Title | : | Total Chaos: The Art and Aesthetics of Hip-Hop |
Author | : | |
Rating | : | |
ISBN | : | 0465009093 |
ISBN-10 | : | 9780465009091 |
Language | : | English |
Format Type | : | Paperback |
Number of Pages | : | 400 |
Publication | : | First published January 8, 2007 |
Total Chaos: The Art and Aesthetics of Hip-Hop Reviews
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Jeff Chang compiles a completely thorough, almost anthropological discourse between the origins of hip-hop and its creative brainchildren. I almost treat this as my cultural bible, my go-to book for approaching my own work as a visual artist. It's important to me to remind myself of where I come from musically and culturally, that I often get lost through the cracks, worrying that I had no absolute foundation. This book provides a lot of historical evidence, that hip-hop isn't just a money-making scheme for pseudo-disenchanted youth. It actually has several solid layers found in every major culture on Earth, that is rich of language, tradition, inspirational people, scholars, movements, and memes. To add to the credibility: my dear friend, Tanya Suzuki, is a progressive, radical, post-modern educator in several academic institutions across Los Angeles (particularly, charter schools and community colleges) that she will be designing a college-level course based on this book. That is remarkable and very inspiring. It feeds onto itself, digests the good energy, and re-births brain diamonds more valuable than a Wall Street stock-portfolio can ever produce.
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I had to read this book for my History of Jazz class and it was surprising interesting. The discussions, the papers, the different topics covered really interested me.
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Disclaimer: I only read the roundtable on multiculturalism and the conversation on feminism.
I love that the topics were discussed rather than spoken from the perspective of just one person.
This was essential to the themes of both pieces I read because they deal with complexities within hip-hop. For example, in the essay on feminism, the discussion addresses what it feels like to be a black male feminist, what it feels like, as a woman, to love dancing to a song with sexist lyrics, whether the consumption of black female sexuality affirms black female sexuality or objectifies black female bodies, and why prominent black males accused of rape by black women get sympathy in the name of the cause.
This book deals with hip-hop and artistic expression and voice from many angles, though all interior to hip-hop, and each angle is further nuanced through its roundtable presentation. The scope and complexity of hip-hop is aptly highlighted. -
There's some interesting stuff in this anthology, but the lack of a strong authorial voice (despite the cover, Chang only edited the book) and some obscure and over-academicized material weakens it overall.
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Great comprehensive look at the realms hip hop has exploded into in the past thirty years.
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I want to read it because I enjoyed
Can't Stop Won't Stop so much. -
Good read, not great.
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(six word reviews #15) Mr.Chang, me for the next anthology.
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700.905 T7171 2006