelong comic fan and knew Steve would be back in the saddle before too long, I might have wept along with them. With the Red Skull marshalling his forces, Bucky and company are going to have their hands full.
I have to hand it to Ed Brubaker. He does a great job of making Bucky seem like a worthy successor to the mantle, as well as making the Red Skull seem like a viable threat even though he's been defeated hundreds of times over the years. I'm eagerly awaiting the rest of Bucky's metamorphosis into the new Captain America. Let's see if Bru has the stones to make him a worthy lead character, unlike Grant Morrison did with Dick Grayson as Batman. -
I love that this comic has no bullshit buildup to the death of Captain America. That build-up was the entirety of the Civil War storyline, so when
The Death of Captain America kicks off Tony Stark is now the head of SHIELD (mostly successful in imposing the Superpower Registration Act), Captain America has surrendered his rebellious self to end the bloodshed (novel concept that ... the America icon willing to surrender himself to save innocent lives rather than seeking revenge and "victory" at all costs -- but then that's why Captain America kicks so much ass), and all those effected by the Civil War can only stand by and watch while their world shifts around them.
And within seconds of the book's opening Captain America, Steve Rogers, the Super-Soldier (my personal comic book hero) is lying dead on the steps of the courthouse. He's hit by a sniper while trying to save the people around him, even though he's the target, and he's finished off (perhaps?) by a shooter close to him.
The book, therefore, is not about Captain America himself, but about his death and what it means to those he leaves behind: it is about the Winter Soldier's regret; it is about Agent 13, Sharon Carter's, guilt and pain; it is about Tony's arrogance and shame; it is about Red Skull's hate; it is about Black Widow's duty; it is about Falcon's loyalty and sadness. It is about the loss when a mentor, a lover, a friend, an adversary, a comrade, and a brother dies.
Sure we could talk about how the idea of Cap is bigger than the man, how ideals supersede the individual, how the meaning we take away from one's life is more important than the manner of one's death, but I think the most important thing the book does is to offer us the personal stories and reactions of those who loved an icon who was really just a man. It humanizes them just as it humanizes Steve Rogers, and
Ed Brubaker deepened my love for a character I already loved more than any other. This is the quintessential Captain America story. If you dig Cap or think you'd like to, this book is a must read. -
At the conclusion to Marvel Civil War, Captain America surrender to Tony's forces. As he heads to trial, Cap is murdered.
In the aftermath of Captain America's death, the whole world seemingly reacts in its own way. Bucky, Falcon, and Sharon Carter react by trying to find out who killed Cap.
How do I put this nicely? I find comic book Captain America boring. He's all good guy, by the book, and seemingly everyone's friend, if he were real I'd probably love him. As a comic book character he and his closest friends make me yawn. I thought the first Captain America MCU movie would be bad because of that, I was really wrong on that note. Cap just isn't interesting to me in the comics.
The Death of Captain America also had a disadvantage at least in regards to relating with me, it tied directly into Civil War. I did not like Civil War because I felt as though the character primarily involved behaved totally outside of their normal behaviors. The idea of Tony Stark and Steve Rogers going to war against one another over superhero registration seems absurd. I have a hard time imaging Cap would really fight his friends over what is basically a superhero license. Anyway this isn't really about Civil War.
The Death of Captain America was a no go for me. -
I couldn't get myself really interested in this. Even in my comic book obsessed days as a pre-teenager I never really understood Captain America. He had a shield and he was kind of a dick, and out of all the Avengers he seemed the most useless (which is saying something because I didn't think too highly of many of the mid-1980's Avengers). Now he's dead, someone called the Red Skull killed him, another Marvel character I never quite understood, but apparently he's now a pretty evil force to be reckoned with. He's a Nazi who's has a red skull, which I think is supposed to be a mask? But I don't know. I put him up there with Kingpin as a bad guy I just never understood why he was thought to be so powerful (this even with my fanboy love at the time of Daredevil).
The funny thing about Captain America dying is that it wasn't that difficult. I don't know why someone didn't off him sooner. Maybe if I knew more about him I'd see this is a stupid question, kind of like one a girl would ask who knows nothing about comics, like I don't know a really dumb question like, "But why can't Wolverine get killed?" because he has super healing powers and an adamantium skeleton, duh.
So Captain America is dead, and some stuff happens. -
“Captain America #25 which depicted Steve Roger's death was the highest selling comic of March 2007 with preorder sales of 290,514 which was double the sales of the Mighty Avengers #1 in the same period. The Death of Captain America was reported in ABC News, where Bryan Robinsons paralleled the events to the Post-September 11 World and Iraq.” (Wiki)
This graphic novel covers the death of Captain America and the fallout from that tragedy. It's no easy task for Cap's sidekick, Bucky, to pick himself up after his pal's death as well as his dark past as the Winter Soldier (basically an assassin who killed the wrong people arguably). Other superheroes and villains are involved most notably Sin, The Red Skull, Crossbones, Falcon, IronMan/Tony Stark, Sharon Carter (the lover of Captain America, Steve Rogers), Doctor Faustus, the Black Widow, and, of course, “Bucky” Barnes.
The best part of this tale is how will the Marvel heroes fill in the hole that Steve Rogers has left. Tony Stark deals with his usual secrets and tries to hold everything together without telling anybody else the truth but himself.
Don't be surprised what Bucky does. It should be obvious if you know the character and the series. Pay attention to his Winter Soldier past, too. I'm just getting into Captain America so this is all new to me but veterans probably won't blink an eye.
The tales directly after “The Death of the Dream” are “The Burden of Dreams” and “The Man Who Bought America”. All three tales were written by Ed Brubaker. Artwork by Steve Epting, Mike Perkins and a few others.
ARTWORK PRESENATION: B to B plus; CHARACTERS/DIALOGUE: B plus; STORY/PLOTTING: B plus; ACTION SCENES: B to B plus; CAPTAIN AMERICA FOCUSES: B plus to A minus; WHEN READ: early September 2012; OVERALL GRADE: B plus. -
The famous "death" issue of Captain America and the first part of the 3-parter after his death.
Cap has thrown in the towel after the Civil War. He's ready to go to court but outside the court house he is sniped from behind. The bullet isn't fatal but it makes the crowd go crazy and that's when the bullet that would finally kill Captain America happens. The next 4 issues following are Sharon, Bucky, and Falcon dealing with the aftermath of the attack.
This volume is a pretty emotional driven arc. After the death we have a lot of character's dealing with his death in different ways. Bucky's is one of the hardest to read as he just got his friend back and now he lost him again. Falcon and Sharon eventually team up, but agent 13 plays a HUGE part and it's pretty great read. All the moving pieces begin to come together. The only negative really is that's its only a part of the big epic.
I can't wait to dive into the next volume but so far this is pretty great. A 4 out of 5. -
I might have had a bigger emotional reaction to Steve's death if I hadn't been reading this book in 2014 . But that doesn't change the fact that it's really, really well-written. Look, I know where this is going. I think we all do at this point. But Brubaker is good enough that I can still get swept up in a story that I already know the outcome to. Pretty impressive. That's mostly down to the characters in the lead, Sam and Sharon and, of course, Bucky. I like the way that the continuing bad blood of Civil War drives much of the story. Tony certainly doesn't seem very trustworthy on the Captain America front right now, and I'm glad nobody is pretending that he is. In all, great work, enough to make a story with a foregone conclusion actually suspenseful.
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⭐️⭐️⭐️⭐️ 4 stars
Brubaker has done it again!
Urgh I need the next one. I need to know what happens... -
The storyline that made me wonder why Ed Brubaker seems to hate Sharon Carter.
To begin, this is the story that covers the aftermath of Steve being shot on the courthouse steps. Part of the transition from a Cap book focused on Steve Rogers to a Cap book focused on his supporting cast.
Sam Wilson registered so that Steve wouldn't be buried alone. It's a sad concept because all of the Team Cap supporters are underground trying to avoid cape killers. It's a lot of conspiracy theories that the government or even Tony planned Steve's death to kill the opposition against the SHRA.
Bucky appears to believe this. He seems to understand that Tony didn't shoot Steve himself, but he believes Tony's at fault because he's the reason Steve was on the steps in the first place. He plans to kill Tony. He also wants to ensure that Steve's real shield is in the hands of someone who respected his legacy. He encounters Natasha for the first time in years while on the hunt for the shield. As this is going down, he's also on the hunt for Crossbones, the supposed real killer.
Sharon is just having a bad time of it. I had no issues with the brainwashing plot. Didn't even have issues with her being the person to actually deal the "killing" blow. I just don't know why we also had to add that she slept with Cap while brainwashed and got pregnant. Knowing what comes after... I just get so, so tired of male writers inserted unwanted pregnancy and miscarriages as "the biggest blow of all" to torment female characters. I don't know why we needed this added plot point. Also, Sharon just comes across as a shell in this book. Not sure if her quitting SHIELD after Steve's death was solely because she's brainwashed but... it was not presented in a way that I understood.
Anyway, I liked seeing Sam work with Sharon (brainwashed or not), I liked seeing him come to partner with Bucky, and I enjoyed all of Bucky's scenes. So... it's a mixed bag for me. -
This hits hard.
Captain America after Civil war surrendered but what happens when he is assassinated and we follow the whole ordeal and its emotional sure but when Crossbones is captured, we follow Bucky as he takes down the haters and targets Tony Stark meanwhile we find out who it really was and how Sharon is involved and it makes for such a great story and finally its so much happening - Bucky vs Nat, Sharon's betrayal, Sam finding things and Tony discovering in the last second while Red Skull and his HYDRA army make their move.
Its a fantastic volume and I loved every moment of it and it has so much happening on all ends and I like the way its divided into chapters and makes every moment worth reading and finally when we see the true reasons it comes as a shock but its still better that way and the thing with Dr Faustus are getting interesting and the way everyone is involved makes this story a much better read! A high recommendation! -
Okay, I'm going to be hypocritical here. In my reviews of
Captain America: Winter Soldier, Volume 1 and
Civil War: Captain America, I criticized the writers for focusing too much on the supporting characters and not enough on Cap, but this six-issue volume only features Cap in the first pages of one issue in the scene he dies, and it is the strongest of all the Captain America books I've read. Agent 13, Falcon, Bucky Barnes, Nick Fury, and Iron Man were all in top form here.
This book ties a lot of things together from the entire run. I'd definitely consider them all one interconnected story worth reading through -- Marvel should make a Captain America Omnibus with all of these classic Cap arcs in one book, if they haven't already. -
While I'm usually not a fan of the comic industry's habit of 'killing' a major character to boost sales, this story and it's follow-up have actually worked. Set against the finale of Marvel's Civil War storyline, anyone who ever enjoyed a Captain America comic couldn't help but get choked up at his death. As long as Marvel keeps going with the 'new' Captain America and lets Steve Rogers remain dead, this story should be considered a classic. If they just bring back the original in a year or two, then it's just a publicity stunt.
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I own this book.
This book begins at essentially the end of the Civil War arch. Tony is now the director of SHIELD and Steve has surrendered himself to the government. As the crowds watch him walk up the steps of the courthouse, with his friends in the crowd each with their own missions, he is shot and killed. Everyone loses their mind, obviously. But some more than others. Sharon quits her job as Agent 13 and is being manipulated by Dr Faustus, Bucky becomes somewhat of a vigilante, slipping back into his Winter Soldier role with little to no qualms and he is determined to kill Tony.
The wake of Steve's death is so sad to see, especially from Sam who feels guilt after losing touch with Steve. I loved seeing the normal wake, the secret wake and recognition that Steve had done so much for all of them. We got so much interaction among the characters in this and I just loved it. Cool story, great art. 10/10. -
This still hurts
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I'm not going to try to convince anyone to read this, the first issue in this (#25) is essential after all. Afterwards we're dealing with Winter Soldier on a vendetta, searching for the sniper, with intentions of going after Tony Stark sooner or later. Agent 13 dealing with her inner turmoil and teaming with Falcon who are after Crossbones and Sin. Black Widow appears and is after Winter Soldier. Meanwhile Red Skull continues working behind the scenes toward whatever ultimate plan he has.
Overall this whole espionage / noir style wouldn't really be my thing, something I really have to be in the mood for. Regardless, with Brubaker as the writer, once I started reading I just can't stop. -
The Red Skull's Machinations continue while everyone else is shaken up over Cap's death. Admittedly less action packed than previous arcs, although I can never be bored by Steve Epting; something about his art is just so interesting to experience.
Winter Soldier is also one of the coolest characters in recent memory, so any Bucky narration is always juicy and welcome.
Onward! -
OH, C'MON! I should have expected the CLIFFHANGER!😭😑
at first it was a bit slow but in halfway through the end it got more & more interesting!
I loved how detailed was the illustration was!
tbh this is my first comic I actually loved it! (I loved some non-famous ones in my childhood but they were just 2 pages (continuously) in a magazine)
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& YES! BIG FAN OF MARVEL!😍 -
Damn, this was really fucking good.
After the Civil war events, Captain America has surrendered but is quickly assassinated on the steps of the courthouse. Bucky is dead set on finding out who did it and also blames Tony Stark, who he is going after to kill. Sharon is dealing with learning that Dr. Faustus was in her head. Falcon ends up teaming up with Sharon and Black Widow gets involved because she is working for Tony Stark who also happens to be the director of SHIELD. The Red Skull is the one behind it all along with his daughter Sin and Crossbones.
There was so much happening in here and it was such a good read. All of these characters dealing with the fallout of the tragedy of murdered Steve Rogers and damn it was dark. At one point I was like hmmm didn't comic books used to be for kids not the shit that was happening in here?? But it was still very superheroy and I loved seeing everyone. But lowkey it felt really easy to kill Cap like why didn't anyone do that before lol.
God I love Bucky so much. Him being at the forefront of this is my favorite thing and him running into Natasha and fighting??? Bro I was screaming. The way he's doing everything he can here and is going on the path to being Captain America??? Nice. This is truly peak Winter Soldier content and I couldn't ask for anything better.
Brainwashing plot. Sometimes I hate it, sometimes I like it and in here I liked it. It was so menacing and tragic. The Red Skull is lowkey hilarious to me like I get he's sharing the body with that other dude thus not being his actual red skull self but he puts a mask on to look like his crunchy red skull self and that's just funny.
I don't like the art that much but the story does it for me enough that I will pretend it isn't ick. -
Death is a rather common thing in comic books, but when it happens to a character of as much prominence as Captain America, even people largely unfamiliar with comic books take notice. When this story was first told, multiple news sources reported on it and to this day you can see a replica of Steve's shield hung on the wall of the studio of The Colbert Report. It's interesting then, that Steve Rodgers' death affected the real world in much the same way that his death affected the fictional world he inhabited. Much like in the real world, there wasn't much in the way of actual mourning in this story. The death of Captain America is looked at more as something to talk about; some of which motivates some to action and others to conspiracy. Funny how comics do that sometimes.
On to the comic itself. The story starts off almost right away with the titular event and most of the book is concerned with its aftermath. While some aspects of the story work really well, such as just about anything involving Bucky, others fall short, such as just about everything else. The book is constantly trying to imply, directly or otherwise, that the world is falling apart without Captain America around. Now, while it's true that things are hectic just after his death, it's the event itself that makes things that way, not his absence. Things are always hectic after the assassination of a prominent figure. Nothing that happens in the book convinces me the problems that arise are because of his absence. They're just consequences of his death. That doesn't stop the book from trying to tell me otherwise all the time, though.
While most of the story revolves around the world scene after Steve's death, there are a couple of moments of mourning. There's the obligatory scene where a group of heroes drink to his memory that lacks genuine heart and the love interest who cries a lot, but the real emotion comes from Bucky. The story really shined when the spotlight was on him. He isn't just a character who's sad that Captain America is dead, he's a character whose inner thoughts are conflicted because he's sad that Captain America is dead. Bucky is presented as a multidimensional character in this story, with clearly defined, but not so straightforward motivations that makes for some great moments in the story. He's the highlight of the book.
The art is a bit of a mixed bag. On one hand, it's suitably dark, lending itself perfectly to the mood of the tale. On the other hand though, nothing really memorable sticks out. Panels that could be incredibly vivid and striking are hampered by the dull colors in use here. Having said that, the action scenes are depicted in an exciting way and it was always a joy to look at them, even if nothing about them really sticks out in my mind.
This book shows that it can take seriously the issue of death, but often times uses it as a plot device rather than anything else. Perhaps the main problem is really just expectation. If you're expecting heartfelt mourning over a beloved character, this book falls a bit short. If you're looking for a thriller centered around death, however, this should serve as a rather entertaining tale. -
Death of the Dream is a cleverly written storyline encompassing the effects that the Civil War among the heroes has had on the entire Marvel Universe. The fact that it signals a major event which was likely to severely change the landscape of the upcoming Marvel stories makes this a memorable arc.
The thing about Captain America is that he surrendered at the end of the Civil War on seeing the adverse effects even his stand was causing to the innocents around him. He saw the very thing he was trying to fight for resulting in harm being delved to the people he had chosen to protect. It was selfless decision that remained to be debated as one taken by a traitor or a true American icon of Justice and Hope. With Tony Stark taking up the reins of S.H.I.E.L.D. after Nick Fury goes underground, Captain is being hurdled to a Federal Court in New York where he was supposed to be tried for abetting rebellion against the government when things go 'messy' and blows up in the face of everyone attached to the one man being scrutinized, friend or foe.
The arc explores the relationship and the influence Rogers had on the people around him. From Sharon Carter to Bucky Barnes to the Falcon, it becomes easily understandable that the Captain never treated anyone as an asset or a liability or just a partner for a task. He treated each one of them as family.
On top of that, we have the re-emergence of Red Skull, who is assembling an army to create havoc and take the country by the neck at a time when it appears most vulnerable for conquest.
It is the letter at the end to Tony that complies with the entire tone of the story and leaves it at a high, letting readers pump their excitement for things to come. -
After the civil war, superheroes now have to register, and Cap is brought in as an example. On the steps of the courthouse he is shot by a sniper. Fury doesn't trust SHIELD, Bucky is off on his own mission to hunt down the sniper, aided by Falcon and Sharon Carter. While most of them blame Tony Stark for his role in forcing Cap to register, he has his own suspicions and sends Black Widow to do some spying.
So many conspiracies and plot threads and this ends on a CLIFFHANGER! I had thought this was going to be the full Death of Captain America but apparently it's only volume 1. Where is volume 2?? First off, Sharon: Did she kill Cap? She's also pregnant? WHAT IS HAPPENING. This is taking place after
Captain America: Winter Soldier Ultimate Collection but somehow Sharon and Cap were still an item? I liked seeing more of Bucky and knowing he's recovered from being the Winter Soldier, and also finding out a little something about Bucky and Black Widow's shared past. Also, because I haven't read much of the Captain America comics, I practically died when I discovered that Falcon talks to freaking birds. Let us hope they continue to leave out this particular superpower in the movies.
I liked this better than the previous Captain America comics I've read... maybe because the Cap isn't actually in this much? -
This volume is worth reading if only for the quintessential issue #25. D'Amarta's colors have finally found the right balance and tone for the series. While the arc wasn't everything I expected, its worth the read. Brubaker writes good espionage and even though the characters don't flesh out as nicely as I would like, they come across almost like real people with real problems. Worth picking up on a slow reading week (aka nothing else to grab your attention), if only to read the issue that made ABC news networks, and was compared to the shock of post 9/11 and Iraq.
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Wow. This is part 1 of 3 in the arc, and it's just fantastic writing and art, that could have been melodramatic or silly in a lesser author's hands. Brubaker does a fantastic job here. Winter Soldier/Bucky is a great character, with tons of layers to him, and the best characters are always the conflicted/complex ones. I am very glad I borrowed all 3 parts from the library at the same time. Delightful to read.
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Te odio Marvel!!! Me traicionas de nuevo
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So I’m back on getting through my Black Widow read (with some rereads sprinkled throughout), and this for me was a first time read. I absolutely loved this so much. I didn’t even read the beginning 20 issues in this volume (which I will be doing once I read up to issue 50) or Civil War, and this is still one of my favorite comics I’ve read.
This is definitely centered more around the Death of Captain America (obviously), but that didn’t really bother me as much as I thought it would. There were a good amount of Winterwidow moments sprinkled throughout, and a heavy dose of Sharon Carter & Sam Wilson. I love all 4 of these characters, so reading a story explicitly abt them, and their journey after the events of Steve dying was so interesting. -
3.5/5
¿Por qué pensaba que algo llamado "Volumen 1" iba a tener un final cerrado? No me entiendo.
En esta historia, seguimos el final de Civil War y vemos qué le pasó al Capitán América después de entregarse. Como pueden ver en el nombre, no le pasa nada bueno. PERO BUENO.
Me gusta por todos los personajes que salen, pero creo que no soy muy fan de los comics del Cap (o sea, me gusta el Cap, pero su gente no sé no me convence). En fin, igual y es porque no entendí que le faltaban dos volúmenes más a la historia para cerrar, así que me quedé con un sabor raro. Pero, en general sí quiero seguir con la historia.
Ah y la Sharon Carter de acá sí me cae bien. -
Disclaimer, I just finished the "Graphic Audio" version of this story, but Goodreads doesn't list it for this particular title. Anyone know what the next main story in this lineup would be?
