Title | : | Three Plays: The Weavers / Hannele / The Beaver Coat |
Author | : | |
Rating | : | |
ISBN | : | 0881335401 |
ISBN-10 | : | 9780881335408 |
Language | : | English |
Format Type | : | Paperback |
Number of Pages | : | 218 |
Publication | : | First published January 1, 1977 |
Three Plays: The Weavers / Hannele / The Beaver Coat Reviews
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Out of these three, I read The Weavers. In the introduction to the book as a whole, "The Weavers" is described as lacking a fully developed plot given how episodic the action is, but that is the plot. It's episodic because Hauptmann is a naturalist playwright who was trying to tell a story over a span of classes and tie their stories together cohesively which he does quite nicely. This particular translation of the play is easy to read, follow, and understand. The story in the play is about the tragedy associated with the class of weavers in Germany during the 1840s and Hauptmann manages to write it in such a way that he condemns neither the poor nor the bourgeoise but simply leaves it to the audience to choose their own sides.
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I found “The Weavers” to be the most poignant play in this collection by 1912 Nobel laureate Gerhart Hauptmann. It is a story which tells of the plight and poverty of workers (weavers) in the Silesia section of Germany; the area where Hauptmann was born in 1864. The Weavers is a revolutionary play, one wherein the wealthy are seen as predators, and the church is seen as impotent in dealing with the social inequality described in this play. The play is perhaps a warning, a prelude to a much greater revolution which would soon rock northern Europe.
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The Weavers is a fine price of Naturalism. Characters forced by their misery into blind rage. Hannele is one of the most sensitively written works of art I have ever read. Innocence crushed in a savagely petty world with delicate beauty as just a sweet hallucination. I didn’t like the Beaver Coat. The jokes just didn’t land for me, but the characterization is strong.
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Lyrical but entirely christian and dated. These plays need to be adapted for modern times, as the structures, ideas and symbols are striking, at least as far as Hannele goes.