| Title | : | Emperor Doom |
| Author | : | |
| Rating | : | |
| ISBN | : | 0871352567 |
| ISBN-10 | : | 9780871352569 |
| Language | : | English |
| Format Type | : | Paperback |
| Number of Pages | : | 64 |
| Publication | : | First published January 1, 1987 |
Emperor Doom Reviews
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This GN is set before West Coast Avengers (1985) #1.
I was surprised at how well this story flowed. It wasn’t overrun with text which was very nice for an extra long comic.
Doom creates a machine he calls a Psycho-Prism that enhances the Purple Man’s powers.
This machine is what allows the dictator to take over the world.
There is no one to stop him. But what he does is actually make the world a better place, ending war, violence and famine.
Having undergone a 30 day experiment, Simon Williams, was not affected by the initial blast.
He meets a woman called Ellen who helps him remember the freedom of choice and enacts a plan to free his fellow Avengers.
It mostly works. Hawkeye does try to free his wife but Mockingbird’s will was too weak and she calls Doom.
Tony also struggles to remain free when the Avengers close in on the giant Psycho-Prism Kilgrave is trapped in.
Doom could have stopped his enemies. But he chose not to. He learned that to ‘control fate’ was a hollow dream.
In the end, the heroes question their decision but ultimately must be content, embracing the good and the bad of the world. -
A thought this was fun. Dr. Doom finally wins by brainwashing the world. Wonder Man wakes up from an experiment 30 days later to find the whole world has changed and he's the only one not under control. It's up to him to figure out what to do. I like that even though Doom has won, it's something of a loss for him as well, as there's no longer anyone to challenge him. That ending was great too.
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Still one of best Marvel stories about Dr Doom's psychology and the ending was just great. Why to become emperor of the world just to get bored and without challenges makin you feel alive? I forgot once a time Doom already ruled the world from White House before Ellis' Doom 2099 cyberpunk saga, glad having re-read this one after years.
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The thing about this comic book is that it is not just a typical superhero vs. supervillain story, but also a commentary on free will and freedom. Obviously, not as great as other famous works of literature that discuss the same topics, but still makes you wonder about a what if? scenario at the end.
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This graphic novel has a great premise: Doom taking over the world. It also deals with it somewhat well, with him ultimately being discontent. I even like the setup of Simon being the hero after he emerges from 30 days in a sensory deprivation tank. Unfortunately, the story doesn't go much deeper than that. The problem is dealt with in a relatively perfunctory way when all the pieces come together [6/10].
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Una storia buona, incentrata principalmente su Dr. Doom e sul suo desiderio di conquista e dominio del mondo. Alla base della storia è la concezione che Destino ha di se come miglior governante possibile del pianeta, e lo dimostra anche quando riesce a piegare la volontà di quasi tutti gli esseri senzienti della Terra. Ma scopre che ciò non lo soddisfa, bensì lo riduce a un burocrate. Qui davvero comprende che la vera soddisfazione l'avrà quando il mondo si rivolgerà a lui per esserne governato.
I Vendicatori, tutto sommato, giocano un ruolo secondario, per quanto importante, nel ristabilire lo status quo. Non sono loro che vincono, è Victor che si riprende il pallone e se ne va, interrompendo il gioco. -
A classic Avengers story that shows the true colors of Doctor Doom-a super villain hellbent on fixing the world at any price. As Doctor Doom takes total control of the world, the Avengers fight to dethrone him so that the world can come back to its "normal" state. But who is the true villain here?
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Technically read this in the Doctor Doom Omnibus. I still have a few of the original Marvel Treasury books (and kind of wish I had this one.)
It's pretty standard stuff for late 80's writing: namely, the simplicity of a villain with a plot to take over the world and a band of heroes who try to stop him. Keep in mind it's more of a West Coast Avengers story; it's not a modern event where all the heroes are involved.
I liked Doom's overall plan, and there are a few small moments where Michelinie exams his motivations. I loved the initial moment between Doom and as well as the examinations of Doom's politics. His position definitely generates a discussion about democratic freedom versus being ruled by a single person (and the various shades of despotic rule) but it is only touched on lightly within the story.
And like many stories from that time period, the reader has to suspend belief on a few things, for example: why didn't resist? It also feels like it needed a few more pages to expand a couple of subplots. If this were a mini-series it probably would have been (or stretched beyond what was necessary), but fitting it into a specific page count for the original Treasury size probably forced some of the writing.
As a whole, it's an important piece of history in the tapestry that is Doctor Doom. -
There's not a whole lot to be said about this (rather short) global conquest of Dr. Doom. The writing is of the typical sort for a comic written twenty years ago (e.g., characters explain what they're doing way too often, etc.), and the only character who's even worth reading about in this volume is the doctor himself. Everyone else just punches and kicks and really makes no decision other than the obvious one: "We have to stop evil, because it's evil!"
Well, okay--to be fair, there is one minor philosophical question here that must be answered by our heroes. But it's not something they exactly struggle over; the "right" decision is immediately obvious to the Avengers, without so much as a moment's contemplation. It's really a shame, too, because this is something that probably could have been explored a little more deeply to make the story more interesting; I'd have loved to see a big group discussion on the matter, with the team's philosophies being split into two conflicting sides.
Still, despite the lackluster approach to the insights of our heroes, Doctor Doom actually goes through some serious internal struggle that helps highlight the attributes of his character. But at the end of the day, I'm not sure it's enough to save the story.
Then again, if you've got a copy of Emperor Doom available, there's no real reason not to give it a whirl--it's a short book, and it won't exactly take a big bite out of your time anyway. -
This was first published in 1987 so I probably bought my copy shortly after. I have read this several times over the years but would not have recorded reading it as I would have considered it to be a comic.
David Michelinie was one of Marvel's better writers at the time so even though this is a tale of Doom taking over the world and how the Avengers defeat him Michelinie does add a few lines that may make people think about the way the world is. -
Decent art and Doom proving once again why he is comic' greatest villain, because he genuinely believes that the World would be a better place under his control, and this story proves him right, to a degree, which raises some interesting questions as to where humanity was in the late 80s, although some of it is still relevant today.
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This was my absolute favorite graphic novel growing up, one I read countless times, and I recently got a new copy. It still holds up. It's the most philosophically interesting story in comics, one that ponders the relative importance of free will. It's a story I honestly think everyone should read.
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doctor doom does not fail
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Reseña de Sergio Benítez para Fancueva:
http://www.fancueva.com/comic/mgn-los...
Sobre la figura de Jim Shooter se han escrito páginas y páginas tanto de críticas como de alabanzas. Su labor como editor Marvel allá por los setenta siempre ha sido tomada como ejemplo y es que sus decisiones no dejaban indiferente a nadie. Una de las que más se ha llegado a celebrarse con el paso del tiempo fue el nacimiento del formato de novela gráfica, un proyecto que veía la luz con la intención de dar a los autores un poco más de espacio para idear historias que no estuvieran limitadas a las 24 páginas mensuales. Títulos especiales que merecían un formato de mejor calidad y que se salían de la continuidad establecida. Aprovechando el gran éxito que esta iniciativa tuvo en su momento (y que ahora Marvel va a retomar), en 1987, se publicó este ‘Los Vengadores: emperador Muerte‘ que años después de su primera aparición en nuestro país, Panini rescata del olvido.
Resulta paradójico que una historia como ésta, con casi 30 años de vida, recoja algunas ideas y planteamientos que hoy en día están de máxima actualidad. Por todos es conocida la sed de poder que el monarca de Latveria siempre ha tenido. Los 4 Fantásticos casi siempre han estado ahí para frenar sus maquiavélicos planes pero cuando Muerte se rodea de poderosos aliados, la cosa cambia bastante. En este volumen, la intención de Victor Von Doom es hacerse con el control del mundo, como otras tantas veces, sin embargo, en esta ocasión pretende hacerlo de manera pacífica. Sus manos no se mancharán con sangre de inocentes y para ello contará con los poderes de control mental del Hombre Purpura (un personaje que ya usó Bendis en su imprescindible ‘Alias‘). Juntos construirán una máquina con la que someterán a su voluntad a toda la población mundial para, de esta manera, (auto)proclamarse monarca absoluto.
Leída la historia con la “sabiduría” y la experiencia que otorga la edad, podemos encontrar ciertos paralelismos con la situación actual que nos ha tocado vivir: quizás el poder no esté en manos de un dictador con armadura y una sábana color verde aceituna, pero no es menos cierto que las mejores tajadas se la reparten entre muy pocos. El guión de David Michelinie es tan simple como efectivo y parece proponer respuestas a la pregunta tantas veces formulada de: ¿y si finalmente los villanos consiguieran hacerse con el poder?, un planteamiento que algo similar al que nos contó Mark Gruenwald (que junto a Jim Shooter echan una mano a Michelinie) en su clásico ‘Escuadrón Supremo‘.
La edición de Panini, como siempre, es de sobresaliente. Un tomo de tapa dura algo más grande de lo normal y con un papel de gran calidad para poder deleitarnos con el buen hacer de Bob Hall, hombre de confianza de la época y que con un estilo eficiente y sin muchos adornos, conseguía firmar trabajos de gran calidad. La línea Marvel Graphic Novels siempre alberga sorpresas como ésta y para este año anuncian algunas joyitas que hacía tiempo merecían una edición en condiciones. Próxima parada, ‘Triunfo y tormento‘, también con Muerte como protagonista y el dibujo de cierto novato llamado Mike Mignola. -
Los años 80 fueron una época de grandes cambios y replanteos para el cómic estadounidense. A los experimentos narrativos, temáticos, estéticos y hasta empresariales se sumó el de los formatos, que hasta el momento prácticamente se limitaban a los clásicos “comic-books” en grapas, alguna recopilación esporádica y poco más. Fue en el año 1982 que Marvel dio inicio a su colección Marvel Graphic Novels, comenzando con hoy clásica La muerte del Capitán Marvel (The Death of Captain Marvel). Esta colección que consistió en tomos de más de 50 páginas con historias completas y con un formato similar al de los álbumes europeos duró más de una década y en ella
se editaron cerca de 40 libros de historietas con la más variada gama de personajes, tanto de la propia Marvel como licencias insólitas para la época, como la de Elric de Melniboné, famoso personaje de fantasía de Michael Moorcock.
Es en este contexto que se publica, en 1988, Los Vengadores: Emperador Muerte (Marvel Graphic Novel: Emperor Doom), un cómic escrito por David Michelinie y dibujado por Bob Hall, y que Panini reeditó hace poco en un prolijo tomo tapa dura. La historia narra un plan del Dr. Muerte para dominar el mundo a través del control mental y cómo comienza a mejorar el planeta una vez que cede involuntariamente ante su benevolente
bota de hierro. Las cosas parecen encaminarse hacia una utopía hasta que un grupo de rebeldes (Vengadores que lograron salvarse de su influjo gracias a los poderes iónicos del Hombre Maravilla) deciden derrocar a
Muerte en una guerra relámpago, precipitando lastribulaciones, lamentos y ocaso del tonto emperador imaginario, o no.
En resumen, una historia con un guion elaborado, dibujos muy expresivos y dinámicos y las justas dosis de acción, elementos de ciencia ficción, planteos filosóficos -con conclusiones cuestionables- y trajes colorinches con los que a tantas veces nos sorprenden los buenos comics de superhéroes. -
This graphic novel seems inspired by the old idiom about dogs who chase cars and what would they do once they caught them. In it, Doctor Doom uses the powers of an unwilling Purple Man to achieve his long-sought goal of conquering the world. Yet with the world literally bowing before him, Doom soon finds that conquering the world is a lot more stimulating than running it. And when a group of Avengers challenge his dominance, Doom finds himself facing a most unusual dilemma . . .
One of the limitations of most comic book plots is that the bad guy usually has to lose -- and the more audacious the goal, the more likely it is that the bad guy will fail. For this reason David Micheline's graphic novel stands out for its relatively novel exploration of what it would be like if a world-conquering super-villain actually conquered the world. Perhaps because of this it's a little more fun than might be expected, with a few "kid in the candy store" moments that no world conquest story should be without. I'm less a fan of Bob Hall's art, but it's a matter of taste; more disappointing is the absence, in person or even by way of explanation, of Reed Richards, which is disappointing but perhaps understandable given that it's ultimately an Avengers story and not a FF one. Still, it's an entertaining story, one that stands as one of the more interesting one-shots Marvel has done over the years. -
Emperador Muerte es una historia con un planteo interesante, relativamente jugado y algo pretencioso que juega con la noción de una utopía producto de las maquinaciones de un "tirano", y en la que parece que el único camino que tienen los "héroes" para combatirla es haciendo el mal, o al menos haciendo que vuelva.
Me gustaron bastante las preguntas que plantea este cómic (y que se plantean los personajes entre sí), pero no tanto las respuestas que da (y menos todavía las que dan los personajes). El dibujo acompaña con corrección y salvo el horrible coloreado y la espantosa tapa borrosa, se deja ver con bastante gustito. -
This is an ambitious attempt at taking a somewhat more mature stab at how some of the realities of people with superpowers might actually work. Unfortunately, it’s still inexorably tied to the superhero genre and too many of the cliches are too entrenched in the narrative to make it work as powerfully as it might have been. Still, the premise is an interesting one, and the author handles the concept adequately enough.
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It's pretty good. Dr. Doom devises a method of global mind control, and gets himself unanimously elected Emperor of Earth. When the Avengers figure out what has happened, they realize Doom has converted the world to a Utopia, but at the cost of free will. I wish the moral questions were wrestled with more deeply and thoughtfully, but it's an entertaining story.
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Super short but a lot of fun for old school comics fans. Dr. Doom has always been one of my favorites. The epitome of the egomanical villain, he actually succeeds (briefly) in taking over the world and remakes it in his image. Hilarious and campy.
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Doctor Doom peacefully takes over the world and - as in Doom 2099 - turns out to be pretty good at ruling it. Alas, absolute power bores absolutely, which saps his will to fight forcefully enough to maintain this utopia once that prick Wonder Man starts fighting the power. Sad times.
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Another favorite Avengers story of mine. Kudos!
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So the people who have strong wills are not affected by the Purple Man, and yet Cap is a puppet? I dunno, sort of a run of the mill Avengers story.
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No one wants to live in a perfect world.
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Good Avengers story. Good art and plot. Recommended
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I don't get the 3+ star ratings for this. It's boring and predictable with laughable dialogue, even for the time it was written in. It doesn't even have good art to redeem it any. It's not good.
