| Title | : | The Hollow Hills (Arthurian Saga, #2) |
| Author | : | |
| Rating | : | |
| ISBN | : | 0060548266 |
| ISBN-10 | : | 9780060548261 |
| Language | : | English |
| Format Type | : | Paperback |
| Number of Pages | : | 475 |
| Publication | : | First published January 1, 1973 |
| Awards | : | Mythopoeic Fantasy Award (1974) |
The Hollow Hills (Arthurian Saga, #2) Reviews
-
It makes no sense that a book I have read this many times could still make me thrill with anticipation,
bask in the beauty of the language, and cry with genuine emotion; but it does. I could not have chosen anything better to read in these dark days--there is always the promise of light. 4/9/20
-----------------
After the thrills of The Crystal Cave, we pick Merlin up, bleeding on the side of the road out of Tintagel, and watch as he begins his journey into the life of the boy who will be King Arthur. One of literature’s great characters, Merlin is the bridge between Ambrosius and Arthur--the once and future kings, and for my money he embodies all that is fine about both of them.
Mary Stewart's Merlin appeals to me mostly because of his humanity. He pays a high price for his powers, and they are granted to him only at the whim and determination of his god. Thus, it is not Merlin who controls events or chooses history, but Merlin who works on earth to bring about a plan clearly forged in heaven. By that same token, he cannot always prevent tragedy, and he must bear, as all men do, his share of regret and disappointment. He states, “I was the god’s instrument, but I was not the god’s hand.” He knows his role and it prevents his being arrogant or self-important and makes him lovable and real. We are able to see him as a man who is given the difficult role of shaping the right future for a nation by trusting that God is behind him in whatever he must do. A pretty heavy burden.
In The Crystal Cave, we see Merlin as a boy and a youth, learning about his god and how to wield his powers. In The Hollow Hills, we see Merlin the man, who understands and has confidence in himself and what he can and should accomplish for his god. And, we see Merlin as a father-figure, with Arthur as his child, his progeny, his legacy.
Even the legend of Arthur is enhanced by Stewart’s presentation of Arthur as a boy rather than as we usually see him, a full-grown King. He is shaped by his foster family into a person of values and we see how he comes to rely on Merlin for both love and guidance. For anyone who has only the image of Merlin as a wizard in flowing robes, self-assured and able to command the thunder when he desires, I submit that this image is an empty jug compared to this Merlin of flesh and blood who must think and feel his way toward the purpose that lies in front of him, a purpose that is passed to him as a sacred duty by his own father.
There are moments of descriptive beauty that are awe-inspiring. There are moments of sentiment that bring tears to my eyes (even after multiple readings). There are moments of intelligent humor that make me smile and which give the characters who speak the lines depth and tangibility. Stewart is a masterful storyteller, with the wisdom and skills of Homer. She transports us. The only thing that makes coming to the end of this book tolerable is knowing that The Last Enchantment lies ahead! -
“I am nothing, yes; I am air and darkness, a word, a promise. I watch in the crystal and I wait in the hollow hills. But out there in the light I have a young king and a bright sword to do my work for me, and build what will stand when my name is only a word for forgotten songs and outworn wisdom, and when your name, Morgause, is only a hissing in the dark.”
This book is full of quotable quotes like the above and The Legend of Arthur & Merlin is one of the great tales off all time, but unfortunately this book is a flawed diamond.
The main problem for me was the very slow start. Book 2 in particular really dragged in parts. At it's worst it reminded me of some of
Georgette Heyer's leaden writing in her medieval books. I think both authors struggled going back so far in time.
When Arthur reentered the book the story improved very much. I really like the way Arthur was depicted. By book 4 the writing was reminding me of
J.R.R. Tolkien. This was a good thing - I'm a massive LOTR fan.
The read of the final book flew by for me and I'm going to try to read the third part
by the end of May. I think I would have enjoyed this book more if the read was closer to my read of
Bear that in mind when you read this review. :) -
Following on from the spell binding The Crystal Cave Mary Stewart came up with an equally enthralling page turner taking us from the morning after Arthur's conception until he is proclaimed King of Britain at fourteen, on the day after of the death of his father Uther Pendragon. It shows us the story through the eyes of a very human, brilliantly intelligent, resourceful, and wise Merlin with powers of enchantment. Merlin is takes to oversee Arthur's childhood where he is been placed under the care of Count Ector of Galava (modern day Ambleside in Cumbria, Northern England)
where Artuhr grows up with his foster brother Cei, and his loyal bosom friend Bedwyr.
Filled with battles, chases, stand offs, melees and exciting journeys, it begins when Merlin is 22 years of age. Arthur has not een born through actual magic shape shifting as in the original legend ub th through disguise, subterfuge and trickery. The magic in this series is downplayed but not discarded and in Merlin's brilliant clairvoyance. Merlin go's into hiding after learning that Uther wants the child to be hidden until he has produced a 'legitimate' heir.
He journeys across Europe where he discovers the existence of the sword Caliburn which is in Wales. He finds Caliburn in Wales and from there to the north of England where he becomes tutor to the young Arthur (Emrys) and Bedwyr.
In Galava Merlin has a vision of the word Guenwyvhar when he is with Arthur and Bedwyr, in the shape of an owl, which he foresees will come between the two boys with Bedwyr being figure that will be in the role of Lancelot.
Merlin and the young Arthur plays a key role in the battle where the invading Saxons are once again rooted and forced to flee
On the death of Uther who proclaims Arthur as his heir just moments before departing the world, Arthur's right to kingship is challenged until he returns to the Chapel and draws forth Caliburn as proof before the assembled nobility
A true spellbinding page-tuner in an amazing five part touer de force, combining history, folk-lore and imagination. Mary Stewart is a genius storyteller. -
In this second installment of Mary Stewart’s Merlin Trilogy, the story picks up right where The Crystal Cave ended with Merlin wounded and Igraine and Uther guilt ridden over their actions and the results. Igraine carries a child who will, according to the prophecy, become High King of Britain. Merlin acts according to the will of his gods as their instrument and has taken on the responsibility to protect and nurture the boy who will grow up in hiding but in safety unknowing of his true parentage. He takes on the role wholeheartedly and completely not expecting to wind up loving the boy, Arthur so much.
Merlin has dreams of an ancient sword, Caliburn, which he believes is the key to the destiny of his young charge. The one who holds the power of the sword is the one who will become the true High King of Britain. Merlin’s adventures take him on an exploration seeking out the legends of the great sword and Stewart slowly yet expertly builds towards the moment when Arthur learns who he really is. It is a truly magical moment!
Merlin’s humanity and compassion are on demonstration here as we have already witnessed his childhood in the first book. Here we see him coming into his own, making choices for the good of the kingdom and Arthur and seeking his god at every turn for the answers and the course to take. Merlin is a peaceable and loving man who develops a bond with his young protege much like a father would. Arthur becomes his destiny and future.
Mary Stewart is a master at making her reader feel the atmosphere of the places she describes. There is such a beauty to her luscious prose and you know you are lost in another world all together while you linger among the pages. It feels very exotic yet peaceful to read.
”What more could a man want, that he determines his own death? Every life has a death, and every light a shadow. Be content to stand in the light, and let the shadow fall where it will.”
I absolutely loved my continuation of Merlin’s story and thanks to my friend Sara for pointing me in their direction. I must get on with the third book right away so that I can learn what will unfold for the young Arthur Pendragon. There were so many wonderful quotes but I will leave you with two.
I dreamed again of the sword, and I knew, even through the dream, that this came straight from the god. Ordinary dreams are never so clear; they are jumbles of desires and fears, things seen and heard, and felt though unknown. This came clear, like a memory.
”Through a man’s life there are milestones, things he remembers even into the hour of his death. God knows that I have had more than a man’s share of rich memories; the lives and deaths of kings, the coming and going of gods, the founding and destroying of kingdoms. But it is not always these great events that stick in the mind: here, now, in this final darkness, it is the small times that come back to me most vividly, the quiet human moments which I should like to live again, rather than the flaming times of power. I can still see, how clearly, the golden sunlight of that quiet afternoon. There is the sound of the spring, and the falling liquid of the thrush's song, the humming of the wild bees, the sudden flurry of the white hound scratching for fleas, and the sizzling sound of cooking where Arthur knelt over the wood fire, turning the trout on a spit of hazel, his face solemn, exalted, calm, lighted from within by whatever it is that sets such men alight. It was his beginning, and he knew it.” -
An excellent follow up to
The Crystal Cave & beautifully read. It's the same in style & tone, too.
I want to call this 'old school' fantasy. There is no graphic sex, violence, or even any flashy magic, but there is an aura of mystery & pomp that permeates the entire story. There is a hard core of realism tempered by spirituality that defines the world & the magic. The descriptions are lyric, too. A fantastic break from the current style of writing & yet not boring at all. In many ways it reminds me of the Lord of the Rings. Excellent. -
Following on from the spell binding The Crystal Cave Mary Stewart came up with an equally enthralling page turner taking us from the morning after Arthur's conception until he is proclaimed King of Britain at fourteen, on the day after of the death of his father Uther Pendragon. It shows us the story through the eyes of a very human, brilliantly intelligent, resourceful, and wise Merlin with powers of enchantment. Merlin is takes to oversee Arthur's childhood where he is been placed under the care of Count Ector of Galava (modern day Ambleside in Cumbria, Northern England)
where Artuhr grows up with his foster brother Cei, and his loyal bosom friend Bedwyr.
Filled with battles, chases, stand offs, melees and exciting journeys, it begins when Merlin is 22 years of age. Arthur has not een born through actual magic shape shifting as in the original legend ub th through disguise, subterfuge and trickery. The magic in this series is downplayed but not discarded and in Merlin's brilliant clairvoyance. Merlin go's into hiding after learning that Uther wants the child to be hidden until he has produced a 'legitimate' heir.
He journeys across Europe where he discovers the existence of the sword Caliburn which is in Wales. He finds Caliburn in Wales and from there to the north of England where he becomes tutor to the young Arthur (Emrys) and Bedwyr.
In Galava Merlin has a vision of the word guenwyvhar when he is with Arthur and Bedwyr, in the shape of an owl, which he foresses will come between the two boys with Bedwyr being figure that will be in the role of Lancelot.
Merlin and the young Arthur plays a key role in the battle where the invading Saxons are once again rooted and forced to flee
On the death of Uther who proclaims Arthur as his heir just moments before departing the world, Arthur's right to kingship is challenged until he returns to the Chapel and draws forth Caliburn as proof before the assembled nobility
A true spellbinding page-tuner in an amazing five part touer de force, combining history, folk-lore and imagination. Mary Stewart is a genius storyteller. -
The first half was 3 stars, but the second half was amazing. More later!
-
I enjoyed more than the first book (I didn't think it was possible). Well, when I read the first book in the series l loved it but as I go on reading the second book I began to feel more and more excited even though Mary Stewart made me wait to let happen what I looked forward to coming. But even though it came late, I was enjoying as much as I grew impatient. I loved Arthur as much as I love Merlin. If this series even a little seems interesting, you shouldn't miss and read them :))) I don't know how this story will go on until 5th book but I can't wait to read them all :))
-
Mary Stewart’s Arthurian books are certainly very different to her romance/mystery ones. It’s much more the world of Rosemary Sutcliff’s Sword at Sunset than the sort of world her heroines inhabit in the modern stories: one of uncertain magic and prophecy, of blood and hatred and death. And it comes out much less positive about female characters. There are few prominent ones, and even mentions of women tend to be dark portents and shadows on the future Merlin foresees. But I do love the Welsh background, the Welsh names, the way that the different races of Britain are all represented here and are all Arthur’s subjects.
It’s doubly difficult to read this with any sense of suspense, though. First, Merlin knows what’s going to happen, at least broadly, and secondly, it’s the Arthurian legend. You can do surprising things with it, but Stewart sticks fairly close to the sources, which leaves very little room for surprising anyone who knows the source texts well. She plays the tropes relatively straight, too, and telegraphs all the usual causes of strife in Camelot well in advance. Arthur isn’t even acclaimed as king yet until the very end of the book, and already there’s foreshadowing for various betrayals. I really must look up Bedwyr’s involvement with Gwenhwyfar more — several modern tellings align him with her, and I can’t remember what might spark that.
Still, Stewart’s writing is good, and the sense of atmosphere she brings to the more far-flung settings for her romance/mystery stories is equally strong here, in the cold and damp corners of Britain. Her writing in this book reminds me a lot of Sutcliff, which can only be a compliment.
I do hope she’s more subtle with Morgause, Morgian and Gwenhwyfar, when they appear properly, though.
Originally posted here. -
Following on from the spell binding The Crystal Cave Mary Stewart came up with an equally enthralling page turner taking us from the morning after Arthur's conception until he is proclaimed King of Britain at fourteen, on the day after of the death of his father Uther Pendragon. It shows us the story through the eyes of a very human, brilliantly intelligent, resourceful, and wise Merlin with powers of enchantment. Merlin is takes to oversee Arthur's childhood where he is been placed under the care of Count Ector of Galava (modern day Ambleside in Cumbria, Northern England)
where Artuhr grows up with his foster brother Cei, and his loyal bosom friend Bedwyr.
Filled with battles, chases, stand offs, melees and exciting journeys, it begins when Merlin is 22 years of age. Arthur has not een born through actual magic shape shifting as in the original legend ub th through disguise, subterfuge and trickery. The magic in this series is downplayed but not discarded and in Merlin's brilliant clairvoyance. Merlin go's into hiding after learning that Uther wants the child to be hidden until he has produced a 'legitimate' heir.
He journeys across Europe where he discovers the existence of the sword Caliburn which is in Wales. He finds Caliburn in Wales and from there to the north of England where he becomes tutor to the young Arthur (Emrys) and Bedwyr.
In Galava Merlin has a vision of the word guenwyvhar when he is with Arthur and Bedwyr, in the shape of an owl, which he foresses will come between the two boys with Bedwyr being figure that will be in the role of Lancelot.
Merlin and the young Arthur plays a key role in the battle where the invading Saxons are once again rooted and forced to flee
On the death of Uther who proclaims Arthur as his heir just moments before departing the world, Arthur's right to kingship is challenged until he returns to the Chapel and draws forth Caliburn as proof before the assembled nobility
A true spellbinding page-tuner in an amazing five part touer de force, combining history, folk-lore and imagination. Mary Stewart is a genius storyteller. -
5+ dazzling stars!
Another phenomenal installment in Mary Stewart's Arthurian saga, The Hollow Hills begins right where we concluded the brilliant gem of a story, The Crystal Cave. The masterful storytelling, the wonder and the adventure are no less evident here than in the first of the series! I was captured once again and savored every word as if it were a treasure.
In this book, the compassionate and human side of Merlin is revealed even further. Merlin, as "the instrument of the gods", knows it is his destiny and duty to protect and instruct the young Arthur in order to fulfill the prophecy of one High King and a united Britain. What he no doubt didn't divine – and what I adored most about him – was that he would grow to love Arthur and that this love would be so unequivocally reciprocated, like that between parent and child. I have to share here one of my favorite excerpts – one where Merlin reflects on those little moments that perhaps matter the most after the passing of time:
"Through a man's life there are milestones, things he remembers even into the hour of his death. God knows that I have had more than a man's share of rich memories; the lives and deaths of kings, the coming and going of gods, the founding and destroying of kingdoms. But it is not always these great events that stick in the mind: here, now, in this final darkness, it is the small times that come back to me most vividly, the quiet human moments which I should like to live again, rather than the flaming times of power. I can still see, how clearly, the golden sunlight of that quiet afternoon. There is the sound of the spring, and the falling liquid of the thrush's song, the humming of the wild bees, the sudden flurry of the white hound scratching for fleas, and the sizzling sound of cooking where Arthur knelt over the wood fire, turning the trout on a spit of hazel, his face solemn, exalted, calm, lighted from within by whatever it is that sets such men alight. It was his beginning, and he knew it."
Ah! Just love it! Such wisdom and such nostalgia!
What else is there to say but this - you really should get your hands on this series and experience the delight that these books will bring to you as they did to me. Perhaps I could mention you will learn more of the legend of the famed sword, maybe get a glimpse at some new characters and developments to come (even a dash of wickedness!), meet the inhabitants of the hollow hills themselves, and perch on the edge of your seat with an awesome and suspenseful fighting scene! Oh, should I mention that this is going straight to my favorites shelf along with the first book?! Thank goodness I have the next book in this spectacular series ready and waiting! -
4 Stars
-
An absolutely wonderful interpretation of the Arthurian Legend!!! Mary Stewart's writing is captivating! The Hollow Hills is a thoroughly satisfying read; a masterpiece! (I am not sure what else I can say that has not already been said about this book.)
My favorite passage:
"If it was indeed the King's sword of Britain, and Arthur was to be the King who would lift it, it must lie in a place as holy and as haunted as the shrine where I myself had found it. And when the day came the boy must be led to it himself, even as I had been led. I was the god's instrument, but I was not the god's hand."
I particularly loved the way Mary Stewart brings Arthur and Merlin together in the Wild Forest; I would say the moment they finally meet face to face shines through as a favorite of mine. This book is enjoyable from cover to cover! I loved it! I would highly recommend this book to any of my friends!
P.S. Grown-ups only, please! -
The second book in the series follows much the same path with the first by stayin mainly outside of the classic legend, necessarily of course because of the choice to follow the story through the eyes of the magician Merlin. In the case of this book Additionally we are in a vacuum of the story between the conception of Arthur and his taking of the crown so necessarily the author must improvise and here we fall in a problematic situation. I must confess that I do not believe that this gap was covered in a way that keeps the interest at especially high levels. There is of course a tour in the world for training purposes and, above all, an attempt to explain the more fantastic elements of the classic tale with an alloy of realism and magic-which plays a larger role-that leads to an almost Mystic result, but it wasn't enough.
From this difficult situation, though, the book gets out when we are coming to the end. The events that led to the nomination of Arthur as King described in a very nice way with the writer conveying too well the feelings of the protagonists and to us recommending to us the people who we’ll deal with in the rest of the story. This exciting finale fully compensated me and overturned any moderate impression, making me to wait anxiously for the next book having the belief that it will be even better.
Το δεύτερο βιβλίο της σειράς ακολουθεί τον ίδιο δρόμο με το πρώτο κινούμενο κυρίως εκτός του κλασικού μύθου, αναγκαστικά βέβαια λόγω της επιλογής να ακολουθούμε την ιστορία μέσα από τη ματιά του μάγου Μέρλιν. Στην περίπτωση αυτού του βιβλίου επιπρόσθετα βρισκόμαστε σε ένα κενό της ιστορίας ανάμεσα στη σύλληψη του Αρθούρου και της ανάληψης της βασιλείας οπότε αναγκαστικά η συγγραφέας πρέπει να αυτοσχεδιάσει και εδώ πέφτουμε σε μία προβληματική κατάσταση. Πρέπει να ομολογήσω ότι δεν πιστεύω ότι το συγκεκριμένο κενό καλύφθηκε με έναν τρόπο που να μου κρατάει το ενδιαφέρον σε ιδιαίτερα υψηλά επίπεδα. Υπάρχει βέβαια μία περιήγηση στον κόσμο για εκπαιδευτικούς λόγους και πάνω από όλα μία προσπάθεια εξήγησης των πιο φανταστικών στοιχείων της κλασικής ιστορίας με ένα κράμα ρασιοναλισμού και μαγείας - η οποία παίζει μεγαλύτερο ρόλο - που οδηγεί σε ένα σχεδόν μυστικιστικό αποτέλεσμα, όλα αυτά όμως δεν ήταν αρκετά.
Από αυτή τη δύσκολη κατάσταση, όμως, το βιβλίο ξεφεύγει όταν πλησιάζουμε στο τέλος. Εκεί τα γεγονότα που οδήγησαν στην ανακήρυξη του Αρθούρου ως βασιλιά περιγράφονται με έναν πολύ ωραίο τρόπο με τη συγγραφέα να μεταφέρει πάρα πολύ καλά τα συναισθήματα των πρωταγωνιστών και να μας συστήνει τους ανθρώπους που θα μας απασχολήσουν λογικά στη συνέχεια. Αυτό το συναρπαστικό φινάλε με αποζημίωσε πλήρως και ανέτρεψε οποιαδήπ��τε μέτρια εντύπωση, κάνοντας με να περιμένω με αγωνία τη συνέχεια πιστεύοντας ότι θα είναι ακόμα καλύτερη. -
So excellent in language and description, this one didn't tickle me as much as the first book did.
Merlin's travels for that decade were interesting, but for me anyway- those ten years covered in this book tempered it all so much! The intensity of the "musts" of the first book for his own role / power ability to grow, they were far more in this tale merely a miasma "practicing" of "after" to that. In fact, I didn't feel the considerable sacrifices that Merlin made to accept and use his power was "paid for" as much here in this period of life as in the first book of his extreme youth either. In this one he has immense danger, but also holds superlative freedoms. And almost no fear, since he can often portent outcomes. But THE FREEDOMS, in movement, inquiry, avocation- etc. etc. No bad thing, don't get me wrong- they made such growth and knowledge! But for me- just too many under characters are now caught too in the crux within the entire picture of his long term goals and he is not "in it" all alone for every manipulation any more. Ralf especially will be more featured in the next phases, and I missed him in more than 1/2 of all these pages.
And Arthur (10 to 14 years old here in the flesh) is as excellent as the presupposition and all of Merlin's manipulations would equal for his real physical and mental states to be. AND YET!! So much of this late 5th century sensibility toward the woman and the underlings/ servants and the children too?? And does Arthur reflect it, both in references and in actions. In this one I wanted to hit the 14 year old Arthur up side his head. I know, totally revisionist of me because that was then and this is now. But still, what an ego and what insular entitlements!
And he can't be all that bright either, as Merlin and his own biological father or mother have been consistently in these two books prior, in order to plot this out to get here to this point of returning back "home". Because he so wrongly guessed Merlin was his real father and didn't figure so much of the rest out to familial relationship? And he barely remembers Brittany or that language after living there for more than his first 4 years? And what about that dumb side wet nurse who adored him? Hmmmm!
I guess it doesn't take high IQ to unite England under one crown and a singular rule of law power. Just the right bloodline and a wizard on your side!
Beauteous descriptions of course again. Sublime prose of place. But am increasingly disappointed in the female side soul captures, regardless. They just aren't there. But in this era, women rarely even had a personal name in the tale told "around" them, even those with a title. And I like Merlin's growth in seer abilities and consolidations of his powers here- done slowly and with much less severe and heroic boundaries of using others as much as he did in his extreme youth.
This is a spectacular and beautiful period book but quite overlong. It does give the status feel of all of Merlin's adult learning years before he begins the big "teach". -
This will be a short review because I have a joint blog post about this book with my co-blogger in crime, Moonlight Reader.
I still like having Merlin as the narrator in these books and we do get some insight into what power is calling to him and also to Arthur. I found Merlin to be just as obstinate as the character of Uther at times because he doesn't like to be challenged. And I think at times Stewart tries to over explain the appeal of the character of Arthur to those around him.
The women are here and gone in moments in this story. I really wish we had gotten to follow Ygraine more. We have at the end of this book the death of Uther and her long gone son becoming king, you would think she would be nearby. We do get glimpses of Morgause, but I thought her reasoning behind what she does still didn't make a lot of sense. Morgain was just talked about, a lot.
That said, most of the book dragged dreadfully. It wasn't until book four, 'The King' that the action kicked into high gear. We finally get to the end of the book with Arthur becoming king, but we also know because of the events in this one, an ill wind is blowing his way. -
First time around I read this but there is no comparison; the audio version is MUCH better! If you can listen to this, by all means do. Mary Stewart gives us Merlin's perspective of the Arthurian legends based closely on Malory's version, but her touch of je ne sais quoi pas makes this and the other books she has written pure delight.
From earlier read: I loved
The Crystal Cave, the first in this saga, and normally would have raced to read the second, but something held back wanting to save this for a time I really needed it. When I finally was in need of a comfortingly sure-to-be-a-good novel, this was truly the reward for the wait. It started off immediately as good as I remembered the last one ending! It was like NO time at all elapsed and I was right back there with Merlin in the forest. I love Mary Stewart and her vision of the Arthurian legend. She makes some minor changes to the traditional story and she makes Merlin the focal character, but she also provides the original legend in the back of the book for comparison with some explanation of why she did what she did.
The Hollow Hills, like its prequel, is written from the standpoint of Merlin. Arthur is there, but always in the background, first as the expected baby, then infant, growing child and finally as the young lad of 14 ready to step into his father's shoes. Stewart builds our anticipation through this relatively long (464 pages) book by keeping Arthur tantalizingly off stage. Even Merlin was for most part denied much access to him in this version of the legend. Sorry, no animal transfiguration lessons as in
The Sword in the Stone.
This isn't a funny book and for that reason it isn't for everyone. It is also a slow and detailed read and focuses on who knows what when, how they control it, believe what they do, interact with each other, why, etc. Merlin's thoughts and beliefs are most intriguing. He is very principled and nuanced. While not a Christian, he is a firm believer in one God, a practicing celibate, aware that everything he knows and is able to do comes from God, belongs to and is owed back to Him. He is also aware that not all other practitioners of the magical arts believe as he does, and therein lies the crux of the problem and the story. It is a tale for serious readers and makes for fascinating enjoyment. It has piqued my interest enough to want to hunt down and read everything available on the Arthurian legend.
But for now I'll be content to move on to the last in this series,
The Last Enchantment! -
In part 2 of the Arthurian saga we have, instead of Excalibur, Caliburn. The sword is claimed by Arthur in a different manner from the traditional story but still fits nicely with the theme.
As with book 1, I think Hollow Hills is also a great book and keeps the reader yearning to move on to part 3. -
The Hollow Hills by Mary Stewart is the 2nd book in the Arthurian Saga and it picks up right where The Crystal Cave left off. Igraine and Uther are feeling the guilt from their actions. Uther makes a major decision. The child Igraine carries will not be his heir. So Merlin decides to take charge of the child’s upbringing. Immediately after the child is born, he is named Arthur, and Merlin whisks the boy away to be raised by a man named Count Ector. However, he sees a sword in his dream, a sword that would be an important part of Arthur’s destiny.
This is another wonderful installment in the Arthurian Saga! I do love the authors’ writing. The whole book could be quoted. She has such skill at conveying emotion and beauty in the world.
“Every life has death and every light has shadow. Be content to stand in the light and let the shadow fall where it will.”
THE HOLLOW HILLS
However, there is a lot less action in this book than in the first book, which is fine, but this book is a lot slower in pace. It is all predictable but it sticks closely with the source material. Also…dare I say…I don’t like Merlin. I know, I know. He is just so pompous. I know he is MERLIN, but his whole attitude isn’t very likable to me. At least in this book, he may develop more as the series continues. —At least I hope he does. I am not going to dive into book three and hope for a little more action and a more admirable Merlin. I rate this book 3 out of 5 stars. -
This is the second book in
Mary Stewart's Arthurian Saga.
The story picks up immediately after the close of
The Crystal Cave and continues to be told through the voice of Merlin. I said in my review of that book, that this was a Merlin I had never encountered before and I adored him. This still holds true.
Merlin is a grown man now, Arthur has been conceived and Merlin now knows his life's work will revolve around this unborn child. We travel with Merlin through the many years the child is hidden. During the years Merlin untangles the visions he has seen of the child and discovers the history of the sword in those visions. By the end of this book, Uther is dead, Arthur is Lord King of Britain and the sword has been taken from the stone.
Stewart's writing is luscious and beautiful. The book is pure fantasy for the soul. At the end of this book, she again recounts the legends that have passed down through the ages, and in her Author Notes she explains how she came to structure the world and draw her characters.
I loved it, and will definitely move on to book 3. -
This is classic fantasy, classic myth - and yet a lot of it doesn’t work for me. Part of it is because it’s the story of Arthur, I think. There’s a line in one of the McKillips (I’m probably paraphrasing) that comes most strongly to mind: “he bowed as if to a king, or an inevitability”. There’s an inevitability here, in both the story and the king. It’s partly because Stewart is telling - or is it retelling? - a famous story, and it’s partly because Merlin the prophet is the narrator. We know that Arthur will be High King from the very beginning, and that inevitability drags on the story.
There are flashes when Arthur is a genuinely compelling character:He spoke at length quietly, but with such a kind of inward force and joy that one wondered how he could contain it. What he said surprised me. “Then the sword was yours. You found it, not I. I was only sent to bring it to you. It is yours. I will get it for you now.”
And then this Arthur goes to court, and is magically kingly, and does something with incredibly far-reaching consequences after his first battle (HOW do I not remember this from all those Arthurian books I read growing up?) -
and Merlin’s response is so appalling to me that I can’t see either of them anymore beneath the shadow it casts:But if he kills them now he will never use a sword again in God’s service, and their corruption will have claimed him before his work is even begun.
This is probably an accurate portrayal of the attitudes of the time, but I must say I am enraged by the idea that their High King is a) instinctively a brilliant leader and warrior, even as a fourteen-year-old, who b) can only face something negative because the gods don’t want him to have too much glory.
I said calmly... “Has no one ever told you the gods are jealous? They insure against too much glory. Every man carries the seed of his own death, and you will not be more than a man.”
I suppose this is an argument in favor of his being raised far, far away from court, but here he is, showing up and immediately being used - by Morgause, I guess, but especially by Merlin. Arthur is right; Merlin did get him the sword and pave the entire way for him, and from one day to the next, his entire world changes. He handles it with unnatural aplomb and then, when he faces disastrous consequences, he’s absolved of all responsibility because he didn’t know, and Britain needs a high king, and isn’t it all perfectly Greek-tragedy?
I don’t know if this is the classic legend or Stewart’s interpretation; I’m probably bringing a modern sensibility to an ancient myth, and I think I need to go back to some Arthurian stuff I read as a kid and see if this mentality is present there. But I came out of this book thinking its real hero was Cador of Cornwall:I was reflecting that even at fifteen Cador had been a realist; now, his tough-minded common sense was like a gust of cold air through a musty council-chamber.
And even he exhibits a slavish devotion to kingship.
PS: This book has SO MANY typos. WHERE WAS THE EDITOR. Are reissued US copies of British novels not proofread?! (Also see: Sayers, Dorothy.) -
This book, the second in Mary Stewart’s Arthurian saga, is my favorite of the series. The first and second books between them represent a remarkable envisioning of fifth-century Britain, in addition to being corking entertainment.
The Hollow Hills begins where The Crystal Cave left off, with an injured Merlin picking himself up after his disastrous enabling of the High King’s illicit union with the wife of one of his allies. It was disastrous in the moment, but Merlin believes himself guided by a god or God to do it because, per one of his visions, he believes a son, Arthur, will come out of the encounter who will unite Britain and be a strong and gracious king. This book is the story of that son’s youth and rise to the throne.
Along the way Merlin takes a few years off to tour the Mediterranean, affording Stewart the opportunity to give us cameos of various fifth-century cultures. Those scenes are short enough to allow the reader to remain focused on the British scene, especially because Merlin has periodic visions of what’s happening there. Eventually he makes his way back and befriends Arthur, who does not know either who Merlin is or who he himself is. The two build a strong bond, one that is occasionally tested but never broken in this story.
There is perhaps a little more magic in this book than in the previous one, as befits a legend retelling, but it mostly feels well rooted in the mind-set of the era and the traditions of old Britain. I especially loved the little people, here portrayed as natives of the island who withdrew into the wilderness when the Romans came and stayed there. They are treated with respect and are in no sense twee. I also enjoyed how Stewart deployed her descriptive skills to paint the portrait of a Britain very much more wild and deserted than the one we know.
The world of these novels feels like a complex and concrete society, one that makes reasonable use of the little history that is known. That is the great strength of the series, I believe, its plausibility within context.
The next two books are fiercer and sadder, with Merlin aging and losing touch with his gifts and politics slowly drowning Camelot. I prefer the more youthful and hopeful Merlin, his power and his humility. -
I'm in love with this series.
-
The Hollow Hills is the second book in Mary Stewart's Arthurian saga and covers the fifteen years between Arthur's birth and his acclamation as High King as experienced by Merlin, who spends much of it avoiding the limelight and traveling to Asia Minor and Constantinople. In a word, not taking a role in Arthur's life whatsoever until a few months before the boy's acclamation.
Which is the primary problem. We can't engage with either the chief character of the novel or with his ostensible ward. We're observers to events that are happening far away to people we have no connection with. A feeling deliberately enforced by Stewart, whose Merlin consistently emphasizes his passivity (and other's) in the unfolding of events - everything that happens is the will of the God (who may manifest as the Christian God, Mithras or any other divine being) and all we can do is accept it.
It drains the saga of any dramatic tension.
Another distraction I found was Arthur himself. The boy is simply too good to be true. Not just in a moral sense but in all ways - he has wisdom, ability and charisma far beyond that of a fourteen-year-old boy. Which I might have accepted more readily if Stewart's retelling were more mythological/fantastical. There the "chosen one" can display all manner of miraculous abilities (i.e., Jesus' performance in the synagogue when only thirteen or Herakles' exploits in the crib). But she chose a mostly historical mode, which means - in order to accept Arthur's precosity - we need to spend more time with the boy.
The feminine continues to receive shortshrift. Women are either Madonnas (Merlin's mother, Ygraine (sort of), Drusilla), whores (Morgause) or dismissed as irrelevant (Morgian). And the few allusions to a feminine divine principal suggest a blood-thirsty, savage, evil entity.
So why three stars? Partly for nostalgic sentiment; a reflection from my earliest days as a serious reader and a love of the Arthur myth in pretty much any form. Another is that Stewart has an eye for colorful detail and - despite my complaints about the nature of the story - an excellent sense of pacing. We may feel like observers but we're observers of an exciting story.
And then there's the notion, which I realized after finishing the novel, that the narrative's passivity is a deliberate strategy on Stewart's part and that Merlin is a most unreliable narrator. This is, after all, the purported memoirs of Merlin who lies entombed in the Crystal Cave (how we are reading them is unclear but moot). It's understandable, then, why Merlin doesn't portray himself (or any other "good" guy) as culpable for anything but rather tools of a higher purpose; and it explains why the motives of everyone else are consistently portrayed as political or military machinations to achieve simple, mundane power. It also explains the misogyny - Merlin has been terrified of women since a boy and he is brought low by a woman. Things that would color anyone's perception of females.
I may be reading too much into the text but I will be heading down to the library today (July 28) to check out the third and fourth books and complete this tale left unfinished from my youth. -
These books are so beautifully written. Is it bad, being as how it's called the Arthurian Saga, that I'm bummed the next one is going to be more about Arthur and less about Merlin?
Favorite quotes:
387. "Everyone knows the King's unchancy to cross. But you just looked cold as ice, as if you expected him to do what you wanted, just as everyone does! You, afraid? You're not afraid of anything that's real."
"That's what I mean," I said. "I'm not sure how much courage is needed to face human enemies--what you'd call 'real'--knowing they won't kill you. But foreknowledge has its own terrors, Ralf. Death may not lie just at the next corner, but when one knows exactly when it will come, and how... It's not a comfortable thought."
537. [Arthur] said, with little to be heard in his tone except exasperation: "How long will it be before you realize that I would give my life itself to keep you from hurt?"
569. [Arthur] said, flatly, and as if it explained everything, as I suppose it did: "I thought you were my father." ... "Even my name, you see." The dull apology of his tone was worse than the cruelty that shock had brought from him before.
(Breaks my heart!)
576. I am nothing, yes; I am air and darkness, a word, a promise. I watch in the crystal and I wait in the hollow hills. But out there in the light I have a young king and a bright sword to do my work for me, and build what will stand when my name is only a word for forgotten songs and outworn wisdom, and when your name, Morgause, is only a hissing in the dark.
593. Must I remind you of the prophecy? It was not my prophecy, it was made before I was born; that the sword should come by water and by land, treasured in darkness and locked in stone, until he should come who is rightwise king born of all Britain, and lift it from its hiding-place. -
Mm. I could literally roll in Stewart's writing. Seriously. Like a dog. It's just... the setting of it all is so rich it's like Middle Earth. Only, er, real. Sort of. And not quite as gorgeous and fantastic - but close.
-
This book is fantastically descriptive and very enjoyable to read. The world-building was immersive, and the characters were well sketched. It fell short with the women in the book, none of whom left any real impression and all of whom were treated and discussed by Merlin with either dismissiveness or contempt. I found this book in a second-hand bookstore and am now looking to read The Crystal Cave before moving on to later books in the series. The Hollow Hills was a good stand alone book, however, and I didn't feel lost while reading despite having skipped the first.
-
The king is dead! Long live the King!!
The second book in the series. It starts with the birth of Arthur and ends with the Death of King Uther and the ascension of Arthur to the throne. There are some real gems in this book. I enjoyed it thoroughly and am looking forward to the next book. -
Others have reviewed this book at great length, so I'll just focus in on what has stayed with me since my first reading (I've read this series multiple times): the relationship between Merlin and Arthur. In so many tellings of this tale, Merlin appears only at the beginning--to prophesy Arthur's coming, to teach him and prophesy his death, and then to disappear. Arthur may mourn the loss of a guide/teacher/enchanter, but the relationship between the two is not as important as Arthur's relationship with Lancelot or Guenevere.
Here, Stewart builds a strong familial connection between the two (and, in fact, Merlin and Arthur are first cousins in this re-telling). The dynamics of the relationship change somewhat, as Arthur matures and discovers his true parentage, but the bond never does. It makes everything that comes later--Merlin's prophecies regarding Mordred, Guenevere, and Bedwyr (Lancelot), for example--more powerful and poignant. This is an enchanter who doesn't just admire the king--he loves the man. And this is an Arthur who's allowed to be a fully-realized person, and the center of the story (so often, Arthur remains on the sidelines as the tales focus on his knights).
