Drawing Power: A Compendium of Cartoon Advertising by Various Artists


Drawing Power: A Compendium of Cartoon Advertising
Title : Drawing Power: A Compendium of Cartoon Advertising
Author :
Rating :
ISBN : 1606993992
ISBN-10 : 9781606993996
Language : English
Format Type : Paperback
Number of Pages : 128
Publication : First published August 17, 2011

Fantagraphics’ new imprint Marschall Books presents Drawing Power, a lively collection of mass market print advertising from the 1890s to the recent past, starring both cartoonists and cartoon characters. While critics debate whether comics is high art or low art, the fact is that the comic strip was born as a commercial medium and was nurtured by competition, commerce, and advertising. Drawing Power will be the first book-length examination (and celebration) of the nexus of art and cartoons. It will focus on the commercial roots of newspaper strips; the cross-promotions of artists, their characters, and retail products; and of the superb artwork that cartoonists invested in their lucrative freelance work in advertising. Drawing Power is cultural history, chronicling a time in popular culture when cartoonists were celebrities and their strips and characters competed with the movies for the attention of a mass audience.



The book will examine cartoonists as public personalities, and their advertising efforts from the first heartbeat of the comic strip as an art form. Here are surprising and familiar examples of products, accounts, memorable ad campaigns, and examples of widely known catch-phrases. Examples of individual cartoon ads through the years include:


Yellow Kid advertising
Buster Brown Shoe campaigns
Dr Seuss’ “Flit” cartoons and his longtime career hyping motor oil
WWII ads
Pepsi and Pete by Rube Goldberg
The best-looking comic strip ads ever: Milton Caniff and Noel Sickles (under pen names!) depicting characters’ personal crises relieved by a coffee substitute
Little Orphan Annie’s famous Ovaltine campaign, and Mickey Mouse as pitch-man
Peanuts shilling Falcons and B.C. shilling Dr. Pepper
Dagwood selling atomic energy
and virtually every super-hero trafficking in the mortal realm to shill every product imaginable

A special section will showcase ads that featured cartoonists themselves as hucksters; can you believe The New Yorker’s urbane Peter Arno selling, not nightclub cocktails, but working-class beer? Walt (Pogo) Kelly selling cement?


Drawing Power: A Compendium of Cartoon Advertising Reviews


  • Michael P.

    The makings for a great book are between these covers. The topic is underexplored, a systematic look is needed, and the images are seldom reprinted. The book does a great job of bringing together all of this, then bungles it. The main problem is the size of most of the reprinted material. It simply cannot be read without a magnifying glass or severe eyestrain - I know, I tried. If readers cannot see the way that ad copy and word balloons interact with the images, then they miss the portion of the story not supplied in the too brief chapter introductions. There is little point in printing most of the images in this book in the size they are printed.

    About those chapter introductions. With one wonderful exception, they are barely informative. They are just long enough to tell readers there is a topic without illuminating that topic. The exception is the introduction to the cartoon advertising by the Johnstone and Cushing agency beautifully written by Tom Heintjes. This introduction is truly satisfying for the detail given, which is enough to put all readers want to know in context. We know why these ads exist and why they are in this format thanks for Heintjes's excellent work.

    Another fault is the inadequate captioning. Since most of the introductions do not give enough information about the images reproduced, captions are essential to tell readers what they see, why the ads were created, the strategies used to promote the products, and where they appeared. The years are supplied, but far too many images have no caption at all and only a couple of the rest have the information one expects in a professional publication.

    I have complained about the writing of co-editor Rick Marschall in the past. He always makes himself part of the story even when that is not illuminating. Fortunately, this ends after a page of the introduction to the book. He also has the bad habit of showing off his research even when readers would benefit from more targeted information. I am sure a few readers appreciate his more than a page of history of breakfast cereal companies but reducing this to a couple of targeted paragraphs that directly demonstrate the use of cartoon images to sell cereal would be much clearer. Here, readers have to manchette their way through a lot of beside-the-point verbal foliage.

    Even with the too brief chapter introductions and Marschall's self-indulgent prose, I would give this book 4 stars had it been properly captioned and twice as long so that the same images could be reproduced in a readable size. This book is a wasted opportunity.

  • Edward Correa

    Aunque se agradece la intención del autor de rescatar los nombres de quienes en su época fueron grandes pioneros, la obra se queda un poco corta cuando se trata de presentar la información. Termina siendo algo aburrido, aunque para quien lo necesite puede quedar como una obra de consulta y referencia eventual.

  • Jamey Boelhower

    What a fun read, both for the history of cartoon advertising and the snapshot of pop culture during those years.

  • Romano

    La publicidad, el consumismo y la construcción del siglo XX.

  • Ben

    This does a fine job of collecting cartoon advertising samples all in one place and it's always interesting to see the varied styles of yesteryear's talented illustrators, but I found myself flipping through this a little faster than I would have thought.