Title | : | Sites of Slavery: Citizenship and Racial Democracy in the Post-Civil Rights Imagination |
Author | : | |
Rating | : | |
ISBN | : | 0822352613 |
ISBN-10 | : | 9780822352617 |
Language | : | English |
Format Type | : | Paperback |
Number of Pages | : | 248 |
Publication | : | First published July 9, 2012 |
Salamishah Tillet is Assistant Professor of English and Africana Studies at the University of Pennsylvania.
"Sites of Slavery is an original contribution to the scholarship on memory, representation, and New World slavery. With keen insight and dazzling analysis, Salamishah Tillet attends to the implications that contemporary representations of slavery have for our understanding of the history of slavery in the United States and of African American identity. This book crosses disciplines to offer a compelling view of the many ways that slavery lives in the contemporary imagination and colors the way we see our past, our present, and our future."—Henry Louis Gates Jr., Alphonse Fletcher University Professor, Harvard University
"Sites of Slavery is a meticulously researched, persuasively argued, beautifully written, and intellectually daring study of contemporary narratives of slavery. Through her dazzling readings of fiction, drama, dance, cinema, visual art, heritage tourism, reparations legal cases, and critical race historiographies, Salamishah Tillet demonstrates how a range of African American artists, writers, and intellectuals respond to the contemporary 'crisis of citizenship' by foregrounding a 'democratic aesthetic' in their representations of slavery. This book will transform the way we think about the place of African American cultural production in relation to 'post–civil rights era' political discourse."—Valerie Smith, author of Toni Morrison: Writing the Moral Imagination
Sites of Slavery: Citizenship and Racial Democracy in the Post-Civil Rights Imagination Reviews
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This is a book I've come back to over and over again—to the point where I forgot how influential it was on my academic interests. Tillet sees a variety of contemporary African American "texts"—literature, film, theater, visual art, etc.—as mnemonic sites that demonstrate an interest in the slave past. While Freud argues that this type of melancholia is destructive, Tillet sees it as necessary and productive to reimagining an American civic myth that meaningfully incorporates Black citizens. Tillet addresses roughly four different "sites" of memory, most fascinating to me being the interest in Sally Hemings as a racial metonym of the nation (one more representative of American history than Thomas Jefferson). For my own purposes, it's important to note that the idea of the enslaved Black female subject as a general case (rather than an exception) for understanding American constructions of Blackness, humanity, and citizenship is inspired by Saidiya Hartman's "Scenes of Subjection."
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A very compelling book! Tillet examines a series of post-civil rights works (mostly art) around slavery to understand the modern state of (African) American democracy. She is able to use art to show the failed promises of the movement and of American democratic ideals, while also recognizing the complications of some of the art itself (for example, in discussing heritage tourism she raised interesting tensions between the African Americans who visit former sites of slavery in Africa with the desires of current Senegalese and Ghanaian citizens).