Epic: Legends of Fantasy by John Joseph Adams

Epic: Legends of Fantasy Reviews

• 
  Mizuki

  "Homecoming" by Robin Hobb
  
  5 stars! That is a rich, vivid, intriguing 'beginning story' about the legends of the Rain Wilds River and its people. I love it!
  
  "The Word of Unbinding" by Ursula K. Le Guin
  
  4.5 stars. A short story about a magician trapped in a cellar trying to fight off a mysterious powerful evil mage who no one has ever seen, who tries to steal his life and power. In the end the magician escapes only after he gives up his life and chases the evil mage through the Land of Death, it truly is another imgainive, intriguing tale from Ms. Le Guin.
  
  "The Burning Man" by Tad Williams
  
  3.5 stars. The story is good but after a few days I almost forget everything within this short story.
  
  "As the Wheel Turns" by Aliette de Bodard
  
  2 stars. Okay....reincarnation and Asian style fantasy is great.......but who on Earth would name her heroine Lam Daiyu, after the very heroine of the famed Dreams in the Red Chamber? That's so ridiculous.
  
  "The Alchemist" by Paolo Bacigalupi
  
  4 stars. Now I know there is one more author I can rely on.
  
  "Sandmagic" by Orson Scott Card
  
  Skipped because I won't read anything by this man.
  
  "The Road to Levinshir" by Patrick Rothfuss
  
  Skipped because I didn't enjoy The Name of the Wind at all.
  
  "Rysn" by Brandon Sanderson
  
  A 'slice of life' kind of short story, 3.5 stars.
  
  "While the Gods Laugh" by Michael Moorcock
  
  Some kind of an origin story (?) of Elric of Melnibone, this story actually motivates me to want to read more into this series. 4 stars.
  
  "Mother of All Russiya" by Melanie Rawn
  
  It feels more like a historical story than a fantasy one, 3 stars.
  
  "Riding the Shore of the River of Death" by Kate Elliott
  
  3 stars. Gender role and tribe's rituals are introduced in this coming-of-age story, but those messages seem a bit forced.
  
  "The Bound Man" by Mary Robinette Kowal
  
  I don't remember much of this story, but it isn't bad. 3 stars.
  
  "The Narcomancer" by N. K. Jemisin
  
  3.8 stars. The world building is interesting enough and LGTBQ being showed as a common way of life is always good.
  
  "Strife Lingers in Memory" by Carrie Vaughn
  
  I don't remember had I ever finished reading this one at all...
  
  "The Mad Apprentice" by Trudi Canavan
  
  4.5 stars. It's a completed and nice story about a talented young man and his out of control ambition.
  
  "Otherling" by Juliet Marillier
  
  4.2 stars. It's a fantasy short story based on Scotland and its traditions, the story is simple but it gives you a good understanding of Marillier's fantasy world.
  
  "The Mystery Knight" by George R. R. Martin
  
  I don't remember had I ever finished reading this one at all...
• 
  Ashley

  This was a pretty great anthology. I was probably destined to like it because it's pretty hard for me to dislike most kinds of fantasy. This is also different than some anthologies because the editor didn't commission pieces for this book, but collected them from other already published sources. I sampled a lot of authors I've been meaning to try for some time, although I'm annoyed that some of the stories occur halfway through a series or something like that. If you like Epic fantasy and are curious to try out an anthology, this would be a good place to start. Below are reviews for each individual story, written as I read them.
  
  ---
  
  "Homecoming," Robin Hobb -- The first story (novella, really) is a prequel of sorts to Robin Hobb's Rain Wilds series. It can stand on its own, but if you're like me, after reading it, you're really just going to want to read the rest of that series (there are four books, most of which were published before she wrote this novella). The story chronicles the first colony of the Rain Wilds continent. The colony is made up of exiles, criminals, and hopeful businessmen. Only, the environment they find is one that quickly takes its toll. The river is corrosive, the land is almost all swamp. Clean water and plentiful sources of food are scarce. People start dropping like flies. And the three ships that brought them either leave or are destroyed by the river. The story is told through the journal of a noble woman forced into exile, an artist and writer, whose husband was part of a treasonous plot against their country's empire. She is a very unpleasant person at the beginning of the story. She's resentful, extremely snobbish, and feels too sorry for herself to do much of anything. This was already interesting to me as a fantasy version of the first colonies in the now-USA (including the infamous missing colony of Roanoke). But then when the main character starts to take charge of her life and help the colony survive, things get really interesting. Really, really enjoyed this one, and it's a good sign, I think, that the first story in this collection is so good. 5/5 stars
  
  "The Word of Unbinding," Ursula K. Le Guin -- I don't know about this one. I think Le Guin and I just aren't simpatico as writer and reader. All the stuff I've ever read from her feels so beautifully impersonal. I just don't get it. I think I only liked this one as much as I did because it was very short and I didn't have to read much of it. I liked the first half better than the second, which is when the wizard trapped in a well (by another wizard) keeps trying different ways of escaping. Then as all of her stuff does, it got all mystical and poetic and sort of lost me. I guess I can see why she's an important writer in the genre, but this story perfectly encapsulates why she isn't really my kind of writer. I like tangibility in the books I read. I'm going to give her one more shot, though, because I've only ever read her fantasy, not her sci-fi. I'll probably try either The Left Hand of Darkness or The Dispossessed. Any suggestions? 3/5 stars
  
  "The Burning Man," Tad Williams -- I expected a lot more from this story. I've been looking forward to reading The Dragonbone Chair for quite a while now. The mention of Angel Tower halfway through this tipped me off that this novella, like the Hobb one, is a prequel for his series Memory, Sorrow and Thorn. It was okay. I liked the first half better than the second, when it became clear that the ending was going to be pretty anti-climactic. The story is narrated by Breda, now an old woman, recalling her youth spent with her stepfather, and the story surrounding the time she saw The Burning Man. I was unimpressed with Breda. Her narration was overdramatic. I also didn't believe the love story, which affected the way I experienced the ending. Her relationship with her stepfather would have been the way to make this story interesting, and as it is, that relationship is mostly a missed opportunity. I felt Breda was an uninteresting point of view into this story--she was much too passive, and Williams doesn't do a great job portraying the mind of a fifteen year old girl (or rather, an old woman remembering her time as a fifteen year old girl). All in all, just a resounding 'meh' to this one. 3/5 stars
  
  "As the Wheel Turns," Aliette de Bodard -- Oh, blech. Three in a row. This was a pretentious piece of mythological nonsense that spent way too much time trying to MEAN SOMETHING IMPORTANT instead of creating characters with interesting emotional arcs. I normally like stories featuring Asian-inspired mythology, but here it felt like de Bodard was using it to add to the IMPORTANTNESS instead of using it for other, more practical reasons. It did have some nice moments, although the dialogue was quite bad. The main character, who is continually being reincarnated for a mysterious purpose, shuffles through her lives too quickly for us to really care about them, but one of her husbands does something really sweet and they have a moment after death that I liked. This story might have been made to work if it was novel length instead of twenty pages. Squishing it all together just highlighted the problematic stuff. 2/5 stars
  
  "The Alchemist," Paolo Bacigalupi -- I feel bad that I've had The Windup Girl on my to-read list for so long, because this story was great. It takes place in a world where the price for magic is creeping, poisonous brambles which are very hard to destroy, because they put off seeds that scatter and take root even when burned. They have reached a point where there is almost nowhere free from them. It's a cool, sort of Sleeping Beauty-inspired world, where the poisonous brambles cause a sleep that becomes permanent as the victim's blood solidifies in their body. Except there are no princesses. The main character is the titular alchemist, who has ruined his own life and impoverished his family in pursuit of a way to kill off the brambles for good. It was really well-written, had interesting twists and turns, and the world of the story was extremely vivid. His characters also come to life very quickly. The fifty-page length seems like more from how much depth you get out of it. Really, really liked this one. 5/5 stars
  
  "Sandmagic," Orson Scott Card -- Hmm, I kind of liked this. And I feel bad about that. I actually haven't read anything by OSC since I found out what a crackpot he is politically. One of these days I will do a re-read of Ender's Game and Speaker for the Dead (two of my all-time favorite books) with his extreme views in mind, and then write all about how those books actually contradict those beliefs, and how silly that is. I am convinced it will be brilliant. But in the meantime, this was here and it was only twenty pages, and it's not like he's going to profit from my reading it. I didn't even buy the book--it's a library copy. This is a revenge story, a cautionary tale and a bit of a fable, about a boy whose parents are killed horribly in a war and his hatred festers into violence. It takes the opposite tack of a normal fantasy story, because the 'hero' ignores the wise mentor character and everything goes to shit. It wasn't structured very well, though, and the first couple of pages were completely unnecessary. 3/5 stars
  
  "The Road to Levinshir," Patrick Rothfuss -- This story was one of the reasons I picked up the collection, the other being the story by Brandon Sanderson. Joke's on me, though; I'd already read both of them previously when they were part of other books. This one is an excerpt from the middle of Wise Man's Fear, the second book in the Kingkiller Chronicles, which was published in 2011. Apparently another version of this story actually was published in Writers of the Future way back in 2001, before Rothfuss even published The Name of the Wind, but it's the updated version in this collection. Despite my annoyance at having already read it, the excerpt did work pretty well as a stand-alone story. There were a few instances where context was missing for people who weren't familiar with Kvothe's story, and references to events that are left unexplained, but the basic story works. There's even a bit of growth on Kvothe's part, although the larger context of it is missing here. 4/5 stars
  
  "Rysn," Brandon Sanderson -- Like the previous story, I already read this as part of a larger novel, in this case The Way of Kings, the first book in Sanderson's beyond epic Stormlight Archive series. Both of the books published in that series so far are a solid five stars and I can't recommend them highly enough. I don't think this story works on its own. Robbed of the larger context of the whole series, it seems small and unimportant, and the revelations you get from it when read as part of that larger work are the most interesting part about it. It's not actually a good story on its own. There were other little excerpts from both books that would have worked better than "Rysn," and Adams would have done better to choose one of them instead. The books are split into POV character parts, interpersed with 'interludes,' like the one included here, that lend depth to the world and bring in little clues about the larger context of the story. Unfortunately, robbed of that larger context, it's pretty much a dud, I think. 2/5 stars
  
  "While the Gods Laugh," Michael Moorcock -- This novella is the origin of Moorcock's Elric Saga. It was published ten years before Elric of Melnibone. I suppose it's unfair of me to think this story was stupid and pretentious and boring, but this story was stupid and pretentious and boring. I haven't read much fantasy from the 1960s, but if this is what it was like, yeesh. No thank you. Very pulpy. Very melodramatic. Shallow characterization. The 'hero' Elric of Melnibone, an albino with a magic sword, who was very famous for being one of the fantasy genre's first anti-heroes, was extremely disappointing. He's a cocky asshole who expresses his intelligence by moping around the world and brooding about how put-upon he is. Again, this is probably unfair becaus the story is over fifty years old, but time hasn't favored it. Moorcock is clearly very impressed with himself as a writer, but all of his "deep thoughts" are thoughts any fifteen year with an attitude, a cigarette, and a moleskine can have. Elric thinks he's the first man to ever emo and he's soooo special and alone, but any idiot can emo like Elric. Additionally, everything else about this story was shallow. The secondary characters (including a laughable sex-kitten sidekick). The quest. Elric's "emotions." Blech. And I had been looking forward to reading Elric of Melnibone. Maybe I still will. A long time from now. 2/5 stars
  
  "The Mother of All Russiya," Melanie Rawn -- I liked this one. It's a sort of pseudo-fantasy, alternate history involving Saint Olga, the founding of Kiev, and a eunuch magician. The magician part is what makes it fantasy and alternate history, of course, although Rawn claims the events detailed actually happened. She has only changed the how. I liked the overall story, but it illustrates my main problem with most short stories. Authors who are used to writing novels a lot of the time do not know how to write characters or stories that are as interesting as they would be in a longer work. I know what Olga does in this story, but I don't feel it. I will forget almost everything about this story in less than a week because there was nothing in it for me to connect to the characters emotionally. 3/5 stars
  
  "Riding the Shore of the River of Death," Kate Elliott -- I've never read anything by Kate Elliott before, but I liked this! Again, it would have been better served by being a full length novel. The tribal setting almost came across as stereotypical because so little space was spent developing it, but the interactions between the characters saved it. I just didn't have time with her style to actually care for the characters. But her world intrigued me, and she did some stuff with gender that I've never seen before. I'm a little confused on the setting of this novel, and I think it's part of a larger series of hers, but I'm unclear as to which and where in that series it takes place. I already had her on my to-read list, but this has made me more excited to get to her stuff eventually. 4/5 stars
  
  "The Bound Man," Mary Robinette Kowal -- I super liked this! It was sort of weird at first, but then it clicked and I whipped through it. It has a bunch of things I always like in stories--time travel, stories about mothers and daughters, mucking about with prophecies, racial stuff, gender stuff--and it was almost all treated in ways I haven't really seen before. It was nothing revolutionary, just all of it was really well done. Second novella I've read by MRK this year, and both have been great. I'm really excited to finally start her Glamourist Histories series. 5/5 stars
  
  "The Narcomancer," N.K. Jemisin -- Just a bunch of firsts up in here. I've had Jemisin's Inheritance series on my to-read list for years now, and I finally managed to track down a used copy of the second book a couple of months ago, but this story got to me first. It's a precursor to her Dreamblood series, the first novel of which, The Killing Moon, was was published in 2012. It's a world where dream magic exists, can kill, heal, etc. The main character is a priest named Cet who is tasked with bringing peace to a village plagued by a narcomancer, a magician with the power over sleep. I actually got a little teary-eyed at the end of this story, though it did get a bit weird there for a while, but I guess it was a good kind of weird. 4/5 stars
  
  "Strife Lingers in Memory," Carrie Vaughn -- This story was tedious. I get what she was going for. No one ever follows the hero home after his heroic deeds are over (well, no one except Tolkien, and even then, it was more of an afterthought to the story instead of the story itself). And the kind of shit fantasy heroes especially face (goblins, dragons, other scary monsters, etc.) would probably give you a hell of a case of PTSD. Unfortunately, it's just not well-written. The characters were cyphers, and the writing felt like it was trying too hard. Again, I think this is an author that does better with more space. She doesn't have the gift of characterization. I've enjoyed some of the other stories of hers I've read in anthologies, but they've all been more contemporary, where her voice as a writer sounds more natural. This was bleh. 2/5 stars
  
  "The Mad Apprentice," Trudi Canavan -- This was okay, but it was also sort of unpleasant. The main character is the sister of a psychopath, the titular mad apprentice. After he murders his master, he brings her along on his violent adventures, killing any magician he finds and taking their magic. Soon he is also killing civilians, whole villages. He is a horrible, horrible person, and she just sits there like a doormat and lets him do everything, either because she's scared of what he'll do to her or because she's in denial, or both. It's understandable, but I didn't like her at all. The style of the story was jarring as well, half told from her perspective and half told from another magician chronicling the events. It would have been better to stick to one perspective. Canavan's Black Magician series is still on my to-read list, and I hope it's better put together than this was. 3/5 stars
  
  "The Otherling," Juliet Marillier -- First time reading Juliet Marillier, and it was . . . interesting. The fantastic parts were original and interesting, but the entire premise of the story is just so morbid. I didn't like being made to feel like I should get positive resolution out of something that is so horrible. (SPOILERS: The main character is a Bard, a prophet who sings the future of her people and warns them of things that threaten their survival. There is always one Bard, and they are always a twin. Their twin is killed at birth so they can absorb their strength and use it to work the magic of being a Bard. This Bard disobeys and doesn't kill her apprentice's twin, and disaster almost follows. The story ends when she finally kills the twin and rah rah our people are saved. It wasn't celebratory, but it didn't make me feel super great, I can tell you that.) 3/5 stars
  
  "The Mystery Knight," George R.R. Martin -- Love this one. I read it last year after first reading its companion novellas, "The Hedge Knight" and "The Sworn Sword." I didn't re-read this time because this book is already four days overdue to the library, but my original review can be found
  here. 4.5/5 stars
  
  Averaged rating of all stories is 3.38, but I'm rounding up because the overall experience was very positive.
• 
  Claudia

  This anthology was a very nice surprise; although it contains a lot of well-known names, I have discovered new ones (for me) and was delighted by the stories.
  
  Some are fragments from novels and the others were already published before in other magazines or anthologies, but for me they were all a first reading.
  
  Here are my thoughts on them:
  
  > Homecoming by Robin Hobb - the diary of an exiled court lady, which take us in a journey to a mysterious land for a new beginning. The landscape reminded me a lot of Hamilton's Lalonde. But Hobb's touch on characters is unmistakable (the more oppressed, the better :D) and with some noir accents, the result is an astounding story. 5/5★
  
  > The Word of Unbinding by Ursula K. Le Guin - a confrontation between two wizards. My 4th fantasy reading of Le Guin and I still think she should have stuck to sci-fi... meh. 2/5★
  
  > The Burning Man by Tad Williams - a young step daughter has to choose between her step father and her lover; a nice story about the meaning of religion and the choices we make in life. 4/5★
  
  > As the Wheel Turns by Aliette de Bodard - a story based on a Chinese legend. One is torn between duty and fear with no hope to find a solution. But help came when unexpected... 4/5★
  
  > The Alchemist by Paolo Bacigalupi - in a city almost suffocated by some bewitched thorn trees, a man discovered the a way to get rid of them. Too bad that he shares his discovery with the mayor and his acolyte... 4/5★
  
  > Sandmagic by Orson Scott Card - a boy seeks revenge after his father got murdered and nothing can make his mind change. 4/5★
  
  > The Road to Levinshir by Patrick Rothfuss - a fragment form The Wise Man's Fear, Kvothe's encounter with a bunch of bandits, who took two girls as slaves. 5/5★
  
  > Rysn by Brandon Sanderson - again a fragment from a novel, here The Way of Kings, which soon will be on my currently-reading list. Firts encounter with Rysn immediatly brought to my eyes the image of Erith, the Ogier. Oh, how I liked WoT... 5/5★
  
  > While the Gods Laugh by Michael Moorcock - I understood there is entire series with this character, Elric de Melnibone. What I don't know if it's part of any of the novels or a stand alone one, but I will not look into it for sure. This story is about Elric being in search for Dead Gods’ Book. Nothing drwan me: not the characters nor the story, which lacks something, not sure what... Anyway, 2/5★
  
  > Mother of All Russiya by Melanie Rawn - new writer for me, but what a wonderful surprise: a story based on real facts from Russia's history with some Oriental and Scandinavian accents. Simply breathtaking. 5/5★
  
  > Riding the Shore of the River of Death by Kate Elliott - a girl begins a journey together with his brother and a friend in order to prove her courage and to gain the freedom to live like a man instead of living the life of a married woman. But her brother is hurt and she gives up the competition in order to help him. However, something else happens on the way back... Really nice idea, but a not so nice development... 3/5★
  
  > The Bound Man by Mary Robinette Kowal - a story about a goddess brought back from time through an invocation of a sword, to fight along humans. Nice approach of fate. 3/5★
  
  > The Narcomancer by N. K. Jemisin - part of Dreamblood universe. Two dream magicians begin a journey to help a woman and her village against a band of bandits, against whom they were helpless. A story about love and selflessness. 5/5★
  
  > Strife Lingers in Memory by Carrie Vaughn - a daughter of a wizard marries a prince and spends her whole life trying to comfort him from the bad nightmares which haunted him. Too cheesy for me. 2/5★
  
  > The Mad Apprentice by Trudi Canavan - the story of a medieval Rambo and his dummy sister, who "wakes up" when it's too late... 2/5★
  
  > Otherling by Juliet Marillier - the story of a bard whose magic Songs lead the events in that village. A wrong decision brings with it the alteration of the Songs... 5/5★
  
  > The Mystery Knight by George R.R. Martin - the adventures of a hedge knight, named Ser Duncan “Dunk” the Tall and his squire, Egg. A mini pre-GoT story. 4/5★
  
  Overall, a great reading and a must for genre lovers.
• 
  Amber&Silver

  - Il ritorno; R. Hobb - ★★★★☆ Io amo questa saga, e questo racconto è all'altezza delle avventure di Borgomago e delle Cronache delle Giungle.
  - La parola dello scioglimento; U. K. Le Guin - ★★☆☆☆ Forse troppo breve per lasciarmi davvero qualcosa?
  - L'uomo nelle fiamme; T. Williams - ★★★☆☆ L'ho letto volentieri.
  - La ruota della rinascita; A. De Bodard - ★★☆☆☆ Meh. L'idea poteva essere interessante ma non mi ha coinvolto affatto, svolgimento troppo sbrigativo.
  - L'alchimista; P. Bacigalupi - ★★★★☆ Originale l'idea alla base, piacevole lo svolgimento.
  - La magia della sabbia; O. Scott Card - ★★★★★ Mi è piaciuto molto, una storia cruda, scarna ma equilibrata.
  - La strada per Levinshir; P. Rothfuss - ★★☆☆☆ L'ho trovato banale e mi ha lasciata assolutamente indifferente.
  - Rysn; B. Sanderson - ★★★★☆ Racconto descrittivo, ma molto piacevole. Il modo in cui l'autore introduce il suo mondo è molto accattivante.
  - Mentre gli dei ridono; M. Moorcock - ★★☆☆☆ Ho trovato irritanti i due protagonisti, si salva Maldiluna.
  - Madre di tutta la Rossija; M. Rawn - ★★★☆☆ Piacevole.
  - La riva del fiume della morte; K. Elliott - ★★★★☆ Davvero una bella sorpresa, mondo crudo e accattivante, e finale per nulla scontato.
  - Il servitore; M. R. Kowal - ★★★☆☆ Idea carina, svolgimento poco chiaro, soprattutto nel finale.
  - Il Narcomante; N.K. Jemisin - ★★★☆☆ Interessantissimo il sistema magico, ma le interazioni tra i personaggi mi hanno fatto cascare le braccia.
  - La guerra non si dimentica; C. Vaughn - ★☆☆☆☆ No. Tema difficile affrontato in modo proprio banale.
  - L'apprendista pazzo: storia di un mago nero; T. Canavan - ★★★★☆ Piaciuto! Voglio recuperare la serie.
  - Il doppio, J. Marillier - ★★★★★ Il mio preferito di tutta l'antologia. Crudo ma allo stesso tempo poetico, con finale davvero bello.
• 
  Vderevlean

  Antologiile sunt făcute pentru a descoperi autori noi pe care să-i citeşti, altfel, mai tot timpul sunt inegale. Ca şi aceasta. Important e că am citit o nuvelă (fragment de roman?) foarte bună de Robin Hobb - ceea ce confirmă faptul că trebuie să continui cu noua trilogie de la Nemira, am descoperit o autoare pe care nu o citisem şi trebuie neapărat, aşa că am luat volumul de la Nemira - e vorba de N.K. Jemisin. Mi-a plăcut mult nuvela lui Martin, probabil voi lua la citit în sfârşit celebra serie (am văzut doar serialul), foarte bun Rothfuss, însă nu ştiu dacă traducerea de la RAO merită sau mai bine citesc în original.
  
  Ah, şi de urmărit Trudi Canavan. Destul de interesant. Mai e şi Sanderson, cu un fragment nefericit ales, dar acolo nu aveam nevoie de confirmări. Bagicalupi confirmă faptul că scrie prozăscurtă foarte bine.
  
  În rest, proze slăbuţe spre de necitit. Dar contează cele bune. Aşa că o antologie de cumpărat şi citit pentru cei care vor să-şi facă liste ptr viitoare achiziţii.
• 
  J.A.

  I was drawn to Epic: Legends of Fantasy by two names: Brandon Sanderson and Patrick Rothfuss. I confess I was slightly disappointed to find that the selections from those two personal favorites were excerpts from novels I had already read, but their inclusion served its purpose well. I wasn’t familiar with the other works in the anthology, so this proved to be a great introduction. I wouldn’t have looked into Aliette de Bodard or Paolo Bacigalupi otherwise, and their stories stood out from this top notch collection. I really enjoyed the lead story by Robin Hobb, and it was good to read a story by Mary Robinette Kowal, one of the Writing Excuses podcasters. I also liked Melanie Rawn’s “Mother of All Russiya” and Kate Elliott’s “Riding the Shore of the River of Death.” I was drawn in by familiar authors, but what I’m taking away is that there plenty more fantasy writers, female fantasy writers in particular, with whom I ought to be more familiar. As the editor John Joseph Adams states in the preface, “Epic fantasy has become the literature of more.” After reading this anthology I have to agree!
  
  
• 
  Tanabrus

  Una buona raccolta di racconti, che però talvolta hanno poco a che fare con l'epica promessa dal titolo.
  
  Si va dalla perla che è il racconto di Robin Hobb ambientato agli albori degli insediamenti nelle Giungle della Pioggia a buoni racconti come quelli di Bacigalupi, Card, Kowal, Canavan e Marillier, ma ce ne sono anche di più insipidi (tra i quali annovero lo svogliato contributo di Sanderson, che ha semplicemente inviato un brano di un suo libro) e un paio di proprio sbagliati (Rawn e, mi duole scriverlo, Le Guin).
  
  Comunque leggere questi racconti mi ha messo una discreta voglia di rileggermi i libri della Hobb e la saga di Elric di Melniboné (oltre a farmi decidere a dare una possibilità alla saga dei maghi della Canavan).
• 
  Amarilli 73

  Recensire un'antologia non è mai facile: si rischia sempre di far ricadere i difetti di un racconto sugli altri, oppure di dover dare un giudizio positivo all'insieme, nonostante siano presenti racconti di qualità assai diversa.
  Io però amo immensamente la struttura narrativa del racconto, perché è lì che vedi se un autore è davvero bravo a dire molto, pur avendo a disposizione poco spazio, poche parole, poco tempo.
  La mia cartina tornasole del gradimento? Se alla fine del racconto sono così presa da storia, ambientazione e protagonisti, che vorrei subito leggere altro materiale, persino un intero romanzo o una saga.
  
  Questa antologia, in particolare, contiene 16 "assaggi" molto differenti, per lunghezza e resa.
  Alcuni non mi sono proprio piaciuti, li ho trovati noiosi, artefatti (tanto per partecipare...), mentre altri (pochi) mi sono sembrati riusciti e degni di uno sviluppo maggiore.
  
  Nel complesso, il mio voto è medio, poichè soltanto nove racconti mi sono sembrati degni di finire in un "grande libro" della fantasy. I migliori? Sanderson e Jemisin.
  
  *****
  
  IL RITORNO - Homecoming di Robin Hobb
  3,5 stelline, ma solo perchè questo lungo (lunghissimo) racconto rievoca atmosfere e personaggi delle Giungle della Pioggia... in realtà se non hai letto qualcosa di quella saga, appare un po' senza capo ne coda. Noiosetto.
  
  LA PAROLA DELLO SCIOGLIMENTO - The Word of Unbinding di Ursula K. Le Guin
  4,5 stelle - La Le Guin è sempre un gradino superiore, nulla da dire. Anche qui crea un personaggio particolarissimo, un mago prigioniero, e lo mette a duellare contro un nemico, un mago malvagio, che non appare mai nella storia, una presenza invisibile e quasi invincibile.
  
  L'UOMO NELLE FIAMME - The Burning Man di Tad Williams
  4 stelline - particolare, con atmosfere magiche ed evocative, ha un suo senso compiuto.
  
  LA RUOTA DELLA RINASCITA - As the Wheel Turns di Aliette de Bodard
  2 stelline - c'è un senso, la ruota del tempo e il destino che gira, ma che NOIA...
  
  L'ALCHIMISTA - The Alchemist di Paolo Bacigalupi
  3,5 stelline - più che un racconto, la ricostruzione di una civiltà, dei suoi costumi, del suo declino e delle sue paure. Non avevo letto nulla di Bacigalupi. Abbastanza apprezzato.
  
  LA MAGIA DELLA SABBIA - Sandmagic by Orson Scott Card
  4,5 stelline - tra i racconti che mi sono piaciuti di più. Formazione e vendetta di un ragazzo che, per il suo dolore, sceglie le vie oscure. Sì, non è edificante, ma più credibile e meno retorico di tanti altri romanzi su eroi improbabili e per bene che ci propinano.
  
  LA STRADA PER LEVINSHIR - The Road to Levinshir by Patrick Rothfuss
  2 stelline - Oh, ma guarda, e Rothfuss di chi potrà scrivere? Ma di Kvothe, ovvio.
  Kvothe: lo trovo tra i personaggi più odiosi del fantasy, con il suo moralismo ipocrita, dove lui combina di tutto, ma può perché è comunque l'eroe buono, ed è così superiore da giudicare gli altri.
  Anche qui - ovvio - si fa giustiziere degli innocenti: soltanto che invece di porsi i tormenti prima di agire, lo fa dopo. Entra in scena, il lettore pensa che abbia già pianificato e valutato ogni gesto. Invece no, i pipponi mentali del "ho fatto bene/ho fatto male" seguono tutti dopo...
  
  RYN - Rysn di Brandon Sanderson
  5 stelline - forse la cosa più bella dell'antologia. Sanderson è un artista della parola e delle immagini.
  Riesce a crearti un raccontino, facendoti balenare dietro un background di cui vuoi assolutamente sapere tutto. Voglio sapere dell'allieva mercantessa, del suo babsk-tutore legale, del popolo con cui fanno affari... Se ci fosse già pronto il romanzo, correrei a leggerlo...
  
  MENTRE GLI DEI RIDONO - While the Gods Laugh diMichael Moorcock
  4 stelline - Di Elric di Melnibonè mi è sempre piaciuto il tratto cupo e tormentato, quel cercare un ordine e una verità bel caos e nel mondo di menzogne di cui anche lui fa parte. Questo racconto riprende esattamente quegli aspetti, regalandoci una storia quasi sospesa tra la nebbia e la tristezza.
  
  MADRE DI TUTTA LA RUSSIYA - Mother of All Russiya di Melanie Rawn
  3 stelline - Mah. In realtà è una rivisitazione della nascita di Kiev e del potere dei primi monarchi russi, incentrata su Olga, realmente esistita. Tuttavia che correlazione ha un racconto storico con il fantasy? Questo è il problema? Forse che veri trabocchetti siano stati trasformati nelle magie di uno strano mago orientale?
  
  LA RIVA DEL FIUME DELLA MORTE - Riding the Shore of the River of Death di Kate Elliott
  1,5 stelline - Una storia diversa, ma che confusione. Scritta in modo elementare, con personaggi che saltano di qua e di là, e non si capisce perchè. Tutto raccontato. Boh.
  
  IL SERVITORE - Bound Man di Mary Robinette Kowal
  4,5 stelline - Altro bel racconto. Li Reiko, Generale dei Caduti, è una guerriera cresciuta in una società matriarcale risucchiata nel tempo e trasportata millenni dopo, in un mondo patriarcale e selvaggio, dove le donne non contano nulla. Un messaggio forte, ben narrato.
  
  IL NARCOMANTE - The Narcomancer di N.K. Jemisin
  5 stelline e lode - Devo affrontare da tempo almeno due libri della Jemisin e non mi decidevo, ma ora lo farò senza dubbio. Un racconto bello, affascinante, intrigante, con tanti di quegli spunti da crearci un romanzo intero. Il Raccoglitore Cet è un personaggio che ti entra nel cuore, così come la Sorella. Finisci il racconto e hai subito voglia di rileggerlo.
  
  LA GUERRA NON SI DIMENTICA - Strife Lingers in Memory by Carrie Vaughn
  4 stelline - un racconto più psicologico che epico, però non mi è dispiaciuto. Svela ciò che accade dopo la vittoria, puntando il fatto che anche gli eroi possono subire un trauma post-bellico.
  
  L'APPRENDISTA PAZZO: STORIA DI UN MAGO NERO - The Mad Apprentice by Trudi Canavan
  3 stelline - Ammetto di non avere mai letto nulla della Canavan: questo racconto si fa leggere, però mi aspettavo un messaggio, un obiettivo finale. Non ci sono spiegazioni, motivazioni. Sembra una bozza, neppure da inserire in un'antologia.
  
  IL DOPPIO - Otherling by Juliet Marillier
  4,5 stelline - Una storia molto originale, ben orchestrata e con un finale giusto.
  Protagonista una donna, il Bardo, combattuta tra il seguire sanguinose tradizioni e cercare una propria soluzione più giusta, rispettando però i suoi doveri verso la sua gente.
• 
  Metodi Markov

  Никак не съм доволен от този сборник!
  
  "Разказите" на Ротфус и Сандерсън са части от издадени на български техни романи, Брент Уийкс е написал единствено увод...
  
  Все пак ми харесаха някои от разказите - "Другият" на Джулиет Марилиер и "Лудият чирак" на Труди Канаван. Бих прочел още от техните произведения.
  
  Останалите разкази не ме впечатлиха особенно. На Муркок разказа ми се видя много остарял - и като излагане на идеята, похвати и начин на изразяване, тотално не е на място в този сборник.
• 
  Cherie Waggie

  My first love in reading has been fantasy, and in writing, so for a change of pace from mysteries, I have begun to read more fantasy after so many years away. Anthologies are a great way to start getting back into stories one really loves, whether fantasy, mystery, supernatural, or any other type of book. Anthologies introduce the reader to the variety of writers of each genre, so that the reader can get the full feel of the genre.
• 
  Caroline

  Overall this is a really strong collection of fantasy stories. While reading these stories the main things I considered were "how good is the worldbuilding?" (this is an epic fantasy collection after all), and "how well does this story stand on its own?" (given that the majority of the tales take place within larger series). These factors are in addition to the normal considerations of idea, plot, character, pacing, and language.
  
  A note: a rating of 4 from me means that the story was well crafted and enjoyable, but lacked anything about it that made me go "wow, I need more of this RIGHT NOW." The stories that I gave 5 stars to were so good that I either purchased a book from the author because of it or moved an already owned book to my short tbr list. A 4 star story is an author I will read more of in the future, but not necessarily ASAP.
  
  ~*~
  
  ✥ "Homecoming" by Robin Hobb - 5 - Wow, what a story to kick off with. Every factor here is incredibly well done. The story had me fighting sleep to stay up and read and the world felt real enough that I actually got out of bed to turn on a light because of how creeped out I was getting. The story stands completely on its own while also making me incredibly eager to start the VERY long series it belongs in. So much so that I have already purchased
  Assassin's Apprentice.
  
  ✥ "The Word of Unbinding" by Ursula K. Le Guin - 3 - The language here is stunning (as it always is with Le Guin), but the story itself is a little too cut-and-dry with too neat an ending. I've already read Earthsea (and love it), but had I not, I'm doubtful that this story would have had me rushing to start it.
  
  ✥ "The Burning Man" by Tad Williams - 2 - It took me days to finish this one and when I wasn't reading it I had trouble recalling what the story was about. The bones of the story aren't bad and the writing is fine, but the story is dragged out over an incredibly basic setting with generic characters that made it difficult to care about anything that happened.
  
  ✥ "As the Wheel Turns" by Aliette de Bodard - 5 - Fantastic use of mythology within a real world setting. The story grabs you from the first sentence and doesn't give you a chance of letting go.
  
  ✥ "The Alchemist" by Paolo Bacigalupi - 4 - A really well built world and story with good characters and pacing that stands perfectly on its own.
  
  ✥ "Sandmagic" by Orson Scott Card - N/A - Card is a misogynistic, homophobic, racist who I will not spend any of my time on.
  
  ✥ "The Road to Levinshir" by Patrick Rothfuss - 3 - a decent side story, but I think the fact that I have already read the Kingkiller Chronicle hindered my enjoyment of this piece. Kvothe felt very out of character for large parts of this story. Further, there is almost no worldbuilding within the story itself aside from name dropping people, terms, and locations that are meaningless if you haven't done 2000 pages of reading before starting.
  
  ✥ "Rysn" by Brandon Sanderson - 2 - a piece that has almost no story and is completely centered on world building. Which would be fine if that "world building" wasn't done in the laziest was possible. The whole thing boils down into a 7 page list of how "things are the opposite in our world from yours."
  
  ✥ "While the Gods Laugh" by Michael Moorcock - 1 - The worst story in the collection. The biggest issue here is that the female main character is nothing more than an object used to create situations where the male hero can show off how much smarter, braver, and more selfless he is than her. Elric ignores, curses, and belittles her every chance he gets - in between sleeping with her, ofc. Something he does immediately after stating how "above" he is of such a thing. He actually says he does it just because she's there, so why not? Yikes. I will not be reading more of Moorcock.
  
  ✥ "Mother of All Russiya" by Melanie Rawn - 4 - an excellent piece of mythology inspired historical fiction. Rawn brought the characters, setting, and time period to life in a way that felt effortless.
  
  ✥ "Riding the Shore of the River of Death" by Kate Elliott - 4- I'll be honest, I was dubious about the story when the author was introduced as having written a "Afro-celtic post-Roman icepunk regency adventure fantasy with swords, sharks, and lawyer dinosaurs" trilogy, because with an intro like that its got an 80/20 change of being the worst thing ever written. After reading this short, however, I'm a lot more confident that the trilogy is in that 20% of being bizarrely great. The world building here is very smoothly done and the plot is well paced. The only thing holding me back from giving this one 5 stars is that the end fight scene was hard to follow due to the way the setting is described. Hows that guy fighting on horseback in "a scar in the rocks"? Was it a cave? A clearing? a tunnel? I don't know. But I do know that I will be starting the first book in the series this story is from very soon.
  
  ✥ "The Bound Man" by Mary Robinette Kowal - 3 - this one starts off very strong with characters that instantly pull you into the story. Unfortunately the pacing in the second half, and an oddly placed, unclear time jump detract drastically from the overall quality of the idea.
  
  ✥ "The Narcomancer" by N. K. Jemisin - 4- strong world building, plot, and characters in a story that manages to stand completely on its own while still being a good introduction into Jemisin's
  The Dreamblood Duology.
  
  ✥ "Strife Lingers in Memory" by Carrie Vaughn - 4- this is the second Vaughn story that I have really enjoyed and the second one that deals with a side of the traditional fantasy story that is rarely ever seen or dealt with. The first focused on what happens to the people left behind when a chosen one disappears into another world, while this one tackles the "happily ever after" in a realistic, dark, but ultimately hopeful way.
  
  ✥ "The Mad Apprentice" by Trudi Canavan - 3 - this is a fast paced little story with an interesting magic system that would have been a solid four if the plot had not been as predictable as a recipe for hamburgers.
  
  ✥ "Otherling" by Juliet Marillier - 4 - An interesting, unique idea that is well executed in a world that is elegantly brought to life through Marillier's imagery and prose.
  
  ✥ "The Mystery Knight" by George R. R. Martin - 3- a fun story, but is better enjoyed if you have read the previous novella,
  The Hedge Knight, first.
  
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  Twitter for more reviews and other bookish things.
• 
  Silvana

  What I love about anthologies is the chance to sample authors I have never read before but heard about a lot. This one in particular made me want to read more from Tad Williams, Melanie Rawn, and Juliet Marilier. It also gives more positive light on authors whose works I did not enjoy previously such as Bacigalupi, or reconfirm my liking for familiar authors such as Jemisin.
  
  But then, I am also disappointed with some, such as Sanderson's piece which I think is one of the weakest. Moreover, my interest to read some authors also died down e.g. Moorcock. For some other authors e.g Elliot I will reserve judgment first but their books won't be on the top of my TBR.
  
  Highlights (excluding The Mystery Knight and Homecoming which I read and loved before): "The Burning Man", "The Narcomancer", "Mother of All Russiya".
  
  Lowlights: "While the Gods Laugh", "Rysn", "Riding the Shore of the River of Death".
  
  Individual reviews:
  
  "Homecoming" by Robin Hobb
  I think it is one of the best in the book. Another example of how Hobb can write a story with a good character development from a vain and easy-to-hate character to someone you want to root for.
  Aside from that, the world building of the Rainwilds is amazing. Magical rainforest that is both dangerous and beautiful and literally changed people! The story is also available in her story collection:
  The Inheritance - a must read for Hobb fans.
  
  "The Word of Unbinding" by Ursula K. Le Guin
  I found the story really dull and could not remember anything except that two wizards were fighting. Note to self: Strike two for Le Guin.
  
  "The Burning Man" by Tad Williams
  Another favorite. It is very immersive. I found myself drawn to the castle and the sad eerieness of the people. I think I will try reading
  The Dragonbone Chair.
  
  "As the Wheel Turns" by Aliette de Bodard
  A Taoist reincarnation story, which was pretty interesting. Yet, the ending was predictable. I might try her the Xuya stories.
  
  "The Alchemist" by Paolo Bacigalupi
  I liked this a lot, loved the main character, worldbuilding, the magic and the ending. I might actually try to read more of his stuff later, after being so disappointed with The Windup Girl before.
  
  "Sandmagic" by Orson Scott Card
  The story started really slow for me but I loved the climax and the ending. Been a long time since my last and only Card novel (Ender's Game) so I forgot the style and could not compare the two.
  
  "The Road to Levinshir" by Patrick Rothfuss
  Nothing special in my reread (since this is basically taken from Wise Man's Fear) but I remember that I liked this part of the story, especially Kvothe's thoughts on Edema Ruh, his strong identity and society's stigma. And the story is pretty dark (ooh I loved it when my protagonist gone cold blood), although there is one laughable, so-not-Rothfuss sentence "no all men are like that".
  
  "Rysn" by Brandon Sanderson
  Wow, very stingy of Sanderson for this super short story which led to nowhere he might as well not giving any to the collection. Lucky (for me?) this is not my first Sanderson.
  
  "While the Gods Laugh" by Michael Moorcock
  The most annoying story of the book. Pretty sure I read an Elric story before (it was not memorable), but man this one made me think that he was such a pervy jerk, the main and only female character here was so weak (but obviously hot enough to bang, ugh) and the quest thing was boring as hell. Even the fight scene with the so called awesome blade of his (Stormbringer?) was just meh. I won't be reading anything from Moorcock soon.
  
  "Mother of All Russiya" by Melanie Rawn
  A great adaptation of a great historical person. And despite the length and the limited setting of events I think the author managed to put a great sense of epicness.
  
  "Riding the Shore of the River of Death" by Kate Elliott
  I don't remember anything except there was a girl who did not want to marry. Boring. But I heard she wrote an icepunk story about shark and lawyer dinosaurs. So I might check that one out.
  
  "The Bound Man" by Mary Robinette Kowal
  The armor was cool. The story started out strong but when it comes to portal fantasy and time travel it was just okay. Oh and the ending felt a bit abrupt.
  
  "The Narcomancer" by N. K. Jemisin
  I LOVE YOU NK JEMISIN. I adore her Hugo-winning Broken Earth trilogy and I will definitely read her Dreamblood duology, which this story is based on. The magic is sooo interesting! And it is hard nowadays to find a main character who is likable, kind and also very capable so this is kind of refreshing.
  
  "Strife Lingers in Memory" by Carrie Vaughn
  I expected more from this story and it ended really abruptly. Some interesting parts would be when the queen thought about war and its aftermath and what's more important/significant/longlasting. It kept me thinking about PTSD since this tells you"what happened next off screen after your hero won". Often, it is not happy ever after, not entirely.
  
  This is her third story I read, one of them I really loved: "Raisa Stepanova" from
  Dangerous Women
  
  "The Mad Apprentice" by Trudi Canavan
  I have mixed feeling on this. At one side I appreciate reading the POV of someone who was unlucky enough to be related with an abusive person, but the act of mad destruction was repeated way too many times it lost its meaning.
  
  "Otherling" by Juliet Marillier
  Loved it. It felt like a fairy tale albeit a sad one. it was really immersive, full with longing and inner conflict, and I enjoyed every sentence.
  
  "The Mystery Knight" by George R. R. Martin
  I am a Martin fangirl so I hugely immensely wholeheartedly loved this one and thus my review is biased. A fourth reread. This is the third book from the Dunk and Egg stories and it is mostly focused on the Blackfyre Rebellion (specifically, the Second Blackfyre Rebellion). And we actually met one of the most mysterious and influential characters from ASOIAF (as well as one of the most hated characters).
  
  Dunk and Egg's exchanges are so funny sometimes - and I just love the fact that we could see someone who'd become so important in the future spent his childhood travelling across the realm and interacted with so many colorful characters.However, to get to full context I think one needs to read ASOIAF first and then the first two D&E novels.
  
  
• 
  Lisa

  This 'book' is actually a collection of short stories, all based on the relatively broad genre - Epic Fantasy. It includes works from many of the more famous fantasy authors (George R.R. Martin or Robin Hobb) and many stories written by people I had never known of. I had began this book because I was hungry for a new story from my favourite author - Patrick Rothfuss - who had contributed to the making of the book. My opinion was heightened by the fact that another wondrous fantasy writer, Brandon Sanderson, also had a story filed within it. One thing I must say, though I enjoyed most of the stories thoroughly; I was extremely disappointed to find that neither of my favored authors had an original piece put in this book, but rather both had contributed extracts from their novels.
  
  I will quite certainly place this book under 'a book of short stories'. I had encouraged myself with the knowledge that I can always leave off reading any short story that I find badly written and move on, but there was no need. New or otherwise, the stories were very intriguing and I am sure I have discovered at least a few more authors whose novels I'd like to investigate. Picking three of these seventeen lovely tales was difficult. It is a strange experience for me, reading short stories - especially ones of epic fantasy. The name itself suggests a long, complicated novel. Epic fantasy short stories were very new to me. The plots were less sophisticated and on a smaller scale, although, as always there were exceptions. Many included a change in character, perception or a goal achieved that will lead to a larger part left unsaid in the story. I am impressed about the amount of substance that can be fitted into 10 or so pages worth of writing.
  I am glad to have read it; seeing stories side by side provide a contrast and complement, of sorts.
  
  I eventually tried to pick three stories that were rather different in theme and plot, and so the stories I will be discussing in this review are: 'The Alchemist', 'Riding the Shore of the River of Death' and 'Bound Man'. The quote that stayed in my mind from the first story is:

  When there is nothing to do but work, a great deal of work can be done.

  It has a hint of underlying determination to it that I like. The story 'Riding the Shore of the River of Death' contains a line - almost a warning...

  A woman could live her life tending the fire of such a man's life. It's heat was seductive, but in the end its glory belonged only to him.

  It is the female protagonist's thoughts on a man that her parents are marrying her to. In 'Bound Man' there is a small extract that I feel represents the characters' purposes, personalities and their relationships with one another really well.

  Halldór stared as her long hair began flirting with the wind. She smiled at the question in his eyes.
  "I have a prophecy to fulfill."

  It describes when the main character finally comes to terms with her fate.
  
  From these stories I learnt that there are many definitions to epic fantasy - but generally the stories center on a different world that is like, but unlike, Earth where something, usually a battle of some sort, is happening. The main characters are normally either extremely powerful or nearly helpless. The story is usually based around how they change and come onto themselves or their powers. Short stories though, are more like a window into a different world, when the reader discovers a small piece of a story that may be vital. From the stories themselves, though, I discovered a few perspectives about love. Love - not lust. Two of them include a parent that have been separated from their child or children. I would say that the tales were all quite genuine and original - heartwarming and somber in various degrees.
  
  The story of 'The Alchemist' I gravitated towards because of the new idea of magic in the world of the story, a world that is fighting its magic's deadly consequences. After a while, it is hard to find stories outside of the basic fantasy mould, so when one does read something new the story seems a very precious one indeed. 'Riding the Shore of the River of Death' has a tribal setting and the story has a kind of ruthless climate to it - the kind found at the beginnings of civilization. The characters are trying to prove themselves worthy in an adulthood ceremony of sorts. I found that I wanted to discover more about the culture of these almost barbaric people whose perspective the story was being told from. The last, 'Bound Man', I included here because I love an original time-travel story. I was facinated by how the world of the protaganist differed from the one she arrived into, how their perceptions of humanity are subtlety different (she had thought the people she met were another race entirely) and the suggested idea that knowledge is lost throughout the course of history, even while it is gained.
• 
  Loredana (Bookinista08)

  Pe scurt, cel mai mult mi-au placut povestirile scrise de Robin Hobb, George R.R. Martin, Paolo Bacigalupi, Patrick Rothfuss, Trudi Canavan si Juliet Marillier. Celelalte au fost destul de bune, dar nu atat de bune incat sa-mi lase o senzatie de "wow". Va urma si o recenzie detaliata in curand!
  
  P.S. Acum inteleg de ce romanele epic fantasy sau high fantasy sau whatever sunt atat de IMENSE! Te poti pierde ore in sir in lumile descrise intre paginile lor... :D Nici nu-mi dau seama cand au trecut 760 de pagini...
• 
  Outis

  Antologia con alti e bassi. Complessivamente il giudizio è positivo: avevo alcuni autori tra i to-read ma non avevo ancora mai letto un loro romanzo e questo è stato un ottimo banco di prova. Una minoranza di autori non li avevo mai sentiti. Non una gran perdita.
  
  - Il ritorno; R. Hobb - Della Hobb avevo iniziato la trilogia dei Lungavista, il secondo volume però mi aveva annoiato a morte. Questo racconto dalle tinte quasi horror è invece molto bello. Gestita molto bene sia la tensione sia l'evoluzione caratteriale della protagonista. A questo punto con la Hobb devo riprovarci! 4,5
  - La parola dello scioglimento; U. K. Le Guin - Ho qualche suo romanzo tra i to-read ma questo racconto non mi invoglia ad iniziarli: troppo breve e sbrigativo. 2,5
  - L'uomo nelle fiamme; T. Williams - La voce narrante non mi ha fatto impazzire ed è un po' troppo lento ma, complessivamente, è piacevole. Soprattutto se confrontato con alcuni dei racconti successivi... 3
  - La ruota della rinascita; A. De Bodard - Bah, l'idea poteva anche essere interessante ma la realizzazione non va. Sembra un canovaccio di un racconto ancora da scrivere. 2
  - L'alchimista; P. Bacigalupi - Molto bello, uno dei miei preferiti. L'idea dei rovi mi è piaciuta molto. La ragazza meccanica è tra i to-read che mi aspetta...bene. 4,5
  - La magia della sabbia; O. Scott Card - Anche questo racconto è uno dei migliori. Veloce ma completo, con un suo senso compiuto. E intanto il gioco di Ender scala i to-read. 4,5
  - La strada per Levinshir; P. Rothfuss - Forse bisogna aver letto la trilogia (?) di Rothfuss per poterlo apprezzare, cosa che io non ho ancora fatto. Ma il protagonista non è che faccia tutta sta simpatia, anzi. Come lato positivo, l'autore sa scrivere abbastanza bene. 2
  - Rysn; B. Sanderson - Sanderson solitamente mi piace ma questo non è un racconto. È una parte di un capitolo descrittivo. Senza voto
  - Mentre gli dei ridono; M. Moorcock - Forse bisognava aver letto la saga di Elric per apprezzarlo di più. Senza infamia né lode, il protagonista però mi ha incuriosita. 3
  - Madre di tutta la Rossija; M. Rawn - più racconto storico e folcloristico che fantasy. Anzi, l'elemento fantasy l'ho trovato inutile, se non addirittura fastidioso. 2,5
  - La riva del fiume della morte; K. Elliott - Confusionario e, secondo me, poco interessante. 2
  - Il servitore; M. R. Kowal - Anche questo poco interessante. Mi ha colpito così tanto che ormai quasi non lo ricordo più. 1,5
  - Il Narcomante; N.K. Jemisin - Bene la scrittura, abbastanza interessante il sistema magico però non mi è piaciuto molto 3
  - La guerra non si dimentica; C. Vaughn - Tema interessante ma i dialoghi sono atroci. Peccato. 2,5
  - L'apprendista pazzo: storia di un mago nero; T. Canavan - Mi ha sorpreso positivamente. Non è originale ma è molto piacevole da leggere. 4
  - Il doppio, J. Marillier - Il mio racconto preferito. Elegante e feroce. Elemento fantasy perfettamente inserito in una cornice storico-folkloristica. Ho dei libri dell'autrice tra i to-read: devo decidermi a leggerli! 5
• 
  Marina

  В уводът на книгата, написан специално от Брент Уийкс пише: "Всяка художествена проза е лъжа, разликата е само в размаха и дързостта. Епическото фентъзи е лъжа, засилена до краен предел."
  И е така. Докато четях „Епично“ се чувствах като на скоростно влакче – адреналин без почивка, точно като в един дълъг епос, съчетаващ най-доброто от най-добрите. Всичките писатели в сборника са „епосчии“ – хора, които обичат да създават невероятни нови светове и да ги заселват с още по-причудливи раси и най-важното - това са хора способни да ни убедят, че лъжата е абсолютно реална и истинска и че драконите съществуват.
  Колкото и да се опитвах да чета „на час по лъжичка“ любопитството в мен надделяваше и започвах следващият разказ и следващата история. Всяка страница открива нови светове и вселени, които единствено изключително добри писатели могат да създадат.
  Чудех се кой от разказите най-много ми хареса, но установих, че няма как да избера. Макар да имаше някои разкази, които не бяха по мой вкус, то това по никакъв начин не развали душевното ми удоволствие да чета толкова много майстори на перото на куп.
  Може би е необходимо да се кажат 1-2 думи за разказите, за тези читатели, които се колебаят дали това е хапка за техните уста.
  Светът в „Завръщането“ на Робин Хоб е опасен и с нарушен магически баланс, главната героиня от аристократка-артистка се трансформира във водач на хората и единственият глас на разума в една подивяла от алчност колония. 111 страници чиста доза удоволствие.
  „Дума за освобождение“ на Урсула Ле Гуин е разказ за победата чрез смъртта и отстояването на това, в което вярваш. Много кратък разказ (седем страници и мисля, че е най-късият разказ в цялата книга), но само писател от ранга на Ле Гуин може да напише толкова много в толкова малко.
  „Горящият човек“ на Тад Уилямс преплита загубата на най-скъпото с лудостта и болката от правилното решение. Съмнения, шпионажи, предателства и всичко разкрито от един горящ човек, който показва отново правият път на грешника.
  „Докато колелото се върти“ на Алиет де Бодар е може би най-оригиналният разказ в книгата. Макар да е единственият разказ, в който няма магия, дракони, воини, магове, вещици и въобще характерния привкус на фентъзито, то мястото на този разказ е точно в тази книга. Борбата за надмощие между Тигър и Жерав, поставя Дай-Ю в един многовековен Ад.
  Разказът, в който доброто възтержествува въпреки всичко, е „Алхимикът“ на Паоло Бачигалупи и е толкова добре написан, че никога повече няма да погледна къпинаците по същия начин.
  „Пясъчната магия“ на Орсън Скот Кард показва задължителната гледна точка на „лошият“ герой и как решенията на човека го предопределят .
  Разказът на Патрик Ротфус реално представлява глава от втората му книга „Страхът на мъдреца“. Малко разочароващо, но пък човек придобива представа за стилът на писане на Ротфус.
  „Рисн“ на Брандън Сандерсън показва един странен свят със странни хора със странни възприятия и навици. Нищо странно всъщност – типичният стил на Сандерсън.
  „Докато боговете се смеят“ на Майкъл Муркок ми заприлича по стил на Роджър Зелазни – героят е анти-герой, нетипичен, отдал се на Хаоса и постоянно грешащ и търсещ отговори.
  Мелани Роун успява да вземе една историческа легенда за „Майката на цяла Русия“ и да те накара да провериш в интернет дали наистина така са положени основите на няколко от най-великите династии в Европа.
  „П��туване по бреговете на Реката на смъртта“ от Кейт Елиът е малко прекалено феминистко в основата си, но пък беше интересно за четене, макар и краят да се знаеше още от началото.
  В „Слугата“ на Мари Робинет Ковал и „Наркомантът“ на Н.К. Джемисин стилът на писане е изключително приятен и лесен за четене, но те хваща като водовъртеж и чак не искаш да приключи разказа, искаш още.
  Кери Вон в „Борбата продължава в спомена“ беше най-отдалеченият от мен разказ и може би най-малко оцененият. Но пак изключително силен психологически момент и не всичко е така както го мислим.
  Труди Канаван и „Лудият чирак“ е разказ за обвързаността и желанието да бъдеш най-добрият. Много добре е представен тънката граница между сливането на добро и лошо в разказа.
  Последният разказ е „Другият“ на Джулиет Марилиер. Достоен завършек на книгата. Разказ за грешният избор, последствията и дългът.
  За мен книгата си заслужава и е точно толкова добра, колкото и очаквах. Горещо препоръчвам на феновете на фентъзи и на тези, които биха искали за малко да се потопят в множество различни светове, създадени от елита на фентъзито, от най-добрите.
  Една единствена забележка и то тя е към Артлайн – за качеството и цената на книгата е недопустимо да има правописни грешка, които дори не са стилистични (преводът е изключително добър! поздравления на преводача!), а чисто вследствие на печатането на компютър. Единствената ми забележка към иначе прекрасната като изпълнение, превод и визия книга.
• 
  Ivan Ewert

  A wonderful selection of short epic fantasy.
  
  HOMECOMING, by Robin Hobb (aka Megan Lindholm), was the best of the lot in my opinion. An excellent look at a society and culture very different from the standard fare, a strong heroine, and a remarkably tense climax.
  
  RIDING THE SHORE OF THE RIVER OF DEATH by Kate Elliott was a close second! This had a great old-school feel blended with a truly satisfying series of culture/worldbuilding.
  
  Aliette de Bodard's AS THE WHEEL TURNS was wonderfully done, with an exotic locale, a bold storyline, and a remarkable cast of gods.
  
  I thoroughly enjoyed THE NARCOMANCER, by NK Jemisin, in which we learn the ultimate fate of Cet - hero of her book, THE KILLING MOON. A very sensual and dreamlike read. And Juliet Mariller's OTHERLING showed a great deal of heart.
  
  Fans of Game of Thrones will enjoy George RR Martin's THE MYSTERY KNIGHT, and of course it's always good to revisit Ursula K LeGuin and Michael Moorcock for me.
  
  The one story that didn't work for me was RYSN, by Brandon Sanderson. It felt a bit more tell than show, with little conflict or change in the major characters.
  
  Overall I'd definitely recommend this book to anyone who enjoys sweeping epic fantasy.
• 
  Христо Блажев

  С меч и магия:
  http://knigolandia.info/book-review/e...
  
  Всяка художествена проза е лъжа, разликата е само в размаха и дързостта.
  Епическото фентъзи е лъжа, засилена до краен предел.
  
  Из предговора на Брент Уикс
  
  Имам проблем с епическото фентъзи. Затова и се опитвам да го реша, взимайки умерени дози от него регулярно, барем претръпна и някоя по-голяма доза (многотомие) да не ме убие. “Епично” изглежда внушително – над 600 страници в твърда корица, ред знакови имена на нея и очакване за нещо специално. Да, най-голямото име – Джордж Р. Р. Мартин - е отпаднало в българското издание заради авторските права, но пък имаме налице толкова други от най-популярните автори. Както често се случва в такъв тип издания, няколко ми харесаха, няколко не, други ме оставиха безразличен – без съмнение основното разочарование специално за мен дойде от Патрик Ротфус и Брандън Сандерсън, които не са представени със самостоятелни разкази, а с откъси от романи, които вече съм чел (съответно “Страхът на мъдреца” и “Пътят на кралете”), но те пък може да допаднат на други, нормално.
  
  Студио Арт Лайн
  
  http://knigolandia.info/book-review/e...
• 
  Fantasy Literature

  Epic: Legends of Fantasy, edited by John Joseph Adams, is an anthology of stories written by some of the biggest names in epic fantasy. The book clocks in at over 600 pages not just because it’s very difficult to tell short epic stories (though some of these authors do manage to pull it off) but because here the authors are not just telling epic legends, they are legends in and of themselves. George R.R. Martin, Patrick Rothfuss, Robin Hobb, Paolo Bacigalupi, Brandon Sanderson, Ursula K. LeGuin, Kate Elliott, Orson Scott Card, Tad Williams, Aliette de Bodard, Michael Moorcock, Melanie Rawn, Mary Robinette Kowal, N.K. Jemisin, Carrie Vaughn, Trudi Canavan, and Juliet Marillier all contributed stories to this volume.
  
  Epic: Legends of Fantasy opens with a novella by Robin... Read More:
  
  http://www.fantasyliterature.com/revi...
• 
  Kaora

  Some stories were better than others but overall a good book.
  
  My favorite by far would have to be Homecoming by Robin Hobb. The character started off as one I really disliked, but turned into a strong and capable heroine.
  
  I definitely found some authors I'd like to see more from!
• 
  Azbaqiyah

  Just reading The Mad Apprentice only but I still give this book a five ★ since I enjoying reading that novella.
• 
  Tara

  Very interesting.
• 
  Ben

  For starters, my standard disclaimer: I'm using this space to review just "Homecoming" by Robin Hobb. There are other authors and stories in this anthology that interest me as well and hopefully one day I will get to them and update this. I really wish we could get a listing that wasn't tied to a particular publication but that is a pipe dream.
  
  "Homecoming" is a novella that takes place mostly in the Rain Wilds. Lady Carillion Carrock is the only point of view providing the reader with diary entries nearly every day on her journey from Jamillia to the Rain Wilds. She is a woman of noble birth- as she reminds us frequently- and is thrust into a much more uncivilized lifestyle by this quest. She is one of those Hobb characters that annoys me greatly before experiencing lots of growth and winning me over in the end. In retrospect, I'm actually more in awe of how this was accomplished than I was while going through it. Hobb is a master crafter of character and this story puts that skill on full display. It also delivers some interesting world building. I was fully engaged while reading this and absolutely loved it. On to the Rain Wild Chronicles for me.
  
  
• 
  Briana

  A good book to read if you like fantasy and you're looking for new fantasy authors. I really enjoyed the variety of writing. Some authors I really liked and look forward to checking out more of their stories. Other authors I didn't care for and probably won't read anything else by them. I wouldn't recommend this book for young readers. A few of the stories had graphic violence and rather dark plot lines, some stories had some language and coarse joking, and a few had some brief sexual content.
• 
  Marin Bratanov

  Overall it's "meh", lots of bland weak stories, a great reminder why I don't like such compilations much. The variety was good in this one though, and the good stories were quite good.
  
  You can find more detailed accounts story by story down below in my reading progress
• 
  Ricki

  I think I'll have to take notes as I go in anthologies, or I won't remember. My recommendations are in bold.
  
  Homecoming by Robin Hobb
  5/5 This might be half-a-star generous, but man, this story was compelling and engrossing. I loved how it was written as journal entries from the POV of a rich lady and artist who was forced to become a pioneer; reminds me of Roughing it in the Bush by Canadian pioneer Susanna Moodie. The fantasy elements are handled very well.
  
  The Word of Unbinding by Ursula K. Le Guin
  2/5 Meh.
  
  The Burning Man by Tad Williams
  3/5 Good description, nice sense of foreboding.
  
  As the Wheel Turns by Aliette de Bodard
  2/5 This didn't feel like an "epic" story at all. I thought they were defining epic as being part of a larger world--i.e. lots of world-building and description built in? This story was only sketched out, and even the immediate settings are barely described.
  
  The Alchemist by Paolo Bacigalupi
  4/5 I thought this one was really great! My favorite part was the way the magic system worked was SUCH a perfect metaphor for resources and bureaucracy in our own world.
  
  Sandmagic by Orson Scott Card
  1/5 Skimmed. Unmemorable.
  
  The Road to Levinshir by Patrick Rothfuss
  3/5 Well done, for what it was: so obviously the fantasy of the "good guy hero." Saves the damsels in distress, kills the rapists, is hailed as amazing by all. Can't we get past this type of story? Still, this is probably one of the best versions of this story.
  
  Rysn by Brandon Sanderson
  2/5 What is up with having eyebrows so long that you have to tuck them behind your ears? That's just weird. Also, stop it with the stoopid fantasy names. No one wants to read about anyone named "Vstim."
  
  While the Gods Laugh by Michael Moorcock
  1/5 Sucky and anti-feminist. And even skimming was enough to see that the plot made no sense.
  
  Mother of All Russiya by Melanie Rawn
  2/5 I thought this story would have been better without magic.
  
  Riding the Shore of the River of Death by Kate Elliott
  1/5 The writing was so clunky I couldn't even read it :(
  
  Bound Man by Mary Robinette Kowal
  3/5 Dealt with time travel and free will, which are relevant to my interests.
  
  The Narcomancer by N.K. Jemisin
  3/5 Well-written and I respect it, not really my thing though.
  
  Strife Lingers in Memory by Carrie Vaughn
  4/5 Reminiscent of
  The King of Attolia, so yay. I liked this one.
  
  The Mad Apprentice by Trudi Canavan
  2/5 This story just didn't ring true... A young boy becomes a mass murderer and kills all the senior magicians... how, exactly? Why couldn't anyone stop him? Why did all the magicians seem so naive and were astonished that such a thing could happen, yet they kept referring to a magic war in recent history where the exact same thing happened? For all their books and supposed wisdom, they weren't very bright.
  
  Otherling by Juliet Marillier
  4/5 Marillier is so good with words! Always a pleasure.
  
  The Mystery Knight by George R.R. Martin
  3/5 I can see why Martin's so popular, and why my hubs read all his books. He's a talented man. He has good skill in world-building, plot construction, AND writing style--and honestly, I haven't read many authors who have all three. Still, what he writes isn't my taste.
• 
  Federico

  - Il ritorno di Robin Hobb : 5/5 I primi coloni delle Giungle della Pioggia. Mai mi sarei aspettato di definire quasi horror un racconto della Hobb. Molto molto bello! (Bisogna aver letto almeno Borgomago per capire cosa succede).
  - La parola dello scioglimento di Ursula K. LeGuin : 2/5 Un mago viene intrappolato da un altro mago. Il finale non ha molto senso...
  - L’uomo nelle fiamme di Tad Williams : 1/5 Niente da fare, Tad Williams proprio non mi piace come autore.
  - La ruota della rinascita di Aliette De Bodard : 2/5 Niente di che, non molto originale.
  - L’alchimista di Paolo Bacigalupi : 4/5 Buon racconto, bella l'idea dei rovi che si nutrono di magia.
  - La magia della sabbia di Orson Scott Card : 3/5 Soldati uccidono un tizio e il figlio cerca vendetta usando la magia della sabbia.
  - La strada per Levinshir di Patrick Rothfuss : 1/5 Un incontro con dei Girovaghi lungo la strada che va a finire male. Abbastanza banale e piatto. Molti riferimenti alla trilogia (haha) principale.
  - Rysn di Brandon Sanderson : -/- Un racconto contenuto già nei volumi della Folgoluce, trovo senza sensto scorporarlo così. L'ho saltato visto che appena letto il libro da cui è tratto.
  - Mentre gli dèi ridono di Michael Moorcock : 5/5 Uno dei racconti più "divertenti" di Elric: la cerca del Libro degli Dei Morti
  - Madre di tutta la Rossija di Melanie Rawn : 2/5 A metà tra folclore russo, fantasia e storia vera.
  - La riva del fiume della morte di Kate Elliott : 4/5 Una ragazza che vuole sfuggire al suo destino di moglie affronta la sfida per poter vivere una vita da uomo.
  - Il servitore di Mary Robinette Kowal : 2/5 Narrazione caotica, si capisce veramente poco. Profezie e viaggi nel tempo.
  - Il Narcomante di N.K. Jemisin : 3/5 Il background (solo sfiorato) sembra interessante, ma i rapporti tra i personaggi sono da dimenticare. Bella la magia del sonno.
  - La guerra non si dimentica di Carrie Vaughn : 1/5 Demoni dopo la guerra. Brutto proprio è.
  - L’apprendista pazzo: storia di un mago nero di Trudi Canavan : 4/5 Sarà la solita storia dell'apprendista mago che vuole di più, ma è ben scritta e ben caratterizzata!
  - Il doppio di Juliet Marillier : 4/5 Un racconto sul destino e la tradizione.
  
  --
  
  Media matematica: 2,87.
  Arrotondo per difetto a 2 stelle perché ben pochi di questi racconti, secondo me, sono di fantasy epica.
  Inoltre, nell'edizione originale pare ci fosse anche un racconto di G.R.R. Martin, scomparso nell'edizione italiana... perché?
• 
  Калоян Захариев

  Един наистина интересен сборник, който приятно ме зарадва. Повечето разкази са интересни, тук-там се промъква по някоя плява, но общото впечатление е положително. Странното е, че за някои от големи имена във фентъзи очаквах повече. Разказът на Брандън Сандерсън е по-скоро скучен, този на Урсула ле Гуин, а на Майкъл Муркок- откровено тъп. Непознатите ми автори обаче приятно ме изненадаха с много свежи идеи и красиви истории.
  Въобще, сборника аи струваше времето, което му отделих.
  
• 
  Nighteye

  A great anthology, I feel that it would not be that unlikely that I start to read more from any of those authors! Almost all have spellbinded me with their stories and I will look after their books in the shops in the future. John Josep Adams did a great work to find and collect all of those stories who shows the great diversity Fantasy have to offer!
  They are all very different with special storylines both with and without religions (some with rebirth and other believes). It was ranging from a traveling people in waggons ot horseriding step peoples haunting heads, to cities with magicans and hut-delving peoples and small isolated communities to stories sett in medieval times and the Viking age. If you want to read a diffirent anthology I recommand this one!
  
  I've read three of the stories before; The Burning Man by Tad Williams(Legends by Silverberg), Homecomming by Robin hobb(Inheritance by Hobb and Lindholm) and The Words of Unbidning by Ursula LeGuin.
  Before starting I'd looked forward to read Patrick Rothfuss, Brandon Sanderson and Melanie Rawn who I've heard a lot of but never read. I was not familiar with the most author-names except Trudi Canavan, Michael Moorcock, Kate Elliot, Orson Scott Card and George R R Martin and the ones I stated before.
  
  I only refeer to some of the novels that I found greater then the rest; Burning Man of Tad Williams, Orson Scott Card had a fantastic story in here like Carrie Caugen, Juliet Marillier and Paoblo Bacigalupi.
  
  Trudi Canavans story was great and its so good to at last have read about this event that are refeered to in all of her magicans books. It was for this I bough this collection!
  
  Brandon Sanderson's novel Rysn was really bad, I was not impressed by those 10 pages at all, and after that came the fantastic S&S story "While The gods Laugh" from Michael Moorcock who was one of my favorites!
  
  I really really love this short story of Melanie Rawn who's an alternative history sett in the Viking age. That as longships are named likewise Novgorod(an early outpost from the Swedish trading town Staraja Ladoga) and Kyiv/Kiev as all of them was founded by the Swedish Vikings. It showed that I expected right! I jumped in the beginning because of recognizing the name Olga(Russian version of swedish name Helga) and later that this story was based on the once real events described in the history books!
  Here rewritten by Melanie Rawn about the queen of the Varangians/swedes revenging her killed husband in the most terrible way. I had right about that when the story come to end(in authors note she stats the story too).
  
• 
  Radi Radev

  Всеки уважаващ себе си читател на фентъзи трябва да има в библиотеката си поне няколко антологии от любимия жанр. Бих отбелязал “30 години фентъзи DAW” и "Антология фентъзи (1980-1989) Най-добрите разкази на десетилетието".
  Сега обаче имам удоволствието да представя на читателите на моя блог „Епично: Легенди на фентъзито“ от Джон Джоузеф Адамс. Разказите в този сборник са ювелирни произведения на писателското изкуство. Представените автори са живи класици на преклонна възраст, присъстват и най-популярните в момента имена на любимия жанр, но има и няколко творци, които са напълно непознати на българския читател. Въпреки това, тези "непознати" са лауреати не на кои да е премии, а на „Ауреалис“ - наградите за научна фантастика и фентъзи на Австрали��.
  Доста силно ме впечатли предговора от Брент Уийкс - създателят на "Черната призма". Уийкс по много синтезиран начин обяснява големия диапазон на епическото фентъзи. Брент ни разкрива неговата гледна точка за произведенията на Омир, Виргилий, Данте, Толкин и Абъркромби. Уводът завършва безкрайно красиво с цитат от Гилбърт Кийт Честъртън.
  По-надолу ще ви представя няколко от разказите според моята лична класация.
  "Думата за освобождаване" от Урсула Ле Гуин. Вероятно тази история е била класика още преди да бъда роден. В нея се разказва за пленени��т маг Фестин. Той е заловен чрез измама, от засада. Добрият магьосник опитва различни начини да се освободи, но те са неуспешни. Накрая Фестин решава да се жертва за да спаси своя свят и прави една последна магия... Счита се, че Урсула Ле Гуин е измислила Землемория специално за този разказ.
  "Докато боговете се смеят" от Майкъл Муркок. Аз разбира се съм чел творби за Дориан Хоукмуун и Урлик Скарсол. Но тук за първи път се срещнах с Елрик от Мелнибоне. Муркок умее да разказва по един свеобразен за него поетичен начин. Елрик е герой. Той е победител и има магически меч наречен Стормбрингър. Интересното е и, че самия Елрик владее няколко унищожителни заклинания. Те ще му бъдат от полза ако се изправи срещу мъртъвци... Приятно хрумване на автора е, че в средата на разказа главният герой срещна дребничкия си спътник Муунглум, който е добър с меча, но умее също така и да се изразява по хумористичен начин. Аз лично си представих Муунглум като Суботай от Конан Варварина (филма).
  
  
  http://radiradev.blogspot.com/2014/12...