Title | : | A Strange Celestial Road: My Time in the Sun Ra Arkestra |
Author | : | |
Rating | : | |
ISBN | : | 1953691161 |
ISBN-10 | : | 9781953691163 |
Language | : | English |
Format Type | : | Paperback |
Number of Pages | : | 536 |
Publication | : | First published September 5, 2023 |
Trumpeter and educator Ahmed Abdullah was born in Harlem in 1947. An important figure in the New York loft jazz movement, in 1972 he formed a group called Abdullah, two years before joining the Sun Ra Arkestra, with whom he played for more than 20 years. He is a founding member of the bands Melodic Art-Tet, The Group and NAM, and of the Central Brooklyn Jazz Consortium. Abdullah is the music director at Sistas’ Place in Brooklyn, and teaches music at the New School for Social Research in Manhattan and an elementary school in Bed-Stuy, Brooklyn.
A Strange Celestial Road: My Time in the Sun Ra Arkestra Reviews
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An extremely frank autobiography by trumpeter Ahmed Abdullah about his experiences as a member of Sun Ra's Arkestra. The book is over 500 pages long, including 64 pages of photos. It's a chunky book with a lot of wonderful stories about Sun Ra and his Arkestra. The first 350 pages were especially interesting to me, an enthusiastic fan of the music starting in the late 80s. Several events and bands related in the book I was lucky to see firsthand. The insider's discussion of the Loft Scene in NYC was especially interesting. Unlike many Arkestra members, Abdullah led groups of his own and was not one of the members who lived communally with Ra. This led to many incidents of miscommunication and bad vibes. The book drags somewhat with blow-by-blow discussion of the confusion, conflict and mismanagement that occurred after Ra left the planet.
Highly recommended for fans of Sun Ra and other "outside" jazz. It could have been 100 pages shorter; Ahmed is very (too?) open about his relationships with women. -
Amazing account of joining the Sun Ra Arkestra, lots of knowledge dropped about 70s New York loft scene free jazz legends. The author is not without his faults but acknowledges and owns up to (most of) them and talks about how he grew from his mistakes.
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Review forthcoming in the November issue of the NYC Jazz Record
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Good for Sun Ra obsessives (like me)